Fans pick 100 books like Blindspot

Harriet Vane, a thinly disguised Sayers (who it seemed had fallen in love with her fictional detective, Lord Peter Wimsey), gets her own book where she goes back to Oxford to the women’s college she graduated from, to help uncover a mystery.

There is a delight in the fact that the female can be as deadly as the male, offering up a new sort of equality. This became a lovely television series starring Harriet Walter, but the book is rich and wonderful and sprinkled with untranslated Greek. You feel smarter, just holding it; it made me really wish I’d tried harder to qualify for a Rhodes scholarship back in the day.

My grandmother had this novel on her bookshelf, which is why I read it the first time, but I’ve read it over and over. This is my favorite classic love story that is not really enemies to lovers, but still has lots of emotion and conflict.

I love it because of the conflict and for its educational value in teaching about the French Revolution.

I began to write my own series in response to Jo Beverley’s Mallorens. These novels are set in Georgian England with its Barons, Dukes and their gambling, their rakes, and their strict inheritance laws and traditions. I invented those same rakish sons of dukes, but made them the third and fourth sons – the ones barely mentioned in classic British historical romances. I put these adventurous men on merchant vessels, and in the red uniform of the British army. Then I sent them across the Atlantic to fight a war for the King and have their adventures in America. I regret that Ms. Beverley died before I had a chance to talk to her about our connection, but her books have been a great inspiration. 

Many writers use dramatic openings to bring you into a book, and Ms. Beverely gets behind you and kicks you in. It has been very… show more.

Detectives Sarah Kelling and her much-loved husband Max Bittersohn live in her inherited house on Beacon Hill, Boston. These are detective novels of the cozy and charming sort, and because of the relationship between Sarah and Max are adventure romances as well.

Sarah has a large extended family and they enter into all the books as friends. This makes each one a friend and fun to read. MacCleod knows Boston and her descriptions of the habits and haunts of classic Beacon Brahmins/Yankees are as charming and rich as her plots. I recommend this and her other books for the fun of reading and the great plots.

Patenaude focuses just on the Mexican period, from January 1937 to August 1940, of Trotsky’s exile, although the previous stages of his exile — Kazakhstan in 1928, then Turkey for four years, France for another three, followed by interment in Norway — are dealt with in a series of flashbacks. In fact, the whole book is written as if Trotsky in Coyoacán were recalling his past, from his prosperous farmer’s boyhood to his underground militancy, his Civil War military brilliance, and his blundering incompetence as a Bolshevik power-broker. The danger that Patenaude flirts with is to let Trotsky’s charisma and undoubted genius charm him into overlooking his subject’s monstrous indifference to the suffering and deaths of others, sometimes even of those close to him, as well as his overweening conceit.

By dealing with the last phase of the tragedy, nemesis, Trotsky is seen to pay in fear, resignation, failure, and… show more.

It’s a short book with 5 essays on displacement, loss, and ways to find a sense of belonging. The stories are personal; perhaps because of that, they touch on something that I think many of us carry in our hearts–a need to reflect on what it means to lose and rebuild a home.

The essays evoke many different themes–the power of movement and starting anew, but also a sense of alienation that even the voluntary wanderers may never lose. We carry the cultures that shaped us within us; as Eva Hoffman, one of the authors, says, “We are nothing more than the encoded memory of our heritage.” And feeling, even if a blessing, sometimes deepens our sense of alienation.

For many of the authors, it’s the language and writing that make sense of the discomfort and find a ‘home.’ It’s a small but beautifully written book and one that inspires… show more.

Being Palestinian is a collection of essays by Palestinians reflecting on their identity and experiences living outside of their homeland.

I’ve chosen it here because few works are so effective in conveying both the commonalities and the diversity of the Palestinian refugee experience. The contributors range from Ivy League professors to activists campaigning for justice in the Middle East today; they include figures who grew up in refugee camps and those raised in some of the wealthiest cities in the world.

In many ways Being Palestinian is the perfect introduction to learning more about the subject, because it is accessible and highly personal without being simplistic. 

An amazing imaginative blend of nonfiction and reportage, The Postcard sets a mystery in motion.

In 2003, with the rest of the Christmas holiday mail, a postcard arrives at the Paris home of Annie Berest. The card is blank but for the names of her maternal great-grandparents and their two children – all killed at Auschwitz. 

Fifteen years later, Annie and her chain-smoking mother embark on a journey: discovering the fates of the Rabinovitch family who flee the Russian revolution for Latvia, Palestine, and Paris. Annie and her mother discover secrets that shatter the present; mother and daughter question the past and accept a new reality in their own distinct ways. 

I loved both the mystery revealed and the unshakable resolve of these women, who spent years finding the truth.

The Roman poet Ovid was one of the most popular writers of his day, but the defining tragedy of his life – his lifelong exile from Rome at the very height of his powers – remains as mysterious today as it was in his own time. In The Love-Artist, Jane Alison provides that tragedy with a back story, when Ovid, on holiday on the shores of the Black Sea, meets and is enchanted by the witch-like Xenia and persuades her to return with him to Rome, with dire consequences. But it’s the book’s dream-like atmosphere – the sense that we are seeing the world through the eyes of a great poet with one foot in the ambitious world of empire and the other in an unstable netherworld of imagination and mythology – that will remain with the reader.

This book is almost a response to, or continuation of, Marq de Villiers’ historical account: one young man’s reflections on returning from exile to a country that had only recently rejected Apartheid.

It’s a deeply personal work in which the author grapples with his conscience as well as the wider culture in which he grew up.