Here are 100 books that Rose Valland fans have personally recommended if you like
Rose Valland.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
After seventeen years of researching media use in the Soviet Union, I found I was hooked for life on the problems of totalitarianism. I went on reading about Stalinist Russia, Nazi Germany, and the East German Stasi and wrote several novels based on what I had read. In 2009, I saw an exhibition of paintings called “Looking for Owners.” Some of the pictures were extremely beautiful works by well-known artists which, I was surprised to learn, had been stolen by the Nazis during World War II. Their rightful owners had never been traced. I knew at once that there was a story in this.
If you want to know about art thefts in Europe during World War II, this is the book to read. This is the Bible!
Lynn Nicolas provides an exhaustive account of why the works were taken, where the looting took place, how it was done, how many artworks were plundered (the answer is in the hundreds of thousands), and what attempts were made after the war to recover the works and restore them to their owners.
I was awed by the extent of her research, which is truly groundbreaking. Before The Rape of Europa was published in 1994, little was known about the means and scale – and even the fact – of Nazi looting.
When the Nazi occupation of Poland, France and the Low Countries, and finally Italy, began a colossal wave of organised and casual pillaging stripped entire countries of their cultural heritage. From the day Hitler came to power, art was a matter of the highest priority to the Reich. He and other Nazis were ravenous collectors, stopping at nothing to acquire paintings and sculpture. Nicholas catalogues this theft and destruction but also shows how the dedicated corps of `Museum Officers', brought to Europe after the Allied victory, spent six years locating and sorting huge repositories of treasure and restoring their contents…
After seventeen years of researching media use in the Soviet Union, I found I was hooked for life on the problems of totalitarianism. I went on reading about Stalinist Russia, Nazi Germany, and the East German Stasi and wrote several novels based on what I had read. In 2009, I saw an exhibition of paintings called “Looking for Owners.” Some of the pictures were extremely beautiful works by well-known artists which, I was surprised to learn, had been stolen by the Nazis during World War II. Their rightful owners had never been traced. I knew at once that there was a story in this.
Without the Monuments Men, the artworks plundered by the Nazis might never have been recovered. A lot might still be missing.
The Monuments Men were art experts, scholars, and historians who had volunteered for a specially-formed military unit. They followed the Allied armies through Europe and made sure no historical monuments or irreplaceable artworks were inadvertently destroyed. Using Rose Valland’s notes from the Jeu de Paume, they tracked down stolen treasures in castles, monasteries, and even a salt mine!
Engaging and well-written, this book is a must-read. I borrowed it from the library, but ended up buying my own copy. I had to have it!
Now a major film starring GEORGE CLOONEY, MATT DAMON, CATE BLANCHETT, BILL MURRAY, JOHN GOODMAN, HUGH BONNEVILLE, BOB BALABAN, JEAN DUJARDIN and DIMITRI LEONIDAS. What if I told you that there was an epic story about World War II that has not been told, involving the most unlikely group of heroes? What if I told you there was a group of men on the front lines who didn't carry machine guns or drive tanks; a new kind of soldier, one charged with saving, not destroying. From caves to castles in a thrilling race against time, these men risked their lives…
After seventeen years of researching media use in the Soviet Union, I found I was hooked for life on the problems of totalitarianism. I went on reading about Stalinist Russia, Nazi Germany, and the East German Stasi and wrote several novels based on what I had read. In 2009, I saw an exhibition of paintings called “Looking for Owners.” Some of the pictures were extremely beautiful works by well-known artists which, I was surprised to learn, had been stolen by the Nazis during World War II. Their rightful owners had never been traced. I knew at once that there was a story in this.
Christabel Bielenberg was Anglo-Irish, her husband was a German lawyer, and they were close friends of Adam von Trott and other German oppositionists. Christabel was in Germany throughout the war, and her book gives an absorbing account of daily life in the Third Reich.
It was a dangerous world. How do you stop your child from telling the Nazi gardener that his mother listens to the radio with her ear pressed against the set? What do you do when a friend says something imprudent? How do you react when a homeless Jewish couple asks for shelter? When your husband is in prison, what do you say to the Gestapo officer in charge of his case?
I was thoroughly drawn in. Christabel felt like someone I could have been friends with.
On 29 September 1934, at the German Embassy office in London, Christabel Bielenberg officially became a German citizen. Having met her German husband Peter two years prior, Christabel decided to renounce her British citizenship, planning to start married life with Peter in Berlin. Though Adolf Hitler had risen to power in 1933, Christabel and Peter were convinced the German people would see through the newly elected chancellor.
But soon Christabel found herself living under the horrors of Nazi rule and Allied bombings as the war progressed. Closely associated with resistance circles, her husband was arrested after the failure of the…
After seventeen years of researching media use in the Soviet Union, I found I was hooked for life on the problems of totalitarianism. I went on reading about Stalinist Russia, Nazi Germany, and the East German Stasi and wrote several novels based on what I had read. In 2009, I saw an exhibition of paintings called “Looking for Owners.” Some of the pictures were extremely beautiful works by well-known artists which, I was surprised to learn, had been stolen by the Nazis during World War II. Their rightful owners had never been traced. I knew at once that there was a story in this.
Adam von Trott was a Prussian aristocrat who studied at Oxford, worked for the German resistance, and was executed by the Nazis in August 1944. I discovered Trott when I was researching wartime Berlin. Christopher Sykes’ biography gives a fascinating portrait of an intense and charming man. His deep loyalty to Germany led him to oppose its government, attempt to reach an understanding with its enemies and participate in an effort to kill its leader.
Adam and his contradictions continue to intrigue me – and I’m not the only one! He pops up regularly in other people’s novels under various aliases: as Hartmann in Robert Harris’ Munich, for instance, and as Axel von Gottberg in Justin Cartwright’s The Song Before It Is Sung.
In writingThe Lost Son, which is loosely based on family history, I immersed myself in the history of World War II and in the world between the wars. It was important to me to understand this period from both sides—from the perspective of Germans who were either forced to flee their homeland or witness its destruction from within by a madman, and from the perspective of Americans with German ties who also fought fascism. The stories of ordinary people during this time are far more nuanced than the epic battles that World War II depicted, as the stories of ordinary people often are.
Born in 1934 in Berchtesgaden, in the shadow of Hitler’s Eagles Nest, Irmgard Hunt witnessed the growth of fascist ideology among the people she loved during an otherwise idyllic childhood. As the shadow of World War II fell over the mountain, however, Hunt began to question and then disavow the Nazi doctrines she had accepted as a young child. As time went on and the regime crumbled literally before her eyes, she was vocal in confronting her country’s criminal past and in championing the democratic principles her elders had so easily dismissed.
Irmgard Hunt was born into Nazi Germany in 1934 and brought up in the Bavarian village of Berchtesgaden, just outside the fence that surrounded Hitler's alpine retreat and headquarters. On Hitler's Mountain is her account of a childhood under the Third Reich as the daughter of low-level Party members. As a model Aryan toddler, she was photographed sitting on Hitler's knee, and attended school with the children of Albert Speer and Fritz Sauckel. Like many ordinary Germans her parents considered themselves to be moral and honourable: her father was a porcelain artist (at the workshop that provided Hitler with his…
I’m a historian and writer and worked in universities all my life. I love writing and everything about it—pencils, pens, notebooks, keyboards, Word—not to mention words. I started writing the histories of migrants and refugees in twentieth-century Britain (and their entanglement with the history of the British Empire) in the 1980s and then kept going. When I studied history at university, migrants and refugees were never mentioned. They still weren’t on historians’ radar much when I started writing about them. Here I’ve picked stories that are not widely known and histories that show how paying attention to migrants and refugees changes ideas about what British history is and who made it.
I chose this memoir because it tells the compelling story of Germans and Austrians who joined the British forces to strike back against Nazi Germany—a story that is missing from most histories. First, they had to undergo many metamorphoses—a main theme of this memoir. Peter Masters—originally a member of a respectable Jewish family in Vienna—escapes to Britain and is a refugee from Nazi oppression, but in 1940 the British government identify him as an enemy alien and intern him. For his fourth metamorphosis he becomes a soldier in the British army, but the British government bans Austrians and Germans from bearing arms. After this ban is lifted there is a final metamorphosis when he joins a British commando unit. He writes, "The antithesis of 'lambs to the slaughter,' we fought and many of us died... Those who died preferred their fate to being gassed and cremated by the Nazi brute."
I’m the U.S. author of more than thirty books, many of them traditional or cozy mysteries. As the daughter and niece of several World War II veterans, I grew up hearing some of their experiences – they left out the horror. But I did see the impact those travesties had on gentle people. I often marveled at the courage of those who fought without weapons to survive the deprivation and loss of many loved ones. And I’m glad I had opportunities to visit Germany and Japan as an adult, to see the friendships our nations foster today.
The story holds almost more sorrow than seems possible. Krystia Fediuk, her mother Kataryna, sister Maria and their longtime friends, many of them Jewish, live in a Ukrainian town that celebrated as their Soviet occupiers left in 1941. But the even more cruel Nazis arrived, joined by many more Germans and Balkans friendly to them. And they were determined to single out Jewish townspeople, eventually forcing them into a ghetto.
It was then that Krystia and her mother decided to hide three Jewish friends in a hole dug under their stove. The price for what the Nazis saw as their treachery was steep. Krystia fled to the Ukrainian insurgents in the forest, taking only her dwindling hope. Though fiction, the author based the book on several real Ukrainians and the stories of others who survived.
Marsha Forchuk Skrypuch (author of Making Bombs for Hitler) crafts a story of ultimate compassion and sacrifice based on true events during WWII.
The year is 1941. Krystia lives in a small Ukrainian village under the cruel -- sometimes violent -- occupation of the Soviets. So when the Nazis march into town to liberate them, many of Krystia's neighbors welcome the troops with celebrations, hoping for a better life.But conditions don't improve as expected. Krystia's friend Dolik and the other Jewish people in town warn that their new occupiers may only bring darker days.The worst begins to happen when the…
When I was invited to write a historical fiction that appealed to male readers, I wanted to showcase the struggles and dramas in peacetime rather than in war. Scientists vilifying the fly in order to demonstrate the connection between microbes and disease—and enlisting children to kill the fly—now that was a battle I could get behind. Revenge on the Fly, in all the forty books I’ve written, is my only foray into historical fiction. However, like most writers, I read across the genres voraciously. What I most love to read and write about are strong characters who demonstrate unwavering resilience.
This story has won many awards including the Geoffrey Bilson Award for historical fiction but I love it for looking at the German side of World War II, not the battle but the prejudices a 12-year-old Canadian German and a 17-year-old German prisoner of war face in rural Alberta. Karen creates compelling fiction that humanizes instead of demonizes “the enemy.”
It's WWII. Erich, a young German prisoner of war who dislikes Nazism, and Max, the twelve-year-old son of German immigrants, become friends when Erich is sent to work at a Canadian logging camp near Max's town. But with a saboteur haunting the logging camp and anti-German feeling running high in town, their friendship puts them both in danger.
Seventeen-year-old Erich is a prisoner of war working at a northern Alberta logging camp. Twelve-year-old Max goes to school-reluctantly-in the nearby town. The two would be unlikely friends, except that neither has anyone else to turn to. At the height of World…
I can recommend this topic because of my interest in anything about WWII and the Nazi horror. It also comes from the recent revival of the ideology, even though the entire world fought to defeat them seventy years ago. I have been haunted by PTSD because of my experiences as a first responder and can speak to that personally. As a former reservist with the Canadian Armed Forces, I also have experience in firearms and munitions. I have recently written my own story, The Home Front, which deals with the rise of the neo-Nazis in the United States through the eyes of a WWII veteran.
From well-documented facts that the US government hid escaping Nazis after the war, comes a brutal story. This book has it all. Buried Nazi treasure, political wheeling and dealing, revenge, greed, and ruthless killers. Joe Johnson has been hunting war criminals for years after a stint in the CIA. When a story is leaked that Nazi treasure might finance the contender of the U.S. Republican party, Johnson is hired to ferret out the truth. But people don’t like having him poking into matters better left in the past. Can these types of people ever change or do they continue to hurt the weak for their own gains? From the United States to Argentina and England to Poland, this story just doesn’t stop until the last bullet is fired.
Dark truths uncovered . . . The buried contents of a Nazi train. An aging SS killer—with a final sting in his tail. And the World War II secrets of a US presidential hopeful’s Jewish family, hidden in London for 70 years.
★★★★★ “A great read, has more twists than a country road.” — Amazon reviewer.
In this gripping thriller, war crimes investigator and ex-CIA officer Joe Johnson uncovers links between financing for the presidential campaign, the Nazi train, and a ruthless British blackmail plot.
But the mystery becomes bigger and more deeply personal than Johnson expects when it turns…
When I was six years old, my Dutch relatives visited. Stories swirled about their bravery in getting secrets from the Germans and sharing the intel with the Allies, about their privation during the hunger winter, and their work hiding their Jewish countrymen. I studied abroad in 1977-1978 and took the opportunity to visit my Dutch relatives. They told me more stories of their resistance work, their escapades, and, most importantly, their “why” during my time with them. Such stories don’t leave you–ever. They percolated in my head for years until a voice came to me, Rika’s voice, and I began to write. Sixty Blades of Grass is the result.
This is the Dutch Underground at its finest. The “why” people would risk their lives and resist the German persecution of the Jews came through loud and clear here.
Based on a true story, Corrie Ten Boom ran an underground cell out of her home in Harlem with the support of her family. Her religion sustained her through tremendous losses and suffering but enabled her to find peace for herself and others post-war.
It's World War II. Darkness has fallen over Europe as the Nazis spread hatred, fear and war across the globe. But on a quiet city corner in the Netherlands, one woman fights against the darkness.
In her quiet watchmaking shop, she and her family risk their lives to hide Jews, and others hunted by the Nazis, in a secret room, a "hiding place" that they built in the old building.
One day, however, Corrie and her family are betrayed. They're captured and sent to the notorious Nazi concentration camps to die. Yet even…
