Here are 86 books that The Heart Is a Lonely Hunter fans have personally recommended if you like
The Heart Is a Lonely Hunter.
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I have been a keen walker/hiker/backpacker since I was five when my parents named a local footpath James’s Path. Almost fifty years later, I have walked all over the UK and further afield in the Pyrenees and the Alps, Nepal, and the Antipodes. Walking for me is both a means to an end—to reach mountaineering routes and as exercise—and as an end in itself. Days spent walking can be reflective, social, demanding, and memorable. I always take a book, even if it's a day walk, and two or three if it’s a multiday trip. I hope you’re as energized and stimulated by my suggestions as I’ve been.
I love this book because it feels deep—it is deep—but it’s also engaging. There’s a story and characters to follow, but at its core, it’s a fascinating introduction to philosophy.
The meaning of life, the big questions, how to understand and negotiate the world. I first read it as a teenager during my gap year in Southeast Asia, and it was the perfect mental companion to the bombardment of my physical senses. Zen turned my perception of the world upside down, and I reread it occasionally.
It has one of the most memorable titles of all time, and I still quote its core message, which involves motorcycle maintenance.
Acclaimed as one of the most exciting books in the history of American letters, this modern epic became an instant bestseller upon publication in 1974, transforming a generation and continuing to inspire millions. A narration of a summer motorcycle trip undertaken by a father and his son, the book becomes a personal and philosophical odyssey into fundamental questions of how to live. Resonant with the confusions of existence, Zen and the Art of Motorcycle Maintenance is a touching and transcendent book of life.
Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.
If I ever have to write a book to get past the censors, this book will be my model. Who knew that a mordant critique of a corrupt state could be so elegant, even whimsical?
The barbs are so oblique that the censor has a hard time finding something to pick on or even noticing it, and yet they’re unmistakable to anyone living in a society with even a passing resemblance to Stalin’s Russia—and after reading The Master and Margarita, I see those resemblances in every organization and every regime.
'Bulgakov is one of the greatest Russian writers, perhaps the greatest' Independent
Written in secret during the darkest days of Stalin's reign, The Master and Margarita became an overnight literary phenomenon when it was finally published it, signalling artistic freedom for Russians everywhere. Bulgakov's carnivalesque satire of Soviet life describes how the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow one Spring afternoon. Brimming with magic and incident, it is full of imaginary, historical, terrifying and wonderful characters, from witches, poets and Biblical tyrants to the beautiful, courageous Margarita, who will…
I’ve been fascinated by absurdist comedy and ideas for as long as I can remember. At sixteen, I wrote my first book, Mr A, which followed a man who would turn into a superhero after taking LSD and his talking dog. As an adult, I continue to revel in these types of stories. I brought this passion to my chart-topping debut non-fiction book, where I interviewed several people who believe McDonald’s has interdimensional properties. Now, I hold no bars in fiction writing, having authored a ‘genius of a book’ that follows a talking pencil.
I found this book mentioned in one of Charles Bukowski’s. If Bukowski liked it, I surely would, too, I thought. This is, without a doubt, a severely strange book. Hunger followers the narrator as he desperately tries to become a successful writer while battling the hardships of starvation and homelessness. He becomes delusional with grandiose ideas and attempts to humiliate a love interest of his. This book will leave you questioning your literary choices.
One of the most important and controversial writers of the 20th century, Knut Hamsun made literary history with the publication in 1890 of this powerful, autobiographical novel recounting the abject poverty, hunger and despair of a young writer struggling to achieve self-discovery and its ultimate artistic expression. The book brilliantly probes the psychodynamics of alienation and obsession, painting an unforgettable portrait of a man driven by forces beyond his control to the edge of self-destruction. Hamsun influenced many of the major 20th-century writers who followed him, including Kafka, Joyce and Henry Miller. Required reading in world literature courses, the highly…
I've been searching for spiritual freedom since the age of four when I was sent to school. Soon I recognised books as an escape from the limitations of the physical world and into the dream world. Each of the five books below have made serious contributions to this psycho-spiritual escape plan, and have lifted my spirit to that higher dimension of freedom. I live in the Scottish Highlands, as my ancestors did, in a misted swirl of ghostly archetypes, mountains, deer, lochs, and brooding skies. Even here though, an escape tunnel is needed into the deepest realm of mind, where the stories and mystery hide away until the moment needed.
A future run by robots, with one robot above all others, and his only desire to be able to die, which he cannot achieve alone. All books forgotten, humans with no memory of how to read, until one lonely man teaches himself by watching old, silent, subtitled films from centuries earlier. He meets his rebellious female counterpart, and the idea of a future free of the state drugs, public human immolations, and mind-numbing rule by dumb robot, begins to take form. Is there time left to revive a barren, childless, thoughtless, hopeless world, and bring to life again the oldest of dreams? In any case, 'Only the mockingbird sings at the edge of the woods.'
I fear the future described in this masterpiece ever growing near, but the escape hatch from such horrors may lie here also in Tevis' pages.
This sci-fi masterpiece is “a moral tale that has elements of Aldous Huxley’s Brave New World, Superman, and Star Wars” (Los Angeles Times Book Review).
In a world where the human population has suffered devastating losses, a handful of survivors cling to what passes for life in a post-apocalyptic, dying landscape. People wander, drugged and lulled by electronic bliss, through a barren landscape with no children, no art, and where reading is forbidden. From this bleak existence, a tragic love triangle springs forth. Spofforth, the most perfect machine ever created, runs the world, but his only wish is to die.…
I grew up in North Carolina and Washington, D.C., and have since lived in Arkansas and Virginia. My two novels are historical, set in the late 1800s and early 1900s in Virginia and North Carolina, and are heavily influenced by the great Southern writers. My books feature family dramas, how the land interacts with characters, questions of fate and personal action, and the decisions that change people’s lives. I love Faulkner, but you’ll find him on every list. He influenced every writer who came later, but there are plenty of other heavy hitters to choose from. Here are a few favorites.
I’ve read it twice, and I can only stand back in wonder at how a person could create such a magnificent work of art (his first novel) at age 26. For richness of character development, philosophical weight, and power of language, this is one for the ages. Though the subject matter is heavy, it’s not a difficult read. Yet there are passages where you’ll want to slow down and take in the music of the words.
In this novel, the South looms dark and ominous in the background with its Biblical rhetoric, its conflict between a tradition of religious fundamentalism and modern scepticism, racial contrasts and the industrialisation of a rural society. But more than a novel of time and place, it is the story of a tormented family submerged in infidelity and driven by a vengeful love that is blocked, hurt and perverted. Peyton Loftis, who frantically needs a husband precisely because she loves her father; the decadent Milton, whose infidelity has made his marriage no more than a stage drama; and Helen, his wife,…
One of my favourite sounds is teens interacting—especially when they are throwing shade. I spent twenty-five years as a junior and senior high teacher, and I miss rocking and rolling during class discussions with my students. As a writer of contemporary fiction (actually in anything I write), I work hard at using dialogue as an engine to drive each scene. Each line needs to be refined to ensure that it’s snappy, engaging, and real. I’m a writer from southeast Saskatchewan, Canada, where there’s no shortage of great one-liners to use. I hope you enjoy the dialogue in these five recommendations as much as I did.
You Don’t Have to Die in the Endis just the sort of book I’d hand to a student who struggled with finding anything relatable. Eugenia Grimm could be down to her last chance when she is sent to Reason’s Wait, a facility for troubled teens. Because of her troubled past, she has programmed herself to lock horns with any adult who tries to cross—or help—her. I cringed during her tempestuous exchanges with social workers, staff, and fellow “inmates”—hoping one of them would find a way to save this bitter, angry girl from herself. Spoiler alert: As Daher’s title suggests, Eugenia’s train wreck of a life is salvaged in the end.
Eugenia Grimm is a tough girl living in a tough town at the foothills of the Rocky Mountains. She drinks and fights and pushes against expectations. She is also hurting. After her father died by suicide on her eighth birthday, her older brothers drifted away and her mother up and left when she turned 14, Eugenia has not made the best choices. After a last-straw violent incident and faced with the possibility of incarceration, she is sentenced to time at an Intensive Support and Supervision Program located at a remote mountain ranch. There, she begins to makeconnections, explore difficult truths,…
My father died by suicide when I was thirteen. Because my family never spoke about the issues leading up to and resulting from this devastating event, we suffered a great deal. I have a deep love for books that expose just how dark, and troubled the teen existence can be. Authors who are brave enough to tackle such topics feed my bravery. The more stories we have on the topics of suicide, mental health, and trauma the broader the conversation and the more those who feel as though no one could possibly understand what they are going through feel seen.
I was drawn to this book by the title and the super-intriguing cover.
Something about the linen’s organic nature mixed with the haphazard cross-stitching spoke to me.
Warga captures the depths of depression with her writing to the point where I could feel the sadness and internal struggle of Aysel, the book’s sixteen-year-old main character.
How vividly wonderful is this line: … feels like my skin is too thin, like everyone can see right inside me, can see my empty and dark insides.
The concept of Aysel creating a suicide pact with Roman really hit home. I’ve experienced multiple deaths by suicide, including two school friends who went through with their pact.
This story helped shed light on what clinical depression looks like from the inside, which can be vastly different and seemingly in conflict with the seemingly “I’m okay” exterior.
A brilliant and heartbreaking novel perfect for fans of Thirteen Reasons Why.
Aysel and Roman are practically strangers, but they've been drawn into an unthinkable partnership. In a month's time, they plan to commit suicide - together.
Aysel knows why she wants to die: being the daughter of a murderer doesn't equal normal, well-adjusted teenager. But she can't figure out why handsome, popular Roman wants to end it all....and why he's even more determined than she is.
With the deadline getting closer, something starts to grow between Aysel and Roman - a feeling she never thought she would experience. It…
I'm a journalist, fiction writer, and screenwriter, as well as the author of ten books, the most recent of which isCreative Types and Other Stories, which will be published later this year. Along with Neil Cross, I developed for televisionThe Mosquito Coast, based on Paul Theroux’s novel, which is now showing on Apple TV. Currently, I live with my family in Los Angeles.
This striking, intense, and beautifully meditative book offers a daughter struggling to understand her father in the wake of his suicide. It’s structured, yes, like an index, which does nothing to dilute its immense emotional power. There’s a lot of love and anger in this book, yet it’s told with extraordinary calm and exemplary clarity. Simply put, The Suicide Index is one of the most inventive, affecting memoirs I’ve ever read—a drop-everything-and-read-this-now book if there ever was one.
Sixteen years ago, Joan Wickersham's father shot himself in the head. The father she loved would never have killed himself, and yet he had. His death made a mystery of his entire life. Using an index - that most formal and orderly of structures - Wickersham explores this chaotic and incomprehensible reality. Every bit of family history - marriage, parents, business failures - and every encounter with friends, doctors, and other survivors exposes another facet of elusive truth. Dark, funny, sad, and gripping, at once a philosophical and deeply personal exploration, "The Suicide Index" is, finally, a daughter's anguished, loving…
Since I was young, I’ve suffered from Major Depressive Disorder, coupled with chronic pain that surfaced when I was in middle school. Being in constant pain—mental and physical—obviously drains the spirit. I found no hope whatsoever in phrases such as, “It gets better.” When you have chronic pain, that statement means nothing, because you know it won’t. These books, however, offered me something that I hadn’t encountered before: someone acknowledging that, although it may never get better, there is still something for me here, whatever form it takes. These books do not shame depressives, they console (and even commiserate) with them, and I hope you find them as fulfilling as I have.
The Savage God destroyed me upon finishing it for the first time.
Alvarez travels through history in this non-fiction study, tracing the perceptions of suicide from ancient societies to the present day, all with an empathetic eye. Alvarez views suicide both as a societal phenomenon and an intimately personal experience.
His own experience with suicide so closely mirrored my own that I still remember the final pages of the book vividly. To be frank, the book’s a bit dated—it was written in the 70s and some of Alvarez’s comments (as well as his reverence of Freud) haven’t aged well. Nevertheless, the worthwhile sections—of which most of the book is composed—are unforgettable.
"Suicide," writes the notes English poet and critic A. Alvarez, "has permeated Western culture like a dye that cannot be washed out." Although the aims of this compelling, compassionate work are broadly cultural and literary, the narrative is rooted in personal experience: it begins with a long memoir of Sylvia Plath, and ends with an account of the author's own suicide attempt. Within this dramatic framework, Alvarez launches his enquiry into the final taboo of human behavior, and traces changing attitudes towards suicide from the perspective of literature. He follows the black thread leading from Dante through Donne and the…
When my father died in 1998, bladder cancer, I was 41 years old and privileged to be his primary caregiver for five weeks. My first major loss and it was as though a mack truck had been driven through my chest. Ten years later, my mother died, after nine years of dementia, which is like losing someone twice. That was a more ravaging grief. Twelve years later, my nephew died, a month away from his 36th birthday. And in 2022, one close friend of mine took his own life and another died of cancer at age 57. Grief is the subject I gravitate toward in the books I read and the essays I write.
It is fair to say that this is my favorite memoir I’ve ever read. I’m shocked it didn’t make bestseller lists when it came out. Finneran is a poet, who through the language, attention to detail, and strategic pacing of key scenes, makes readers see and feel what she wants us to see and feel. This book offered me, as a teacher of college writing, numerous perfect examples of how scenes can be developed to drop readers into a moment, to transport them. Finneran focuses the memoir on how her brother’s suicide affected her whole, big, Catholic family. The Tender Land, a Family Love Story is a portrait of a family who has lost something huge. Devastating content aside, this is a memoir that you will delight in, sentence by sentence, for its language. Highly recommend this remarkable book.
An extraordinary memoir of a family haunted by tragedy: “I’ve read very few contemporary novels that can rival Finneran’s nonfiction.” —Jonathan Franzen
A superb portrait of family life, this “absorbing and thoughtful” memoir is a love story unlike any other (Library Journal). The Finnerans—Irish Catholic parents with five children in St. Louis—are a seemingly unexceptional family whose lives are upended by a catastrophic event: the suicide of the author’s fifteen-year-old younger brother after being publicly humiliated in junior high school.
A gentle, handsome boy, Sean Finneran was a straight-A student and gifted athlete, especially treasured by every member of his…
