Fans pick 85 books like Beatriz Allende

Lincoln Cushing was born in pre-revolutionary Cuba to a State Department official with the U.S. Information Agency. I first met Lincoln at a conference on the Global Sixties and he later introduced me to his extensive poster and political graphics collection. This book, one of several by Cushing on political posters, documents Cuba’s extraordinary post-revolutionary poster art, which became renowned the world over in left-wing circles. Cushing has in-depth knowledge of the printing processes involved and was granted direct access to many of the most well-known graphic artists who stayed in Cuba to collaborate with the regime. If you’re looking for the best book discussing Cuba’s revolutionary poster art tradition, this is it.

What I appreciated most about this book is the clarity of the images and the close attention to historical detail that Cushing provides. He organizes the book thematically, focusing especially on the posters produced by OSPAAAL… show more.

Vibrant countercultural scenes grounded in local rock movements transpired across virtually every country in Latin America during the 1960s-70s. There are now several important books that examine various facets of these countercultural movements, and Barr-Melej’s is one of the best in that respect. Focusing on the brief period of Socialist President Salvador Allende (1970-73), his discussion of Chilean jipis and the political battles waged by the Left to contain this so-called foreign import is fascinating. The book falls short in providing an earlier context to the rise of Chile’s countercultural movement and ends abruptly with the rise of dictatorship—a period that transformed rock music into a site of active political protest. But its merits outweigh its shortcomings, especially the lively narration about the Piedra Roja rock festival, Chile’s equivalent of Woodstock. 

I’ve known Barr-Melej for many years and eagerly awaited the publication of this book, which was one of only… show more.

There is no U.S. equivalent to the comic strip “Mafalda,” a strip centered around a young, middle-class girl and her entourage of neighborhood friends set in mid-1960s Buenos Aires. The strip itself only lasted a decade but its afterlives continue to reverberate across Latin America and throughout other parts of the world. Today, the face of Mafalda—the strip’s namesake—can be found with a speech bubble protesting any number of injustices. It is probably no exaggeration to say that this is the most important comic strip ever written, and one whose appeal lies both in its simplicity and the subtle depth of its political humor. Published here in translation, Cosse, a noted scholar of cultural and social history, has written a biography of the strip and its characters as a way not only of understanding the crisis of Argentina’s middle classes, but the ways in which the mass media transform objects… show more.

Among the books on this list, Gosse’s Where the Boys Are is truly a classic. I first encountered this book a few years after I finished my dissertation and found it to be one of the most original works I had ever read. I still find that to be true. Gosse (with whom I was later a colleague at Franklin & Marshall College) weaves together cultural, intellectual, political, and diplomatic history to show how the Cuban revolution inspired youth in late 1950s America and subsequently helped launch a “New Left” in the United States. Gosse reminds us of how popular Fidel Castro was across the United States in the brief period before he became Enemy #1. But his methodological approach, combining novels, films, and diplomatic records, is truly a model for later interdisciplinary scholarship as well.

Impossible to fathom how Carson McCullers could have distilled such wisdom into her soul by age twenty-three, and then produced this book. The passions and losses, violence and ambition, guilts and loves, of her cast of small-town 1930s Americana characters, wander across the pages like spectres disrupted by a shifting wind. 

The lost, struggling to hear each other's songs above their own pain, but continuing to try through the long night, no matter the chance of success. 

I first bought a copy of this in Sandusky, Ohio, in 1993, on a day off from working at Cedar Point Amusement Park, entranced as I read the first pages standing up in a mall bookshop, the after-echoes of rumbling roller-coasters pummelling my ears and spirit.

I was first attracted to this book because it begins with a suicide. I have written about suicide, so I’m interested in how others view it and how it can be used as a catalyst to drive a story.

In this case, a dear friend’s suicide becomes pivotal to the evolution and development of the other three main characters. Whenever someone ends their life, those left behind begin to question everything and often suffer from feelings of guilt. This book shows how the other characters coped, moving forward, along with fabulous, colorful memories from when the four friends were together.

I love that it made me laugh and cry. I found myself wishing that I had three dear friends like the ladies in this story. 

Straub is a master, but this title is often overlooked. It’s compact, completely engaging, and features some of the best dread-inducing moments I’ve ever read in a horror novel. His writing is a masterclass in dread, and as a writer I return to it often. Much as Tremblay uses the gimmick of reality TV in A Head Full of Ghosts to horrifying effect, Straub employs email in a creepy and sinister fashion.    

When I was pitching my book, I used this book as a comp: it’s like This Song Will Save Your Life, but at raves! There are definitely some similarities (credit to Leila Sales: hers came first). They both feature geeky girls, and Sales’ Elise Dembowski is one of the truest awkward-teen first-person voices I’ve ever read. They’re both set against the backdrop of underground music scenes, and the way Sales describes indie dance parties made me feel like I was back in the basement of NYC’s Lit trying to look cool while bopping around awkwardly to Joy Division. Both of our protagonists have weird relationships with older guys, and they both learn lessons that suck at the time but make them stronger. So is there room in the world for two girl-DJ books? Yes! Check out This Song Will Save Your Life and you’ll see exactly why. 

In Pieces is the first of a two-book series. The romance develops in this book while subplots thicken. I was quickly drawn to the characters and early American setting. I felt immersed in the ambience of the Boston waterfront during the Federalist years. Themes of redemption, forgiveness and understanding weave through the novel and affect more than the hero and heroine. For example, the hero’s family grapples with his growing interest in Catholicism. As the love story reaches resolution, another subplot deepens: a need for American spies to help protect the young country. I ended the book feeling as though the characters had become friends. In Pieces is subtitled Molly Chase Book 1 and fits the Christian historical fiction genre as well as Catholic historical romance.

Novelist and journalist Lionel Shriver’s novel is the story of Kay and Cyril, a comfortably settled, middle-aged, middle-class British couple who make plans for their future. The experiences of a decade of caring for Kay’s father with dementia were so unsettling and disturbing that the couple agree to end their lives at 80. They carry on with their lives convinced that 80 is enough. Or maybe not. Or perhaps it depends. This book is required reading for all those planners, those self-controllers, who seize the future and bind their families with the tight contractual grip of a well-composed, gravely worded “dementia advance directive,” such as “In the event I cannot recognize family, I ask that I be euthanized” or “Should I reach a stage when I am unable to feed myself, I ask that all feeding cease.”