100 books like Being Palestinian

Gate of the Sun is one of the most acclaimed novels about the so-called “question of Palestine.”

Although fictional, it hews closely to real life; the author Elias Khoury, a Lebanese writer, was informed by the extensive time he spent talking to Palestinian refugees in various camps. The book is set in Shatila refugee camp in Lebanon and has an epic scope, weaving together different characters’ experiences of displacement and exile and spanning six decades from the 1930s to the 1990s.

Along the way, we engage with some of the most pivotal moments in recent Palestinian history: the original displacement of 1948 (known as the Nakba); the Arab defeat of 1967; the 1982 massacre in Sabra and Shatila camps. Epic in every sense.

This is the book that made me want to learn more and more about Palestinian refugee experiences.

On first publication it was groundbreaking in various ways. Way before it was commonplace for researchers and activists, the author Rosemary Sayigh spent time living in a Palestinian refugee camp and learning directly from her interactions with people there.

She also took an unconventional approach to understanding Palestinian history; instead of engaging with formal historical narratives, she was interested in how people experienced history. To do this she focused primarily on listening to the experiences of refugee women.

As a result, her work became significant in the field of oral history as well as Palestinian studies. The Palestinians presents the refugees’ history on this basis, and is all the more memorable for it. 

If you only ever read one Palestinian memoirist, it should be Fawaz Turki.

He published three book-length memoirs, all excellent, but this is his most comprehensive autobiography and as such the must-read of all his works. It covers his early years in Haifa, his family’s displacement to Lebanon in 1948, and his subsequent adolescence in Burj al-Barajneh refugee camp; as well as his later studies and career in the US.

Exile’s Return is organized around his first return visit to Palestine in the 1990s, where he comes face-to-face with the realities of the Israeli occupation and continuing Palestinian dispossession. There are now many brilliant memoirs and autobiographies by Palestinian refugees, but Turki remains the memoirist par excellence in this genre. 

Refugees of the Revolution is an ethnographic study of Shatila refugee camp, which is notorious as the site of a 1982 massacre and has become central to Palestinian nationalist narratives.

In the early 21st century, Allan spent time living in Shatila, originally wanting to research the nationalist discourse there. Instead, she came away with a much more complex study of the refugees’ complex struggles, in both the political and the quotidian sense. In taking an unconventional approach, Allan has something in common with Sayigh, even though they were writing 40 years apart.

For these reasons Refugees of the Revolution is particularly interested to read as a follow-up to Sayigh’s The Palestinians, which is my first pick above. 

I listened to this book because I wanted to understand more about the history and people of Palestine as the 2023-24 war between Israel and Hamas was escalating to ever more deadly heights.

Abulhawa is a renowned Palestinian author, and this book was an international bestseller back in 2010, but I knew nothing of it at the time. I found the novel, a family saga stretching several generations from 1941 to 2022, so immediate, eye-opening, and moving that it was as if I were reading about the current war in real-time.

I loved it so much that I bought the actual book to keep forever. 

I love the movie and musical adaptations of Anastasia, so it’s no wonder I love this magical family saga from Nadine Brandes. Brandes effortlessly weaves magic into the tale we thought we knew about Anastasia Romanov. And yes, there is both magic and romance.

With the leader of the Bolshevik army after her, Anastasia “Nastya” Romanov is given a mission to smuggle an ancient spell that might be her family’s only salvation into exile in Siberia. Nastya has barely dabbled in magic, but her only chances of saving herself and her family are to release the spell and deal with the consequences, or to enlist help from Zash, the handsome Bolshevik soldier who seems to be different. This story does contain violence, but overall is another read I both love and could recommend to anyone.

I loved this book because it shows generations of family sacrifice and how the decisions we make in our lifetime can live on for decades after we pass.

I rushed to read this book every evening and had to pull myself away. It was so amazing to me that this author could weave through years and years of family history in a clear, coherent, and powerful way. 

The Roman poet Ovid was one of the most popular writers of his day, but the defining tragedy of his life – his lifelong exile from Rome at the very height of his powers – remains as mysterious today as it was in his own time. In The Love-Artist, Jane Alison provides that tragedy with a back story, when Ovid, on holiday on the shores of the Black Sea, meets and is enchanted by the witch-like Xenia and persuades her to return with him to Rome, with dire consequences. But it’s the book’s dream-like atmosphere – the sense that we are seeing the world through the eyes of a great poet with one foot in the ambitious world of empire and the other in an unstable netherworld of imagination and mythology – that will remain with the reader.

This book made me a traveling companion of Lenin. Together with him we go on an incredible journey: from Switzerland across Europe via Finland to Petrograd. This journey changed the world, because it brought Lenin back to Russia, Russia the October coup, and the century of a Soviet regime. Merridale depicts the unique moment of the dawn of a new age as banally and grotesquely as if she had really been there. The best part: just before he left, Lenin called the American embassy because he would have preferred to be transported by the Americans rather than the Germans. But it was Easter Sunday and no one could be reached at the embassy, and so the story took its course....

Patenaude focuses just on the Mexican period, from January 1937 to August 1940, of Trotsky’s exile, although the previous stages of his exile — Kazakhstan in 1928, then Turkey for four years, France for another three, followed by interment in Norway — are dealt with in a series of flashbacks. In fact, the whole book is written as if Trotsky in Coyoacán were recalling his past, from his prosperous farmer’s boyhood to his underground militancy, his Civil War military brilliance, and his blundering incompetence as a Bolshevik power-broker. The danger that Patenaude flirts with is to let Trotsky’s charisma and undoubted genius charm him into overlooking his subject’s monstrous indifference to the suffering and deaths of others, sometimes even of those close to him, as well as his overweening conceit.

By dealing with the last phase of the tragedy, nemesis, Trotsky is seen to pay in fear, resignation, failure, and… show more.