I’m a Distinguished Professor of art history at CUNY and biographer of artists. I grew up in Atlanta, attended college in Boston, and have worked in New York since my twenties. With a new Ph.D. in art history from Rutgers, I began as curator of the Hopper Collection at the Whitney Museum, assigned to produce a definitive catalogue of all Edward Hopper’s authentic art. His papers were missing except for his record books that recorded every time a work left for sale, loan, or gift. I traced each work as it left Hopper’s possession and discovered a massive number of undocumented artworks stolen from the estate, which the Whitney still wants to cover up.
This very well-researched and gripping book taught me the meaning of the term “laundering” in the art market and revealed the duplicity of the late art dealer, Larry Fleischman, who both collected and sold stolen antiquities and marketed undocumented works taken from Edward Hopper’s estate.
He didn’t care about provenance or history of ownership and is quoted in this book as saying: “Everything comes from somewhere.”
Although I knew and dealt with Fleishman, I trusted him and was tricked by him.
A “thrilling, well-researched” account of years of scandal at the prestigious Getty Museum (Ulrich Boser, author of The Gardner Heist).
In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and candid interviews, these two journalists give us a fly-on-the-wall…
Plunder combined three of my favorite things in one unputdownable story: art history, Italy, and the Napoleonic Era.
Veronese's enormous Wedding Feast at Cana, painted for the refectory wall at San Giorgio Maggiore in Venice, was seized with other masterpieces when Napoleon overcame the Austrians and wouldn't take Venice's neutrality as an answer. To this day it hangs in the Louvre, largely (pun intended) ignored because it’s opposite the Mona Lisa.
Salzman traces the common historic habit of swooping in like vultures during wartime to build one’s art collection, and for the first time I understood why Hitler thought himself justified in his own artistic pilfering!
One of The Christian Science Monitor's Ten Best Books of May
"A highly original work of history . . . [Saltzman] has written a distinctive study that transcends both art and history and forces us to explore the connections between the two.” ―Roger Lowenstein, The Wall Street Journal
A captivatingstudy of Napoleon’s plundering of Europe’s art for the Louvre, told through the story of a Renaissance masterpiece seized from Venice
Cynthia Saltzman’s Plunder recounts the fate of Paolo Veronese’s Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of the young Napoleon Bonaparte, tore from…
I was born in Quebec, have lived in eleven countries, and speak four languages. In my 20+ years as an author and journalist, my goal has always been to create bridges between cultures and to tell stories that enable individuals to better understand each other. For me, a trip to a new country, no matter how short or long, is incomplete unless I’ve had the chance to meet locals.
This book is a ‘gold standard’ piece of investigative journalism, a travelogue about a people I will probably never meet, rolled into the intriguing history of a unique city.
The book interweaves the tale of the efforts local people made to save priceless manuscripts from al-Qaida in 2012 with the West’s fascination of fabled Timbuktu since the 18th century.
It is an un-put-downable example of creative non-fiction at its most interesting and easily readable.
Two tales of a city: The historical race to reach one of the world's most mythologized places, and the story of how a contemporary band of archivists and librarians, fighting to save its ancient manuscripts from destruction at the hands of al Qaeda, added another layer to the legend.
The fabled city of Timbuktu has captured the Western imagination for centuries. The search for this 'African El Dorado' cost the lives of many explorers but Timbuktu is rich beyond its legends. Home to many thousands of ancient manuscripts on poetry, history, religion, law, pharmacology and astronomy, the city has been…
For most of my life, I have dedicated myself to confronting, combatting, or deconstructing white supremacy. It impacts everyone. Much of my work is about highlighting the ways Black people have refused and resisted racial discrimination, violence, and harm. We can never have too many tools, and equally important for me was being able to have tools that achieved their purpose. I wrote We Refuse: A Forceful History of Black Resistance to remind readers that there has never been a time in the history of this country when Black people have not fought back against their oppression.
Ok, when this book debuted, there was some controversy, the cover centers one large crowbar! But when a reader really takes the time to sit with the arguments Osterweil is making, she cannot be denied.
Her book is more than a pitch to loot or even burn it all down, Osterweil wants us to understand why people loot and furthermore, she wants us to be more disturbed by the reasons for looting than the act itself.
If the truth sets us free, then we should all be willing to ask the hard questions. This book does that.
A fresh argument for rioting and looting as our most powerful tools for dismantling white supremacy.
Looting -- a crowd of people publicly, openly, and directly seizing goods -- is one of the more extreme actions that can take place in the midst of social unrest. Even self-identified radicals distance themselves from looters, fearing that violent tactics reflect badly on the broader movement.
But Vicky Osterweil argues that stealing goods and destroying property are direct, pragmatic strategies of wealth redistribution and improving life for the working class -- not to mention the brazen messages these methods send to the police…
World War 2 has always interested me and my curiosity was strengthened a few years ago when my mother told me I was born illegitimate and my father had been the civil engineer building a nearby bomber airfield and a lodger with her parents. She was ashamed of what happened and lost contact with my father before I was born. Consequently, I wrote my first novel Unplanned. I then met the daughter of the Berlin mother in Abandoned in Berlin, and found itnatural to pursue this story, given what I had discovered about my own upbringing. The effort has taught me to seek to forgive but never to forget.
The plundering of books by the Nazis, especially literature belonging to the Jewish community, is the topic of this novel. Many books are untraceable today and their legitimate owners are long since dead. Nazis confiscated literature for various reasons, some involving original manuscripts, others used to seek out the enemies of the Reich, and quantities were gathered as status indicators. Once the war was over, there were book collections taken for a second time and justified as “liberated” rather than “plundered!”
I enjoyed the novel because it covers an aspect of the Holocaust that is rarely addressed and offers insights into what happened to many books that disappeared from Jewish collections during Nazi times. We know there was a book store on the ground floor of the apartment block in my story and that the family belonged to a publishing dynasty. But no one survives today to tell us what…
"A most valuable book." —Christian Science Monitor
For readers of The Monuments Men and The Hare with Amber Eyes, the story of the Nazis' systematic pillaging of Europe's libraries, and the small team of heroic librarians now working to return the stolen books to their rightful owners.
While the Nazi party was being condemned by much of the world for burning books, they were already hard at work perpetrating an even greater literary crime. Through extensive new research that included records saved by the Monuments Men themselves—Anders Rydell tells the untold story of Nazi book theft, as he himself joins…
I was traveling Europe as I read this one, about the art theft and its recovery during WWII. So much interesting history! It changed my entire perspective on the museums I was visiting.
Now a major film starring GEORGE CLOONEY, MATT DAMON, CATE BLANCHETT, BILL MURRAY, JOHN GOODMAN, HUGH BONNEVILLE, BOB BALABAN, JEAN DUJARDIN and DIMITRI LEONIDAS. What if I told you that there was an epic story about World War II that has not been told, involving the most unlikely group of heroes? What if I told you there was a group of men on the front lines who didn't carry machine guns or drive tanks; a new kind of soldier, one charged with saving, not destroying. From caves to castles in a thrilling race against time, these men risked their lives…
As a child, I held conflicting beliefs. I knew my Jewish grandfather had been murdered by Germans in occupied Yugoslavia, yet I somehow believed the Holocaust had never come to his hometown of Belgrade. The family anecdotes my father passed down, a blend of his early memories and what my grandmother told him, didn’t match what I had heard about Germany, Poland, and Anne Frank in Holland during World War II. That started me on a lifelong journey to learn everything I can about the Holocaust, especially in parts of Europe that have received less attention, and to understand the long-reaching effects of genocide on the survivor’s children and grandchildren.
This book took me to places I was not expecting. I love memoirs like this that are stranger than fiction. Kaiser’s memoir starts simply enough with his father’s request that he check out a building his grandfather owned before World War II. But then it twists and twists again. Come for the history, stay for the adventure.
An unputdownable tale of one man's quest to recover his family's property, plundered by the Nazis.
Menachem Kaiser's brilliantly told story is set in motion when the author takes up his Holocaust-survivor grandfather's former battle to reclaim the family's property in Sosnowiec, Poland. Here, he meets a Polish lawyer known as 'The Killer' who agrees to take his case and becomes involved with a band of Silesian treasure-seekers, all the while piecing together his family's complex history.
Propelled by rich, original research, Kaiser immerses readers in profound questions that reach far beyond his personal quest. What does it mean to…
I am a history professor at Boston University, where I teach and write about modern American popular thought, political culture, trade, travel, and war especially in urban and transnational contexts. I enjoy histories that are based on deep and creative bodies of research and that push past timeworn myths and clichés about the American past.
I just love it when a topic that sounds dull—in this case librarians and archivists during World War II—turns out to be unexpectedly rich and interesting.
Peiss recounts in riveting detail the highly successful wartime mission that sent teams of scholars and other bookish types to scour Europe’s bookstores and basements for rare and otherwise valuable publications. Amassing truckloads of printed material not only aided the Allies’ intelligence operations but also restored looted property, demobilized Nazi propaganda, and, ultimately, transformed the holdings of American research libraries.
While armies have seized enemy records and rare texts as booty throughout history, it was only during World War II that an unlikely band of librarians, archivists, and scholars traveled abroad to collect books and documents to aid the military cause. Galvanized by the events of war into acquiring and preserving the written word, as well as providing critical information for intelligence purposes, these American civilians set off on missions to gather foreign publications and information across Europe. They journeyed to neutral cities in search of enemy texts, followed a step behind advancing armies to capture records, and seized Nazi…
Set in the eighteenth century, with a rich cast
of characters and an intriguing plot, this book was a feast!
I stumbled upon Tania James’ book at the
airport and devoured more than half of it during the three-hour flight home.
The story interweaves romance and adventure and serves as a “sliding door”
into the lasting impact of colonialism.
The hero of the story is
seventeen-year-old Abbas, the finest woodcarver in his hometown of Mysore,
India. He is snatched up by the sultan to work with a master French watchmaker
to create an unforgettable automaton to celebrate the return of the Sultan's
sons from being held hostage by the English.
Tipu's Tiger is a wonder, and
Abbas is completely enamored with learning to create mechanisms and opportunities for learning with the Frenchman Lucien Du Leze. There were so
many interesting characters and crisscrossing plots that I was glued to every…
'Loot held me spellbound from the first page...an expertly-plotted, deeply affecting novel ' Maggie O'Farrell
An epic tale of plundered treasure, savage empire, lasting love and a young man's dream to make his mark on the world.
Meet Abbas. Woodcarver, toy maker, dreamer. Abbas is seventeen when he is whisked away to Tipu Sultan's glorious palace in Mysore. Apprenticed to the clockmaker Monsieur Du Leze, he is ordered to create an ingenious musical tiger to delight Tipu's sons.
In the eccentric Du Leze, Abbas finds an unexpected friend who encourages his skill and hunger for learning, and through whom he…
I’m a journalist, critic, and poet who has spent a career engaging with the world. I love telling stories, and I strive to put beauty and tension into everything I write. I’ve had great editors – they’ve published my work in The Guardian, National Geographic, ARTnews, The Washington Post, The Times Literary Supplement, and Archaeology, where I am a contributing editor, and many other places – but it always comes down to me and my computer. And often a plane ticket and a suitcase.
This is a pioneering, extraordinarily well-documented exposé of how famous museums have filled their shelves with looted artifacts and more than a few fakes – which, the author explains, tend to flock together. The author was a whistle-blowing curator at the Metropolitan Museum of Art in New York. He knows his stuff. So why was I reluctant to recommend this title? Because it’s so hard to find and, with hundreds of photographs, costs upwards of $100. If you can find a used copy, grab it, and if your local library has it, kiss a librarian and make a donation.
The Lie Became Great explores the closed society of international plunderers and forgers which thrives as a subculture of the Art World. These multi-cultural denizens include antiquity dealers, collectors, museum curators, forgers working in conjunction with auction houses, museums and galleries. Forgeries are made to be sold, and a great number pass into the Art World - collections, exhibitions, catalogues, and popular and scholarly journals - complete with their fabricated stories of excavation, and how they were found. The Lie Became Great documents the success and activities of one small corner of this vast network - artifacts form the Ancient…
