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For fifty years I've studied the British sailing navy, fascinated by its workings, the slow communications, the vagaries of the winds and tides. In parallel with my work in archives, I've sailed in most of the European waters described in Convoys. I worked at the National Maritime Museum, Greenwich, for 27 years, leaving as Deputy Director in 2000. Since then, I've taught postgraduates and written about Nelson and the British government (Britain against Napoleon), and became convinced that Britain came very close to being defeated by Napoleonic France. If Napoleon had not thrown it all away by his invasion of Russia in 1812, I might be writing this in French, with a very different script!
The most important strategic fact in this war was the defeat of Napoleon’s great army which invaded Russia in 1812, and its destruction by winter weather during the retreat from Moscow later that year. It was a blow from which Napoleon never recovered.
This fascinating book is written from Russian sources, bringing the extraordinary story of the decision to abandon and burn Moscow, and how the Russian army was used and commanded. No one who looks at the war as a whole can ignore this book. The fact that Hitler repeated the same mistake of invading Russia in 1941 makes it even more powerful.
'A compulsive page-turner ... a triumph of brilliant storytelling ... an instant classic that is an awesome, remarkable and exuberant achievement' Simon Sebag Montefiore
Winner of the Wolfson History Prize and shortlisted for the Duff Cooper Prize
In the summer of 1812 Napoleon, the master of Europe, marched into Russia with the largest army ever assembled, confident that he would sweep everything before him. Yet less than two years later his empire lay in ruins, and Russia had triumphed. This is the first history to explore in depth Russia's crucial role in the Napoleonic Wars, re-creating the epic battle between…
For fifty years I've studied the British sailing navy, fascinated by its workings, the slow communications, the vagaries of the winds and tides. In parallel with my work in archives, I've sailed in most of the European waters described in Convoys. I worked at the National Maritime Museum, Greenwich, for 27 years, leaving as Deputy Director in 2000. Since then, I've taught postgraduates and written about Nelson and the British government (Britain against Napoleon), and became convinced that Britain came very close to being defeated by Napoleonic France. If Napoleon had not thrown it all away by his invasion of Russia in 1812, I might be writing this in French, with a very different script!
It is an extraordinary fact that no one had written a book on the naval war after 1803 for nearly two hundred years.
In the same time period, hundreds of books have covered Trafalgar and Nelson, and some good books have appeared on parts of the war. But until James Davey’s extensive documentary research in this book, nobody had seen it as a whole. Engagingly written, full of telling stories, this tells the story of a worldwide war.
Battles, blockades, convoys, raids: how the indefatigable British Royal Navy ensured Napoleon's ultimate defeat
Horatio Nelson's celebrated victory over the French at the Battle of Trafalgar in 1805 presented Britain with an unprecedented command of the seas. Yet the Royal Navy's role in the struggle against Napoleonic France was far from over. This groundbreaking book asserts that, contrary to the accepted notion that the Battle of Trafalgar essentially completed the Navy's task, the war at sea actually intensified over the next decade, ceasing only with Napoleon's final surrender.
In this dramatic account of naval contributions between 1803 and 1815, James…
For fifty years I've studied the British sailing navy, fascinated by its workings, the slow communications, the vagaries of the winds and tides. In parallel with my work in archives, I've sailed in most of the European waters described in Convoys. I worked at the National Maritime Museum, Greenwich, for 27 years, leaving as Deputy Director in 2000. Since then, I've taught postgraduates and written about Nelson and the British government (Britain against Napoleon), and became convinced that Britain came very close to being defeated by Napoleonic France. If Napoleon had not thrown it all away by his invasion of Russia in 1812, I might be writing this in French, with a very different script!
No one stands for what really mattered in this war more than Admiral Sir James Saumarez, Commander in chief in the Baltic between 1808 and 1812, a crucial period in the war. No famous battle ensued.
Using patience and diplomacy, Saumarez used the power of his fleet to ensure that vital trade with Britain continued and that Sweden was protected. A Swedish official wrote to Saumarez in 1813, after the danger from Napoleon had passed: "Had you fired one shot when we declared war against England, all had been ended, and Europe would have been enslaved."
Detailed investigation of the key role played by Admiral Saumarez in the continuing naval warfare against Napoleon.
The maritime war against Napoleon did not end with the Battle of Trafalgar, but continued right up to 1815, with even more British ships and sailors deployed after 1805 than before. One key theatre was the Baltic, where the British commander was Admiral Saumarez. He had had a highly successful career as a post-Captain, notably at the two battles of Algeciras as a newly-promoted Rear-Admiral. For five years from 1808 as Commander-in-Chief of a large Balticfleet, he played a very skilful diplomatic role,…
For fifty years I've studied the British sailing navy, fascinated by its workings, the slow communications, the vagaries of the winds and tides. In parallel with my work in archives, I've sailed in most of the European waters described in Convoys. I worked at the National Maritime Museum, Greenwich, for 27 years, leaving as Deputy Director in 2000. Since then, I've taught postgraduates and written about Nelson and the British government (Britain against Napoleon), and became convinced that Britain came very close to being defeated by Napoleonic France. If Napoleon had not thrown it all away by his invasion of Russia in 1812, I might be writing this in French, with a very different script!
This is a fine new study looking at the lasting impact of the wars from 1815, particularly at the tens of thousands of men who had served in the army and navy.
Although Britain was in much better shape than the Continental economies, more than twenty years of warfare had changed life and industry, and there were few jobs for the returning soldiers and seamen. It led to domestic protest and violence on the streets, sometimes with veterans fighting regular troops and militia. You could not get further from the glossy fiction of C.S. Forester and Patrick O'Brian.
Few battles in world history provide a cleaner dividing line than Waterloo: before, there was Napoleon; after, there was the Pax Britannica. While Waterloo marked France's defeat and Britain's ascendance as an imperial power, the war was far from over for many soldiers and sailors, who were forced to contend with the lasting effects of battlefield trauma, the realities of an impossibly tight labour market, and growing social unrest. The Horrible Peace details a story of distress and discontent, of victory complicated by volcanism, and of the challenges facing Britain at the beginning of its victorious century.
Dr. Onyeka Nubia is a pioneering and internationally recognised historian, writer, and presenter. He is reinventing our perceptions of diversity, the Renaissance, and British history. Onyeka is the leading historian on the status and origins of Africans in pre-colonial England from antiquity to 1603. He has helped academia and the general public to entirely new perspectives on otherness, colonialism, imperialism, and World Wars I and II.
He has written over fifty articles on Englishness, Britishness, and historical method and they have appeared in the most popular UK historical magazines and periodicals including History Today and BBC History Magazine. Onyeka has been a consultant and presenter for several television programmes on BBC.
New Perspectives shows us that Black British history is a complex field of historiography. No longer should we look at it as a sketchy, speculative, politically correct apologia for historical investigation. But rather see, that for more than three generations scholars have worked very hard to establish a vigorous pedagogy. It is a pedagogy that supports wider British histories, but subverts the traditional trajectories of those narratives. This book introduces us to some of the major developments in Black British history and it is an excellent place to start for a reader who knows very little about this subject.
For over 1500 years before the Empire Windrush docked on British shores, people of African descent
have played a significant and far-ranging role in the country's history, from
the African soldiers on Hadrian's Wall to the Black British intellectuals who
made London a hub of radical, Pan-African ideas. But while there has been a
growing interest in this history, there has been little recognition of the
sheer breadth and diversity of the Black British experience, until now.
This collection combines the
latest work from both established and emerging scholars of Black British history. It
spans the centuries from the first…
I’ve always adored stories of courageous, sometimes outrageous women who forge aheadinto the unknown, survive in strange lands in troubled times, pursue their career dreams. Like my favourite picks, I’ve relished my own adventures in distant countries (Libya, Czechia, Kyrgystan, Mongolia…), while always earning my crust from writing. From motivational research in Dublin and London, I switched to financial journalism in Holland, where I met and was inspired by ground-breaking journalist Nel Slis whose story I’ve told in my book Hellcat of the Hague. Now I’m settled in London to concentrate on my novels and short stories and be near my family, I hope you love these books too.
Helen Marquard’s search for a piano teacher led her to Hedwig Stein who had fled Berlin in 1933 with her Russian Jewish husband, both concert pianists, to start again from nothing. A large, vivid woman, Hedwig freely shared her ideas on music, art, philosophy, literature. Later, Marquard discovered Hedwig had written a diary, and determined to bring us this story that would otherwise have been lost, enabling Hedwig and her husband to take their rightful place in the roll-call of émigrés who have contributed so much to UK cultural life. Hedwig put her husband’s career and her children first, yet she never gave up on her own career, which continued its own quiet flourishing after her husband’s sudden death.
Hedwig Stein was starting to make her mark as a concert pianist in Germany in the early 1930s when she fell in love with a Russian emigre pianist, Iso Elinson. He was half-Jewish, and quickly the pair knew they had little choice but to flee, despite vehement family opposition to that and to their proposed marriage. They chose England as their destination although neither had visited the country or spoke the language. They arrived with just twelve bags, a very small amount of money, a recommendation about Iso from Albert Einstein, and a few letters of introduction. Bit by bit,…
I became interested in the genre of memoir during the lockdown when I found myself reflecting on my past during the extended solitary periods. Looking through a shoebox of old letters put me in touch with the person I had once been. I then discovered that the act of writing downmemories opened up areas that I had forgotten about or that had faded almost to nothing, and suddenly they became quite vivid. I decided to create memoirist.org for writing at a more literary level and only publish highly polished pieces. Memoirist now has many followers and some posts have nearly a thousand views.
A memoir that deals with the everyday life of an office worker in 1950s/60s London seems like a joke and, indeed, when it came out, it was treated as such but there is some kind of poetry in this exploration of the humdrum. The manuscript was discovered in the slush pile by a rare editor who grasped the humour of what would appear to be an empty life but a life that Smith is content with. She lived with her parents until her twenties then moved into various lodgings, descriptions, and inhabitants of which are examined in detail. Smith had many short-term boyfriends, usually meeting them at a 'social club'.
Chapters are minimalistic and quirky but I wondered if some could be expanded and if she had missed some opportunities. Not a lot happens as Smith moves through life as a secretary making her observations, some grotesque, some unusual, some…
Part memoir, part comic monologue, this is an ensemble of mishaps and anecdotes that, taken together, reveals the ups and downs of one woman's life. Relentlessly self-deprecating, Sylvia Smith's diary at first seems to relay the humdrum, everydayness of living, yet it steadily gains momentum as a darker undertone gathers force. Interspersed between humorous tales of first-date disasters and "get-rich-quick" schemes gone awry, the reader is thrown off-balance by the loss of sexual innocence and a pervading sense of loneliness. As Sylvia stumbles from one temporary job to another, and through a variety of furnished flats, her deadpan delivery is…
I’m a writer of novels set in Saxon England. I studied the era at both undergraduate and graduate levels and never meant to become a historical fiction writer. But I developed a passion to tell the story of the last century of Early England through the eyes of the earls of Mercia, as opposed to the more well-known, Earl Godwin. I’m still writing that series but venture further back in time as well. I might have a bit of an obsession with the Saxon kingdom of Mercia. I’m fascinated by the whole near-enough six hundred years of Saxon England before the watershed moment of 1066, after which, quite frankly, everything went a bit downhill.
Finally, one of my recommendations has lots of pictures in it. The Death of Anglo-Saxon England charts the closing century of Saxon England. This book was written for a general audience and is a thoroughly engrossing read. I can remember taking it with me on day trips so that I could find a corner and stick my head in the book, and my version is replete with many, many bits of paper sticking out from the pages. Complete with all the images and pictures, the author presents an easy-to-understand and chronological account of the events that led to the Norman Conquest of 1066. I’m not saying I agree with everything in this book, but it’s a very good starting point for those with a growing interest in the period.
Perhaps the best-known fact of English history is the Norman Conquest of 1066, which dispossessed the Anglo-Saxon royal house, marginalized English cultural values and began the near total exclusion of English figures from influence in the realm. The events of that year form the end-point of this study which focuses on royal succession and the descent of the crown during the last century of the Anglo-Saxon period. The text examines questions of factional conflicts, external raiders and warrior kings, and attempts to explain why the English dynasty proved vulnerable to usurpation during the 11th century. Of central importance is the…
I am Karen Slater the author of My Journey Through Hell. It’s a memoir of addiction and generational abuse. A story about my dysfunctional childhood and the negative consequences that took me to hell and back. The books I love the most are the stories that inspire me. The true stories of real people overcoming tragedy and adversity give me such hope and motivation to keep on doing what I do and reach other people still struggling. I like to think these are the books that radiate courage and optimism and let others know that we all have our crosses to bear but we can bear them nonetheless.
The thing I love about Tyson's story is he makes it so relatable to ask questions that others are too afraid to answer. He talks about his triumphs but especially his tribulations. He single handily put mental health on the horizon up for discussion and this man being a giant and talented boxer showed men in particular that it was alright to hurt at times to get lost and to fall apart. Up to then, most celebrities were too proud to go deep and talk about their struggles. Not Tyson, this is the greatest gift you can give.
Honesty and integrity. Not being afraid of being shamed or judged but allowing the world to know that it's ok to talk about this. Not only OK but necessary. I admired the man and his family even more from that very read. It was fabulous looking into the mind of the best…
THE UNDEFEATED HEAVYWEIGHT CHAMPION, IN HIS OWN WORDS ________________________________ The UK's bestselling boxing book since records began. WINNER of the Telegraph Sports Book of the Year. ________________________________ 'One of sport's most heart-warming stories' SUNDAY TIMES, SPORTS BOOK OF THE YEAR 'A must-read for any boxing fan.' WORLD BOXING NEWS 'If you know someone who's a fan of the People's Champion, then they'll love this.' TALKSPORT
The extraordinary story of the rise and fall and rise again of Tyson Fury...
THE GYPSY KING.
A Manchester lad from Irish Traveller stock, born three months premature and weighing just a pound at birth,…
I’m a writer of cosy crimes and unapologetic in my love for the genre! There’s nothing better, in my opinion than a well-thumbed Agatha Christie or a foxed, old copy of Dorothy L Sayers. And it’s the role of the amateur sleuth that I love the best; that happy accident that brings a person with a sharp mind and perhaps a particular skill set together with a murderous villain, and we, the lucky reader, get to ride alongside them and work out the mystery for ourselves. Pour that tea, snuggle up and settle in with these five brilliant examples of amateur sleuths with just something a little different to offer…
I have to admit I saw the cover of this book and was smitten… then I discovered what makes this crime novel and its amateur sleuth a little bit different. Josephine Tey revisits the scene of a death at Charleston Farmhouse in 1915, and now, twenty years later, she realises that it might have been more sinister than ‘just’ an accident—and she, who was there at the time, might be implicated in the murder herself. Josephine Tey, as well as being the book’s protagonist, was also the real-life pen name of Elizabeth MacKintosh, who wrote eight murder mysteries as Tey. That Upson has so cleverly fictionalised the real-life Tey is what makes this book, and the others in the series, so different—brilliantly so, in my opinion.
** Longlisted for the CWA Sapere Books Historial Dagger 2020 **
'Haunting . . . Superlative.' Sunday Times Crime Book of the Month
'A terrific novel.' A. N. Wilson
Summer, 1915: a young woman falls to her death at Charleston Farmhouse on the Sussex Downs. But was it an accident?
Twenty years later, Josephine Tey is faced with the accusation that it was murder, and that she was complicit in the crime. Can she clear her name and uncover the truth, exposing the darkest secrets of that apparently idyllic summer?
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