Here are 100 books that Letters Of Transit fans have personally recommended if you like
Letters Of Transit.
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I am a historian of modern Poland. I teach, write, and think a lot about Poland and its place in Europe and the world. Regardless of where I live, Poland will always be my first home, where strawberries taste the best, the forest offers the most calming shade in the summer, and the language sounds the sweetest. But Poland is also a conundrum—perhaps similar to anywhere else and unique simultaneously. Its successes and failures, the traumas it caused and experienced, are part of me, and they keep pushing me to search for people and their stories that help us see the complexity of human life and individual choices.
Intuitively, I have always felt suspicious of the pressure to be happy and trust the transformative power of positive thinking. What is happiness? Why do we yield to the pressures to be happy? Why do we consider happiness to be of the highest value?
This little book argues for the importance of sadness and melancholia as emotions that are essential for any culture. It's sadness and its constant power to search for the meaning of life that makes us human and helps us grow. It's a powerful book that makes its case for the value of embracing sadness and melancholy as essential components of a meaningful life.
We are addicted to happiness. More than any other generation, Americans today believe in the power of positive thinking. But who says we're supposed to be happy? In Against Happiness, the scholar Eric G. Wilson argues that melancholia is necessary to any thriving culture, that it is the muse of great literature, painting, music, and innovation―and that it is the force underlying original insights.
So enough Prozac-ing of our brains. Let's embrace our depressive side as the wellspring of creativity. It's time to throw off the shackles of positivity and relish the blues thatmake us human.
I am a historian of modern Poland. I teach, write, and think a lot about Poland and its place in Europe and the world. Regardless of where I live, Poland will always be my first home, where strawberries taste the best, the forest offers the most calming shade in the summer, and the language sounds the sweetest. But Poland is also a conundrum—perhaps similar to anywhere else and unique simultaneously. Its successes and failures, the traumas it caused and experienced, are part of me, and they keep pushing me to search for people and their stories that help us see the complexity of human life and individual choices.
It is a personal account of a historian examining life in Donetsk, Ukraine, during Russia's 2014 takeover. The author chronicles her experiences and observations living in a city torn apart by war, offering insights into the daily struggles, fears, and hopes of the people caught amid the conflict.
It's powerful, poignant, and full of anecdotes book that will break your heart while showing a never-ending devotion to life that Ukrainians have built. It may not be perfect, but it's theirs. "Ukraine, to me, is like my dad. It's my light. My home," says the author.
In Ukraine, War, Love, Olena Stiazhkina depicts day-to-day developments in and around her beloved hometown Donetsk during Russia's 2014 invasion and occupation of the Ukrainian city. An award-winning fiction writer, Stiazhkina chronicles an increasingly harrowing series of events with sarcasm, anger, humor, and love.
The diary opens on March 2, 2014, as the first wave of pro-Russian protest washes over eastern Ukraine in the wake of Euromaidan, the Revolution of Dignity, and it closes on August 18, 2014, the day a convoy of civilian Ukrainian refugees is deliberately slaughtered by Russian forces. Early on, Stiazhkina is captured by pro-Russian forces…
I am a historian of modern Poland. I teach, write, and think a lot about Poland and its place in Europe and the world. Regardless of where I live, Poland will always be my first home, where strawberries taste the best, the forest offers the most calming shade in the summer, and the language sounds the sweetest. But Poland is also a conundrum—perhaps similar to anywhere else and unique simultaneously. Its successes and failures, the traumas it caused and experienced, are part of me, and they keep pushing me to search for people and their stories that help us see the complexity of human life and individual choices.
A beautiful and captivating novel about love written by a Palestinian writer, it is about a woman who falls for a man she accidentally exchanges letters with. After this introductory story, the book takes the readers through the webs of other characters' lives, heartbroken, forlorn, and desiring love.
It’s a book about alienation but written in such raw and beautiful language that it’s impossible to put it down.
I am a historian of modern Poland. I teach, write, and think a lot about Poland and its place in Europe and the world. Regardless of where I live, Poland will always be my first home, where strawberries taste the best, the forest offers the most calming shade in the summer, and the language sounds the sweetest. But Poland is also a conundrum—perhaps similar to anywhere else and unique simultaneously. Its successes and failures, the traumas it caused and experienced, are part of me, and they keep pushing me to search for people and their stories that help us see the complexity of human life and individual choices.
It is a memoir about a father and a father-daughter relationship written by a daughter. But it is also a story about how history written with capital H can affect family relationships, about surprising ways children interpret their parents while searching for space for themselves in their parent’s lives. Jane Lazarre seems to live in the shadow of her extraordinary father, who left Eastern Europe in 1902 for the USA and dedicated his life to fighting for economic equality and racial justice.
He believed in a more just world, but he also struggled with depression and cracking cohesion of the communist movement that he was a member of. The book is as much about him as about his daughter’s attempts to live up to some of his dreams: it’s about love, search for answers, and reconciliation.
In a letter to his baby grandson, Bill Lazarre wrote that "unfortunately, despite the attempts by your grandpa and many others to present you with a better world, we were not very successful." Born in 1902 amid the pogroms in Eastern Europe, Lazarre dedicated his life to working for economic equality, racial justice, workers' rights, and a more just world. He was also dedicated to his family, especially his daughters, whom he raised as a single father following his wife's death. In The Communist and the Communist's Daughter Jane Lazarre weaves memories of her father with documentary materials-such as his…
As a refugee myself, I was attracted to read about the lives and experiences of other refugees, not merely those from my own community or background, but especially those from other backgrounds–which is probably reflected in the books that I’ve chosen for my list.
Even though this love story is set in very tragic times–The Spanish Civil War and the troubles in Chile–we follow the journey of two refugees, Victor and Rose, whose forced marriage gradually deepens into true love.
The author, herself an immigrant in the USA, meaningfully draws out questions facing so many migrants and refugees: Where do I belong? Where are my roots? Is my heart divided, or has it grown bigger?
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THE SUNDAY TIMES BESTSELLER
THE NEW YORK TIMES BESTSELLER
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'A powerful love story spanning generations... Full of ambition and humanity' - Sunday Times
'One of the strongest and most affecting works in Allende's long career' - New York Times Book Review
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On September 3, 1939, the day of the Spanish exiles' splendid arrival in Chile, the Second World War broke out in Europe.
Victor Dalmau is a young doctor when he is caught up in the Spanish Civil War, a tragedy that leaves his life - and the fate of his country - forever changed. Together with…
Born into a powerfully matrilineal family (my mother chose my name when she was twelve) in small town Appalachia, I believe that we inherit our parents’ unresolved emotional dilemmas as well as their physical characteristics, and that the sensual elements of places our families may have inhabited for generations are “bred in the bone.” I’ve always said that history tells us the facts, but literature tells us the story. I’m a language-conscious writer who began as a poet, so that each line has a beat and a rhythm. Words awaken our memories and the powerful unconscious knowledge we all possess. The reader meets the writer inside the story: it’s a connection of mind and heart.
An amazing imaginative blend of nonfiction and reportage, The Postcard sets a mystery in motion.
In 2003, with the rest of the Christmas holiday mail, a postcard arrives at the Paris home of Annie Berest. The card is blank but for the names of her maternal great-grandparents and their two children – all killed at Auschwitz.
Fifteen years later, Annie and her chain-smoking mother embark on a journey: discovering the fates of the Rabinovitch family who flee the Russian revolution for Latvia, Palestine, and Paris. Annie and her mother discover secrets that shatter the present; mother and daughter question the past and accept a new reality in their own distinct ways.
I loved both the mystery revealed and the unshakable resolve of these women, who spent years finding the truth.
Winner of the Choix Goncourt Prize, Anne Berest’s The Postcard is a vivid portrait of twentieth-century Parisian intellectual and artistic life, an enthralling investigation into family secrets, and poignant tale of a Jewish family devastated by the Holocaust and partly restored through the power of storytelling.
January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest’s maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz.
I am a historian at University College London, where I examine Palestinian refugee history in both my writing and my teaching. I first visited a Palestinian refugee camp 15 years ago, and I’ve spent much of my life since then researching the subject’s history and politics. As I see it, this topic is really the key to understanding the political dynamics of Israel-Palestine today. While a huge amount has been written on Israel-Palestine, I have always found that the most striking and informative works focus on refugees’ own experiences – and that’s the common thread running through the books I’ve chosen here.
Being Palestinian is a collection of essays by Palestinians reflecting on their identity and experiences living outside of their homeland.
I’ve chosen it here because few works are so effective in conveying both the commonalities and the diversity of the Palestinian refugee experience. The contributors range from Ivy League professors to activists campaigning for justice in the Middle East today; they include figures who grew up in refugee camps and those raised in some of the wealthiest cities in the world.
In many ways Being Palestinian is the perfect introduction to learning more about the subject, because it is accessible and highly personal without being simplistic.
What does it means to be Palestinian in the diaspora? This collection of 100 personal reflections on being Palestinian is the first book of its kind. Reflecting on Palestinian identity as it is experienced at the individual level, issues of identity, exile, refugee status, nostalgia, belonging and alienation are at the heart of the book. The contributors speak in many voices, exploring the richness and diversity of identity construction among Palestinians in the diaspora. Included are contributions from Palestinians living in the Anglo-Saxon diaspora, mainly the UK and North America. They come from a variety of professional backgrounds: business people,…
My mother’s family is descended from both Afrikaner and English South Africans, and the inherent tension between those two groups has always fascinated me. From Olive Schreiner’s The Story of an African Farm to Andre Brink’s Devil’s Valley, books that examine the reclusive, defensive, and toughened attitudes of white settlers make for the kind of discomforting reading that I find immensely compelling.
This book is almost a response to, or continuation of, Marq de Villiers’ historical account: one young man’s reflections on returning from exile to a country that had only recently rejected Apartheid.
It’s a deeply personal work in which the author grapples with his conscience as well as the wider culture in which he grew up.
A relative of the architect of apartheid who left the country offers his observations on his return, discussing the extremists that continue to divide the country
Since adolescence, I have been fascinated by Slavonic languages, literature, cultures, and history, and by what can be retrieved from archives all over Eastern Europe. And because so much has been suppressed or distorted in everything from biographies of writers to atrocities by totalitarian governments, there has been much to expose and write about. Studying at Cambridge in the 1960s gave me an opportunity to learn everything from Lithuanian to Slovak: I have been able to write histories of Stalin and of Georgia, biographies of Russians such as Chekhov, Suvorin, and Przhevalsky, and the field is still fresh and open for future work.
Patenaude focuses just on the Mexican period, from January 1937 to August 1940, of Trotsky’s exile, although the previous stages of his exile — Kazakhstan in 1928, then Turkey for four years, France for another three, followed by interment in Norway — are dealt with in a series of flashbacks. In fact, the whole book is written as if Trotsky in Coyoacán were recalling his past, from his prosperous farmer’s boyhood to his underground militancy, his Civil War military brilliance, and his blundering incompetence as a Bolshevik power-broker. The danger that Patenaude flirts with is to let Trotsky’s charisma and undoubted genius charm him into overlooking his subject’s monstrous indifference to the suffering and deaths of others, sometimes even of those close to him, as well as his overweening conceit.
By dealing with the last phase of the tragedy, nemesis, Trotsky is seen to pay in fear, resignation, failure, and…
Leon Trotsky was the charismatic intellectual of the Russian Revolution, a brilliant writer and orator who was also an authoritarian organizer. He might have succeeded Lenin and become the ruler of the Soviet Union. But by the time the Second World War broke out he was in exile, living in Mexico in a villa borrowed from the great artists Diego Rivera and Frida Kahlo, guarded only by several naive young Americans in awe of the great theoretician. The household was awash with emotional turmoil - tensions grew between Trotsky and Rivera, as questions arose over his relations with Frida Kahlo.…
If you want to learn about historical societies and events, read history books. But if you want to understand your own world, and how it has emerged from and been shaped by the eternal, unchanging human psyche, intellect and fragility, read historical fiction. A great historical novel should always be first and foremost about the time in which it is written. That is what first drew me to the story of Petronius in The Uncertain Hour – if it doesn’t have a human heart, no amount of technical historical detail will kindle it in the reader’s imagination.
The Roman poet Ovid was one of the most popular writers of his day, but the defining tragedy of his life – his lifelong exile from Rome at the very height of his powers – remains as mysterious today as it was in his own time. In The Love-Artist, Jane Alison provides that tragedy with a back story, when Ovid, on holiday on the shores of the Black Sea, meets and is enchanted by the witch-like Xenia and persuades her to return with him to Rome, with dire consequences. But it’s the book’s dream-like atmosphere – the sense that we are seeing the world through the eyes of a great poet with one foot in the ambitious world of empire and the other in an unstable netherworld of imagination and mythology – that will remain with the reader.
A darkly brilliant first novel imagines a missing chapter in the life of Ovid. Why was Ovid, the most popular author of his day, banished to the edges of the Roman Empire? Why do only two lines survive of his play Medea, reputedly his most passionate work, and perhaps his most accomplished? Between the known details of the poets life and these enigmas, Jane Alison has interpolated a haunting drama of passion and psychological manipulation. On holiday in the Black Sea, on the fringes of the Empire, Ovid encounters an almost otherworldly woman who seems to embody the fictitious creations…
