Here are 100 books that The Monuments Men fans have personally recommended if you like
The Monuments Men.
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My interest in this topic began because of a trip to a museum in 2008. I noticed that a painting had been removed from view and a small piece of paper was hanging on the wall where the painting had been. The paper explained that this piece was involved in a court case revolving around whether or not it had been stolen from its Jewish owner by the Nazis during World War II. Nazi cultural appropriation, looting, suppression, and destruction turned out to be one of the most fascinating stories of the entire war. The research for my historical novel took several years, but it allowed me to write a book based on the facts.
Noah Charney is an art historian and has written several interesting books that I have read. Even though this book, Stealing the Mystic Lamb, came out too late for my novel, the “altarpiece” of my book is in fact the “Mystic Lamb” otherwise known as the Ghent Altarpiece. My quasi-obsession with this monumental piece of art is matched by Charney and he describes how often it has been stolen and nearly destroyed. No other piece of art has had a history quite like this one.
Jan van Eyck's Ghent Altarpiece is on any art historian's list of the ten most important paintings ever made. It is also the most frequently stolen artwork of all time. Since its completion in 1432, this twelve-panel oil painting has been looted in three different wars, burned, dismembered, forged, smuggled, censored, hidden, attacked by iconoclasts, hunted by the Nazis and Napoleon, used as a diplomatic tool, ransomed, rescued by Austrian double-agents, and stolen a total of thirteen times. In this fast-paced, real-life thriller, art historian Noah Charney unravels the fascinating stories of each of these thefts. Charney also explores psychological…
My interest in this topic began because of a trip to a museum in 2008. I noticed that a painting had been removed from view and a small piece of paper was hanging on the wall where the painting had been. The paper explained that this piece was involved in a court case revolving around whether or not it had been stolen from its Jewish owner by the Nazis during World War II. Nazi cultural appropriation, looting, suppression, and destruction turned out to be one of the most fascinating stories of the entire war. The research for my historical novel took several years, but it allowed me to write a book based on the facts.
The Faustian Bargain is all about the art world inside Germany in the 1930s and 1940s. Petropoulos chronicles the artists, art dealers, art professors, art journalists, and many others who were forced to live under Hitler’s cultural rules, which forbade modernist art of any kind. Some profited from this arrangement, others subtly fought against it. This is an inside look at a culture choked and suppressed by its own leadership.
Nazi art looting has been the subject of enormous international attention in recent years, and the topic of two history bestsellers, Hector Feliciano's The Lost Museum and Lynn Nicholas's The Rape of Europa. But such books leave us wondering: What made thoughtful, educated, artistic men and women decide to put their talents in the service of a brutal and inhuman regime? This question is the starting point for The Faustian Bargain, Jonathan Petropoulos's study of the key figures in the art world of Nazi Germany. Petropoulos follows the careers of these prominent individuals who like Faust, that German archetype, chose…
My interest in this topic began because of a trip to a museum in 2008. I noticed that a painting had been removed from view and a small piece of paper was hanging on the wall where the painting had been. The paper explained that this piece was involved in a court case revolving around whether or not it had been stolen from its Jewish owner by the Nazis during World War II. Nazi cultural appropriation, looting, suppression, and destruction turned out to be one of the most fascinating stories of the entire war. The research for my historical novel took several years, but it allowed me to write a book based on the facts.
This is the go-to book for the Nazi art looting story on the non-fiction side. After I saw the film documentary that accompanies this book, I quickly read it and it got me started on my path to writing my own book. I also use The Rape of Europaas my class text for my college course: “Art and the Nazis.” Lynn Nicholas did an impressive amount of research and devotes chapters to the Nazi art looting in Poland, France, the Netherlands, Belgium, and Italy. She also discusses The Monuments Men (US and British officers who attempted to find and save Europe’s cultural items during WWII) but I think that subject is better handled by other books on this list!
When the Nazi occupation of Poland, France and the Low Countries, and finally Italy, began a colossal wave of organised and casual pillaging stripped entire countries of their cultural heritage. From the day Hitler came to power, art was a matter of the highest priority to the Reich. He and other Nazis were ravenous collectors, stopping at nothing to acquire paintings and sculpture. Nicholas catalogues this theft and destruction but also shows how the dedicated corps of `Museum Officers', brought to Europe after the Allied victory, spent six years locating and sorting huge repositories of treasure and restoring their contents…
My interest in this topic began because of a trip to a museum in 2008. I noticed that a painting had been removed from view and a small piece of paper was hanging on the wall where the painting had been. The paper explained that this piece was involved in a court case revolving around whether or not it had been stolen from its Jewish owner by the Nazis during World War II. Nazi cultural appropriation, looting, suppression, and destruction turned out to be one of the most fascinating stories of the entire war. The research for my historical novel took several years, but it allowed me to write a book based on the facts.
Dagnini’s book focuses specifically on Italy and the amazing stories of Rome, Naples, Florence, and Pisa among others. If you love Italian art and architecture, you will not be able to put this book down. Descriptions of the damage, but also how it was fixed and avoided in some cases, are truly inspiring. Without these Allied personnel, so much more could have been lost.
In 1943, while the world was convulsed by war, a few visionaries -- in the private sector and in the military -- committed to protect Europe's cultural heritage from the indiscriminate ravages of World War II.
In the midst of the conflict, the Allied Forces appointed the monuments officers―a motley group of art historians, curators, architects, and artists―to ensure that the great masterworks of European art and architecture were not looted or bombed into oblivion. The journalist Ilaria Dagnini Brey focuses her spellbinding account on the monuments officers of Italy, quickly dubbed "the Venus Fixers" by bemused troops.
In my “day job” I write about architecture, which means I often write about things I see in photos. When I began writing fiction, I continued using photos as inspiration and research. My novels are inspired by my family’s circumstances at the end of World War II and my fascination with the work of the Monuments Men. Photos show me details like a little girl playing with her doll under a sign that declares her building to be at risk of collapse, or a woman using the ruins of a building to hang out the wash. I love finding ways to use these elements in my writing.
I chose photo books for my list because I often use photos to help me as I write—either to construct a scene or to provide detail. Because my books are set against the backdrop of the Monuments Men’s work, this book was really the starting point for my writing the trilogy.
Edsel presents a methodical overview of the vast scope of Nazi art theft in Europe, the destruction wrought on its monuments, and the enormous task of restitution and rebuilding. Seeing the sheer quantity of looted art stacked ceiling-high in endless rows and the faces of the men and women charged with making it right helped me put their work into my fictional work.
From the #1 New York Times bestselling author of The Monuments Men, which is now a major motion picture directed by and starring George Clooney, Rescuing Da Vinci uses 460 photographs to tell the story of the Monuments Men.
The Monuments Men were a group of 345 or so men and women from thirteen nations who comprised the Monuments, Fine Arts, and Archives section during World War II. Many were museum directors, curators, art historians and educators. Together they worked to protect monuments and other cultural treasures from the destruction of World War II. In the last year of the…
I became interested in the Holocaust and the Second World War during my senior year of high school. I took a literature class entitled “Man’s Inhumanity to Man,” which focused a great deal on the literature that emerged from the Holocaust. At the end of the year, I had the great honor to meet author and Holocaust survivor Elie Wiesel who had actually read my essay (my teacher knew him, and gave it to him to read) and encouraged me to keep writing. I am fascinated by stories of survival and the quiet heroism that characterized women like Ida and Louise Cook.
Hermann Goering’s art dealer was a Nazi stormtrooper with a PhD in art history and an athletic build. And Bruno Lohse always made sure the champagne was on ice whenever Hermann Goering arrived at Paris’ Jeu de Paume museum in order to examine the latest in stolen masterpieces.
Although Lohse was arrested after the war for his ties to the Nazi party and spent several years in prison in Germany and France, he was never convicted for his role in stealing art, and went on to make a good living as an art dealer in Munich after the war. Jonathan Petropoulos, a history professor at Claremont McKenna College and expert on the Holocaust, interviewed Lohse several times for this fascinating book.
A charged biography of a notorious Nazi art plunderer and his career in the postwar art world
"[Petropoulos] brings Lohse into sharper focus, as a personality and axis point from which to explore a network of art dealers, collectors and museum curators connected to Nazi looting. . . . What emerges from Petropoulos's research is a portrait of a charismatic and nefarious figure who tainted everyone he touched."-Nina Siegal, New York Times
"Readers of art history and WWII biographies will appreciate this engrossing deep dive into one of the world's most prolific art looters."-Publishers Weekly
As both a lifelong traveler and reader, I cannot start an adventure without a great book. Having owned a Kindle since 2008, I consistently carry a virtual library, curating an assortment of captivating reads for every journey. As a travel journalist, I fly multiple times a month, which amplifies my need and understanding of the perfect in-flight companions; stories that transport and captivate. As an author with a memoir to my name, I appreciate the transformative power of storytelling. This blend of literary passion, frequent travel, and personal authorship has led me on my search for engaging, unforgettable books that mesmerize the reader.
This book is a captivating tale of passion, history, and mystery. Set against the backdrop of 1940s Chicago and war-torn Europe, the novel follows the journey of a resilient journalist navigating love and espionage.
Barr's evocative prose and meticulous research transport readers to a bygone era, creating a rich tapestry of emotions. The intricate blend of romance and suspense ensures a thrilling reading experience perfectly suited for the transient nature of air travel.
As you glide through the clouds, let the pages of this book transport you to a riveting tale of love, courage, and intrigue, making your journey truly unforgettable.
THE NEW YORK TIMES BESTSELLER, SOON TO BE A MOVIE PRODUCED BY AND STARRING SHARON STONE A BUZZFEED MUST-READ FOR 2022
A young journalist embroiled in an international art scandal centred around a Nazi-looted masterpiece, forcing the ultimate showdown between passion and possession, lovers and liars, history and truth.
After talking her way into a job in Chicago, young journalist Jules Roth is given an unusual assignment: locate a painting stolen by the Nazis more than 75 years ago. The painting? None other than legendary artist Ernst Engel's most famous work, Woman on Fire. A dying designer covets the portrait…
I’m a Distinguished Professor of art history at CUNY and biographer of artists. I grew up in Atlanta, attended college in Boston, and have worked in New York since my twenties. With a new Ph.D. in art history from Rutgers, I began as curator of the Hopper Collection at the Whitney Museum, assigned to produce a definitive catalogue of all Edward Hopper’s authentic art. His papers were missing except for his record books that recorded every time a work left for sale, loan, or gift. I traced each work as it left Hopper’s possession and discovered a massive number of undocumented artworks stolen from the estate, which the Whitney still wants to cover up.
I really like the discussion of the Metropolitan Museum’s celebrated acquisition of the ancient Greek Eurphronios Krater, which turned out to have been stolen from a tomb and had to be returned to Italy.
We read that even taking less valuable items “damages archaeological heritage, thereby compromising or weakening historical scholarship.”
I appreciate how this also applies to the unrelated minister who got into the Edward Hopper estate and who hid Hopper’s papers—5,000 documents—for 50 years, damaging their context, perhaps destroying some.
I wrote my biography and definitive catalogue of Hopper’s art without access to most of these papers. Now that I have seen most of them, I am relieved that my work retains its value. Fortunately, I found another source that provided many of Jo Hopper’s diaries.
In the world of law enforcement art and antiquity crime has in the past usually assumed a place of low interest and priority. That situation has now slowly begun to change on both the local and international level as criminals, encouraged in part by the record sums now being paid for art treasures, are now seeking to exploit the art market more systematically by means of theft, fraud and looting. In this collection academics and practitioners from Australasia, Europe and North America combine to examine the challenges presented to the criminal justice system by these developments. Best practice methods of…
I’m a journalist, critic, and poet who has spent a career engaging with the world. I love telling stories, and I strive to put beauty and tension into everything I write. I’ve had great editors – they’ve published my work in The Guardian, National Geographic, ARTnews, The Washington Post, The Times Literary Supplement, and Archaeology, where I am a contributing editor, and many other places – but it always comes down to me and my computer. And often a plane ticket and a suitcase.
The long history of pillage as an act of colonial conquest – Napoleon looting Egypt, Britain looting Greece, among many others – is well-told in this solid, historically grounded account. Why are so many of the world’s great museums filled with treasures from ancient civilizations? This book tells you how it happened, while also showing why countries stripped of their heritage are demanding it back. There are a few books out there entitled Loot: this is the one to read.
For the past two centuries, the West has plundered the treasures of the ancient world to fill its great museums, but in recent years the countries where ancient civilizations originated have begun to push back, taking museums to court, prosecuting curators, and threatening to force the return of these priceless objects. Sharon Waxman brings us inside this high-stakes conflict, from the great cities of the West to Egypt, Turkey, Greece, and Italy, as these countries face down the Louvre, the Metropolitan Museum, the British Museum, and the J. Paul Getty Museum. She shows how the actions of a few determined…
One of the advantages of growing up in New Jersey is the proximity to the museums in New York City. What great school field trips! And I really believe that’s where my love for art and history began. My cathedrals are art museums, great libraries, Civil War battlefields, wilderness shorelines – experiencing these places lifts me out of the dailiness of life, reminds me of struggle, greatness, and excellence. I guess it was just a matter of time before my sweet spot as a writer and reader is the point of intersection between great art and terrible crimes. Things worth writing about.
When a famous stolen Velazquez painting from a truck that went missing back in 1945 turns up in present-day Boston, this fast-paced thriller to recover the rest of the “loot” begins. By me, a girl can’t have too many stories about the infamous Nazi theft of priceless art during WWII. The set-up for this kind of tale is just about the opposite of the intimate crimes in a closed community of “stranded” victims and suspects, which I also really like. Here it’s a big canvas: many works of art stolen during wartime by armies (sometimes during the grunt work, with masterminds off planning). It’s the scope of the art crimes themselves that is so compelling – whole swaths of cultural history disappearing from view. These are enormous crimes with dire implications – even before the murders begin. Loot is the kind of story that slams my heart (in a good…
A long-lost painting stolen by the Nazis turns up at a Boston pawnshop-and leads to a string of murders-in this "fast-paced and tightly written thriller" (The Seattle Times).
In April 1945, the Nazis, reeling and near defeat, frantically work to hide the huge store of art treasures that Hitler has looted from Europe. Truck convoys loaded with the cultural wealth of the Western world pour in an unending stream into the compound of the vast Altaussee salt mine high in the Austrian Alps. But with the Allies closing in, the vaunted efficiency of the Nazis has broken down. At Altaussee,…
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