Fans pick 100 books like Perilous Glory

Most theoretical works on war claim to instruct their readers about how to wage war. With the result that, especially in modern times when technology is racing ahead, quickly becomes out of date. By contrast, Clausewitz, a student of the philosopher Immanuel Kant, all but ignores technology. Instead he focuses on two cardinal questions: what war is, and what it is waged for. From this, using reality to check on theory and theory to check on reality, he proceeds step by step. Many of his conclusions, e.g “war is a duel on an extended scale means.” “The best strategy is always to be very strong, first in general and then at the decisive point.” “The attacker always wants peace.” “The stronger form of war is the defense.” “In war everything is simple, but the simplest thing is very complex.” “Comes the culminating point, every offense will turn into a defense,”… show more.

I teach this book to my graduate students every year.

It is a wide-ranging, deeply researched attempt to understand the nature of war in the human experience. And unlike so many other surveys of military history, Gat goes all the way back to human evolution and the fundamental motives underlying human conflict. He also then shows how conflict itself shaped human cultural evolution and the rise of states. 

This book begins with our inherited views of what constitutes victory – the proudly-displayed Greek panoply of captured weapons, the Roman triumph, the medieval view of battle as awesome divine judgment, and the modern quest for “decisive battle” in mind. By contrast, other cultures – Iran, Assad’s Syria, China, and Russia for example, which are covered brilliantly – may be content with indecisive, drawn-out conflicts which give them the chance to keep their fingers in many pies and incrementally increase their influence. 

Thus our modern Western construct assuming that peace is the norm and war the exception, or that war should aim for a neat victory, and a lasting peace settlement imposed on the defeated adversary, is just that: a construct, rarely reflecting views and practices in other times and in other parts of the world. 

We are in danger of engaging with war as though it were a philosophical enquiry or a strategic game if we leave out its essence: the death, the suffering, the destruction, the fear, the devastation that it brings, reflected in many among the texts in this anthology, written by eye-witnesses. Others – including the poems – are the product of a different sort of engagement with war: not the attempt at rational analysis but of artistic sublimation of the experience. This, too, represents a thoroughly valid approach missing from the academic works recommended in this section. 

If this collection can be faulted, it is for leaving out works – many of great impact at their time, and some not without literary merit – that turned the experience of war into its direct or indirect praise. We thus look in vain for excerpts from Ernst Jünger’s Storm of Steel, for example.… show more.

What would a world awash in mercenaries look like? Like medieval northern Italy, which was the Afghanistan of its day. Back then, mercenaries were how you fought wars, and anyone who could swipe a check could wage war no matter how absurd or petty. Aristocrats, city-states, and popes routinely hired mercenaries. When I wrote The New Rules of War, I spent three months digging through the archives in Florence, Bologna, and other city-states to understand how the dynamics of private warfare worked. For those who want a feel of the times, try this rare book by famed historian Mallett. It was his last book, finished by Shaw after he died.

This compelling history goes “beyond the legend that Napoleon himself helped create, to form a new, genuinely international context for his military career.”

History is most often written by the victors, and real life is never so one-sided. Esdaile writes as though he lived Napoleon’s life, and shows that many times his decisions were made (or changed) because of acts, or provocation, by British diplomats or agents. The quote by Napoleon’s stepdaughter Hortense says it all: “Any man who becomes the sole head of a great country by means other than heredity can only maintain himself in power if he gives the nation either liberty or military glory – if he makes himself, in short, either a Washington or a conqueror...it was impossible for him to establish...an absolute power except by bemusing reason [and] by every three months presenting the French people with some new spectacle.” Esdaile brings this unspoken… show more.

Another story that's impossible to forget – actually this is a novella in a collection of stories with this name. Again, about a lost house in a forest in France, an artist, a young man in love, and the two young women who bewitch him in turns. John Fowles is an English writer from the 1960s, whose work I loved when young and still do. He was much influenced by Alain-Fournier.

This is one of the best books I know for covering a huge amount of material in a compact, reader-friendly, yet very thorough form. The author provides insightful perspective on French history, psychology, culture, cuisine, language, and habits, and offers particularly helpful advice about how to recover from the inevitable moments of cultural awkwardness. Although some of the practical information is outdated, the general insights into and analysis of French people and their culture will never go out of date. I think it’s well worth reading for anyone who has an interest in France and the French that goes beyond the surface; anyone who has a genuine interest in understanding this fascinating people and culture. 

A touch of French magic.

In this memoir, the reader is invited into the author’s enchanting world. She and her husband view a gracious old cottage. It’s tired, though possesses that special je ne sais quoi. Inexplicably drawn to its soul, they embark on a project to restore life and love into its walls and garden.

During this captivating journey, Lindy learns about her surroundings, the colourful characters who become their friends, the creatures that share their home, but mostly she learns about nature and the joys of living in harmony with the seasons. 

The author’s style is delightful. Her new experiences, feelings, and encounters are expressed with a gentle, poetic intimacy. She also delights with her culinary skills and shares heavenly recipes. For me, this was an intoxicating read.

Early modern Europe is a ‘hot spot’ for queenship studies and there are countless individual biographies, works on groups of royal women and collections on key themes which I could have recommended. I’ve chosen this work as, like Earenfight, it is a great place to begin exploring what it meant to be a queen in this period. Unlike Earenfight, this book is divided up by key themes instead of working chronologically, exploring various facets such as royal weddings and ceremonial, motherhood and political agency. Kosior also brings together plenty of European examples to illustrate these themes and a distinctive feature is that she includes Polish royal women who are often missing in studies of queenship, which gives this book a unique and interesting angle.