Fans pick 100 books like Damson Skies and Dragonflies

Enjoying wine is second nature here in France. But what does it take to produce a perfect vintage? This no-frills memoir gave me the answers. 

An Irish couple moves to the Dordogne. Realising their dream, they buy a vineyard in financial trouble only to find that they have taken on more than they realised. And it’s tough on them all. Caro takes the reader on a detailed journey, describing the challenges of renovating their dilapidated farmhouse whilst learning to become wine-makers. 

I was fascinated by the gritty realities and hard work needed to make their vineyard a going concern. I was also hugely impressed. I suspect that many others in a similar situation would have given up. Amazingly, they continue whilst bringing up their young daughters and integrating into their local community. I was engrossed throughout.

A novel set in Nazi-occupied France during World War 2? It promised to be gripping. It was.

I was quickly immersed in an oppressive environment where French citizens’ lives are strictly controlled. For many, it is a living nightmare. Failure to toe the line leads to often harrowing consequences.

This is the story of a courageous young woman who refuses to give in. She moves to Paris, where she joins the Resistance movement. Here, she is pushed to the limits of her resolve as she faces extreme danger.

Throughout, the author paints a superb picture of the period. Balanced by historical facts, the plot unfolds with vivid imagery. It is a compelling adventure with a catch that grabs the reader’s imagination. 

We live close to the Canal du Midi and regularly enjoy blissful dog walks on the towpath. Spotting this memoir about faring to France immediately piqued my interest. 

The author’s colourful descriptions gently transported me to her watery world. Through Val’s narrative, I admired the scenery, both industrial and pastoral, and I could almost hear the wavelets lapping against the bows of her beloved barge, the Hennie H. 

Throughout Val and her partner’s trip, the reader is given fascinating history snippets. And, as with all great writers, there’s drama and fun, too. Val made me giggle, especially with her vignettes about their simple living arrangements aboard.  

This book contains both humour and depth, it is a celebration of this author’s excellent writing.

I loved reading this book because it’s a historical time-slip mystery. The story switches from 13th-century France to the more modern-day setting of 2005.

It tells the story of two women, Alaïs in 13th-century France and Alice Tanner in 21st-century France. The story skillfully weaves together the lives of these two women and transports you to the ancient Occitan city of Carcassonne. Not only did I learn about medieval France, but I also learnt a lot about religious persecution of the day and the brutality that accompanied that age.

This book, originally published in French in 1927 (and now at long last translated into English by psychologist Alan Costall), is the earliest systematic analysis of the odd, nonrealistic features of children’s drawings, and the first to argue against those who considered these oddities as defects to be overcome. Instead, children’s drawings at different stages are shown to have their own logic and intelligence. Luquet opposed any kind of intervention or correction by adults, which he felt might destroy children’s love of drawing. He took children’s drawings seriously, never dismissing them in terms of what they lacked. This highly readable book, with its wonderful illustrations revealing the logic of children’s drawings, has had an enormous influence on how psychologists understand child art.    

A dusty bundle of 150-year-old letters found in a deserted house in rural France forms the premise of this intriguing literary hybrid. Author Gillian Tindall beckons us to follow her on an enthralling, real-life detective story, as she uncovers the life and loves of the letters’ addressee, an obscure provincial innkeeper’s daughter named Célestine Chaumettte. As she pieces Célestine’s story together, Tindall breathes life back into a whole slice of history and a community now vanished. A rich cast of forgotten characters springs from the pages as we see, taste, and smell the many textures of rural society in 19th-century France, along with the seasons and cycles that governed it. This evocative, haunting account of a country girl’s experience and place within this world really is social history at its best.

A funny and moving account of life in occupied Paris by two young sisters, one sensible and studious, the other fun-loving. Written in diary form by each sister in turn, hence the ‘four hands’. Some signs of touching up with hindsight before publication in 1962. There is an English translation, ‘Diary in duo’ (1965) but currently out of print.

Essential historical background work for anyone wanting to read French Revolution-based fiction. I am especially attracted to this work because, although non-fiction, it has emotion, and a sense of first-person involvement. I was also very much grabbed by the legend of the first manuscript having been destroyed by fire, and the work having to be re-written – true literary heroism, and an example to us all. 

This compelling history goes “beyond the legend that Napoleon himself helped create, to form a new, genuinely international context for his military career.”

History is most often written by the victors, and real life is never so one-sided. Esdaile writes as though he lived Napoleon’s life, and shows that many times his decisions were made (or changed) because of acts, or provocation, by British diplomats or agents. The quote by Napoleon’s stepdaughter Hortense says it all: “Any man who becomes the sole head of a great country by means other than heredity can only maintain himself in power if he gives the nation either liberty or military glory – if he makes himself, in short, either a Washington or a conqueror...it was impossible for him to establish...an absolute power except by bemusing reason [and] by every three months presenting the French people with some new spectacle.” Esdaile brings this unspoken… show more.

Another story that's impossible to forget – actually this is a novella in a collection of stories with this name. Again, about a lost house in a forest in France, an artist, a young man in love, and the two young women who bewitch him in turns. John Fowles is an English writer from the 1960s, whose work I loved when young and still do. He was much influenced by Alain-Fournier.