100 books like The Hobbit

Much SF&F literature has explored the concept of what the world might look like with fewer (or no) humans.

Weisman’s well-researched book imagines how our environment would recover; how nature might take back control without humans around to continue wrecking it.

He imagines the primacy of nature in a fascinating way and manages to avoid the normative language that might be off-putting, drawing the reader into a place that might as well be 1000 light years away from Earth.

Journeys are most often linear – Here to There – or circular – "There and Back Again." The Odyssey is actually a return leg in the most traumatic and perennial circular journey: going to war, and then, getting back. "Wily" (in modern terms, read, "sneaky," "trickster")  Odysseus left Troy a famous warrior, but takes seven years to get home. The fabulous episodes of that journey, the Cyclops, the Sirens, Scylla and Charybdis, Circe, and Calypso, the wreck in Phaeacia that leaves him bereft even of clothes, have grounded the Western imagination. But the concluding little things – the recognition scenes, the dog that dies, and the nurse who doesn't – push that epic past into a close, human Now.

It always seemed unfair to me that not only do we get just one life, but we only get to live it once. So I fell in love with this novel from the moment I read its premise: Ursula Todd is born and dies and is born again… and again… and again.

I love that she doesn’t remember her previous lives except as vague intuitions that help her avoid making the same mistakes twice–and I also love that avoiding those mistakes often means she makes other (often fatal) mistakes. I found this book funny, moving, and thought-provoking, but what I love most about it is the way its down-to-earth, realistic style allowed me to fully inhabit the impossible conceit at its heart. 

Maybe this is cheating, but it’s still a book set during a war, albeit a fantastical one.

But come on: Arthur, Guinevere, Lancelot, Merlin, Nimue, Pellinore, Gawain, Mordred, the Round Table–I may never have read a more powerful scene (or seen such, in the play) as when Arthur cheers for Lancelot to ride and save Guinevere from a fire which Arthur himself set!

Moving, with great, classic prose typical of the time and White’s contemporaries C.S. Lewis and Tolkien. 

This will be one of my more controversial picks – there are plenty of people who disagree with Campbell as a folklorist, a mythographer, and with his depiction of the Hero’s Journey. But, what is important about Campbell is his exploration of why the elements that appear in stories have the impact they do on our psyche, and how they fit together. One may not agree with all of Campbell’s conclusions, but I don’t think there’s a writer out there who won’t benefit from his exploration of the subject. I know I did.

J.R.R. Tolkien's masterful storytelling is unmatched, and The Lord of the Rings weaves together moral dilemmas and profound philosophical ideas seamlessly, encouraging me to contemplate the nature of power, the importance of preserving the natural world, and the significance of individual choices.

The book's themes of heroism, friendship, sacrifice, and the struggle between good and evil resonate deeply. In addition, each of his characters feels like an aspect of oneself; the introspection it inspires is brilliant!

The Lord of the Rings instills a sense of wonder, ignites the imagination, and imparts timeless wisdom, which heavily transformed my perspective on life, my values, and my understanding of the human condition.

There is a reason the TV series performed as well as it did. Even though this book series hasn’t been and may never be finished, please let me tell you why I think you should read it anyway.

The story that captivated the world and put epic fantasy back on the map is even better in bookish form. Yes, the world-building of Westeros is iconic, but the use of each character’s perspective left me awestruck. Throughout the story and across the different perspectives, the “truths” of the world are revealed in their own intricately conflicting ways—a subtle reminder that history is often written by the hand of the victor.

For those who have watched the show and believe they’ve seen all that GRRM has to offer, I encourage you to take a stab (with the pointy end) at the book series; there are even more layers to the political intrigue… show more.

This has been one of my favorite books since I was a kid. I love it for two main reasons: The first is that I’m a fiend for exploring the real limits of ability (which the Bene Gesserit and Fremen do). The second is that as fantastical as the world is, it’s grounded in real science. 

There are no giant sandworts on my own planet, but I completely believe why and how they’d exist on Arrakis. Herbert even includes an appendix to explain how it works, called “The Ecology of Dune.” 

Fiction requires a leap of faith, but the real-science grounding in Dune makes that leap a whole lot easier because I believe where it’s coming from.

This book by Markus Zusak is frequently named one of the best WW2 books. I like it because it’s a tribute to the resilience of the human spirit and the importance of hope in dark times. It’s a haunting and beautifully written novel set in Nazi Germany.

Narrated by Death, the story follows Liesel, a young girl sent to live with a foster family. As she navigates a tumultuous world filled with fear and cruelty, Liesel finds comfort in books and words. I loved the premise of stealing forbidden books and sharing their stories with others. Through Liesel’s experiences, I explored the themes of love, loss, and the power of storytelling in the face of adversity.

The Fifth Season is set in a world plagued by intermittent climate catastrophes and inhabited by a group of people called orogenes, who possess the ability to control energy and, therefore, thwart these catastrophes.

It follows two talented oregenes named Syenite and Alabaster, who are forced by the ruling class to marry and undertake a dangerous mission together. Jemisin’s story is a riveting exploration of environmental ethics, transhumanism, and the concept of the Anthropocene. She challenges her characters and readers to consider their responsibility for the earth and the other organisms that share it. She also depicts the role that social oppression plays in the exploitation and destruction of the environment.