Here are 100 books that Counterpoints fans have personally recommended if you like
Counterpoints.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I fell in love with Latin America as I meandered around Mexico in the summer of 1969. The passion has never died. Within a year I walked into Brazil’s ‘wild west’ to research the violence along its moving frontier, while over fifty years later I am an emeritus professor of Latin American politics at the University of Oxford and an honorary professor at the University of Exeter. An early decision to look at politics from the ‘bottom up’ led to a life-long inquiry into the theory and practice of democracy, and the publication of many essays and books that are available to view on my Amazon author page.
This is the most up-to-date and comprehensive account of the politics of Latin America and delivers a scintillating analysis of its democratic systems of government. It is written by two of the most dynamic and original scholars working in Latin America today, who are working here to a set of rigorous analytical standards. Their argument is supported and extended by numerous links to primary and secondary written materials, as well as photo and video archives. The argument is both lucid and accessible.
Taking a fresh thematic approach to politics and society in Latin America, this introductory textbook analyzes the region's past and present in an accessible and engaging style well-suited to undergraduate students. The book provides historical insights into modern states and critical issues they are facing, with insightful analyses that are supported by empirical data, maps and timelines. Drawing upon cutting-edge research, the text considers critical topics relevant to all countries within the region such as the expansion of democracy and citizenship rights and responses to human rights abuses, corruption, and violence. Each richly illustrated chapter contains a compelling and cohesive…
I fell in love with Latin America as I meandered around Mexico in the summer of 1969. The passion has never died. Within a year I walked into Brazil’s ‘wild west’ to research the violence along its moving frontier, while over fifty years later I am an emeritus professor of Latin American politics at the University of Oxford and an honorary professor at the University of Exeter. An early decision to look at politics from the ‘bottom up’ led to a life-long inquiry into the theory and practice of democracy, and the publication of many essays and books that are available to view on my Amazon author page.
This is an original, close-focus, and fully comparative account of the democratic politics of Latin America that demonstrates beyond any doubt that no analysis of its democracies can succeed without equal attention to the processes of State formation in the region. I do not say that I find its analytical approach well founded in every respect or that I agree with all of its conclusions, but it’s an argument that poses and wrestles with the difficult questions and engages with a wide range of theoretical and empirical inquiry into order to do so.
Latin America is currently caught in a middle-quality institutional trap, combining flawed democracies and low-to-medium capacity States. Yet, contrary to conventional wisdom, the sequence of development - Latin America has democratized before building capable States - does not explain the region's quandary. States can make democracy, but so too can democracy make States. Thus, the starting point of political developments is less important than whether the State-democracy relationship is a virtuous cycle, triggering causal mechanisms that reinforce each other. However, the State-democracy interaction generates a virtuous cycle only under certain macroconditions. In Latin America, the State-democracy interaction has not generated…
I fell in love with Latin America as I meandered around Mexico in the summer of 1969. The passion has never died. Within a year I walked into Brazil’s ‘wild west’ to research the violence along its moving frontier, while over fifty years later I am an emeritus professor of Latin American politics at the University of Oxford and an honorary professor at the University of Exeter. An early decision to look at politics from the ‘bottom up’ led to a life-long inquiry into the theory and practice of democracy, and the publication of many essays and books that are available to view on my Amazon author page.
The author list combines a leading sociological theorist, a premier scholar of Latin American political economy, and a sophisticated practitioner of statistical analysis who between them have written one of the great classical works on Latin American economy and democracy.
The book itself combines a rounded theoretical approach, a comparative framework that extends to Europe and North America, and a thorough grounding in Latin American history. Though published some thirty years ago, it remains a must-read for those trying to get to grips with Latin American democracy.
How are capitalism and democracy related? Does capitalist development today generate pressures for democratization in the same way it did earlier in the core countries of capitalism? Past research has come to divergent conclusions on these questions. Cross-national statistical research has found that capitalist development and democracy are consistently correlated. By contrast, comparative historical studies have argued that economic development and democracy was and is compatible with a variety of political forms, and that in some cases economic development imperatives have led to the authoritarian eclipse of political competition, and that the chances of democracy in developing countries are rather…
I fell in love with Latin America as I meandered around Mexico in the summer of 1969. The passion has never died. Within a year I walked into Brazil’s ‘wild west’ to research the violence along its moving frontier, while over fifty years later I am an emeritus professor of Latin American politics at the University of Oxford and an honorary professor at the University of Exeter. An early decision to look at politics from the ‘bottom up’ led to a life-long inquiry into the theory and practice of democracy, and the publication of many essays and books that are available to view on my Amazon author page.
You have to ask how is it that Argentina has produced so many world-class authors, artists, and intellectuals? Roberto Gargarella is one such, and he has succeeded in turning the apparently dry topic of constitutionalism into the key to explaining the central paradoxes of Latin American democratic development. Before this book, constitutionalism was often dismissed as irrelevant to an understanding of Latin American democracy – very different to that of the United States – but Gargarella comes to the analytical rescue of the constitution and makes it central to his perceptive and counterintuitive analysis.
Latin America possesses an enormously rich constitutional history, but this legal history has only recently begun to be subjected to scholarly inquiry. As Roberto Gargarella contends, contemporary constitutional and political theory has a great deal to learn from this history, as Latin American constitutionalism has endured unique challenges that have not appeared in other regions. Such challenges include the emergence of egalitarian constitutions in inegalitarian contexts; deliberation over the value of "importing" foreign legal instruments; a long-standing exercise of socio-economic rights (which is only just starting in other areas of the world); issues of multiculturalism and indigenous rights; substantial experience…
I worked at the International Center for Transitional Justice in 2009 when Uruguay held a second referendum to overturn the country’s amnesty law that protected the police and military from prosecution for human rights abuses during the country’s dictatorship. Despite the country’s stable democracy and progressive politics in the 21st century, citizens quite surprisingly rejected the opportunity to overturn the state-sanctioned impunity law. My interest in broader accountability efforts in the world and that seemingly shocking vote in Uruguay drove me to want to study the roots of that failed effort, ultimately compelling a broader investigation into how human rights culture in Uruguay evolved, particularly during and after its period of military rule.
This book also centers on a post-dictatorship period, looking not only at accountability for the thousands that were killed or disappeared during Argentina’s military junta, but also at the struggle for social and economic rights amid an economic crisis in the 1980s.
Adair centers her book on the Raúl Alfonsín presidency to look at the various challenges he faced, and the demands that citizens placed on his government to ensure basic needs. The book is also imminently readable and filled with moving anecdotes about citizens’ struggles during this period.
In 1983, following a military dictatorship that left thousands dead and disappeared and the economy in ruins, Raul Alfonsin was elected president of Argentina on the strength of his pledge to prosecute the armed forces for their crimes and restore a measure of material well-being to Argentine lives. Food, housing, and full employment became the litmus tests of the new democracy. In Search of the Lost Decade reconsiders Argentina's transition to democracy by examining the everyday meanings of rights and the lived experience of democratic return, far beyond the ballot box and corridors of power. Beginning with promises to eliminate…
My name is Rebecca Sanford, and my debut novel is based on the historical events of Argentina's last military dictatorship and the work of the grandmothers of the Plaza de Mayo. As a graduate student in the international affairs program at The New School, I conducted field research for my master's thesis with the Identity Archive of the Grandmothers at the University of Buenos Aires. This experience inspired a fictional story that ultimately became The Disappeared.
This book appealed to my love of feminist theory and cultural studies. It explores gender and nationalism in the context of Argentine identity between 1976 and 1983.
Diana Taylor examines military tactics, geography, theatre, campaign propaganda, and the feminization of the enemy—with quite a bit of research on the Mothers of the Plaza de Mayo—and examines the way images, myths, and desires shape a collective narrative.
In Disappearing Acts, Diana Taylor looks at how national identity is shaped, gendered, and contested through spectacle and spectatorship. The specific identity in question is that of Argentina, and Taylor's focus is directed toward the years 1976 to 1983 in which the Argentine armed forces were pitted against the Argentine people in that nation's "Dirty War." Combining feminism, cultural studies, and performance theory, Taylor analyzes the political spectacles that comprised the war-concentration camps, torture, "disappearances"-as well as the rise of theatrical productions, demonstrations, and other performative practices that attempted to resist and subvert the Argentine military. Taylor uses performance theory…
I’ve been interested in exploring the characteristics and meaning of heroines in history since I met two fellow travelers in Nova Scotia in 1990 who introduced me to the work of Joseph Campbell and his The Hero with a Thousand Faces. As a history professor I am interested in women’s changing place in society and the history of heroines is an excellent way to explore this. I am passionate about moving beyond individual, celebratory stories to instead explore themes for a dynamic modern archetype of a heroine across time and cultures. I like to imagine a time when all humans can be heroes without the feminine suffix.
J M Taylor captures the successes and tragedies of Argentina’s ‘Santa Evita’. She unravels the myth-making that surrounded her eventful life.
Eva Peron’s public image and iconography are contrasted with complex class politics, religious observation, political coups, and sexism. Peron’s untimely death from cancer and the story of her corpse not being left to rest in peace is particularly jarring. I like how the book reveals that the history of heroines is complicated and that myth-making can hide important nuances.
Eva Peron , one of the most powerful women in the world at the time of her death in 1952, rose from humble origins to international renown as First Lady of Argentina and the force behind her husband, Juan Peron. Despite her popularity she was inaccessible to the people of Argentina, and so images were constructed around her to fill that void. According to J.M. Taylor, these "myths" around Eva Peron reflect Argentine culture and political history at the time of her seven-year reign. With a brief biography of Eva Peron serving as a backdrop, this study offers an analysis…
My name is Rebecca Sanford, and my debut novel is based on the historical events of Argentina's last military dictatorship and the work of the grandmothers of the Plaza de Mayo. As a graduate student in the international affairs program at The New School, I conducted field research for my master's thesis with the Identity Archive of the Grandmothers at the University of Buenos Aires. This experience inspired a fictional story that ultimately became The Disappeared.
This was the first book I read when researching Argentina’s military dictatorship over twenty years ago. It was gifted to me by the head of the graduate program in international affairs at The New School. It explores the use of language in the context of the human rights atrocities that occurred during this dark period of Argentina’s history.
Marguerite Feitlowitz's marrying of investigative narrative with human storytelling makes the work accessible and richly informative.
Tanks roaring over farmlands, pregnant women tortured, 30,000 individuals "disappeared"--these were the horrors of Argentina's Dirty War. A New York Times Notable Book of the Year and Finalist for the L.L. Winship / PEN New England Award in 1998, A Lexicon of Terror is a sensitive and unflinching account of the sadism, paranoia, and deception the military junta unleashed on the Argentine people from 1976 to 1983.
This updated edition features a new epilogue that chronicles major political, legal, and social developments in Argentina since the book's initial publication. It also continues the stories of the individuals involved in the…
I’ve always been fascinated by the political aesthetics and political ferment of the 1960s. As someone born in the 1960s but not of the 1960’s generation, this has allowed for a certain “critical distance” in the ways I approach this period. I'm especially fascinated by the global circulation of cultural protest forms from the 1960s, what the historian Jeremy Suri called a “language of dissent.” The term Global Sixties is now used to explore this evident simultaneity of “like responses across disparate contexts,” such as finding jipis in Chile. In our book,The Walls of Santiago, we locate various examples of what we term the “afterlives” of Global Sixties protest signage.
There is no U.S. equivalent to the comic strip “Mafalda,” a strip centered around a young, middle-class girl and her entourage of neighborhood friends set in mid-1960s Buenos Aires. The strip itself only lasted a decade but its afterlives continue to reverberate across Latin America and throughout other parts of the world. Today, the face of Mafalda—the strip’s namesake—can be found with a speech bubble protesting any number of injustices. It is probably no exaggeration to say that this is the most important comic strip ever written, and one whose appeal lies both in its simplicity and the subtle depth of its political humor. Published here in translation, Cosse, a noted scholar of cultural and social history, has written a biography of the strip and its characters as a way not only of understanding the crisis of Argentina’s middle classes, but the ways in which the mass media transform objects…
Since its creation in 1964, readers from all over the world have loved the comic Mafalda, primarily because of the sharp wit and rebellious nature of its title character-a four-year-old girl who is wise beyond her years. Through Mafalda, Argentine cartoonist Joaquin Salvador Lavado explores complex questions about class identity, modernization, and state violence. In Mafalda: A Social and Political History of Latin America's Global Comic-first published in Argentina in 2014 and appearing here in English for the first time-Isabella Cosse analyzes the comic's vast appeal across multiple generations. From Mafalda breaking the fourth wall to speak directly to readers…
I am a British novelist and biographer who lived on and off in Latin America from the 1960s to the late 1980s. I was a boy in Brazil during the Death Squads; an adolescent in Argentina during the Dirty War; and a young journalist in Peru during the Shining Path insurgency, publishing a reportage for Granta on my search for Abimael Guzman. I gave the 2010 Borges Lecture and have written two novels set in Peru, the second of which, The Dancer Upstairs, was chosen as the best novel of 1995 by the American Libraries Association and turned into a film by John Malkovich.
Neither novel nor travel book, this classic journey defies category.
Purportedly a quest for a scrap of giant slothskin, which the author finds in a cave in southern Chile, it zig-zags through time and space, alighting on travellers from Magellan to Butch Cassidy, while trampling down conventional boundaries.
“Everyone says: ‘Are you writing a novel?’ No, I’m writing a story and I do rather insist that things must be called stories. That seems to me to be what they are. I don’t quite know the meaning of the word novel.”
Bruce Chatwin sets off on a journey through South America in this wistful classic travel book
With its unique, roving structure and beautiful descriptions, In Patagonia offers an original take on the age-old adventure tale. Bruce Chatwin's journey to a remote country in search of a strange beast brings along with it a cast of fascinating characters. Their stories delay him on the road, but will have you tearing through to the book's end.
'It is hard to pin down what makes In Patagonia so unique, but, in the end, it is Chatwin's…
