100 books like Bitter Seeds

It might look like another romance novel slipped into this list by mistake, but Andrews elevates a typical paranormal romance plot by placing it in an extraordinary open-world urban fantasy setting and emphasizing the main character’s relationship with her family over her love life. Nevada and her loved ones would rather live quiet lives than welcome society’s scrutiny by exposing abilities that are extraordinary even in a world socially ruled by magical dynasties. This book proves explosive magical fights can occur in a world where the response is live-streaming and not an immediate cover-up attempt.

After I quit my law firm and was trying to decide what (if anything) I wanted to write, I read Kushiel’s Dart. This book convinced me that whatever stories I wanted to tell, no matter how extreme, I could tell them within science fiction/fantasy. And it really puts the “alternate” in alternate history.

During the Roman Empire, angels came to earth and mated with mortals in the area of modern France, again producing a race like the biblical Nephilim, only sexier, and with one commandment: “Love as thou wilt.” In this Europe that never knew a dark age, the angels’ descendants pursue love, power, and intrigue, and at the center of their plots is Phèdre, a courtesan spy fighting to save her land from betrayal.

Shocking and wonderful stuff! 

It seems logical that the few people with magic could openly rule in contemporary human society, which means it’s even more interesting with the opposite is true. I can easily imagine Mags and Cosmo in an entirely different setting and never crossing paths. In this world, however, the non-magical majority have oppressed the smaller populations of magi and shifters, pitting them against each other and giving them few options in life despite their significant personal power. Notaro provides plenty of engrossing story in this book while also giving readers just enough information about how this world came to be to leave me wanting more of the future and past.

If a happy medium between those two extremes exists, you can find it in the series kicked off by this novella. If the government doesn’t demand complete control over magic, you can bet they’re still going to dedicate an agency to it. The stigma in this world against the “paranormally-abled” becomes an allegory for stigma against other minority populations, used to good effect in terms of world-building and character development. The stuffy government agent and the civilian getting caught up in a case together are another well-worn trope, but Hawk excels in breaking stereotypes through the small touches, which is important for intricate storytelling in shorter forms.

The Spanish Civil War is customarily written off as a military action involving insurgent army units allied with the Falange and other reactionary forces, waging war against a legitimately-elected Socialist-led government, albeit one infested with Communist conspirators. James Matthews takes the reader into another realm, often overlooked in the literally thousands of works published on this conflict. 

The book brings together the writings of thirteen outstanding historians and specialists, who examine broad-ranging and hitherto little-explored issues such as the Francoist doctrine of ‘martial masculinity’ and ‘turning boys into men’, the role of social work during the war, political economies and monetary policies, desertion and shirking military duties and Republican spies in the Nationalist rearguard.

As the first in his series of novels on the 1930s in Europe, Alan Furst's Night Soldier tends to earn the most critical praise, but Dark Star remains my personal favorite. Furst masters the noir ambiance and moral ambiguity of Europe as war approaches, where everyday people are drawn into the world of espionage and intrigue. His settings often lie outside the main urban centers of Paris and Berlin in the remote reaches of Eastern Europe. Furst's novels are impeccably researched for accurate detail-one of my must-haves in historical fiction-and each book will draw you to read the next in his series.

Another master, Alan Furst’s 1st novel (of 15 so far) is a great place to start. His stories are so well researched you might think you were reading a travel guide.

Filled with intricate details of the conflict between Russia and Germany as World War II begins, Khristo Stoianev is a young man recruited to work for the Russian secret service, the NKVD. From his recruitment in Bulgaria through training and successive secret missions, Khristo must survive not only the Nazis, but his own employers, who decide he too must be killed.

Furst builds both the pace and tension as Khristo fights his way across Europe trying to escape. Relentless.  

This controversial book was a Rorschach Test for the security community.

Some read it as a critique of the United States; others saw it as a call for pacifism; others saw it as an attack on Franklin Roosevelt or Winston Churchill. In fact, it was none of those things and all of them. Baker is a novelist who purchased a newspaper archive from the 1930s and 1940s and simply reprinted some of the stories contained therein. He offers little additional comments or interpretation.

The book is an anecdote to the idea that the Second World War was somehow the “good war.”  Like all others, it was barbarism; unlike all others, it was barbarism on a scale never seen before or since. And like all wars, it was, at its root, the story of common people victimized by their governments.

People in the West tend to celebrate 1945 as a year of liberation; but, of course, in Eastern Europe, the defeat of Germany merely heralded the beginning of four more decades of repression. In this book, Anne Applebaum describes the Communist takeover of three European countries – East Germany, Poland, and Hungary. It’s a masterpiece both of research and of analysis. Communism, just like capitalism, had many faces: this book shows brilliantly just how varied repression can be. In 2013 it won the lucrative Cundill Prize, and deservedly so.

My own background, process, and style have me reaching for ever-tinier stories that I think I can go deep on, in order to hopefully excavate something larger. Judt’s Postwar is the opposite: a colossal swing at a multi-decade period across European history. In this, he synthesizes political, economic, social, and cultural histories to guide the reader through Europe’s development after World War II. It’s a book where you find yourself going over each line a few times in order to make sure you’ve wrung all meaning from it and every sentence returns you to your notes.