Here are 73 books that Full Dark House fans have personally recommended if you like
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I have not served in the military nor been subject to a manhunt. However, I have been battling PTSD for almost 5 years. There are many, many misconceptions of PTSD in the media, and finding it portrayed accurately is a difficult task. My goal with Polaris was to first depict mental illness as realistically as possible, with all its ugly messiness. Secondly, the social commentary of a dystopian-sci-fi setting fascinated me. Polaris came about when I combined the two. In my own personal experience, most people do not understand the totality of PTSD and how it overtakes one’s life.
This book is an intense game of cat-and-mouse with a protagonist initially an unwilling participant. What caught me by surprise was Reacher’s wit and humor in the midst of intense situations. He is essentially a more intelligent McGyver who can outmaneuver even the most formidable adversaries. The novel portrays Reacher as calm to the point of being detached, which is a rarely discussed symptom of PTSD.
Ex-military policeman Jack Reacher is a drifter. He's just passing through Margrave, Georgia, and in less than an hour, he's arrested for murder. Not much of a welcome. All Reacher knows is that he didn't kill anybody. At least not here. Not lately. But he doesn't stand a chance of convincing anyone. Not in Margrave, Georgia. Not a chance in hell.
I’ve read crime fiction since I was a kid, starting with Nancy Drew and the mystery magazines—Alfred Hitchcock, Mike Shayne, and Ellery Queen. While in elementary school, I wrote mystery short stories, which my sister illustrated, and we sold them on the street corner for 25 cents apiece. In the nineties, I devoured novels by Patricia Highsmith, Ruth Rendell, and P.D. James. The 2000s introduced another generation of favorite authors, including Belinda Bauer, Chris Whitaker, and Tana French. I love too many to name! My current passion is for novels that I can really sink my teeth into, with complex characters hiding dark secrets.
The first line had me hooked: “It would be inaccurate to say that my childhood was normal before they came.”
That one sentence fired up my imagination, and the story kept me turning the pages late into the night. Libby, an adoptee, unexpectedly inherits a once-grand mansion in London’s Chelsea, only to discover it comes with a grim family history that’s nothing like the fanciful one she’d imagined.
I’m particularly drawn to novels like this one, with multiple narrators and intertwining timelines.
'I swear I didn't breathe the whole time I was reading it. Gripping, pacy, brilliantly twisty.' CLARE MACKINTOSH
'Creepy, intricate and utterly immersive: an excellent holiday read.' GUARDIAN
'A twisty and engrossing story of betrayal and redemption.' IAN RANKIN ____________________________
FROM THE #1 BESTSELLING AUTHOR OF THEN SHE WAS GONE
In a large house in London's fashionable Chelsea, a baby is awake in her cot. Well-fed and cared for, she is happily waiting for someone to pick her up.
In the kitchen lie three decomposing corpses. Close to them is a hastily scrawled note.
Of course, every mystery needs a perfect crime, but what about the perfect setting? I’m fascinated by how authors manipulate time and place to add to the heightened emotions of their murders, thefts, blackmail, and frauds. It’s the juxtaposition of truth and fantasy—what we believe times were like and how they actually were—that makes setting such an essential detail of every whodunnit. Doing research on my own novel, I wrenched apart the facts and fictions of Post-War America, and grew even more ravenous for mysteries that leveraged their settings for the utmost entertainment.
Try as I might, I can’t get into Marple. But T.E. Kinsey’s Lady Hardcastle series, beginning with the debut A Quiet Life in The Country turns the cozy genre on its head. In this case, the dithering, older busybody is Lady Emily Hardcastle, with her trusty ladies’ maid, Florence Armstrong. As the book and series progress, we find that neither woman is quite the helpless Edwardian female the neighbors believe. Come for the murder mystery and stay for the… knife throwing?
Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life.
But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...
As Lady Hardcastle and Flo delve deeper into rural rivalries…
Liveaboard sailor Cass Lynch thinks her big break has finally arrived when she blags her way into skippering a Viking longship for a Hollywood film. However, this means returning to the Shetland Islands, the place she fled as a teenager. When a corpse unexpectedly appears onboard the longship, she can…
I was born in Coatbridge, in the West of Scotland, more years ago than I care to remember. I recently took the big step of moving east to Edinburgh, by way of Birmingham, London, Lagos, Nigeria, Chicago, Pittsburgh, and New York: a necessary detour because traffic on the direct route is really, really bad. I’m a graduate of Birmingham University and Harvard Law School, and work in the field of counter-terrorist financing, which sounds way cooler than it is. Basically, I write emails, fill in forms, and use spreadsheets to help choke off the money supply that builds weapons of mass destruction, narcotics empires, and human trafficking networks. And sometimes I write murder mysteries.
Agatha Christie meets Groundhog Day meets Rashomon in this country house murder mystery where the narrator is as much a puzzle as the murder itself. The narrator lurches into the novel as a witness to a killing so dreadful they’ve lost their memory. Then awakes the next morning to live the same day again as a different character with a different viewpoint: a bizarre twist that repeats itself until we have, as the title suggests, seven different versions of what happened, and enough information, finally, to get to the “truth.” Come for the strange, mind-bending trip, leave with a beautifully constructed conclusion.
WINNER OF THE COSTA FIRST NOVEL AWARD WINNER OF THE BOOKS ARE MY BAG NOVEL AWARD A WATERSTONES THRILLER OF THE MONTH SHORTLISTED FOR THE SPECSAVERS NATIONAL BOOK AWARDS SHORTLISTED FOR THE BRITISH BOOK AWARDS DEBUT OF THE YEAR LONGLISTED FOR THE THEAKSTON OLD PECULIER CRIME NOVEL OF THE YEAR
Gosford Park meets Groundhog Day by way of Agatha Christie and Black Mirror - the most inventive story you'll read
Tonight, Evelyn Hardcastle will be killed ... Again
It is meant to be a celebration but it ends in tragedy. As fireworks…
I’m Julia Buckley, a passionate lifelong reader, English teacher, and mystery writer. I gravitated toward mystery as a child when my mom read all the greats of 20th Century Mystery and Romantic Suspense and then passed them on to me. When I became an English teacher, I had the privilege of teaching some of the great Gothic classics like Jane Eyre, Rebecca, and The Castle of Otranto. Teaching these great works and researching the way that all Gothic literature stemmed from Horace Walpole and Ann Radcliffe, I realized that MANY of the books I read are tinged with the Gothic.
This book has the winning combination of everything I love!
First, a spooky setting—in this case, the salt marshes on the Norfolk coast. They have a dismal beauty, but they are full of dangers like sudden tides and quicksand-like marsh mud. Second, a strong female protagonist. Ruth Galloway is a delight. A noted archaeologist who teaches at Norfolk University, Ruth is independent, intelligent, and curious. Third: Romance. Ruth forges a connection with DI Harry Nelson, who calls upon her services to identify the age of some bones. Fourth: Humor. This book, though often scary in a deliciously Gothic, historical way, is also hilarious.
I like a book that isn’t relentlessly grim! But I also love a good mystery, and this one meets that criterion. It is the first in a series, and I have read them ALL.
Discover the Dr Ruth Galloway Mysteries, one of the most popular crime series in Britain, with this beautiful special edition.
START THE JOURNEY HERE AND YOU WILL BE HOOKED
Dr Ruth Galloway is called in when a child's bones are discovered near the site of a prehistoric henge on the north Norfolk salt marshes. Are they the remains of a local girl who disappeared ten years earlier - or are the bones much older?
DCI Harry Nelson refuses to give up the hunt for the missing girl. Since she vanished, someone has been sending him bizarre anonymous notes about ritual…
I’m a writer of cosy crimes and unapologetic in my love for the genre! There’s nothing better, in my opinion than a well-thumbed Agatha Christie or a foxed, old copy of Dorothy L Sayers. And it’s the role of the amateur sleuth that I love the best; that happy accident that brings a person with a sharp mind and perhaps a particular skill set together with a murderous villain, and we, the lucky reader, get to ride alongside them and work out the mystery for ourselves. Pour that tea, snuggle up and settle in with these five brilliant examples of amateur sleuths with just something a little different to offer…
Amateur sleuths tend to be drawn from the professional or upper classes—Miss Marple, Lord Peter Wimsey, even my own Hon Cressida Fawcett—so it’s refreshing to solve cases with Lena Szarka, a Hungarian cleaner who has a clear moral compass and a way of finding out exactly what’s lurking in the dirty laundry—both literal and metaphorical. Headstrong, big of heart, and desperate to solve the death of her friend, Lena can spot a smudgy fingerprint at fifty paces. This book is the first in a limited series and well worth settling down with—just put a coaster under your mug and pick up your own biscuit crumbs, else Lena might have a word…
There are some crimes you can't sweep under the carpet...
Lena Szarka, a Hungarian cleaner working in London, knows all too well about cleaning up other people's messes. When her friend Timea disappears, she suspects one of her clients is to blame. However, the police don't share her suspicions and it is left to Lena to turn sleuth and find her friend.
Searching through their houses as she scrubs their floors, Lena desperately tries to find out what has happened. Only Cartwright, a police constable new to the job, believes that this will lead to the truth - and together…
Riley Masterson has moved to Greenbrier, SC, anxious to escape the chaos that has overwhelmed her life.
Questioned in a murder in Alabama, she has spent eighteen months under suspicion by a sheriff’s office, unable to make an arrest. But things in gentrifying Greenbrier are not as they seem. As…
I’m a writer of cosy crimes and unapologetic in my love for the genre! There’s nothing better, in my opinion than a well-thumbed Agatha Christie or a foxed, old copy of Dorothy L Sayers. And it’s the role of the amateur sleuth that I love the best; that happy accident that brings a person with a sharp mind and perhaps a particular skill set together with a murderous villain, and we, the lucky reader, get to ride alongside them and work out the mystery for ourselves. Pour that tea, snuggle up and settle in with these five brilliant examples of amateur sleuths with just something a little different to offer…
I have to admit I saw the cover of this book and was smitten… then I discovered what makes this crime novel and its amateur sleuth a little bit different. Josephine Tey revisits the scene of a death at Charleston Farmhouse in 1915, and now, twenty years later, she realises that it might have been more sinister than ‘just’ an accident—and she, who was there at the time, might be implicated in the murder herself. Josephine Tey, as well as being the book’s protagonist, was also the real-life pen name of Elizabeth MacKintosh, who wrote eight murder mysteries as Tey. That Upson has so cleverly fictionalised the real-life Tey is what makes this book, and the others in the series, so different—brilliantly so, in my opinion.
** Longlisted for the CWA Sapere Books Historial Dagger 2020 **
'Haunting . . . Superlative.' Sunday Times Crime Book of the Month
'A terrific novel.' A. N. Wilson
Summer, 1915: a young woman falls to her death at Charleston Farmhouse on the Sussex Downs. But was it an accident?
Twenty years later, Josephine Tey is faced with the accusation that it was murder, and that she was complicit in the crime. Can she clear her name and uncover the truth, exposing the darkest secrets of that apparently idyllic summer?
My fascination with crime fiction has come from reading about it. I have no idea how many novels I have read focused on baddies and the catching of them, but it’s numbering now in the many hundreds. I think the fact that a crime novel can incorporate elements of all other genres – horror, history, romance, the supernatural, etc. are what make them so appealing and add to the joy of writing them. Untangling the threads that make up a crime novel is very satisfying. Maybe in another reality, I would be a detective – I love that idea, but for now, in this bit of the multiverse, I’ll just carry on making them up.
Another Police Procedural series introduction. I love James Oswald’s writing and his characters are fascinating. There are some of the usual tropes in here but there is enough that is new and different to keep it fresh. I loved the fact that this had a horror element to it – I don’t read horror but enjoyed it in this case as a bit of seasoning. I think Edinburgh seems to be a great place to set a crime novel, and Oswald seems to know it well and it becomes a character in its own right I think.
Natural Causes is the first novel in the Detective Inspector McLean series, from Sunday Times best-selling author James Oswald.
A young girl's mutilated body is discovered in a sealed room. Her remains are carefully arranged, in what seems to have been a cruel and macabre ritual, which appears to have taken place over 60 years ago.
For newly appointed Edinburgh Detective Inspector Tony McLean this baffling cold case ought to be a low priority - but he is haunted by the young victim and her grisly death.
Meanwhile, the city is horrified by a series of bloody killings. Deaths for…
The roots of my debut novel Charlesgate Confidentialare in the time I spent in Boston, most notably the three years I lived in the Charlesgate building when it was an Emerson College dormitory. I always wanted to find a way to write about that time, but it wasn’t until I immersed myself in the world of Boston crime—not only the novels of Higgins, Lehane, and company but nonfiction works like Black Massand movies like The Departedand The Town—that I hit on the way to tell my story. I’ll always be excited for new Boston-based crime fiction, and I’m happy to share these recommendations with you.
After Robert B. Parker, Lehane is the most successful and skilled descendant of Eddie Coyle (a debt he acknowledges in his introduction to a reissue of the Higgins book). While you can’t go wrong with any of the entries in his Kenzie/Gennaro detective series (or his later historically-based trilogy), this stand-alone novel about three childhood friends brought back together by a crime one of them may have committed is his most powerful work, as well as the novel that first spurred my interest in trying my hand at Boston-based crime fiction.
This New York Times bestseller from Dennis Lehane is a gripping, unnerving psychological thriller about the effects of a savage killing on three former friends in a tightly knit, blue-collar Boston neighborhood.
When they were children, Sean Devine, Jimmy Marcus, and Dave Boyle were friends. But then a strange car pulled up to their street. One boy got into the car, two did not, and something terrible happened—something that ended their friendship and changed all three boys forever.
Twenty-five years later, Sean is a homicide detective. Jimmy is an ex-con who owns a corner store. And Dave is trying to…
Miranda falls in love with her dream house but soon discovers it's an affair with complications. A lot of them. Rosewood is a centuries old, tumble-down, gambrel roofed charmer located in an isolated, coastal corner of Virginia referred to as "strange". Known for long-standing and antiquated customs, an almost indecipherable…
As a child I grew up listening to my Dutch mother’s stories of life under German occupation and her family’s struggle for survival during the Hunger Winter. Life was hard but exciting for a teenager who thought nothing of delivering anti-Nazi leaflets, chopping down lime trees in front of the house for firewood, and evading the Germans on her ancient bike in her quest for food. It was this unwavering spirit that I wanted to capture in the four novels I’ve written set in wartime Holland. She was the inspiration behind my latest World War 2 novel, The Boy in the Attic.
The Gustav Sonata started out as a short story called "A Game of Cards". Long after it appeared, Tremain felt she had wasted a very promising core idea on something essentially too short and too unexamined. The story and novel are set in Switzerland, which seemed safe as a neutral country during World War 2, but the government was torn between compassion for German Jewish refugees and the fear of devastating German reprisals if they took them in. Tremain tackles this dilemma through the stoical character of Gustav, who is Jewish and explores the ambiguities in the relationship between Gustav and his friend Anton, a gifted pianist who is crippled by stage fright. I found the themes sensitively and beautifully described.
Gustav Perle grows up in a small town in Switzerland, where the horrors of the Second World War seem only a distant echo. An only child, he lives alone with Emilie, the mother he adores but who treats him with bitter severity. He begins an intense friendship with a Jewish boy his age, talented and mercurial Anton Zweibel, a budding concert pianist. The novel follows Gustav's family, tracing the roots of his mother's anti-Semitism and its impact on her son and his beloved friend. Moving backward to the war years and the painful repercussions of an act of conscience, and…
