For 23 years, I was a staff historian at the Fortress of Louisbourg National Historic Site. In the decade that followed, I worked for Parks Canada on other French colonial and Acadian sites in Atlantic Canada. Along the way and since, I wrote hundreds of articles and 21 books. Some of those books have won prizes, and the government of France honored me by making me a chevalier of its Ordre des Palmes académiques.
The Seven Year’s War was much more than a few famous names and a few celebrated battles. For any who want to get into the nitty-gritty of ordinary soldiers’ lives during the Seven Years’ War—on the British side—I recommend this book. It examines the experiences of the 'redcoats' between 1755 and 1763. Brumwell wrote it for a more academic readership than Paths of Glory, but it is still very readable. It explores the British Army's distinctive society and has lots to say about the ordinary soldiers who are usually written about with vague generalities. In this study, one reads about their experiences in combat, their occasional captivity among the Indigenous peoples, the women associated with the British Army, and the fate of veteran soldiers.
In the last decade, scholarship has highlighted the significance of the Seven Years War for the destiny of Britain's Atlantic empire. This major 2001 study offers an important perspective through a vivid and scholarly account of the regular troops at the sharp end of that conflict's bloody and decisive American campaigns. Sources are employed to challenge enduring stereotypes regarding both the social composition and military prowess of the 'redcoats'. This shows how the humble soldiers who fought from Novia Scotia to Cuba developed a powerful esprit de corps that equipped them to defy savage discipline in defence of their 'rights'.…
I fell in love with historical fiction when I was a child. Adventurous tales—especially if they had swordplay in them! And I was fascinated by young people having to choose whether to stand up for what they believed in or run away. Ordinary folk are forced by circumstances—and villains—to do the extraordinary. I empathized and felt like I could be one of them. So when I came to write, I wanted to tell those kinds of stories. I eventually realized what I wrote was 'the intimate epic'—showing how the minor historical players can have a major effect.
Diana Gabaldon is one of the best writers of 'intimate epics': tales of more or less ordinary people drawn into the flow and flood of real historical events. I especially enjoy her Lord John novels.
Making her protagonist at odds with the morality of his time—Lord John is an unapologetic (though necessarily closeted) homosexual—creates extra tension in a work that sets John—and in this case, Jamie Fraser as well—against the backdrop of the Jacobite conspiracy's death throes and the prickly honor code of the British Army.
Passionate, humorous, adventurous—all things that keep me turning the pages until the wee hours!
From the international bestselling author of the Outlander series, the terrific new novel featuring the ever-popular Lord John.
1760. Jamie Fraser is a paroled prisoner-of-war in the remote Lake District. Close enough to the son he cannot claim as his own, his quiet existence is interrupted first by dreams of his lost wife, then by the appearance of Tobias Quinn, an erstwhile comrade from the Rising.
Lord John Grey - aristocrat, soldier, sometime spy - is in possession of papers which reveal a damning case of corruption and murder against a British officer. But the documents also hint at a…
I’ve got like a dozen runners-up for third place, but I guess I have to choose! And I have to choose the great Steven Pressfield.
Regular readers will have heard me rave about The War of Art, which is the holy text for writers, creatives, and anyone trying to do anything hard and creative in the world. His novels, particularly The Profession and Killing Rommel, are absolute masterclasses in (literary) military fiction. But this is his epic story, finally told in full, and will be of interest not just to Pressfield die-hards, as well as students of the artist’s journey, but to anyone interested in humanity.
This is a gripping and wonderful and wise and deeply human story, by one of our great storytellers (and story gurus) – and what it really, finally is is: great literature.
I’ve been fascinated by war since I was literally a toddler. True story, I was the only two-and-a-half-year-old in South Boston, Massachusetts with an adult library card. I had to get one, and to get it to prove to the librarian that I could read, in order to check out certain books that I wanted. I only recall one title, The Battle of Midway. Since then, though I’ve done other things like practice law and become a novelist, most of my adult life was still spent as an enlisted man, non-commissioned officer, and company grade and field grade infantry officer in the Army.
Yes, I know: “Eight volumes? Are you mad, Kratman?”
This is unquestionably the greatest single history on the American Civil War ever written. There are over sixty thousand books about the Civil War in existence. You cannot hope to read them all. This being true, if the subject interests you—and it ought, because the Civil War made the United States what it is—if you can read only eight, make this series the eight. Think of it as a really long single volume work.
In 2003-4 I spent a year in the British Army between school and university. Ten years later, having become a journalist, I returned to investigate what a decade of war had done to the institution I knew as an adolescent. In the years I spent researching and writing The Changing of the Guard I read reams of non-fiction. However, novels retain an ability to hit wider – or harder truths – and some of our greatest writers have fictionalised British Army life. Here is a selection of British Army novels, well-known and less so. They take in conflicts ranging from the First and Second World Wars through to Northern Ireland and Afghanistan.
In the interests of full disclosure, I knew Campbell at university so my judgment on this novel of the Afghan war cannot be fully impartial.
I found it powerful though. There are obvious overlays between the experience of Campbell himself and his central protagonist Tom Chamberlain – both serve in high-period Afghanistan as officers with cavalry units. (Campbell was in the Blues and Royals). That overlap grants the novel its authenticity – from its dissection of 'ally,’ British army slang for cool, to “rock star” bomb disposal officers capable of “squaring up to colonels” and coffins of blast victims reduced to a few scraps of ruined flesh subsequently weighed down with sandbags.
Campbell’s next novel, The Fires of Gallipoli, set in the First World War, will be out next year.
ONE OF THE EVENING STANDARD'S BOOKS OF THE YEAR 2015 Barney Campbell's Rain is a searingly powerful debut that reads like a British Matterhorn ********
'A wonderfully achieved, enthralling and moving novel of war. Its authenticity is as telling as it is terrifying' William Boyd
'No better on-the-ground description of Britain's war will ever be written. Rain is what Chickenhawk or, more recently, Matterhorn was to Vietnam. It's unputdownable, except for when the reader needs to draw breath or battle a lump in the throat' Evening Strandard
Corporal Thomas (my acting sergeant since Adams died) and I have to go…
My name is Bri Bruce, writing as B. L. Bruce, and am an award-winning poet and Pushcart prize nominee from California. Over the last decade and a half, my work has appeared in dozens of literary publications. I am the author of four books and Editor-in-Chief of nature-centric magazineHumana Obscura. I was raised with a wildlife biologist/avid gardener for a mother and a forestry major/backpacker/fisherman as a father. Both my parents instilled in me at a young age a love of nature. A lifetime spent outdoors inspires my work—so much so that I’ve been called a “poetic naturalist” and the “heiress of Mary Oliver.”
No Other Life combines three of Gary Young’s books into one volume. There is such unique style and quiet beauty to Young’s work. I am truly inspired by it. He has a knack for capturing the extraordinary in the mundane in brief but deep prose poems that grip the soul.
Young was one of my professors in college and was a driving force for why I pursued a creative writing degree and chose to continue to write after graduating. His work will always hold a special place in my nature-loving creative heart.
No Other Life gathers in a single volume two earlier books by Gary Young, Days and the award-winning Braver Deeds, with the final book in his trilogy, If He Had. Utilizing a radically brief prose poem that in its spare lucidity leaves after images burned into the readers imagination, Young weaves a pattern of compelling and often harrowing correspondences that Ethan Paquin described in Quarterly West as an exploration of thresholds, of levels of human endurance. Although every poem stands as an independent utterance, each book suggests a discrete poetic unit, and the entire trilogy can be read as a…
In 2003-4 I spent a year in the British Army between school and university. Ten years later, having become a journalist, I returned to investigate what a decade of war had done to the institution I knew as an adolescent. In the years I spent researching and writing The Changing of the Guard I read reams of non-fiction. However, novels retain an ability to hit wider – or harder truths – and some of our greatest writers have fictionalised British Army life. Here is a selection of British Army novels, well-known and less so. They take in conflicts ranging from the First and Second World Wars through to Northern Ireland and Afghanistan.
This is the one First World War novel in which the characters actually talk like soldiers – i.e., they swear. It therefore provides a powerful counterpunch to our usual notion of what the trenches sounded like.
The scalding language survived intact due to the book’s complicated publication history. Initial release in an anonymous volume available only for subscribers meant that Manning, an Australian who had served on the Somme, could sidestep the mores of his time.
The result was lines like this: "“Fuckin' slave drivers, that's what they are!” said Minton, flinging himself on the ground. “What's the cunt want to come down ‘ere buggerin’ us about for, ‘aven't we done enough bloody work in th’ week?”” A bowdlerised version – “Her Privates We” – later followed, but the unexpurgated original is the one to read.
Ernest Hemingway, Ezra Pound, T.S. Eliot, and T.E. Lawrence all praised Manning’s work.
'They can say what they bloody well like, but we're a fuckin' fine mob.'
Deep in the mud, stench of the Somme, Bourne is trying his best to stay alive. There he finds the intense fraternity of war and fear unlike anything he has ever known.
Frederic Manning's novel was first published anonymously in 1929. The honesty with which he wrote about the horror, the boredom, and the futility of war inspired Ernest Hemingway to read the novel every year, 'to remember how things really were so that I will never lie to myself nor to anyone else about them.
Jeremy Black is a prolific lecturer and writer, the author of over 100 books. Many concern aspects of eighteenth-century British, European, and American political, diplomatic and military history but he has also published on the history of the press, cartography, warfare, culture, and on the nature and uses of history itself.
Already a published expert on air power, armour, and the Normandy campaign, Buckley went on to produce a well-considered and ably researched evaluation of the British army in 1944-5, one that rescued it from the deeply-flawed criticism by Max Hastings of its relative effectiveness.
Historian John Buckley offers a radical reappraisal of Great Britain's fighting forces during World War Two, challenging the common belief that the British Army was no match for the forces of Hitler's Germany. Following Britain's military commanders and troops across the battlefields of Europe, from D-Day to VE-Day, from the Normandy beaches to Arnhem and the Rhine, and, ultimately, to the Baltic, Buckley's provocative history demonstrates that the British Army was more than a match for the vaunted Nazi war machine. This fascinating revisionist study of the campaign to liberate Northern Europe in the war's final years features a large…
While I grew up in New Jersey, the “Crossroads of the Revolution,” with a passion for history, I was ignorant to the amount of fighting that happened in my home state. My decision to write coincided with a renewed interest in the American Revolution: when I realized how many stories of the Revolution remained untold, the die was cast. My passion for history, love for soldiering, wartime experiences, and understanding of tactics and terrain came together to produce something special. Now I can often be found, map, compass, and notebook in hand, prowling a Revolutionary battlefield so I can better tell the story of those who were there.
In my military career, it was my privilege to serve alongside British troops in the Balkans, Iraq, and Afghanistan. I have the utmost respect for their professionalism, and enjoy their sense of humor, especially on the subject of the American Revolution. For anyone who envisions the “redcoats” of the Revolution as unthinking drones advancing shoulder-to-shoulder, With Zeal and with Bayonets Only is a useful corrective. It demonstrates how the British Army was a professional learning organization that adapted to its environment and very nearly crushed the cause of American Independence. Whenever Gideon Hawke tangles with the British, With Zeal and with Bayonets Only informs the scene and its outcome.
The image is indelible: densely packed lines of slow-moving Redcoats picked off by American sharpshooters. Now Matthew H. Spring reveals how British infantry in the American Revolutionary War really fought.
This groundbreaking book offers a new analysis of the British Army during the ""American rebellion"" at both operational and tactical levels. Presenting fresh insights into the speed of British tactical movements, Spring discloses how the system for training the army prior to 1775 was overhauled and adapted to the peculiar conditions confronting it in North America.
First scrutinizing such operational problems as logistics, manpower shortages, and poor intelligence, Spring then…
Growing up in postwar Germany, I have always been fascinated by how people survive wars emotionally and retain their humanity. In my extensive research for Captives, I came across an account of a German soldier in North Africa, whose tank had been hit and was engulfed in flames. A human torch, he jumped from the tank, expecting to be killed by British soldiers who were nearby. Instead, they rolled his body in the sand to extinguish the flames and called a medic, saving his life. This act of humanity moved me and inspired me to make the preservation of one’s humanity in war the central theme in my novel.
Parade’s End has been described by Mary Gordon as “the best fictional treatment of war in the history of the novel.”
What made me truly connect with the story is its protagonist, Christopher Tietjens, who serves in the British Army during the “Great War.”
A member of a prominent, landowning family, Tietjens is driven by a strong sense of duty and commitment to marriage and country—whatever the cost to himself. Although he is in love with Valentine, he remains married to his promiscuous wife, Sylvia, and accepts as his son a child who may not be his.
But Tietjens’ experiences in the trenches on the Western Front eventually teach him that truth and happiness are more important than societal duties.
Ford Madox Ford's great masterpiece exploring love and identity during the First World War, in a Penguin Classics edition with an introduction by Julian Barnes.
A masterly novel of destruction and regeneration, Parade's End follows the story of aristocrat Christopher Tietjens as his world is shattered by the First World War. Tracing the psychological damage inflicted by battle, the collapse of England's secure Edwardian values - embodied in Christopher's wife, the beautiful, cruel socialite Sylvia - and the beginning of a new age, epitomized by the suffragette Valentine Wannop, Parade's End is an elegy for both the war dead and…
