Fans pick 100 books like Mafalda

Lincoln Cushing was born in pre-revolutionary Cuba to a State Department official with the U.S. Information Agency. I first met Lincoln at a conference on the Global Sixties and he later introduced me to his extensive poster and political graphics collection. This book, one of several by Cushing on political posters, documents Cuba’s extraordinary post-revolutionary poster art, which became renowned the world over in left-wing circles. Cushing has in-depth knowledge of the printing processes involved and was granted direct access to many of the most well-known graphic artists who stayed in Cuba to collaborate with the regime. If you’re looking for the best book discussing Cuba’s revolutionary poster art tradition, this is it.

What I appreciated most about this book is the clarity of the images and the close attention to historical detail that Cushing provides. He organizes the book thematically, focusing especially on the posters produced by OSPAAAL… show more.

Tanya Harmer is a noted diplomatic historian who focuses on the left-wing presidency of Salvador Allende in Chile during the early 1970s. Allende, as most people know, was violently overthrown in a CIA-backed coup d’etat in 1973. That event ushered in 15 years of brutal dictatorship and transformed Chile’s experiment with democratic socialism into the first example of neoliberalism in Latin America and the world. Harmer’s biography of Allende’s youngest daughter, Beatriz, is a brilliant, intimate portrait of a young activist torn between loyalty to her Socialist (and non-violent) father and the appeal of Cuba’s revolutionary fervor, with its emphasis on violent insurrection against the old order. It is a tragedy, much like the 1960s itself.

Vibrant countercultural scenes grounded in local rock movements transpired across virtually every country in Latin America during the 1960s-70s. There are now several important books that examine various facets of these countercultural movements, and Barr-Melej’s is one of the best in that respect. Focusing on the brief period of Socialist President Salvador Allende (1970-73), his discussion of Chilean jipis and the political battles waged by the Left to contain this so-called foreign import is fascinating. The book falls short in providing an earlier context to the rise of Chile’s countercultural movement and ends abruptly with the rise of dictatorship—a period that transformed rock music into a site of active political protest. But its merits outweigh its shortcomings, especially the lively narration about the Piedra Roja rock festival, Chile’s equivalent of Woodstock. 

I’ve known Barr-Melej for many years and eagerly awaited the publication of this book, which was one of only… show more.

Among the books on this list, Gosse’s Where the Boys Are is truly a classic. I first encountered this book a few years after I finished my dissertation and found it to be one of the most original works I had ever read. I still find that to be true. Gosse (with whom I was later a colleague at Franklin & Marshall College) weaves together cultural, intellectual, political, and diplomatic history to show how the Cuban revolution inspired youth in late 1950s America and subsequently helped launch a “New Left” in the United States. Gosse reminds us of how popular Fidel Castro was across the United States in the brief period before he became Enemy #1. But his methodological approach, combining novels, films, and diplomatic records, is truly a model for later interdisciplinary scholarship as well.

Anyone who aspires to an understanding of Latin American democracy must read the work of Guillermo O’Donnell, who almost single-handedly set the terms of the key debates over a period of thirty to forty years; and the only possible reason for this not being my 1st pick is that it is a collection of essays, not a monograph. O’Donnell was a passionate scholar, and both his passionate engagement and meticulous scholarship are amply illustrated in the discussions here of the vicissitudes and possibilities of democracy in Latin America, his wide survey encompassing everything from democratic struggles against authoritarian regimes to the flaws arising in the new democracies from defective institutionalism and extreme social inequalities. Read and admire.

Neither novel nor travel book, this classic journey defies category.

Purportedly a quest for a scrap of giant slothskin, which the author finds in a cave in southern Chile, it zig-zags through time and space, alighting on travellers from Magellan to Butch Cassidy, while trampling down conventional boundaries.

“Everyone says: ‘Are you writing a novel?’ No, I’m writing a story and I do rather insist that things must be called stories. That seems to me to be what they are. I don’t quite know the meaning of the word novel.” 

This book also centers on a post-dictatorship period, looking not only at accountability for the thousands that were killed or disappeared during Argentina’s military junta, but also at the struggle for social and economic rights amid an economic crisis in the 1980s.

Adair centers her book on the Raúl Alfonsín presidency to look at the various challenges he faced, and the demands that citizens placed on his government to ensure basic needs. The book is also imminently readable and filled with moving anecdotes about citizens’ struggles during this period. 

Kathryn Sikkink brings a political science approach to the study of developmentalism as a policy framework in postwar Latin America.

Rather than rationalizing the ideology of development as the expression of interest group politics, the book interrogates the channels through which ideas find their way into institutional settings, and thence into political action. Contrasting the historical experiences of Brazil and Argentina, Sikkink shows how the same intellectual premises may lead to disparate results when put to work within different national settings.

Ideas do matter, but if they are to succeed, they need to find a hospitable institutional environment – which sheds light on both the possibilities and challenges faced by Latin American nations seeking to shape their own destiny.

This book by Mario Vargas Llosa explores the last days of the Dominican Republic's Trujillo dictatorship. I really enjoyed this novel for its blending of historical facts with fiction and for providing a detailed depiction of Rafael Trujillo's regime, its impact on the country, and his assassination in 1961.

The narrative combines three storylines: The character of Urania, who returns to the Dominican Republic after many years in the United States, and shows us the long-lasting psychological impact of Trujillo's rule on her and her family. Trujillo’s last days, personality, control over the country, and the loyalty and fear he commanded. Finally, the group of people plotting to assassinate Trujillo, their motivations, fears, and actions show us that freedom is one of our most valuable treasures worthy of risking our lives.

Vargas Llosa's detailed and compelling narrative profoundly examines how dictatorial regimes can distort societies and damage lives.

Horrifying, brutal, sinuous, and uncanny, this one floored me. It evokes the peril of girlhood and womanhood with unwavering intensity.

Each story is fresh and unexpected, yet also timeless, rich with wisdom and mythology centuries old. Steeped in painful history, past atrocities twine with the present to nightmarish effect.

Mariana Enríquez is part of a new vanguard of Argentine and Latin American Gothic writers alongside Samanta Schweblin. Their writing, born from real-world horrors, is among the most thrilling discoveries I’ve made in years.