100 books like The Disoriented

This book is a ‘gold standard’ piece of investigative journalism, a travelogue about a people I will probably never meet, rolled into the intriguing history of a unique city.

The book interweaves the tale of the efforts local people made to save priceless manuscripts from al-Qaida in 2012 with the West’s fascination of fabled Timbuktu since the 18th century.

It is an un-put-downable example of creative non-fiction at its most interesting and easily readable.

I lived in Lagos for four years in the early ‘90s and have struggled ever since to describe the strange energy and appeal of this troubled, oft-maligned country.

Noo, a British-raised Nigerian, takes us to 12 Nigerian locations in a quest to understand her roots. Her childhood memories of visits to the homeland weren’t great, and she’s highly attuned to the widespread corruption that afflicts almost every aspect of Nigerian life.

Still, she travels with an open mind, asking questions, seeking mini-adventures, and falling in love-and-exasperation with the loud, outspoken, resilient residents of Africa’s most-populated country.

Her lively account, packed with nuggets of history, culture, and one-of-a-kind encounters and conversations, brought me back to a country that stole my heart when I least expected it.  Such a treat!

This is a guidebook on Dutch culture written by a long-time American resident of the Netherlands.

It is a quirky, funny book that, unlike many books that attempt to describe another culture, makes explicit the personal bias of the author.

This is clearly Greg Shapiro’s take on the Dutch, and his keen eye and sense of humour make this a great read for short- and long-term visitors.

I’ve married into the Dutch culture and chuckled my way through the book.

"The first person you meet when you travel abroad is yourself.”

I was very happy to discover this self-help book (way back in 2004) on how to deal with ‘the other’ when traveling or living in a foreign culture. It’s a classic in its approach to understanding the people you meet abroad.

Our impressions of other people always start with our own expectations and beliefs of what is right and proper. This book helps us understand our own biases in the process of trying to understand the locals.

I love the writing in this collection of short fiction and memoir.

It takes us traveling along the life journeys of migrants from many cultures to many destinations, for a variety of causes and motivations. I deeply empathize with and appreciate the migrants’ well of complex emotions of loss, torment, and fear, while maintaining a layer of hope that kept these people going.

Having lived in various corners of the world has taught me to be respectful and open to people who are different from me culturally and ethnically. I believe the world will be a more peaceful place when we gain a better understanding of people outside of our own experience

This book serves such a purpose of educating us in this aspect.

Cristina Garcia has become the definitive chronicler of both Cuba and Cuban exiles. King of Cuba tells the story of two men: El Comandante (also called the despot, the tyrant, or El Líder—clearly this is Fidel) and a Miami exile, Goyo Herrera, who is as old and infirm as Castro himself. Garcia’s portrait of the desperation and ignominies these two old guys suffer, and of their hopeless attempts to cleave to past glories, transcends Cuban history and brings us two men I found cantankerous and self-inflating, but irresistible.

Easily one of my favorite epic fantasies I’ve read in recent years. The complexity of Gillian’s world is a highlight, yet she still makes the story and those within it accessible for her readers. It felt deep, not cluttered. She writes distinctly and with heart from three different points of view. I couldn’t flip pages fast enough, anxious for the moment these three story threads would intersect. It was more than worth the wait. 

One of the most original books I have ever read, and as such impossible to classify by genre—a dizzying mix of memoir, history, and travel writing. As the separate stories of four apparently unrelated individuals unfold, Sebald exposes a common theme: the loss of identity through trauma and displacement. The stories are devastating and yet there is something hopeful in Sebald’s melancholic and vivid writing, the powerful case he makes for these stories being heard.

I studied with Jane Kamensky while I was working on a MA in American History. Little did I know that she had a wicked historical character hidden inside. Learning that inspired me to write good history inside a realistic and sexy historical plot. This is a story of hidden identity and unexpected love. 

The characters are a portrait artist and his apprentice. The apprentice appears to be a young man, as only young men would take such a position in 18th-century Boston, and the artist is surprised at his yearning for him. 

If you only ever read one Palestinian memoirist, it should be Fawaz Turki.

He published three book-length memoirs, all excellent, but this is his most comprehensive autobiography and as such the must-read of all his works. It covers his early years in Haifa, his family’s displacement to Lebanon in 1948, and his subsequent adolescence in Burj al-Barajneh refugee camp; as well as his later studies and career in the US.

Exile’s Return is organized around his first return visit to Palestine in the 1990s, where he comes face-to-face with the realities of the Israeli occupation and continuing Palestinian dispossession. There are now many brilliant memoirs and autobiographies by Palestinian refugees, but Turki remains the memoirist par excellence in this genre.