Here are 100 books that The Soldier's Art fans have personally recommended if you like
The Soldier's Art.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
In 2003-4 I spent a year in the British Army between school and university. Ten years later, having become a journalist, I returned to investigate what a decade of war had done to the institution I knew as an adolescent. In the years I spent researching and writing The Changing of the Guard I read reams of non-fiction. However, novels retain an ability to hit wider – or harder truths – and some of our greatest writers have fictionalised British Army life. Here is a selection of British Army novels, well-known and less so. They take in conflicts ranging from the First and Second World Wars through to Northern Ireland and Afghanistan.
I found this novel on a secondhand stall in Kenya when I was 18 or 19 and devoured it. Little known today, it was shortlisted for the Booker Prize and later adapted by the BBC.
Judd relates a tour by a fictional British Army unit in Northern Ireland in some of the most violent days of the Troubles in the 1970s. The protagonist, Charles Thoroughgood, is an Oxford graduate at a time when most army officers were school leavers, and the book chants his increasing disillusionment.
My early edition featured on the cover – next to a crouching individual in combats toting a pistol on a lanyard – an endorsement from Jack Higgins: “Quite simply one of the best novels of army life I’ve read in years.” Higgins was right.
FROM THE HIGHLY ACCLAIMED AUTHOR OF LEGACY AND ACCIDENTAL AGENT
After university and Sandhurst, Charles Thoroughgood has now joined the Assault Commandos and is on a four-month tour of duty in Armagh and Belfast. The thankless task facing him and his men -- to patrol the tension-filled streets through weeks of boredom punctuated by bursts of horror -- takes them through times of tragedy, madness, laughter and terror.
Alan Judd tells Thoroughgood's tale with verve, compassion and humour. The result is an exceptionally fine novel which blends bitter human incident with army farce.
In 2003-4 I spent a year in the British Army between school and university. Ten years later, having become a journalist, I returned to investigate what a decade of war had done to the institution I knew as an adolescent. In the years I spent researching and writing The Changing of the Guard I read reams of non-fiction. However, novels retain an ability to hit wider – or harder truths – and some of our greatest writers have fictionalised British Army life. Here is a selection of British Army novels, well-known and less so. They take in conflicts ranging from the First and Second World Wars through to Northern Ireland and Afghanistan.
This is the one First World War novel in which the characters actually talk like soldiers – i.e., they swear. It therefore provides a powerful counterpunch to our usual notion of what the trenches sounded like.
The scalding language survived intact due to the book’s complicated publication history. Initial release in an anonymous volume available only for subscribers meant that Manning, an Australian who had served on the Somme, could sidestep the mores of his time.
The result was lines like this: "“Fuckin' slave drivers, that's what they are!” said Minton, flinging himself on the ground. “What's the cunt want to come down ‘ere buggerin’ us about for, ‘aven't we done enough bloody work in th’ week?”” A bowdlerised version – “Her Privates We” – later followed, but the unexpurgated original is the one to read.
Ernest Hemingway, Ezra Pound, T.S. Eliot, and T.E. Lawrence all praised Manning’s work.
'They can say what they bloody well like, but we're a fuckin' fine mob.'
Deep in the mud, stench of the Somme, Bourne is trying his best to stay alive. There he finds the intense fraternity of war and fear unlike anything he has ever known.
Frederic Manning's novel was first published anonymously in 1929. The honesty with which he wrote about the horror, the boredom, and the futility of war inspired Ernest Hemingway to read the novel every year, 'to remember how things really were so that I will never lie to myself nor to anyone else about them.
In 2003-4 I spent a year in the British Army between school and university. Ten years later, having become a journalist, I returned to investigate what a decade of war had done to the institution I knew as an adolescent. In the years I spent researching and writing The Changing of the Guard I read reams of non-fiction. However, novels retain an ability to hit wider – or harder truths – and some of our greatest writers have fictionalised British Army life. Here is a selection of British Army novels, well-known and less so. They take in conflicts ranging from the First and Second World Wars through to Northern Ireland and Afghanistan.
In the interests of full disclosure, I knew Campbell at university so my judgment on this novel of the Afghan war cannot be fully impartial.
I found it powerful though. There are obvious overlays between the experience of Campbell himself and his central protagonist Tom Chamberlain – both serve in high-period Afghanistan as officers with cavalry units. (Campbell was in the Blues and Royals). That overlap grants the novel its authenticity – from its dissection of 'ally,’ British army slang for cool, to “rock star” bomb disposal officers capable of “squaring up to colonels” and coffins of blast victims reduced to a few scraps of ruined flesh subsequently weighed down with sandbags.
Campbell’s next novel, The Fires of Gallipoli, set in the First World War, will be out next year.
ONE OF THE EVENING STANDARD'S BOOKS OF THE YEAR 2015 Barney Campbell's Rain is a searingly powerful debut that reads like a British Matterhorn ********
'A wonderfully achieved, enthralling and moving novel of war. Its authenticity is as telling as it is terrifying' William Boyd
'No better on-the-ground description of Britain's war will ever be written. Rain is what Chickenhawk or, more recently, Matterhorn was to Vietnam. It's unputdownable, except for when the reader needs to draw breath or battle a lump in the throat' Evening Strandard
Corporal Thomas (my acting sergeant since Adams died) and I have to go…
In 2003-4 I spent a year in the British Army between school and university. Ten years later, having become a journalist, I returned to investigate what a decade of war had done to the institution I knew as an adolescent. In the years I spent researching and writing The Changing of the Guard I read reams of non-fiction. However, novels retain an ability to hit wider – or harder truths – and some of our greatest writers have fictionalised British Army life. Here is a selection of British Army novels, well-known and less so. They take in conflicts ranging from the First and Second World Wars through to Northern Ireland and Afghanistan.
I have a theory that great fiction about the British Army may require conscription – that system propelled individuals who otherwise would have never joined the military into the institution. They could then respond in writing in a manner that peacetime volunteers were never able to.
Evelyn Waugh, already in his late 30s when the Second World War was declared in 1939, was an unlikely soldier. However, he turned his experiences – notably in West Africa, Crete, and Yugoslavia – into a trio of fine fiction centered on a somewhat Waugh-like character, Guy Crouchback.
Waugh’s genius is to capture some of the eccentricities of army life – the discussion about the merits of porpoise skin as a material for boots will echo with anyone who has ever overheard, or participated in, an earnest discussion about the minutiae of kit.
Jeremy Black is a prolific lecturer and writer, the author of over 100 books. Many concern aspects of eighteenth-century British, European, and American political, diplomatic and military history but he has also published on the history of the press, cartography, warfare, culture, and on the nature and uses of history itself.
Already a published expert on air power, armour, and the Normandy campaign, Buckley went on to produce a well-considered and ably researched evaluation of the British army in 1944-5, one that rescued it from the deeply-flawed criticism by Max Hastings of its relative effectiveness.
Historian John Buckley offers a radical reappraisal of Great Britain's fighting forces during World War Two, challenging the common belief that the British Army was no match for the forces of Hitler's Germany. Following Britain's military commanders and troops across the battlefields of Europe, from D-Day to VE-Day, from the Normandy beaches to Arnhem and the Rhine, and, ultimately, to the Baltic, Buckley's provocative history demonstrates that the British Army was more than a match for the vaunted Nazi war machine. This fascinating revisionist study of the campaign to liberate Northern Europe in the war's final years features a large…
For fifty years I've studied the British sailing navy, fascinated by its workings, the slow communications, the vagaries of the winds and tides. In parallel with my work in archives, I've sailed in most of the European waters described in Convoys. I worked at the National Maritime Museum, Greenwich, for 27 years, leaving as Deputy Director in 2000. Since then, I've taught postgraduates and written about Nelson and the British government (Britain against Napoleon), and became convinced that Britain came very close to being defeated by Napoleonic France. If Napoleon had not thrown it all away by his invasion of Russia in 1812, I might be writing this in French, with a very different script!
Huw Davies takes a long look at the tactics and training of the British army over a long period, culminating in the victories and defeats in this war. And there were extraordinary highs and lows in these twelve years.
He identifies the innovators, brilliant, hardworking men who changed the way cavalry and infantry worked, and the important decisions made in the Horse Guards in London. A new, well-written analysis.
A compelling history of the British Army in the eighteenth and nineteenth centuries-showing how the military gathered knowledge from campaigns across the globe
"Superb analysis."-William Anthony Hay, Wall Street Journal
At the outbreak of the War of Austrian Succession in 1742, the British Army's military tactics were tired and outdated, stultified after three decades of peace. The army's leadership was conservative, resistant to change, and unable to match new military techniques developing on the continent. Losses were cataclysmic and the force was in dire need of modernization-both in terms of strategy and in leadership and technology.
While I grew up in New Jersey, the “Crossroads of the Revolution,” with a passion for history, I was ignorant to the amount of fighting that happened in my home state. My decision to write coincided with a renewed interest in the American Revolution: when I realized how many stories of the Revolution remained untold, the die was cast. My passion for history, love for soldiering, wartime experiences, and understanding of tactics and terrain came together to produce something special. Now I can often be found, map, compass, and notebook in hand, prowling a Revolutionary battlefield so I can better tell the story of those who were there.
In my military career, it was my privilege to serve alongside British troops in the Balkans, Iraq, and Afghanistan. I have the utmost respect for their professionalism, and enjoy their sense of humor, especially on the subject of the American Revolution. For anyone who envisions the “redcoats” of the Revolution as unthinking drones advancing shoulder-to-shoulder, With Zeal and with Bayonets Only is a useful corrective. It demonstrates how the British Army was a professional learning organization that adapted to its environment and very nearly crushed the cause of American Independence. Whenever Gideon Hawke tangles with the British, With Zeal and with Bayonets Only informs the scene and its outcome.
The image is indelible: densely packed lines of slow-moving Redcoats picked off by American sharpshooters. Now Matthew H. Spring reveals how British infantry in the American Revolutionary War really fought.
This groundbreaking book offers a new analysis of the British Army during the ""American rebellion"" at both operational and tactical levels. Presenting fresh insights into the speed of British tactical movements, Spring discloses how the system for training the army prior to 1775 was overhauled and adapted to the peculiar conditions confronting it in North America.
First scrutinizing such operational problems as logistics, manpower shortages, and poor intelligence, Spring then…
I wrote A Crisis Wasted precisely with the goal of changing the way government makes decisions at inflection points in history, when change is happening at a 10x scale. That was the situation between the collapse of Lehman Brothers in September 2008 and the inauguration of the new president in January 2009. I felt at the time and later that the way problems were analyzed, options created and decisions made were tragically disappointing, not because the people involved were badly motivated but because of the assumptions and convictions to which they were firmly bound before they approached the problems. I had no idea in 2019 that the next crisis would be the pandemic and only had only hope that the next Administration would include many of the same people involved in 2008-9. But as history unfolded the lessons of 2008-9, as I decoded them, applied with uncanny accuracy to the decisions made by the Biden team in 2020-21. So far at least, their ability to learn from history has served the country well.
Book 1 of these 2 is perhaps a better read because it explains, as the young Jack Kennedy famously wrote, “Why England Slept,” and that topic is more intriguing than the tactics of the Second World War itself, treated in Book 2. Nevertheless, if you have time read both books. You’ll conclude that Kennedy (and his ghostwriter) didn’t know what was up, and you’ll wonder if the United States is now repeating Britain’s history as its status as a great power is put under pressure by the rise of China.
'An energetic, ambitious, provocative work by a young historian of notable gifts, which deserves a wide readership' Max Hastings, The Sunday Times
'Bold and breathtaking... I have never read a more daringly panoramic survey of the period' Jonathan Wright, Herald Scotland
The most terrible emergency in Britain's history, the Second World War required an unprecedented national effort. An exhausted country had to fight an unexpectedly long war and found itself much diminished amongst the victors. Yet the outcome of the war was nonetheless a triumph, not least for a political system that proved well adapted to the demands of a…
Growing up near Oak Ridge, Tennessee, I was aware that the city had historical significance but also that it wasn’t particularly famous, at least to people from outside the region. I’ve always been drawn to these sorts of overlooked stories from history, which are, not coincidentally, often women’s stories. Women made up the majority of workers in Oak Ridge during World War II, and for decades afterward, their stories were generally viewed as less important than male-dominated narratives of the war. But I’ve always believed that women’s stories are no less interesting than men’s. These books look at history’s worst conflict from unique perspectives that foreground the female experience.
An unsparing portrait of a cast of characters working for the BBC in London at the outset of the war, this novel is both funny and moving, though Fitzgerald’s keen sense of irony assures that the writing is never sentimental. Even the most minor characters come to life, as they adjust to both the bureaucracy of the wartime BBC and the realities of life during the Blitz.
The human voices of Penelope Fitzgerald's novel are those of the BBC in the first years of the Second World War, the time when the Concert Hall was turned into a dormitory for both sexes and the whole building became a target for the enemy bombers.
I lived in London for eighteen years and acquired an abiding affection for my nation’s capital. I wanted to write a sequel to Bluebirds and jumped at the chance of giving Bryan Hale an adventure where he could walk the streets that I knew and loved. The scars caused on the fair face of London by sticks of Nazi bombs landing in ragged lines across the streets and terraces may still be discerned from the incongruity of the buildings that have since risen to fill the gaps. London heals and thrives. Ultimately, I believe every English writer harbours an ambition to write a London novel. I did, and I did.
We’re all familiar with wartime images of young evacuees gathered together on railway stations. But over fifty percent of children were notevacuated from British cities, and it is they that Penny Starns has studied. Once we get past the mothers’ ‘keep or send’ moral dilemma, there are the issues of discipline, education, health, food, and psychological development to consider. Starns takes these subjects chapter by chapter, relating stories of disease, poverty, criminality, and terror (including one child who spent the night in a shelter within reach of an unexploded bomb). These tales she counterpoints with examples of unexpectedly increasing emotional and physical wellbeing amongst some of the stay-behinds. This is an important record of the experiences of a demographic that war histories often ignore.
The mass evacuation of children and new and expectant mothers during the Second World War is well documented. But over fifty per cent of children were not evacuated during the War, and it is these young people who offer an unrivalled view of what life was like during the bombing raids in Britain's cities. In Blitz Families Penny Starns takes a new look at the children whose parents refused to bow to official pressure and kept their beloved children with them throughout the War. As she documents family after family which made this difficult decision, she uncovers tales of the…
