100 books like Culture Shock! France

This book is a wonderful romp through the adventures and misadventures of a hapless American who speaks very little French (he describes himself as “functionally illiterate”) yet manages to charm his way into a very happy part-time life in a little village in Brittany. Greenside’s self-deprecating sense of humor as he recounts the many awkward situations he finds himself in as he settles into life in France and deals with a variety of everyday challenges is often laugh-out-loud funny. I also recommend the sequel to this book, (not quite) Mastering the Art of French Living, but you should definitely start with this one: the author’s unanticipated, unpredictable, joyful journey into a life in France, told from the very beginning, is too good to miss. 

People often ask me what is the best book to take with them to Paris if they can only take one, and this is the book I always recommend. This collection of essays, which can easily fit into a purse or a backpack, is brimming over with fascinating stories about “the people, places, and phenomena” of Paris. Downie’s encyclopedic knowledge of history, and the idiosyncratic curiosity that draws him (and his readers along with him) into a variety of offbeat situations make for fun as well as highly informative reading. It’s a great book to take with you to read in Paris, or sitting at home dreaming of or remembering Paris—and the selection of topics is varied enough that I believe there’s something in it to interest almost anyone. 

The main reason I love this book is that Jeffrey Greene is a wonderful writer. The story of how he and his wife (and eventually his mother as well) made their home in an ancient, rundown presbytery in a village in Burgundy provides a vivid, real-life picture of life in a French village for a couple of Americans. Greene’s approach allows us to not only see the French as he sees them, but also how they must see him and his wife. His deep respect and affection for his wife, his mother, his neighbors, life in France, and the beauty of nature shine throughout, all rendered in beautiful prose. And the many funny little stories he tells make me laugh out loud every time I reread this book. 

Harriet Welty Rochefort was born and raised in small-town Iowa but she made her way to Paris right after graduating from college. Married to a Frenchman for more than 50 years, she is deeply integrated into French family life. This book offers, therefore, the dual perspective of an outsider who is now also an insider. Her interviews with experts ranging from patissiers and sommeliers to coiffeurs and sellers of lingerie and perfume provide a rich in-depth exploration of the details of daily French life. I love the sidebar conversations she has with her husband, who provides his invaluable perspective on how the French think; the many handy bits of practical advice she has gathered from her mother-in-law over the years; and her unabashed and enduring appreciation of her American roots. 

This book, originally published in French in 1927 (and now at long last translated into English by psychologist Alan Costall), is the earliest systematic analysis of the odd, nonrealistic features of children’s drawings, and the first to argue against those who considered these oddities as defects to be overcome. Instead, children’s drawings at different stages are shown to have their own logic and intelligence. Luquet opposed any kind of intervention or correction by adults, which he felt might destroy children’s love of drawing. He took children’s drawings seriously, never dismissing them in terms of what they lacked. This highly readable book, with its wonderful illustrations revealing the logic of children’s drawings, has had an enormous influence on how psychologists understand child art.    

Polly Platt was the first author to write about the frustrating features of French in a way that would help foreigners deal with them. In this classic, first published in 1994, she delves into their intense relationship to food, explains how to handle rudeness in stores, how to deal with the French bureaucracy, how their idea of time can drive foreigners crazy and much more. Platt’s observations were eye-opening for me when I first moved to France and are still relevant 25 years later. 

This compelling history goes “beyond the legend that Napoleon himself helped create, to form a new, genuinely international context for his military career.”

History is most often written by the victors, and real life is never so one-sided. Esdaile writes as though he lived Napoleon’s life, and shows that many times his decisions were made (or changed) because of acts, or provocation, by British diplomats or agents. The quote by Napoleon’s stepdaughter Hortense says it all: “Any man who becomes the sole head of a great country by means other than heredity can only maintain himself in power if he gives the nation either liberty or military glory – if he makes himself, in short, either a Washington or a conqueror...it was impossible for him to establish...an absolute power except by bemusing reason [and] by every three months presenting the French people with some new spectacle.” Esdaile brings this unspoken… show more.

Another story that's impossible to forget – actually this is a novella in a collection of stories with this name. Again, about a lost house in a forest in France, an artist, a young man in love, and the two young women who bewitch him in turns. John Fowles is an English writer from the 1960s, whose work I loved when young and still do. He was much influenced by Alain-Fournier.

Charles de Gaulle is a consequential leader of the 20th century.

In an extraordinary turn of events, this little-known colonel emerged as the leader of France in exile during Hitler’s occupation. Following the Second World War he became a dominant political figure.

He can be seen as the founder of modern France, whose shadow reaches into our present moment.

In the 1930s he wrote a brilliant mediation on leadership, The Edge of the Sword. Though distilled from his lived experience in the military, de Gaulle provides insights that apply in many situations.

The book takes on additional significance when one considers the project of self-creation that the author undertook—first on himself, then on the re-creation of France, finally on Europe and the world, in his time and into our own.

A touch of French magic.

In this memoir, the reader is invited into the author’s enchanting world. She and her husband view a gracious old cottage. It’s tired, though possesses that special je ne sais quoi. Inexplicably drawn to its soul, they embark on a project to restore life and love into its walls and garden.

During this captivating journey, Lindy learns about her surroundings, the colourful characters who become their friends, the creatures that share their home, but mostly she learns about nature and the joys of living in harmony with the seasons. 

The author’s style is delightful. Her new experiences, feelings, and encounters are expressed with a gentle, poetic intimacy. She also delights with her culinary skills and shares heavenly recipes. For me, this was an intoxicating read.