100 books like The Hobbit

Much SF&F literature has explored the concept of what the world might look like with fewer (or no) humans.

Weisman’s well-researched book imagines how our environment would recover; how nature might take back control without humans around to continue wrecking it.

He imagines the primacy of nature in a fascinating way and manages to avoid the normative language that might be off-putting, drawing the reader into a place that might as well be 1000 light years away from Earth.

Journeys are most often linear – Here to There – or circular – "There and Back Again." The Odyssey is actually a return leg in the most traumatic and perennial circular journey: going to war, and then, getting back. "Wily" (in modern terms, read, "sneaky," "trickster")  Odysseus left Troy a famous warrior, but takes seven years to get home. The fabulous episodes of that journey, the Cyclops, the Sirens, Scylla and Charybdis, Circe, and Calypso, the wreck in Phaeacia that leaves him bereft even of clothes, have grounded the Western imagination. But the concluding little things – the recognition scenes, the dog that dies, and the nurse who doesn't – push that epic past into a close, human Now.

Kate Atkinson is one of my favourite authors, with a voice that really resonates with me.

This is a ‘what if’ novel that really sets you thinking. It’s witty and stylish, and yet it also tugs at your heartstrings. A roller-coaster ride that had me on the edge of my seat.

Maybe this is cheating, but it’s still a book set during a war, albeit a fantastical one.

But come on: Arthur, Guinevere, Lancelot, Merlin, Nimue, Pellinore, Gawain, Mordred, the Round Table–I may never have read a more powerful scene (or seen such, in the play) as when Arthur cheers for Lancelot to ride and save Guinevere from a fire which Arthur himself set!

Moving, with great, classic prose typical of the time and White’s contemporaries C.S. Lewis and Tolkien. 

This will be one of my more controversial picks – there are plenty of people who disagree with Campbell as a folklorist, a mythographer, and with his depiction of the Hero’s Journey. But, what is important about Campbell is his exploration of why the elements that appear in stories have the impact they do on our psyche, and how they fit together. One may not agree with all of Campbell’s conclusions, but I don’t think there’s a writer out there who won’t benefit from his exploration of the subject. I know I did.

J.R.R. Tolkien's masterful storytelling is unmatched, and The Lord of the Rings weaves together moral dilemmas and profound philosophical ideas seamlessly, encouraging me to contemplate the nature of power, the importance of preserving the natural world, and the significance of individual choices.

The book's themes of heroism, friendship, sacrifice, and the struggle between good and evil resonate deeply. In addition, each of his characters feels like an aspect of oneself; the introspection it inspires is brilliant!

The Lord of the Rings instills a sense of wonder, ignites the imagination, and imparts timeless wisdom, which heavily transformed my perspective on life, my values, and my understanding of the human condition.

This is a multiplayer chess game, each side with their own agenda. Some play for love, others for revenge, others just to survive. 

It’s a treat to cheer for one side, only to find out we chose wrong. No side is pure good, and no side is pure evil. They’re all just people, and it’s impossible to cheer for only one person when in each chapter, someone else does something amazing or terrible.

The best part about this book is the wisdom. Every character clings to their own principles, and the author chooses the best words to describe these principles. Like, a dwarf who’s principle is “Never forget what you are. Wear it like armor and it can never be used to hurt you.” 

Words to live by.

This book presents perhaps the most prescient and today-relevant sci-fi premise ever: how could technology evolve without thinking machines?

After reading this book, I finally understood that my thinking does not have to be constrained by the "scientific consensus" of the day. The book presents a future so radically different from what most futurists are envisioning that it not only freed my thinking about science and futurism...it freed my mind of all constraints.

Even further, it beckoned me to explore the limits of my own human potential.

Markus Zusak’s book is definitely not for the faint of heart or those easily bored: its narrator is Death, and the book is over 500 pages long. Not really the kind of book you’d think of for those aged 12 and up (as it’s listed). But it is one that really ought to be universally read.

The book follows two young children battling for survival in Nazi Germany. Entropy hangs in the air like Death’s shadow. Life’s harsh realities—like evil, heartache, pain, and mortality—are ever-present. In Max's (the young boy) dreams, he is boxing with Hitler and lands a punch, knocking the Fuhrer down, but soon he’s overtaken by the crowd.

This is one of the reasons I appreciate this book: winners sometimes lose; bad things happen to good people. And yet, the response to this existential injustice isn’t to become a mere survivor, victim, or martyr. It’s to… show more.

This Hugo Award-winning novel has one of the most original stories I’ve read that revolves around a remarkable mother, Essun.

While Essun pretends to be ordinary, she is an orogene, a race of humans with the ability to significantly alter her environment. As a result, the orogenes are wretched exiles, feared by society and trapped in a governing system that seeks to control them.

I was immediately taken with Essun’s emotional journey as the story opens with the loss of her child. She wants to live a quiet life with her family but is pursued by officials who cannot allow her to go free.

The story really tapped into the most primal aspects of motherhood. Ultimately, it’s motherhood that strengthens Essun’s power as she unleashes it with devastating effectiveness.