Here are 100 books that The Bloody Game fans have personally recommended if you like
The Bloody Game.
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As a professor emeritus of history at the Hebrew University, Jerusalem, over the years I’ve been widely mentioned as one of the world’s foremost experts on military theory and history. On these and other topics I have written 34 books, which between them have been published in 19 languages. I’ve also consulted with defense departments, taught and lectured all over the world, etc., etc.
Most theoretical works on war claim to instruct their readers about how to wage war. With the result that, especially in modern times when technology is racing ahead, quickly becomes out of date. By contrast, Clausewitz, a student of the philosopher Immanuel Kant, all but ignores technology. Instead he focuses on two cardinal questions: what war is, and what it is waged for. From this, using reality to check on theory and theory to check on reality, he proceeds step by step. Many of his conclusions, e.g “war is a duel on an extended scale means.” “The best strategy is always to be very strong, first in general and then at the decisive point.” “The attacker always wants peace.” “The stronger form of war is the defense.” “In war everything is simple, but the simplest thing is very complex.” “Comes the culminating point, every offense will turn into a defense,”…
'War is merely the continuation of policy by other means'
On War is one of the most important books ever written on the subject of war. Clausewitz, a Prussian officer who fought against the French during the Napoleonic Wars, sought to understand and analyse the phenomenon of war so that future leaders could conduct and win conflicts more effectively. He studied the human and social factors that affect outcomes, as well as the tactical and technological ones. He understood that war was a weapon of government, and that political purpose, chance, and enmity combine to shape its dynamics. On War…
I've been writing about and teaching military history for many years (I'm a professor at the University of North Carolina), mostly focused on the pre-industrial world, and mostly about the maelstrom of the North Atlantic colonial experience (including warfare in Ireland, England, and in North America). I quickly decided that I needed to do more to understand the Native American perspective, and that also meant understanding the very nature of their societies: Not just how they fought, but how they imagined the function of war. This book is the product of constantly returning to that problem, while also putting it into a world comparative context of other non-state experiences of war.
I teach this book to my graduate students every year.
It is a wide-ranging, deeply researched attempt to understand the nature of war in the human experience. And unlike so many other surveys of military history, Gat goes all the way back to human evolution and the fundamental motives underlying human conflict. He also then shows how conflict itself shaped human cultural evolution and the rise of states.
Why do people go to war? Is it rooted in human nature or is it a late cultural invention? How does war relate to the other fundamental developments in the history of human civilization? And what of war today - is it a declining phenomenon or simply changing its shape?
In this truly global study of war and civilization, Azar Gat sets out to find definitive answers to these questions in an attempt to unravel the 'riddle of war' throughout human history, from the early hunter-gatherers right through to the unconventional terrorism of the twenty-first century.
I have studied aspects of war and strategy – mainly on the political-military interface level – for the past forty years of my life. My interest originated from my parents’ stories about their childhood and early youth in the Second World Wars, its horrors and hardships, and from myself living in South-East Asia during the time of the Vietnam War. Moreover, I became obsessed with the fear of nuclear war through reading and hearing about it. So I have studied aspects of war, much as an oncologist studies cancer, in the hope that a better understanding may eventually help us ban it in practice (and not just in theory as it has been since the Briand-Kellogg Pact of 1928).
John France has a knack for making the history of war interesting and readable, without taking away its gore and horror, without making you think it in any way romantic or desirable. The title already captures it: the book is largely about the rise of Europe (or later: the West) on the back of military prowess, but at what perilous price! The book aptly traces military traditions and continuity of ideas and concepts, but also profound changes, from Antiquity to the present, giving us a grasp of the essence of warfare during different periods. This book can be said to replace Sir Charles Oman’s old classic.
A major new history of war that challenges our understanding of military dominance and how it is achieved
This expansive book surveys the history of warfare from ancient Mesopotamia to the Gulf War in search of a deeper understanding of the origins of Western warfare and the reasons for its eminence today. Historian John France explores the experience of war around the globe, in Europe, Asia, Africa, and America. His bold conclusions cast doubt on well-entrenched attitudes about the development of military strength, the impact of culture on warfare, the future of Western dominance, and much more.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I have studied aspects of war and strategy – mainly on the political-military interface level – for the past forty years of my life. My interest originated from my parents’ stories about their childhood and early youth in the Second World Wars, its horrors and hardships, and from myself living in South-East Asia during the time of the Vietnam War. Moreover, I became obsessed with the fear of nuclear war through reading and hearing about it. So I have studied aspects of war, much as an oncologist studies cancer, in the hope that a better understanding may eventually help us ban it in practice (and not just in theory as it has been since the Briand-Kellogg Pact of 1928).
This book begins with our inherited views of what constitutes victory – the proudly-displayed Greek panoply of captured weapons, the Roman triumph, the medieval view of battle as awesome divine judgment, and the modern quest for “decisive battle” in mind. By contrast, other cultures – Iran, Assad’s Syria, China, and Russia for example, which are covered brilliantly – may be content with indecisive, drawn-out conflicts which give them the chance to keep their fingers in many pies and incrementally increase their influence.
Thus our modern Western construct assuming that peace is the norm and war the exception, or that war should aim for a neat victory, and a lasting peace settlement imposed on the defeated adversary, is just that: a construct, rarely reflecting views and practices in other times and in other parts of the world.
While 'winning' might be considered a fundamental part of the human objective, what constitutes winning and how one might achieve it remain somewhat abstract, in war as in any other human endeavour. 'Winning' militarily at the tactical level - in a firefight or a battle - has always been more quantifiable than at the strategic level. At the strategic level, success might be measured by means of three big ideas: ownership; intervention for effect; and fighting for ideas. The divergence between success at the tactical level and the political context of the war creates a challenge at the operational level…
Sister Bernard, the main character in my novel Obedience, is ninety. I’ve always been fascinated – and afraid – of what it means to grow old, particularly as a woman, and I like exploring the perspectives that age can bring. I enjoy seeing older women given a voice, especially when they don’t turn out to be the easy, likeable characters we might expect. There aren’t that many books with really old women as the main characters, because age is not glamorous or comfortable, but that’s why it’s interesting. I hope the novels on this list go some way towards redressing the balance.
In this short beautiful novel, Conxa looks back on a life blasted apart by the Spanish Civil War. The Pyrenean setting of the story is as magnificent and brutal as the action here, but what I love most is the calm, timeless voice of Conxa as she tells her story of love and war and family. This is a brilliant book about what it means to live a long life and the lingering effects of the past.
The beginning of the 20th century: 13-year-old Conxa has to leave her home village in the Pyrenees to work for her childless aunt. After years of hard labour, she finds love with Jaume - a love that will be thwarted by the Spanish Civil War. Approaching her own death, Conxa looks back on a life in which she has lost everything except her own indomitable spirit. ------- Why Peirene chose to publish this book: 'I fell in love with Conxa's narrative voice, its stoic calmness and the complete lack of anger and bitterness. It's a timeless voice, down to earth…
With a graduate degree in Writing Popular Fiction (seriously, someone gave me a degree for writing an urban fantasy book), I know that genres are nothing more than marketing terms that tell bookstores which shelves to put the books on. As an author, combining genres and subverting their topes allows me to stretch their potential and tell fresh stories that might not find an easy home on a single shelf, so it’s also important for me to read and support those making the same attempts. Stories that adhere to strict reader expectations will always find a home, but I’ve always had way more fun exploring the other possibilities.
I did my best to put together a list of alternate history books that didn’t feature either the American Civil War or World War 2, but this book was too interesting to leave out (and also, it doesn’t involve the Nazis winning the war in yet another veiled attempt at white supremacism fanfic). It does fit within my list in how Tregillis also flips many of the tropes of the genres explored here, especially regarding the main character’s role within the plot. And lest you think all alternate history stories with a healthy dose of fantasy must feature a romantic element, Tregillis’ unflinching take on the horrors of war (but add magic and make it equally horrifying) should more than make up for it.
Raybould Marsh is a British secret agent in the early days of the Second World War, haunted by something strange he saw on a mission during the Spanish Civil War: a German woman with wires going into her head who looked at him as if she knew him. When the Nazis start running missions with people who have unnatural abilities - a woman who can turn invisible, a man who can walk through walls, and the woman Marsh saw in Spain who can use her knowledge of the future to twist the present - Marsh is the man who has…
"Captain Charles Kennedy" parachuted into a moonlit Austrian forest and searched frantically for his lost radio set. His real name was Leo Hillman and he was a Jewish refugee from Vienna. He was going home. Men and women of Churchill’s secret Special Operations Executive worked to free Austria from Hitler's…
I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
It took me a while to get to this part of Orwell’s oeuvre, but once I did, I was engrossed. The crispness of the writing and the precision of his observations are unmatched. Admittedly, due to Orwell’s own political persuasions, you should not base your views of the Spanish Civil War on this book alone, but as a piece of honest journalistic writing with a clear point of view, it deserves its status as a classic.
Homage to Catalonia remains one of the most famous accounts of the Spanish Civil War. With characteristic scrutiny, Orwell questions the actions and motives of all sides whilst retaining his firm beliefs in human courage and the need for radical social change.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by Helen Graham, a leading historian on the Spanish Civil War.
Christopher Othen is the author of Franco’s International Brigades: Adventurers, Fascists, and Christian Crusaders in the Spanish Civil War (Hurst, 2013) and four other books on subjects such as French gangsters in Nazi Paris, mercenaries in post-colonial Africa, and political opposition to Islam in Europe and America. He lives in Eastern Europe and his day jobs have included journalist, legal representative for asylum seekers, and English language teacher. In off-the-clock adventures, he has interviewed retired mercenaries about forgotten wars and got drunk with an ex-mujahidin who knew Osama Bin Laden.
In 1936 an attempt by a coalition of reactionary army officers to overthrow the Spanish government outraged left-wingers around the world. By the start of the next year the International Brigades had been formed under the watchful eye of the Soviet Union to help the beleaguered Republic. At least 35,000 men from countries as diverse as Britain, China, Sweden, and Cuba fought and died on Spanish battlefields for a lost cause. Giles Tremlett’s expansive narrative history brings them vividly to life, with both their heroism and flaws, and shows why their struggle is still remembered today.
'Magnificent. Narrative history at its vivid and compelling best' Fergal Keane
The first major history of the International Brigades: a tale of blood, ideals and tragedy in the fight against fascism.
The Spanish Civil War was the first armed battle in the fight against fascism, and a rallying cry for a generation. Over 35,000 volunteers from sixty-one countries around the world came to defend democracy against the troops of Franco, Hitler and Mussolini.
Ill-equipped and disorderly, yet fuelled by a shared sense of purpose and potential glory, disparate groups of idealistic young men and women banded together to form a…
When I was a boy, my adoptive father – a star pupil and friend of C.S. Lewis – heard I’d started reading the Sherlock Holmes stories. He bought every Sherlock Holmes book he could find. I remember lifting one to my nose and smelling the pages. I fell in love with books that day. I went on to earn a senior scholarship in English Literature at Cambridge University, and a PhD in storytelling. Since then, I have written over 50 books of my own and ghostwritten over 30 titles. I now host The Christian Storyteller Channel on YouTube, and I run BookLab, dedicated to helping emerging authors. My whole life is books.
I love the idea that books have souls, and I adore this quotation from Zafon’s classic novel: “Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it.”
I was thrilled to find this novel after I’d written my book because it shows that there are others who sense the soulful quality of old books. I also love it because it is written by a Spanish novelist, and it is in the Spanish-speaking world that we find the true literary origins of my most-loved genre of writing – magical realism.
"The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero." -Entertainment Weekly (Editor's Choice)
"One gorgeous read." -Stephen King
Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer's son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julian Carax. But when he sets out to find the author's other works, he makes a shocking discovery: someone has been…
I first set foot in Madrid in 1962, when the deep scars of a three-year siege were still very much in evidence. Over the years I have observed it evolve into the most vibrant and fascinating city in Europe. I lived in Madrid for a total of twenty years and after moving to London, I found myself missing it very badly, so much so that I decided to put my enthusiasm to pen and tell the world what a spectacular place it is. The result was three books: Madrid: The History, Madrid: A Literary Companion for Travellers, and the latest, Madrid: Midnight City, co-authored with Helen Crisp, a long-time visitor who shares my enthusiasm for this city perched atop the Castilian plateau.
The Spanish Civil War is customarily written off as a military action involving insurgent army units allied with the Falange and other reactionary forces, waging war against a legitimately-elected Socialist-led government, albeit one infested with Communist conspirators. James Matthews takes the reader into another realm, often overlooked in the literally thousands of works published on this conflict.
The book brings together the writings of thirteen outstanding historians and specialists, who examine broad-ranging and hitherto little-explored issues such as the Francoist doctrine of ‘martial masculinity’ and ‘turning boys into men’, the role of social work during the war, political economies and monetary policies, desertion and shirking military duties and Republican spies in the Nationalist rearguard.
Spain's principal and most devastating war during the 20th century was, unusually for most of Europe, an internal conflict. During the Spanish Civil War of 1936 to 1939 two competing armies - the insurgent and counterrevolutionary Nationalist Army and the Republican Popular Army - engaged in a conflict to impose their version of Spanish identity and the right to shape the country's future. In its aftermath, Francoist Spain remained on a war footing for the duration of the Second World War.
In spite of the unabated flood of books on the Spanish Civil War and its consequences, historians of Spain…
