Fans pick 100 books like The Disoriented

This book is a ‘gold standard’ piece of investigative journalism, a travelogue about a people I will probably never meet, rolled into the intriguing history of a unique city.

The book interweaves the tale of the efforts local people made to save priceless manuscripts from al-Qaida in 2012 with the West’s fascination of fabled Timbuktu since the 18th century.

It is an un-put-downable example of creative non-fiction at its most interesting and easily readable.

I lived in Lagos for four years in the early ‘90s and have struggled ever since to describe the strange energy and appeal of this troubled, oft-maligned country.

Noo, a British-raised Nigerian, takes us to 12 Nigerian locations in a quest to understand her roots. Her childhood memories of visits to the homeland weren’t great, and she’s highly attuned to the widespread corruption that afflicts almost every aspect of Nigerian life.

Still, she travels with an open mind, asking questions, seeking mini-adventures, and falling in love-and-exasperation with the loud, outspoken, resilient residents of Africa’s most-populated country.

Her lively account, packed with nuggets of history, culture, and one-of-a-kind encounters and conversations, brought me back to a country that stole my heart when I least expected it.  Such a treat!

This is a guidebook on Dutch culture written by a long-time American resident of the Netherlands.

It is a quirky, funny book that, unlike many books that attempt to describe another culture, makes explicit the personal bias of the author.

This is clearly Greg Shapiro’s take on the Dutch, and his keen eye and sense of humour make this a great read for short- and long-term visitors.

I’ve married into the Dutch culture and chuckled my way through the book.

"The first person you meet when you travel abroad is yourself.”

I was very happy to discover this self-help book (way back in 2004) on how to deal with ‘the other’ when traveling or living in a foreign culture. It’s a classic in its approach to understanding the people you meet abroad.

Our impressions of other people always start with our own expectations and beliefs of what is right and proper. This book helps us understand our own biases in the process of trying to understand the locals.

I love the writing in this collection of short fiction and memoir.

It takes us traveling along the life journeys of migrants from many cultures to many destinations, for a variety of causes and motivations. I deeply empathize with and appreciate the migrants’ well of complex emotions of loss, torment, and fear, while maintaining a layer of hope that kept these people going.

Having lived in various corners of the world has taught me to be respectful and open to people who are different from me culturally and ethnically. I believe the world will be a more peaceful place when we gain a better understanding of people outside of our own experience

This book serves such a purpose of educating us in this aspect.

In this book, W.G. Sebald tells the stories of four Germans who, like the author, left their native land to live abroad. Sebald mixes family memories with stream-of-consciousness musings on history and culture. He inserts unexpected elements into the text, including a found diary written by his Great-Uncle Adelwarth, a gay man who was out of the closet way before it was safe.

Sebald sprinkles into the narrative black and white period photos that have a sort of deadpan, documentary humor that perfectly matches the tone of his prose.

It’s a short book with 5 essays on displacement, loss, and ways to find a sense of belonging. The stories are personal; perhaps because of that, they touch on something that I think many of us carry in our hearts–a need to reflect on what it means to lose and rebuild a home.

The essays evoke many different themes–the power of movement and starting anew, but also a sense of alienation that even the voluntary wanderers may never lose. We carry the cultures that shaped us within us; as Eva Hoffman, one of the authors, says, “We are nothing more than the encoded memory of our heritage.” And feeling, even if a blessing, sometimes deepens our sense of alienation.

For many of the authors, it’s the language and writing that make sense of the discomfort and find a ‘home.’ It’s a small but beautifully written book and one that inspires… show more.

I studied with Jane Kamensky while I was working on a MA in American History. Little did I know that she had a wicked historical character hidden inside. Learning that inspired me to write good history inside a realistic and sexy historical plot. This is a story of hidden identity and unexpected love. 

The characters are a portrait artist and his apprentice. The apprentice appears to be a young man, as only young men would take such a position in 18th-century Boston, and the artist is surprised at his yearning for him. 

This book is almost a response to, or continuation of, Marq de Villiers’ historical account: one young man’s reflections on returning from exile to a country that had only recently rejected Apartheid.

It’s a deeply personal work in which the author grapples with his conscience as well as the wider culture in which he grew up.

The Roman poet Ovid was one of the most popular writers of his day, but the defining tragedy of his life – his lifelong exile from Rome at the very height of his powers – remains as mysterious today as it was in his own time. In The Love-Artist, Jane Alison provides that tragedy with a back story, when Ovid, on holiday on the shores of the Black Sea, meets and is enchanted by the witch-like Xenia and persuades her to return with him to Rome, with dire consequences. But it’s the book’s dream-like atmosphere – the sense that we are seeing the world through the eyes of a great poet with one foot in the ambitious world of empire and the other in an unstable netherworld of imagination and mythology – that will remain with the reader.