Here are 100 books that The Rape of Europa fans have personally recommended if you like
The Rape of Europa.
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My interest in this topic began because of a trip to a museum in 2008. I noticed that a painting had been removed from view and a small piece of paper was hanging on the wall where the painting had been. The paper explained that this piece was involved in a court case revolving around whether or not it had been stolen from its Jewish owner by the Nazis during World War II. Nazi cultural appropriation, looting, suppression, and destruction turned out to be one of the most fascinating stories of the entire war. The research for my historical novel took several years, but it allowed me to write a book based on the facts.
Noah Charney is an art historian and has written several interesting books that I have read. Even though this book, Stealing the Mystic Lamb, came out too late for my novel, the “altarpiece” of my book is in fact the “Mystic Lamb” otherwise known as the Ghent Altarpiece. My quasi-obsession with this monumental piece of art is matched by Charney and he describes how often it has been stolen and nearly destroyed. No other piece of art has had a history quite like this one.
Jan van Eyck's Ghent Altarpiece is on any art historian's list of the ten most important paintings ever made. It is also the most frequently stolen artwork of all time. Since its completion in 1432, this twelve-panel oil painting has been looted in three different wars, burned, dismembered, forged, smuggled, censored, hidden, attacked by iconoclasts, hunted by the Nazis and Napoleon, used as a diplomatic tool, ransomed, rescued by Austrian double-agents, and stolen a total of thirteen times. In this fast-paced, real-life thriller, art historian Noah Charney unravels the fascinating stories of each of these thefts. Charney also explores psychological…
My interest in this topic began because of a trip to a museum in 2008. I noticed that a painting had been removed from view and a small piece of paper was hanging on the wall where the painting had been. The paper explained that this piece was involved in a court case revolving around whether or not it had been stolen from its Jewish owner by the Nazis during World War II. Nazi cultural appropriation, looting, suppression, and destruction turned out to be one of the most fascinating stories of the entire war. The research for my historical novel took several years, but it allowed me to write a book based on the facts.
The Faustian Bargain is all about the art world inside Germany in the 1930s and 1940s. Petropoulos chronicles the artists, art dealers, art professors, art journalists, and many others who were forced to live under Hitler’s cultural rules, which forbade modernist art of any kind. Some profited from this arrangement, others subtly fought against it. This is an inside look at a culture choked and suppressed by its own leadership.
Nazi art looting has been the subject of enormous international attention in recent years, and the topic of two history bestsellers, Hector Feliciano's The Lost Museum and Lynn Nicholas's The Rape of Europa. But such books leave us wondering: What made thoughtful, educated, artistic men and women decide to put their talents in the service of a brutal and inhuman regime? This question is the starting point for The Faustian Bargain, Jonathan Petropoulos's study of the key figures in the art world of Nazi Germany. Petropoulos follows the careers of these prominent individuals who like Faust, that German archetype, chose…
My interest in this topic began because of a trip to a museum in 2008. I noticed that a painting had been removed from view and a small piece of paper was hanging on the wall where the painting had been. The paper explained that this piece was involved in a court case revolving around whether or not it had been stolen from its Jewish owner by the Nazis during World War II. Nazi cultural appropriation, looting, suppression, and destruction turned out to be one of the most fascinating stories of the entire war. The research for my historical novel took several years, but it allowed me to write a book based on the facts.
Robert Edsel became fascinated by the story of art looting and preservation during WWII after living for a period in Florence. Being a wealthy businessman from Texas, he used his money to bring attention to the story of the men and women who fought to preserve art during WWII. He has written four books on the subject, but The Monuments Menis the most well-rounded and suitable for someone who is beginning to investigate this riveting slice of history. His book was made into a movie starring George Clooney, Cate Blanchett, and Matt Damon in 2014.
Now a major film starring GEORGE CLOONEY, MATT DAMON, CATE BLANCHETT, BILL MURRAY, JOHN GOODMAN, HUGH BONNEVILLE, BOB BALABAN, JEAN DUJARDIN and DIMITRI LEONIDAS. What if I told you that there was an epic story about World War II that has not been told, involving the most unlikely group of heroes? What if I told you there was a group of men on the front lines who didn't carry machine guns or drive tanks; a new kind of soldier, one charged with saving, not destroying. From caves to castles in a thrilling race against time, these men risked their lives…
My interest in this topic began because of a trip to a museum in 2008. I noticed that a painting had been removed from view and a small piece of paper was hanging on the wall where the painting had been. The paper explained that this piece was involved in a court case revolving around whether or not it had been stolen from its Jewish owner by the Nazis during World War II. Nazi cultural appropriation, looting, suppression, and destruction turned out to be one of the most fascinating stories of the entire war. The research for my historical novel took several years, but it allowed me to write a book based on the facts.
Dagnini’s book focuses specifically on Italy and the amazing stories of Rome, Naples, Florence, and Pisa among others. If you love Italian art and architecture, you will not be able to put this book down. Descriptions of the damage, but also how it was fixed and avoided in some cases, are truly inspiring. Without these Allied personnel, so much more could have been lost.
In 1943, while the world was convulsed by war, a few visionaries -- in the private sector and in the military -- committed to protect Europe's cultural heritage from the indiscriminate ravages of World War II.
In the midst of the conflict, the Allied Forces appointed the monuments officers―a motley group of art historians, curators, architects, and artists―to ensure that the great masterworks of European art and architecture were not looted or bombed into oblivion. The journalist Ilaria Dagnini Brey focuses her spellbinding account on the monuments officers of Italy, quickly dubbed "the Venus Fixers" by bemused troops.
And, who are you? I write the stories I wish I could have read when I was growing up. As the self-conscious first-born daughter of post-war German/German-Russian immigrants, I looked for my reflection in books. My masters’ degree in 20th German literature only whetted my appetite. I needed more and continued to search for my family’s stories. That search included climbing Hitler's mountain, perusing Soviet secret police files, and cycling through old East Prussia searching for amber. Now I write my own stories even as I continue to read, listen, watch and travel. The past is everywhere.
This fast-paced adventure novel, set in Leipzig after the Second World War, tells the story from a German boy’s point of view. The Bass novel explores German guilt and the strained relationships that young people had with their Nazi-era parents. That includes me and my own relationship with my father who was a pilot for the Luftwaffe. Graffiti Knight is inspired by the author’s real-life friendship with the daughter of German immigrants to Canada.
After a childhood cut short by war and the harsh strictures of Nazi Germany, sixteen-year-old Wilm is finally tasting freedom. In spite of the scars World War II has left on his hometown, Leipzig, and in spite of the oppressive new Soviet regime, Wilm is finding his own voice. It's dangerous, of course, to be sneaking out at night to leave messages on police buildings. But it's exciting, too, and Wilm feels justified, considering his family's suffering. Until one mission goes too far, and Wilm finds he's endangered the very people he most wants to protect.
As a historian, I’ve always been fascinated by the mutual influence of power and economics. I’ve written about the political-economic origins of revolution, war, and the search for world peace. I believe that to understand the sweeping geopolitical transformations that have shaped recent centuries—imperialism, the world wars, decolonization, or the fall of the Soviet Union—we need to consider the deep pulse of economics. The books that really grab me open up the worldviews of people in the past, explain how they believed economics and geopolitics shaped one another, and show how these assumptions impelled their actions in the world.
Tooze uses his mastery of economic sources to construct a brilliant, often startling, reinterpretation of Nazi geopolitics. He offers a comprehensive economic interpretation of the Nazi drive for expansionism in the 1930s, Hitler’s decision for war in 1939, and the timing and shape of the Barbarossa offensive against the Soviet Union in 1941. The Wages of Destruction also explores the economic dimensions of Hitler’s plans to liquidate the European Jews and other racial enemies. Perhaps his most arresting argument is that the rise of the United States as an economic superpower in the early twentieth century drove the politics of German ultranationalism between the wars.
"Masterful . . . [A] painstakingly researched, astonishingly erudite study...Tooze has added his name to the roll call of top-class scholars of Nazism." -Financial Times
An extraordinary mythology has grown up around the Third Reich that hovers over political and moral debate even today. Adam Tooze's controversial book challenges the conventional economic interpretations of that period to explore how Hitler's surprisingly prescient vision--ultimately hindered by Germany's limited resources and his own racial ideology--was to create a German super-state to dominate Europe and compete with what he saw as America's overwhelming power in a soon-to- be globalized world. The Wages of…
Why did I end up spending almost a third of my life researching Nazi boarding schools, and childhood under the Third Reich more generally? I sometimes wonder if it was because I myself was sent to boarding school at the age of nine – somehow, I can sympathise with what these children had to endure, as well as knowing full well from a historian’s perspective which hardships were truly unique to a National Socialist elite education, and which were simply the kind of heart-ache that’s common to any institution which takes children away from their parents at a young age…
Written during the Third Reich itself, this is the hard-hitting book that told the world just how heinous Nazi education policy was – although it was only heeded by a prescient few at the time. Anyone who is worried about how easily schooling can become subject to ideology should definitely read this book!
Published in 1938, when Nazi power was approaching its zenith, this well-documented indictment reveals the systematic brainwashing of Germany's youth. The Nazi program prepared for its future with a fanatical focus on national preeminence and warlike readiness that dominated every department and phase of education. Methods included alienating children from their parents, promoting notions of racial superiority instead of science, and developing a cult of personality centered on Hitler. Erika Mann, a member of the World War II generation of German youth, observed firsthand the Third Reich's perversion of a once-proud school system and the systematic poisoning of family life.…
And, who are you? I write the stories I wish I could have read when I was growing up. As the self-conscious first-born daughter of post-war German/German-Russian immigrants, I looked for my reflection in books. My masters’ degree in 20th German literature only whetted my appetite. I needed more and continued to search for my family’s stories. That search included climbing Hitler's mountain, perusing Soviet secret police files, and cycling through old East Prussia searching for amber. Now I write my own stories even as I continue to read, listen, watch and travel. The past is everywhere.
I love all of Marsha Skrypuch’s YA books. Page-turning plots, engaging characters, inspired by real events. Her novels focus on Ukrainian and Polish young people’s experiences under both Hitler and Stalin. This one stands out to me, first because of the cover and secondly, because of the author’s ability to wrench my heart. The novel focuses on a young Polish girl, deemed Aryan enough, so she can be raised in a Nazi family. It was a story that opened my eyes. These horrendous things happened to innocent kids.
A companion to Making Bombs for Hitler and The War Below, this novel follows a Ukrainian girl who was kidnapped as a child to be raised by a Nazi family.
Nadia is haunted by World War II. Her memories of the war are messy, coming back to her in pieces and flashes she can't control. Though her adoptive mother says they are safe now, Nadia's flashbacks keep coming.Sometimes she remembers running, hunger, and isolation. But other times she remembers living with a German family, and attending big rallies where she was praised for her light hair and blue eyes. The…
When I find a big story that has not come out, which has massive relevance for history and for the entire world, I go all out to bring it to light, as I have done with this book. Most of the books I have written have been devoted to telling big, unknown stories that concern the world. (Examples: alien intelligence, the origins of ancient civilisations, the Chinese contribution to the history of inventions, the existence of optical technology in antiquity, who were the people who tried and executed King Charles I and why did they do it.) I simply had to expose this information to the public.
This book was originally published by Doubleday, New York, in 1944. This book also contains material obtained from Heinrich Pfeifer, not only from Pfeifer’s own experience but from Pfeifer’s secret network of sympathisers and informants deep within the Nazi Establishment.
It is alarming in the extreme, detailing as it does how the Nazis of the SS and SD had since 1943 started planning to metastasize their doctrines all round the world, and found a Nazi International organisation, with the eventual hope of creating a Fourth Reich which was not dependent upon the territory of Germany, but was spread across the world invisibly, so that no armies could ever conquer it.
They planned the ratlines and escape routes to all the friendly countries such as Argentina and Chile. Their ratline HQ was in Madrid, with the full cooperation of the Franco Government. One of the two chief organisers was SS Lieutenant…
'Its existence is known only by the effects of its action.' Author Curt Riess on what happens when an organisation goes underground. Written in 1944, thus contemporary to the events of the Second World War and Nazi Germany, The Nazis Go Underground describes how the Nazis planned and organised their descent into the underground as early as 1943. At this stage of the war, the situation for the Third Reich looked grim. With Bormann and Himmler as its architects, the Nazi party would go underground and prepare for World War III from the shattered ruins of Berlin. German generals were…
I’m a historian and writer and worked in universities all my life. I love writing and everything about it—pencils, pens, notebooks, keyboards, Word—not to mention words. I started writing the histories of migrants and refugees in twentieth-century Britain (and their entanglement with the history of the British Empire) in the 1980s and then kept going. When I studied history at university, migrants and refugees were never mentioned. They still weren’t on historians’ radar much when I started writing about them. Here I’ve picked stories that are not widely known and histories that show how paying attention to migrants and refugees changes ideas about what British history is and who made it.
I chose this memoir because it tells the compelling story of Germans and Austrians who joined the British forces to strike back against Nazi Germany—a story that is missing from most histories. First, they had to undergo many metamorphoses—a main theme of this memoir. Peter Masters—originally a member of a respectable Jewish family in Vienna—escapes to Britain and is a refugee from Nazi oppression, but in 1940 the British government identify him as an enemy alien and intern him. For his fourth metamorphosis he becomes a soldier in the British army, but the British government bans Austrians and Germans from bearing arms. After this ban is lifted there is a final metamorphosis when he joins a British commando unit. He writes, "The antithesis of 'lambs to the slaughter,' we fought and many of us died... Those who died preferred their fate to being gassed and cremated by the Nazi brute."
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