If you want to learn about historical societies and events, read history books. But if you want to understand your own world, and how it has emerged from and been shaped by the eternal, unchanging human psyche, intellect and fragility, read historical fiction. A great historical novel should always be first and foremost about the time in which it is written. That is what first drew me to the story of Petronius in The Uncertain Hour – if it doesn’t have a human heart, no amount of technical historical detail will kindle it in the reader’s imagination.
The Roman poet Ovid was one of the most popular writers of his day, but the defining tragedy of his life – his lifelong exile from Rome at the very height of his powers – remains as mysterious today as it was in his own time. In The Love-Artist, Jane Alison provides that tragedy with a back story, when Ovid, on holiday on the shores of the Black Sea, meets and is enchanted by the witch-like Xenia and persuades her to return with him to Rome, with dire consequences. But it’s the book’s dream-like atmosphere – the sense that we are seeing the world through the eyes of a great poet with one foot in the ambitious world of empire and the other in an unstable netherworld of imagination and mythology – that will remain with the reader.
A darkly brilliant first novel imagines a missing chapter in the life of Ovid. Why was Ovid, the most popular author of his day, banished to the edges of the Roman Empire? Why do only two lines survive of his play Medea, reputedly his most passionate work, and perhaps his most accomplished? Between the known details of the poets life and these enigmas, Jane Alison has interpolated a haunting drama of passion and psychological manipulation. On holiday in the Black Sea, on the fringes of the Empire, Ovid encounters an almost otherworldly woman who seems to embody the fictitious creations…
I knew the names of the nine already: the scientists Leo Szilard, Edward Teller, John von Neumann, and Eugene Wigner; the photographers Robert Capa and André Kertesz; the film-makers Michael Curtiz (Casablanca) and Alexander Korda (The third man); the writer Arthur Koestler (Darkness at Noon).
I did not know that they were all Hungarians who fled to Britain and America because they were all Jews (albeit lapsed).
Isolated by both language and ethnicity, they learned early that their choice was “innovate or die” – and their innovations would shape the world in which we live.
Marton, herself a Hungarian exile, uses her language skills and her insights to provide a riveting collective biography of the nine and their breathtaking journey from Budapest to the Anglo-Saxon World. Hitler shook the tree, and we picked up the fruit.
Author Kati Marton follows these nine over the decades as they flee fascism and anti-Semitism, seek sanctuary in England and America, and set out to make their mark. The scientists Leo Szilard, Edward Teller, and Eugene Wigner enlist Albert Einstein to get Franklin Roosevelt to initiate the development of the atomic bomb. Along with John von Neuman, who pioneers the computer, they succeed in achieving that goal before Nazi Germany, ending the Second World War, and opening a new age. Arthur Koestler writes the most important anti-Communist novel of the century, Darkness at Noon. Robert Capa is the first photographer…
As a refugee myself, I was attracted to read about the lives and experiences of other refugees, not merely those from my own community or background, but especially those from other backgrounds–which is probably reflected in the books that I’ve chosen for my list.
Even though this love story is set in very tragic times–The Spanish Civil War and the troubles in Chile–we follow the journey of two refugees, Victor and Rose, whose forced marriage gradually deepens into true love.
The author, herself an immigrant in the USA, meaningfully draws out questions facing so many migrants and refugees: Where do I belong? Where are my roots? Is my heart divided, or has it grown bigger?
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THE SUNDAY TIMES BESTSELLER
THE NEW YORK TIMES BESTSELLER
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'A powerful love story spanning generations... Full of ambition and humanity' - Sunday Times
'One of the strongest and most affecting works in Allende's long career' - New York Times Book Review
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On September 3, 1939, the day of the Spanish exiles' splendid arrival in Chile, the Second World War broke out in Europe.
Victor Dalmau is a young doctor when he is caught up in the Spanish Civil War, a tragedy that leaves his life - and the fate of his country - forever changed. Together with…
I am a historian at University College London, where I examine Palestinian refugee history in both my writing and my teaching. I first visited a Palestinian refugee camp 15 years ago, and I’ve spent much of my life since then researching the subject’s history and politics. As I see it, this topic is really the key to understanding the political dynamics of Israel-Palestine today. While a huge amount has been written on Israel-Palestine, I have always found that the most striking and informative works focus on refugees’ own experiences – and that’s the common thread running through the books I’ve chosen here.
If you only ever read one Palestinian memoirist, it should be Fawaz Turki.
He published three book-length memoirs, all excellent, but this is his most comprehensive autobiography and as such the must-read of all his works. It covers his early years in Haifa, his family’s displacement to Lebanon in 1948, and his subsequent adolescence in Burj al-Barajneh refugee camp; as well as his later studies and career in the US.
Exile’s Return is organized around his first return visit to Palestine in the 1990s, where he comes face-to-face with the realities of the Israeli occupation and continuing Palestinian dispossession. There are now many brilliant memoirs and autobiographies by Palestinian refugees, but Turki remains the memoirist par excellence in this genre.
A memoir tells of a Palestinian exile's return to his family's West Bank home after forty years of Western life, his dismay at the rigid conformity of Palestinian society, and his recognition that he has become a Palestinian American
I started in publishing at the Advocate magazine, twenty years ago in its heyday, then moved to Alyson Books, who first published Emma Donoghue among many others, offering a place for queer writers showcasing queer stories to find their audience. Afterwards, I became involved with Gertrude literary journal, a beloved, 25-year-old non-profit, LGBTQA journal that has now evolved to The Gertrude Conference. All the while, I read, wrote, and supported queer stories, like these gems!
On the planet of January, one side is in permanent daylight and the other side is permanent night, with people managing to live on a strip of moderate light between the two extremes.
Sophie, a shy teenager, breaks the rules and is sent to the dark side to die, only she survives. While she is in the dark, she meets telepathic creatures who, despite their terrifying visage, are kind-hearted—a shock to someone raised in a community who believes the creatures (and others) are awful because of the way they look.
Together with her best friend, Bianca, they decide to save the human race, against all dark odds, including secret outlaws.
This TV series would showcase all the strange glory of Anders, along with the emotional depth that will have us rooting for our young heroines who literally go between the darkness and the light. Hey, J.J. Abrams, you listenin’?
"If you control our sleep, then you can own our dreams... And from there, it's easy to control our entire lives."
From the brilliant mind of Charlie Jane Anders ("A master absurdist"-New York Times; "Virtuoso"-NPR) comes a new novel of Kafkaesque futurism. Set on a planet that has fully definitive, never-changing zones of day and night, with ensuing extreme climates of endless, frigid darkness and blinding, relentless light, humankind has somehow continued apace-though the perils outside the built cities are rife with danger as much as the streets below.
But in a world where time means only what the ruling…
I am a Dutch astronomer and historian of maritime navigation who somehow landed a coveted academic job in Sydney, Australia. I spend much of my free time on weekends at the Australian National Maritime Museum as a guide on our vessels, as a speaker, as a consultant on matters related to the historical determination of longitude at sea, and as a deckhand on our historic tall ships. I’ve written 2 history of science books, including a biography of William Dawes, the astronomer on the ‘First Fleet’ from England to Australia (1787–1788). In addition to this, I enjoy writing about the history of medicine and diseases during the Age of Sail.
This is a heavy tome, but it is really compelling reading for a history buff like me. Hughes tells the story of the British colonisation of the continent we now know as Australia by focusing on details, details, details—and people! This is not a dry academic book taking the reader through a timeline. Instead, I like its focus on the people at the basis of this brutal period in the history of Australia, associated with huge human costs—both for the convicts forcibly transported half a world away and for the Indigenous population.
Hughes is a storyteller, and he does engage in some speculation, but overall, his facts hold up, and so this book is a must-read for anyone with even a passing interest in how modern Australia developed over the past 250 years.
In 1787, the twenty-eighth year of the reign of King George III, the British Government sent a fleet to colonise Australia.
Documenting the brutal transportation of men, women and children out of Georgian Britain into a horrific penal system which was to be the precursor to the Gulag and was the origin of Australia, The Fatal Shore is the definitive, masterfully written narrative that has given its true history to Australia.
'A unique phantasmagoria of crime and punishment, which combines the shadowy terrors of Goya with the tumescent life of Dickens' Times
I am a historian of modern Poland. I teach, write, and think a lot about Poland and its place in Europe and the world. Regardless of where I live, Poland will always be my first home, where strawberries taste the best, the forest offers the most calming shade in the summer, and the language sounds the sweetest. But Poland is also a conundrum—perhaps similar to anywhere else and unique simultaneously. Its successes and failures, the traumas it caused and experienced, are part of me, and they keep pushing me to search for people and their stories that help us see the complexity of human life and individual choices.
It’s a short book with 5 essays on displacement, loss, and ways to find a sense of belonging. The stories are personal; perhaps because of that, they touch on something that I think many of us carry in our hearts–a need to reflect on what it means to lose and rebuild a home.
The essays evoke many different themes–the power of movement and starting anew, but also a sense of alienation that even the voluntary wanderers may never lose. We carry the cultures that shaped us within us; as Eva Hoffman, one of the authors, says, “We are nothing more than the encoded memory of our heritage.” And feeling, even if a blessing, sometimes deepens our sense of alienation.
For many of the authors, it’s the language and writing that make sense of the discomfort and find a ‘home.’ It’s a small but beautifully written book and one that inspires…
"Moving, deeply introspective and honest" (Publishers Weekly) reflections on exile and memory from five award-winning authors. All of the authors in Letters of Transit have written award-winning works on exile, home, and memory, using the written word as a tool for revisiting their old homes or fashioning new ones. Now in paperback are five newly commissioned essays offering moving distillations of their most important thinking on these themes. Andre Aciman traces his migrations and compares his own transience with the uprootedness of many moderns. Eva Hoffman examines the crucial role of language and what happens when your first one is…
Do you love YA fantasy, but want some titles you feel confident sharing with your grandmother, younger sibling, mom, teacher? As an avid YA fantasy reader, I know the struggle of finding book recs that are exciting, magical, and wouldn’t make my mother blush. Upon entering the publishing industry, I made this my focus as an agent and now as an editor. As an author, I write YA and NA titles that don’t pull any punches but can be enjoyed by anyone. All 10 of my published books and upcoming releases can be enjoyed by teens, adults, and yes, your grandmother—and here are five more books I think achieve that as well.
I love the movie and musical adaptations of Anastasia, so it’s no wonder I love this magical family saga from Nadine Brandes. Brandes effortlessly weaves magic into the tale we thought we knew about Anastasia Romanov. And yes, there is both magic and romance.
With the leader of the Bolshevik army after her, Anastasia “Nastya” Romanov is given a mission to smuggle an ancient spell that might be her family’s only salvation into exile in Siberia. Nastya has barely dabbled in magic, but her only chances of saving herself and her family are to release the spell and deal with the consequences, or to enlist help from Zash, the handsome Bolshevik soldier who seems to be different. This story does contain violence, but overall is another read I both love and could recommend to anyone.
My name is Anastasia. The history books say I died. They don't know the half of it.
Anastasia "Nastya" Romanov was given a single mission: to smuggle an ancient spell into her suitcase on her way to exile in Siberia. It might be her family's only salvation. But the leader of the Bolshevik army is after them, and he's hunted Romanov before.
Nastya's only chances of saving herself and her family are either to release the spell and deal with the consequences, or to enlist help from Zash, the handsome soldier who doesn't act like the average Bolshevik. Nastya has…
I’m Lindsay, and I never stop falling in love with human creativity. From the moment I first cracked open a library-borrowed copy of The Wizard of Ozas a child, I’ve been asking “What if…?” and I’ve delighted in how other authors imaginatively tackle that question. My interests are eclectic, ranging from history and politics to baking and sparkly things. I read to be swept away and to take a peek inside the storyteller’s mind and heart.
Easily one of my favorite epic fantasies I’ve read in recent years. The complexity of Gillian’s world is a highlight, yet she still makes the story and those within it accessible for her readers. It felt deep, not cluttered. She writes distinctly and with heart from three different points of view. I couldn’t flip pages fast enough, anxious for the moment these three story threads would intersect. It was more than worth the wait.
She rides a fireborn, a steed of fire and ash, trained for destruction.
Ceridwen tal Desmond dreams of ruling like her father over the nation of Soldonia, where warriors ride to battle on magical steeds—soaring on storm winds, vanishing in shadow, quaking the earth, and summoning the sea. After a tragic accident claims her twin brother, she is exiled and sworn to atonement by spending her life—or death—for her people.
But when invaders spill onto Soldonia’s shores and traitors seize upon the chaos to murder her father, Ceridwen claims the crown to keep the nation from splintering. Combatting overwhelming odds…
I love it when a writer breaks the rules of a genre like fiction, nonfiction, or poetry to tell a story that can’t be contained in a typical way. Here are five books that think outside the box to narrate a tale that wants to be told in its own fashion.
In this book, W.G. Sebald tells the stories of four Germans who, like the author, left their native land to live abroad. Sebald mixes family memories with stream-of-consciousness musings on history and culture. He inserts unexpected elements into the text, including a found diary written by his Great-Uncle Adelwarth, a gay man who was out of the closet way before it was safe.
Sebald sprinkles into the narrative black and white period photos that have a sort of deadpan, documentary humor that perfectly matches the tone of his prose.
The four long narratives in The Emigrants appear at first to be the straightforward biographies of four Germans in exile. Sebald reconstructs the lives of a painter, a doctor, an elementary-school teacher, and Great Uncle Ambrose. Following (literally) in their footsteps, the narrator retraces routes of exile which lead from Lithuania to London, from Munich to Manchester, from the South German provinces to Switzerland, France, New York, Constantinople, and Jerusalem. Along with memories, documents, and diaries of the Holocaust, he collects photographs-the enigmatic snapshots which stud The Emigrants and bring to mind family photo albums. Sebald combines precise documentary with…
