85 books like Sorry for the Dead

Of course, every mystery needs a perfect crime, but what about the perfect setting? I’m fascinated by how authors manipulate time and place to add to the heightened emotions of their murders, thefts, blackmail, and frauds. It’s the juxtaposition of truth and fantasy—what we believe times were like and how they actually were—that makes setting such an essential detail of every whodunnit. Doing research on my own novel, I wrenched apart the facts and fictions of Post-War America, and grew even more ravenous for mysteries that leveraged their settings for the utmost entertainment. 

I was born in Coatbridge, in the West of Scotland, more years ago than I care to remember. I recently took the big step of moving east to Edinburgh, by way of Birmingham, London, Lagos, Nigeria, Chicago, Pittsburgh, and New York: a necessary detour because traffic on the direct route is really, really bad. I’m a graduate of Birmingham University and Harvard Law School, and work in the field of counter-terrorist financing, which sounds way cooler than it is.  Basically, I write emails, fill in forms, and use spreadsheets to help choke off the money supply that builds weapons of mass destruction, narcotics empires, and human trafficking networks. And sometimes I write murder mysteries.

My fascination with crime fiction has come from reading about it. I have no idea how many novels I have read focused on baddies and the catching of them, but it’s numbering now in the many hundreds. I think the fact that a crime novel can incorporate elements of all other genres – horror, history, romance, the supernatural, etc. are what make them so appealing and add to the joy of writing them. Untangling the threads that make up a crime novel is very satisfying. Maybe in another reality, I would be a detective – I love that idea, but for now, in this bit of the multiverse, I’ll just carry on making them up.  

I’m a writer of cosy crimes and unapologetic in my love for the genre! There’s nothing better, in my opinion than a well-thumbed Agatha Christie or a foxed, old copy of Dorothy L Sayers. And it’s the role of the amateur sleuth that I love the best; that happy accident that brings a person with a sharp mind and perhaps a particular skill set together with a murderous villain, and we, the lucky reader, get to ride alongside them and work out the mystery for ourselves. Pour that tea, snuggle up and settle in with these five brilliant examples of amateur sleuths with just something a little different to offer…

I am an author of mysteries with three published books in the genre to date. Novels involving a mysterious house will immediately grab my attention. Throw in an otherworldly presence and I’m hooked. So it was no surprise when my muse guided me to create a mystery series that centers around a Victorian home haunted by the spirits of its original inhabitants. Inspiration came from personal experience—a real-life ghostly encounter in my New England country home which bordered an ancient cemetery—and influence from classic tales that delve into the paranormal and the psychological. This is the type of book I will always rush to read (and write).

I love to laugh. Whether my oldest son and I are trading bad puns, my husband is teasing, my daughter and I are chuckling over a rom-com, or my youngest son is rolling his eyes and groaning at all of us, my family loves to laugh. Humor creates joy, relieves stress, and is just plain fun. That's what I look for in a good read. The world offers plenty of negativity and hardship. When I escape into a novel, I want fast-paced adventure and swoony romance, but I also want a reason to smile. That's the experience I love, and the one I endeavor to give my readers.

Most people don’t realize how deeply ingrained folklore is to our daily lives. Superstitious habits like tossing spilled salt over the shoulder seem silly now, but had grave implications a hundred or more years ago. I love books that draw lines between folklore and reality, that weave tales laced with superstition, especially through the lens of modern issues. Stories like these have always helped me to not only understand myself better, but the world around me. The things people do and say aren’t nearly as important as why. Folklore, like changeling stories, I’ve found, is the key to human understanding.

Historical fiction, specifically historical mysteries, is my favorite category whether I’m reading for pleasure or writing my own stories, and the decade of the Roaring Twenties is certainly the most colorful era in American history. As a historian, I want to learn; as a writer, I want to teach. But—and this is a big “but”—it’s critical that historical novels are both accurate and subtle. If I find the author has misrepresented the history or larded the story, I’m done. Which is why I can recommend the following five Roaring Twenties series. All feature characters that grow as the series progresses so it’s best to begin at the beginning and proceed mostly in order.

I’m an American who was taken by his parents to live in England for a year when he was a kid of eleven. The accents? The traditions? The school uniforms? All the traffic tangled up for a day because the Queen was riding to the State Opening of Parliament? It frightened me. It repelled me. I ended up loving it. I wrote my PhD thesis on the Victorian monarchy. A substantial part of all three of my first nonfiction books are about it. My novel on the current Queen of England has been a bestseller. It’s all about setting out to master what first strikes you as incomprehensible.

Robert Lacey is credited with changing the way that people read and write about the British monarchy. In 1977 his tell-it-how-it-is Majesty: Elizabeth II and the House of Windsor overturned the clichés of the traditional ‘royal book’, hitherto the preserve of ex-nannies and obsequious court correspondents. As a Cambridge-trained historian of the first Elizabethan age – his biographies Robert, Earl of Essex and Sir Walter Ralegh won critical acclaim – the young journalist added the investigative techniques of his work on the Sunday Times to portray the monarchy in a fresh and analytical fashion. Robert is today Historical Consultant to the Netflix TV series The Crown.