Here are 100 books that The Hiding Place fans have personally recommended if you like
The Hiding Place.
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I'm an author, inventor, military veteran, (mostly) self-taught scholar, and an entrepreneur. Every internet-connected person interacts with things I invented (the tracking pixel, the ebook, etc) every day, but I'm best known for my books about business and personal development. As I write this, I'm serving as the Founder and CEO of a software platform called "Simpleology." It's designed to solve what I think is one of mankind's greatest threats to survival as a species: "The Complexity Gap." It's the gap between the amount of information in the world and our ability to navigate it. It solves this by guiding you to focus on what we call "HIME" (high impact, minimal effort).
This book presents perhaps the most prescient and today-relevant sci-fi premise ever: how could technology evolve without thinking machines?
After reading this book, I finally understood that my thinking does not have to be constrained by the "scientific consensus" of the day. The book presents a future so radically different from what most futurists are envisioning that it not only freed my thinking about science and futurism...it freed my mind of all constraints.
Even further, it beckoned me to explore the limits of my own human potential.
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
Growing up, I experienced “otherness.” My family was hard up amidst affluence. Typecast as Jewish, where that was a rarity, we were met with suspicion and unease. Being a woman held my mother back from her preferred profession. Racism was rampant; my growing appreciation of it and efforts to intervene added to “otherness.” My childhood was shadowed by illness, including my mother’s cancer. These influences drew me to medicine and science. Both are a way to overcome “otherness” and to protect one’s family, even as my sense of family expanded. Medicine forges extraordinary bonds between doctor and patient. Science brings people together from diverse backgrounds to share goals. These connections make meaningful stories.
This riveting novel by an infectious disease physician demonstrates how something as seemingly stereotypic as a medical career can be profoundly shaped by circumstance, accident, location, and political events, as well as by family and personality.
The practice of surgery—be it closing a wound or removing a lesion—can be both of those things for the emotions of the person performing it. There is an analogous message for other fields of medicine—practice and practitioner become interrelated at a deeply personal level.
My brother, Shiva, and I came into the world in the late afternoon of the twentieth of September in the year of grace 1954. We took our first breaths in the thick air of Addis Ababa, capital city of Ethiopia. Bound by birth, we were driven apart by bitter betrayal. No surgeon can heal the would that divides two brothers. Where silk and steel fail, story must succeed. To begin at the beginning...
Officially, I’m an award-winning author and specialist in the fields of psychology, trauma, and spirituality. I’m also a professionally trained therapist, clinical ethicist, and researcher. Ultimately, I’m an ardent believer that the same life that brings us joy also (sometimes) brings us pain. More importantly, that every aspect of life has a role to play in making us who we are today and who we’ll be tomorrow. We don’t always have control over the events in life, but the script we live by is ours to write—and write it we must, as only we can. I’m also a three-time heart attack survivor.
Markus Zusak’s book is definitely not for the faint of heart or those easily bored: its narrator is Death, and the book is over 500 pages long. Not really the kind of book you’d think of for those aged 12 and up (as it’s listed). But it is one that really ought to be universally read.
The book follows two young children battling for survival in Nazi Germany. Entropy hangs in the air like Death’s shadow. Life’s harsh realities—like evil, heartache, pain, and mortality—are ever-present. In Max's (the young boy) dreams, he is boxing with Hitler and lands a punch, knocking the Fuhrer down, but soon he’s overtaken by the crowd.
This is one of the reasons I appreciate this book: winners sometimes lose; bad things happen to good people. And yet, the response to this existential injustice isn’t to become a mere survivor, victim, or martyr. It’s to…
'Life affirming, triumphant and tragic . . . masterfully told. . . but also a wonderful page-turner' Guardian 'Brilliant and hugely ambitious' New York Times 'Extraordinary' Telegraph ___
HERE IS A SMALL FACT - YOU ARE GOING TO DIE
1939. Nazi Germany. The country is holding its breath. Death has never been busier. Liesel, a nine-year-old girl, is living with a foster family on Himmel Street. Her parents have been taken away to a concentration camp. Liesel steals books. This is her story and the story of the inhabitants of her street when the bombs begin to fall.
I lost my marriage. I lost my dad to cancer, and my mom to Alzheimer’s Disease (and wrote a memoir about it). Along the way, I lost my sense of superiority and entitlement. I gained the ability to laugh at myself and trust God for everything. I found that I was not as important as I had tacitly assumed. I’ve learned Jesus’s words are true: “Whoever loses his life for My sake will find it.” When I see this depicted well in a book, I think, “Thank God for writers who will tell me the truth.” Today, I’m a fiction book coach with a goal of helping writers tell the whole awful, glorious truth.
It’s not possible that Tolstoy died and lived to tell about it, but that's what this book feels like.
As Ivan Ilych’s illness progresses, the reader sees how shallow his relationships are, and how fruitless is his striving to “get ahead.” As I read this book, I felt the vast chasm between the living and the dying, how alone Ivan is in his suffering. Ivan Ilych is no hero: he is an everyman. He squarely faces the pointlessness of his life, and ultimately throws off the things of no importance.
Through his experience I anticipated my own death, and felt how important it must be to live my life remembering that all the stupid stuff doesn’t matter. What does matter is my relationships with God and with other humans. Everyone who expects to die someday should read this book.
The Death of Ivan Ilyich, first published in 1886, is a novella by Leo Tolstoy, one of the masterpieces of his late fiction, written shortly after his religious conversion of the late 1870s. "Usually classed among the best examples of the novella", The Death of Ivan Ilyich tells the story of the sufferings and death of a high-court judge from a terminal illness in 19th-century Russia.
I had been a long-time screenwriter in March of 2003 when the US invaded Iraq with overwhelming air power, and the TV news showed footage of the “shock and awe.” But I remember thinking, what is it like for the Iraqi people? Suddenly, in the blink of an eye, your country is at war. What is your life now like? Seeking to focus on an ordinary Iraqi family caught up in the war, I soon realized it was too layered for a spec screenplay and wrote it as a novel. It was the most rewarding experience I’ve ever had.
Set at the end of WWII, when the UN authorized the founding of the State of Israel, I thoroughly enjoyed the merging of historical facts with fictional characters to depict the birth of a nation from the Jewish point of view.
I loved the diverse characters, including an American gentile female nurse and teenage Jewish children orphaned during the war as they settled in a hostile land.
It was eye-opening to see what it means to be constantly under attack, on the one hand, fighting militants physically and, on the other hand, fighting various countries politically in order to be acknowledged worldwide.
I also love that the author gives me an authentic look at the behind-the-scenes decision-making by British officials during this chaotic time.
“Passionate summary of the inhuman treatment of the Jewish people in Europe, of the exodus in the nineteenth and twentieth centuries to Palestine, and of the triumphant founding of the new Israel.”—The New York Times
Exodus is an international publishing phenomenon—the towering novel of the twentieth century's most dramatic geopolitical event. Leon Uris magnificently portrays the birth of a new nation in the midst of enemies—the beginning of an earthshaking struggle for power. Here is the tale that swept the world with its fury: the story of an American nurse, an Israeli freedom fighter caught up in a glorious, heartbreaking,…
I believe with all of my heart that each one of us was created with two achingly powerful inner drives: 1) the longing for new worlds and 2) the desperate urge to do something meaningful. I simply could never believe that human beings are all simply cosmic accidents produced by some sort of cosmic casino. I believe God created people and gave us each an instinct to seek our true home. The books I write—all 22 of them—are tales of flawed individuals, thrown into unexpected, life-changing events, and given the chance to journey through many astoundingly lush worlds, all in an effort to do the seemingly impossible.
Mistborn was my first experience with gazillion-selling epic fantasy author Brandon Sanderson.
Kel and Vin are the two main characters, and I bonded with them immediately. IMHO what sets Mistborn apart from any other fantasy I’ve read is the magic system. I don’t want to spoil it, but it has something to do with metallurgy.
The twist is in worldbuilding, creating a world in which magic exists almost as a natural property, seemingly adding new laws of nature that are absolutely unique to the fantasy genre. It was so cleverly written and believable. I loved it.
Brandon Sanderson - the international phenomenon who finished the Wheel of Time sequence - introduces a fantasy trilogy which overturns the expectations of readers and goes on to tell the epic story of evil overturned in a richly imagined world.
A thousand years ago evil came to the land and has ruled with an iron hand ever since. The sun shines fitfully under clouds of ash that float down endlessly from the constant eruption of volcanoes. A dark lord rules through the aristocratic families and ordinary folk are condemned to lives in servitude, sold as goods, labouring in the ash…
I struggled a lot with reading as a kid, I would not call myself a natural reader at all. When I was young, fantasy and magic stories were one of the few genres that could grip me enough to make me actually focus and attempt to read but I always hated the ones that took themselves too seriously (they always felt impossibly long to get through). Now, as a children’s author, myself, it’s my hope and passion to serve fellow young-readers-who-don’t-consider-themselves-readers with fun accessible stories. I hope you enjoy!
Special collector's film tie-in hardback of the best-selling classic, featuring the complete story with a sumptuous cover design inspired by THE HOBBIT: AN UNEXPECTED JOURNEY and brand new reproductions of all the drawings and maps by J.R.R. Tolkien.
Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End.
But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day to whisk him away on an unexpected journey 'there and back again'. They have a plot to raid…
I’ve always been deeply interested in how people connect to those around them—it is something I write about constantly. My first novel, So Much Love, was about how a community reacts to terrible loss and uncertainty, and my recent book of nonfiction, These Days Are Numbered, is about how my own community—and I—reacted to the Covid-19 pandemic. I am always looking at how humans human, separately and especially together. That is one of the joys of narrative fiction for me—the way we can use it to examine our behaviour and interactions, and how we form relationships and communities. I hope these books enthrall you as much as they did me.
Yes, it’s a Victorian novel but it’s also the slenderest and sweetest one, by my lights.
Cast out from his narrow religious community by the acts of a dishonest friend, Silas Marner flees to a new village and resolves to live a life apart, money his only security. Then along comes a tiny child in need and Silas cannot help but help—even though this new challenge comes on the heels of a devastating robbery.
The man’s generosity has the effect of opening him up to the generosity of others until, little by little, he becomes a part of the community he has lived apart from for so long. There is never a bad time to read this lovely, hopeful little novella about the worst and best of human nature.
Gold! - his own gold - brought back to him as mysteriously as it had been taken away!
Falsely accused of theft, Silas Marner is cut off from his community but finds refuge in the village of Raveloe, where he is eyed with distant suspicion. Like a spider from a fairy-tale, Silas fills fifteen monotonous years with weaving and accumulating gold. The son of the wealthy local Squire, Godfrey Cass also seeks an escape from his past. One snowy winter, two events change the course of their lives: Silas's gold is stolen and, a child crawls across his threshold.
As a writer and a mom, and a former teacher, and someone who constantly has to pay attention to the world we live in today, I feel especially compelled to find a good balance for parents to help their kids love reading without compromising their childhood innocence. As adults, we know we live in a broken world. But telling kids about these things without giving them a reason to hope for a better future or without giving them a good role model is more detrimental than helpful. It dooms them to nihilism and cynicism, and only a mature mind is able to successfully break free from that mind trap.
The Wingfeather Saga is a great in-between series for fans of Narnia and Harry Potter and The Lord of the Rings (I did read The Hobbit to my kids but they didn’t always get why things were funny or scary, and I think with the later Harry Potter books especially, it would be more in my interest to start those when my children are over 10 so they can grow up along with Harry in the series).
The Wingfeather Saga starts off a little darker, with a family dealing with the past and the secrets. Two boys, Janner, Tink, and their sister, Leeli, are all gifted objects, and they set out to find answers; in the process, they are captured and their mother and grandfather step up to help them. Part fantasy, with a historical feel to it, the book centers on unraveling a mystery while facing down fearful creatures…
After living for years under the occupation by the evil Fangs of Dang, the Igiby children find a map rumoured to lead to the lost Jewels of Anniera - the one thing the Fangs will do anything to find. The family is thrown headlong into a perilous adventure, uncovering truths about who they are that will change their world forever.
Repackaged with new illustrations, this is the opportunity to discover the Wingfeathers.
I lost my marriage. I lost my dad to cancer, and my mom to Alzheimer’s Disease (and wrote a memoir about it). Along the way, I lost my sense of superiority and entitlement. I gained the ability to laugh at myself and trust God for everything. I found that I was not as important as I had tacitly assumed. I’ve learned Jesus’s words are true: “Whoever loses his life for My sake will find it.” When I see this depicted well in a book, I think, “Thank God for writers who will tell me the truth.” Today, I’m a fiction book coach with a goal of helping writers tell the whole awful, glorious truth.
Edward Tulane is a vain, selfish, coldhearted toy rabbit. And, except for the toy rabbit part, I am Edward Tulane. That’s why I needed this book.
Whilst the family is on the Queen Mary, Edward is cast overboard, like Jonah. Outside the bosom of his family, Edward is largely unloved and disrespected. Through many trials and tribulations, he is reunited with his family. It’s classic Odyssey territory, except that Edward’s trials broaden his perspective and enable him to appreciate – and, yes, love – those who love him.
Edward may be merely a toy rabbit, but he stands in for all of us who need to die in order to live.
The Incredible Journey meets The Mouse and His Child, an enchanting tale that begs to be read aloud.
The magical story of the adventures of a lost toy rabbit from a New York Times bestselling author, twice winner of the Newbery Medal. Abilene loves her blue china rabbit, but Edward Tulane is extremely vain and only loves himself. On a voyage from New York to London, Edward falls overboard and from there finds himself on an amazing journey. He travels with tramps, works as a scarecrow, comforts a dying child ... and finally learns what it is to truly love.
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