Here are 100 books that The Seven Deaths of Evelyn Hardcastle fans have personally recommended if you like
The Seven Deaths of Evelyn Hardcastle.
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My mother got cancer when I was seven and died when I was in college. So, I began to consider death and the afterlife from a very young age. I don’t know if ghosts are real, but I know that people are haunted. I explore this idea—that haunted houses are really settings for haunted humans—as well as the ambiguity between ghosts and mental descents in my own teaching and writing. I love haunted house novels because they’re wonderful vehicles for this sort of exploration and because they’re so much fun to read! I hope you enjoy these books as much as I do!
I believe that the best haunted house books are ones in which it’s the characters who are haunted. In this bookby Daphne du Maurier, I’m not sure if the house is haunted by the specter of Rebecca, but I know the narrator certainly is.
I love how the author creates an atmosphere filled with dread as the new wife imagines her predecessor, tries to live up to her reputation, and finally learns who she really was.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
Whereas many seek out stories of human triumph and heroic deeds, I have always been captivated by stories that show humanity for what it is–a bastion of innovation and wonder but also a complex and ethically questionable force of nature. I began writing my book when I was twelve years old, and I immediately knew that my characters would not be one-sided, cast in light or shadow. Instead, they would love at times and hate others, try their hardest to do what is right, but sometimes end up doing more harm than good. Remember that a ‘hero’ is a product of perspective when reading these books.
This book takes everything amazing about the mystery genre and transposes it into an endlessly fascinating, well-developed sci-fi world. I was captivated by the web of interconnected plot lines, told from the perspectives of rich and multi-faceted characters throughout the entire story.
Specifically, the fact that all of their seemingly disconnected backstories converge to form the real picture of the story was masterfully done. Furthermore, the final reveal of the story was quite literally the only plot twist in fiction that has given me a verbal “oh my god” moment.
It was a massive inspiration for me and led to my love of a combination of morally gray mystery, sci-fi, and action adventure.
In this Hugo nominated science fiction thriller by Mur Lafferty, a crew of clones awakens aboard a space ship to find they're being hunted-and any one of them could be the killer.
Maria Arena awakens in a cloning vat streaked with drying blood. She has no memory of how she died. This is new; before, when she had awakened as a new clone, her first memory was of how she died.
Maria's vat is one of seven, each one holding the clone of a crew member of the starship Dormire, each clone waiting for its previous incarnation to die so…
I adore crime fiction, especially mysteries. They make sense. In the real world, crime rarely has the resolution of fiction, and almost never has Belgian detectives with very neat moustaches, or old ladies solving a who-dunnit… I grew up reading these books, mentally inhaling everything from Christie to Rankin to McDermid, and now I spend my days writing brutal but quite silly murders solved by a woman who would really rather wear an old grey fleece and jeans than a sparkly dress, and her friends, the fictional TRASH drag family. Murder mysteries are fun – perfect escapism. In a world so messed up as ours is right now, don’t we need to escape into fiction?
I hate this book for all the reasons I love it: because it’s perfect.
It’s a perfect crime novel and a perfect mystery, with perfectly awful characters, set in a perfectly fabulous situation, and as a mystery writer I know I will never ever top Christie’s brilliance – but oh my, any chance I have, I fall into this story.
Romance. Deception. Murder. Shiny things.
Genius.
Forget the movie, pick up the real thing. Poirot at his best.
THE MOST WIDELY READ MYSTERY OF ALL TIME—NOW A MAJOR MOTION PICTURE DIRECTED BY KENNETH BRANAGH AND PRODUCED BY RIDLEY SCOTT!
“The murderer is with us—on the train now . . .”
Just after midnight, the famous Orient Express is stopped in its tracks by a snowdrift. By morning, the millionaire Samuel Edward Ratchett lies dead in his compartment, stabbed a dozen times, his door locked from the inside. Without a shred of doubt, one of his fellow passengers is the murderer.
Isolated by the storm, detective Hercule Poirot must find the killer among a dozen of the dead man’s…
Of course, every mystery needs a perfect crime, but what about the perfect setting? I’m fascinated by how authors manipulate time and place to add to the heightened emotions of their murders, thefts, blackmail, and frauds. It’s the juxtaposition of truth and fantasy—what we believe times were like and how they actually were—that makes setting such an essential detail of every whodunnit. Doing research on my own novel, I wrenched apart the facts and fictions of Post-War America, and grew even more ravenous for mysteries that leveraged their settings for the utmost entertainment.
Try as I might, I can’t get into Marple. But T.E. Kinsey’s Lady Hardcastle series, beginning with the debut A Quiet Life in The Country turns the cozy genre on its head. In this case, the dithering, older busybody is Lady Emily Hardcastle, with her trusty ladies’ maid, Florence Armstrong. As the book and series progress, we find that neither woman is quite the helpless Edwardian female the neighbors believe. Come for the murder mystery and stay for the… knife throwing?
Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life.
But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...
As Lady Hardcastle and Flo delve deeper into rural rivalries…
Growing up in a snowy, rural mountain town of less than 500 people, I became fascinated with humanity's will to survive the elements at an early age because I often had to do so myself. Add in a mysterious force or an escaped killer wandering through the hills outside a secluded cabin, and you've got my favorite thriller subgenre: Trapped and secluded. It wasn't until my third novel, The Excursion, that I realized my longtime dream of writing a survival thriller influenced by dozens of books and movies. Today, I live in a suburb of Denver, Colorado, but the mountains are close. And so are the secluded cabins.
Many of my favorite secluded thriller novels have a high degree of complexity—multiple point-of-view chapters, complex subplots, and morally ambiguous characters. This book had all these elements and a super plus: An immersive and authentic setting in the Scottish Highlands.
I disappeared into the snowbound setting and felt like a part of the group of old friends, caught up in their personal dramas and driven to finish the book to see who did what, when, and why. It was a great escape for me, but not so much for them.
EVERYONE'S INVITED.
EVERYONE'S A SUSPECT.
AND EVERYONE'S TALKING ABOUT IT.
'Ripping, riveting' A. J. Finn 'Clever, twisty and sleek' Daily Mail 'Unputdownable' John Boyne 'Foley is superb' The Times 'Chilling' Adele Parks 'Terrific, riveting' Dinah Jefferies
In a remote hunting lodge, deep in the Scottish wilderness, old friends gather for New Year.
The beautiful one The golden couple The volatile one The new parents The quiet one The city boy The outsider
I am Peter C. Bradbury, and it was reading the books of P.G. Wodehouse that attracted me to the career of being a butler. I have also always loved murder mysteries, so when I started writing, I combined those aspects into my first book. I chose these particular books because of the details and the subjects. I was a butler for over twenty years in the UK and the USA, and it annoys me when household staff are incorrectly portrayed. I love movies like Gosford Park and series like Upstairs Downstairs and Downton Abbey. The butler sees and hears everything, so I like the writers who know that.
I loved this book because I worked in hotels before I became a butler, and the protagonist is a maid. You can walk into many situations in a hotel room, so a murder mystery is no big stretch. I love hotel or rich home dramas, especially if they portray the staff correctly. Domestic staff are generally likable, meticulous, quiet, and honest. This is a really nice, cozy murder mystery.
*THE NO.1 NEW YORK TIMES & SUNDAY TIMES TOP TEN BESTSELLER *WINNER OF THE NED KELLY AWARD FOR BEST INTERNATIONAL CRIME FICTION *A BBC RADIO 4 BOOK AT BEDTIME PICK
'An escapist pleasure' SUNDAY TIMES 'Delightful' GUARDIAN 'An instantly gripping and delightful whodunnit' STYLIST 'Smart, riveting, and deliciously refreshing ' LISA JEWELL
Growing up in the South as the daughter of a single mother, I’ve always appreciated strong women, in reality and in fiction. Before I could read, I made up stories featuring me as the super heroine. Later, I devoured all the Nancy Drews I could get my hands on. I credit Ms. Drew for nurturing my fascination with mystery. I especially enjoy suspense with a psychological turn that frequently takes the form of gaslighting or manipulating someone into doubting their perception of reality. As an author of Southern suspense with heart and humor, my female characters fall victim to this device but are strong enough to persevere.
I was immediately pulled into a world of deception, greed, and murder.
Despite being traumatized, the main character stays strong. Her description of the luxury cruise ship made me feel as if I were onboard, too. The dark twists and turns throughout this novel, along with the gaslighting of the protagonist, were intense enough that I couldn’t stop reading.
Like the heroine in the story, I was determined to unravel the truth and decide who could be trusted and who might be a cold-blooded killer. For me, this wild ride was exhilarating. But it could be a few years before I consider booking my own cruise.
I’ve always been deeply moved by how people of substantiative faith translate it into literature. After all, an important difference exists between Christian fiction and fiction by Christian authors. The author, who understands that this life is not everything, is able to infuse so much more depth, emotion, and truth into the narrative than his counterpart. Shortly after watching the movie The Song of Bernadettein Oxford, J.R.R. Tolkien wrote to his son in the RAF to say, “My mind and heart are still filled with Bernadette Soubirous, and long may they be so. Every quality of a ‘fairy story,’ plus truth and sanctity, is an overwhelming mixture.”
This may be one of my favorite mysteries; I could barely put the book down. Granted, this title is not full of examples of faith precisely, but Agatha Christy was a devout Anglican (like C.S. Lewis). If one is going to write mysteries, one must appreciate Agatha Christy. She was an incredibly prolific author of some truly high-quality fiction.
This was the first title I read of hers, and it set me on a path to begin collecting her books. This tale has so many elements that build tension and create a great mystery—from the isolation of the setting to suspicion and general confusion. It is a masterpiece of a whodunit.
Agatha Christie's world-famous mystery thriller, reissued with a striking new cover designed to appeal to the latest generation of Agatha Christie fans and book lovers.
Ten strangers, apparently with little in common, are lured to an island mansion off the coast of Devon by the mysterious U.N.Owen. Over dinner, a record begins to play, and the voice of an unseen host accuses each person of hiding a guilty secret. That evening, former reckless driver Tony Marston is found murdered by a deadly dose of cyanide.
The tension escalates as the survivors realise the killer is not only among them but…
I have a passion
for writing, and whenever I can, I try to help new writers improve their
expertise so that one day they’ll complete their first book. My first book,
born from a few-hundred-word short story at my writing group, turned into a
three-book thriller series called FAVOURS. Since then, I’ve branched out by
publishing a rom/com, a humorous ghost story as well as a standalone thriller.
Agatha Christie published her first book as the result of a dare, which proves
you can do it if you really want to.
As a multi-genre author, I was interested
to see how the creator of a world-famous boy wizard was going to change her
name and turn her hand to crime writing. I relished the result: the first outing for
a new private investigator, a character called Cormoran Strike.
Known simply as
Strike, he is a P.I. with a handicap (aren’t they all?). Not just the common
ones; excessive drinking, difficult relationships, and so on, Strike lost half
his right leg whilst serving in Afghanistan. Retiring from service, the ex-MP becomes a
private investigator. He has few clients, no money, and is scruffy and unkempt
because he sleeps in his office. But he does have a motto, "Do the job and do
it well."
In social relationships, Strike isn’t a
likable character; demanding and sometimes just plain rude. He has lost his
last assistant. I warmed to him the more his traits…
'The Cuckoo's Calling reminds me why I fell in love with crime fiction in the first place' VAL MCDERMID
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Now a major BBC drama: The Strike series
When a troubled model falls to her death from a snow-covered Mayfair balcony, it is assumed that she has committed suicide. However, her brother has his doubts, and calls in private investigator Cormoran Strike to look into the case.
Strike is a war veteran - wounded both physically and psychologically - and his life is in disarray. The case gives him a financial lifeline, but it comes at a personal cost: the…
My fascination with crime fiction has come from reading about it. I have no idea how many novels I have read focused on baddies and the catching of them, but it’s numbering now in the many hundreds. I think the fact that a crime novel can incorporate elements of all other genres – horror, history, romance, the supernatural, etc. are what make them so appealing and add to the joy of writing them. Untangling the threads that make up a crime novel is very satisfying. Maybe in another reality, I would be a detective – I love that idea, but for now, in this bit of the multiverse, I’ll just carry on making them up.
Another series. I really enjoy getting to know characters and look forward to watching them develop over the time that I read about them. Bryant and May are so very unusual. Quirky, and a little bit mad, it has to be said, as are the whole of the Peculiar Crime Unit. The back stories are expertly woven into the narrative and the detail and relating of little-known facts about London are absolutely fascinating. Again I have read the whole series, though as these two elderly detectives grow older and more frail I found them harder to read, but this book – the first in the series was a delight.
When a bomb devastates the office of London's most unusual police unit and claims the life of its oldest detective, Arthur Bryant, his surviving partner John May searches for clues to the bomber's identity. His search takes him back to the day the detectives first met as young men in 1940.
In Blitz-ravaged London, a beautiful dancer rehearsing for a sexy, sinister production of 'Orpheus In The Underworld' is found without her feet. Bryant & May's investigation plunges them into a bizarre gothic mystery, where a faceless man stalks terrified actors and death strikes in darkness. Tracking their quarry through…
