Things We Lost in the Fire

Horrifying, brutal, sinuous, and uncanny, this one floored me. It evokes the peril of girlhood and womanhood with unwavering intensity.

Each story is fresh and unexpected, yet also timeless, rich with wisdom and mythology centuries old. Steeped in painful history, past atrocities twine with the present to nightmarish effect.

Mariana Enríquez is part of a new vanguard of Argentine and Latin American Gothic writers alongside Samanta Schweblin. Their writing, born from real-world horrors, is among the most thrilling discoveries I’ve made in years. 

I lived in Buenos Aires, Argentina, for a year in 1988, five years after the last military dictatorship ended. I remember seeing the Mothers of the Plaza de Mayo holding vigils in front of the Casa Rosada presidential palace for los desaparecidos, their children who 'disappeared' during the last dictatorship. Enriquez creates strange, dense worlds of horror in these stories, with dark, unexplained, and sometimes magical undercurrents. The stories are not directly about the events, but reference them obliquely, only adding to the terror. Enriquez’s writing style blew me away, and her stories defy easy categorisation.

Another contemporary book of Latin American magical realism, this one is perhaps subtlest in its surrealism and has most in common with the American Gothic tradition of Edgar Allan Poe. Things We Lost in the Fire reveals to us an Argentina filled with ghosts and haunted houses and satanic rituals while simultaneously bringing the country as it is today to vivid, powerful life.