Here are 100 books that The World Without Us fans have personally recommended if you like
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I am a Geography professor at DePaul University with a long-standing obsession with the world, comparing puddle shapes to countries as a small child and subsequently initiating map and flag collections that I cultivate to this day. Having lived in different parts of the UK and the USA, as well as being fortunate enough to travel further afield, I’ve relished the opportunity to explore widely and chat with the people who know their places best. I love books that alter how I look at the planet, and I am particularly intrigued by the subtle ways in which people have shaped our world—and our perceptions of it—both intentionally and inadvertently.
Even prior to reading this book, I casually considered Alexander von Humboldt to be one of my geographical heroes, a workaholic as addicted to adventure as he was obsessed with advancing our understanding of the planet.
However, Wulf’s book opened my eyes not only to the sheer extent of his contributions to how we view the world, from human-induced climate change to the development of increasingly accurate and informative maps and diagrams but also to his cultural and political significance, influencing politicians and inspiring poets to continue fashioning and representing the planet as they see fit.
In placing the founder of ecology and modern environmentalism centre-stage, this engaging biography extols Humboldt’s revolutionary understanding of how the natural and human worlds are interconnected and helps us appreciate how our relationship with the planet can be scientific and emotional simultaneously.
WINNER OF THE ROYAL SOCIETY SCIENCE BOOK PRIZE 2016
'A thrilling adventure story' Bill Bryson
'Dazzling' Literary Review
'Brilliant' Sunday Express
'Extraordinary and gripping' New Scientist
'A superb biography' The Economist
'An exhilarating armchair voyage' GILES MILTON, Mail on Sunday
Alexander von Humboldt (1769-1859) is the great lost scientist - more things are named after him than anyone else. There are towns, rivers, mountain ranges, the ocean current that runs along the South American coast, there's a penguin, a giant squid - even the Mare Humboldtianum on the moon.
I’m drawn to the idea of doing what you think is right when others are against you because I’ve always felt the desire to row against the current and just do my own thing. I tend to avoid following the crowd because oftentimes I simply don’t agree with them. Am I being purposely difficult? Maybe. But I fear a society that goes with the flow simply because it’s easier and it doesn’t require them to think for themselves. It’s okay to listen to other people, but before you make any major decisions, ask yourself a question: Is this right for me?
Here’s my confession: I hated Chris McCandless by the time I finished this book. I hated his cockiness and lack of respect for the power of the wilderness.
But you know what I give him credit for? His ability to leave his life of privilege and the courage to go out into the world and forge his own destiny. He did what he thought was best for him despite the pushback he received from his friends and family.
I think I hated him so much because I wanted him to succeed, and he doomed himself through his own hubris.
Krakauer’s page-turning bestseller explores a famed missing person mystery while unraveling the larger riddles it holds: the profound pull of the American wilderness on our imagination; the allure of high-risk activities to young men of a certain cast of mind; the complex, charged bond between fathers and sons.
"Terrifying... Eloquent... A heart-rending drama of human yearning." —New York Times
In April 1992 a young man from a well-to-do family hitchhiked to Alaska and walked alone into the wilderness north of Mt. McKinley. He had given $25,000 in savings to charity, abandoned his car and most of his possessions, burned all…
Chris Fitch is a writer, geographer, and storyteller. Formerly a senior staff writer at Geographical, the magazine of the Royal Geographical Society, he has reported from Australia to Kenya, Arizona to the Galápagos Islands, covering global stories on climate change, ecological urbanism, wildlife conservation, cultural revitalisation, sustainable development, geopolitics, science, travel, and more.
A profoundly depressing but important explanation of the paradox that the more power humans gain over the Earth, the more the planet we call home will turn against us, a fundamental shift in humanity's relationship with nature, and making our existence ever more precarious.
Humans have become so powerful that we have disrupted the functioning of the Earth System as a whole, bringing on a new geological epoch the Anthropocene one in which the serene and clement conditions that allowed civilisation to flourish are disappearing and we quail before 'the wakened giant'. The emergence of a conscious creature capable of using technology to bring about a rupture in the Earth's geochronology is an event of monumental significance, on a par with the arrival of civilisation itself. What does it mean to have arrived at this point, where human history and Earth history collide? Some…
I have loved insects and other wildlife for all of my life. I am now a professor of Biology at the University of Sussex, UK, specializing in bee ecology. I have published more than 400 scientific articles on the ecology and conservation of bumblebees and other insects, plus seven books, including the Sunday Times bestsellers A Sting in the Tale (2013), The Garden Jungle (2019), and Silent Earth (2021). They’ve been translated into 20 languages and sold over half a million copies. I also founded the Bumblebee Conservation Trust in 2006, a charity that has grown to 12,000 members.
EO Wilson died just a few weeks ago, at the age of 92. It was a sad day for me, as he has always been one of my great heroes. “E.O.” was a fantastic scientist, a world authority on ants, and sometimes known as the “father of biodiversity”. In this book, he argues that we have no right to drive millions of species extinct and that our own future depends upon setting aside half the Earth for nature.
History is not a prerogative of the human species, Edward O. Wilson declares in Half-Earth. Demonstrating that we blindly ignore the histories of millions of other species, Wilson warns us that a point of no return is imminent. Refusing to believe that our extinction is predetermined, Wilson has written Half-Earth as a cri de coeur, proposing that the only solution to our impending "Sixth Extinction" is to increase the area of natural reserves to half the surface of the earth. Half-Earth is a resounding conclusion to the best-selling trilogy begun by the "splendid" (Financial Times) The Social Conquest of Earth…
Even though I’m from humid DC, I’ve been drawn to the desert since I first set foot there as a kid on a family road trip. Now, I’m lucky enough to live in Utah, home to some of the world’s most legendary desert landscapes. One reason I love the desert is the otherworldly scenery: uncanny arches, bizarre hoodoos, and sand dunes you could disappear into. Before your eyes, layers of geologic time unfold in epochs. The desert is a great place for contemplating the past and future—and for great adventures, with endless sandstone walls to climb, slick rock to bike, and sagebrush-lined trails to hike.
This novel considers what will happen when the Southwest runs out of water, a very real possibility, especially with climate change, and something I care about as a Utah resident.
It pulls you into the action right away and keeps you on your toes until the very end, weaving together the narratives of a few different characters, including a journalist, a refugee from Texas, and a henchman (aka “the water knife”) who’s paid to destroy rival water supplies.
An alum of Oberlin College (like me!), Paolo Bacigalupi is a master of telling engaging stories about possible futures defined by climate change. I highly recommend this thoughtful novel and his other books!
From the international bestselling author of the Hugo and Nebula award-winning The Windup Girl, comes an electrifying thriller set in a world on the edge of collapse.
WATER IS POWER
The American Southwest has been decimated by drought, Nevada and Arizona skirmish over dwindling shares of the Colorado River, while California watches.
When rumors of a game-changing water source surface in Phoenix, Las Vegas water knife Angel Velasquez is sent to investigate.
With a wallet full of identities and a tricked-out Tesla, Angel arrows south, hunting for answers that seem to evaporate as the heat index soars and the landscape…
I have an idea. A conviction, let's call it, that humanity is not doomed. The Mad Max scenario where civilization collapses, thrusting us into an anarchic hellscape in which the living envy the dead, is totally unrealistic and not likely to happen. So let's imagine a post-apocalyptic scenario in which people come together to help each other, to save what knowledge they can, to build something new and useful. To learn the lessons from the destruction that came before. This is what I tried to imagine in my novel Bannerless, and this is why this topic interests me so much.
So, this is a novel about a world in which a global pandemic means that large gatherings are illegal and everyone has adapted to life at home in isolation. It was published in 2019, and I read it summer of 2020. I'm not sure I've ever read anything that was this spookily, horrifyingly prophetic. That said, it's also really punk and ultimately uplifting. One of the characters is the lead singer of the band who it turns out inadvertently gave the last public concert ever, and she's trying to revive live music with underground concerts. Another character is the virtual talent scout who joins her cause. The story is about how you peel yourself out of trauma and disaster to find community again. Be warned, at this historical moment this one's a bit of a kick in the teeth.
'In A Song for a New Day, liberty and creative endeavour are compromised by political and socioeconomic reality. Pinsker presents a frighteningly real near-future US [and] movingly charts Rosemary's coming-of-age story as her world and Luce's collide' Guardian
BEFORE Luce is on the road. Success is finally within grasp: her songs are getting airtime; the venues she's playing are getting larger. But mass shootings, bombings and now a strange contagion are closing America down around her...
AFTER Rosemary is too young to remember the Before. She's grown up in a world where proximity to others is not only unusual, it…
I have an idea. A conviction, let's call it, that humanity is not doomed. The Mad Max scenario where civilization collapses, thrusting us into an anarchic hellscape in which the living envy the dead, is totally unrealistic and not likely to happen. So let's imagine a post-apocalyptic scenario in which people come together to help each other, to save what knowledge they can, to build something new and useful. To learn the lessons from the destruction that came before. This is what I tried to imagine in my novel Bannerless, and this is why this topic interests me so much.
When you study the long arc of history you begin to suspect that apocalypses aren't just inevitable, they're common. And so is survival, which is a really heartening thought. Human beings are crazily adaptable, and our ability to come together in communities (ideally, when we're at our best, which granted isn't always and is hard to see sometimes) will aid our survival. Annalee Newitz tells us how this is has happened before, and how it can happen again.
A Los Angeles Times Book Prize Finalist in Science & Technology
In its 4.5 billion-year history, life on Earth has been almost erased at least half a dozen times: shattered by asteroid impacts, entombed in ice, smothered by methane, and torn apart by unfathomably powerful megavolcanoes. And we know that another global disaster is eventually headed our way. Can we survive it? How? In this brilliantly speculative work of popular science, Annalee Newitz, editor of io9.com, explains that although global disaster is all but inevitable, our chances of long-term species survival are better than ever. Scatter, Adapt, and Remember explores…
I was a child of the Cold War. When the 20th Century ended, many of my peers and I thought we’d put the specter of annihilation behind us. As much as I’ve always been a fan of all things post-apocalyptic, I must acknowledge that we now face new threats that are just as much of our own making as the nuclear nightmare was. When I think about the future, I don’t see or foresee a dark and dismal end. I envision a bright future that will be a lot harder to achieve than we ever thought. I look forward to creating heroes and heroines who can make that future possible.
As dark and depressing as this Cold War cautionary tale is, the author’s use of creeping ecological doom in the aftermath of a world-shattering war was profound to me. The story is told from several points of view by characters who have different motivations. I found their choices to be just as understandable as they were heartbreaking. This isn’t a “happily ever after” story. Even so, I found myself appreciating the whole story, from start to end.
Pearson English Readers bring language learning to life through the joy of reading.
Well-written stories entertain us, make us think, and keep our interest page after page. Pearson English Readers offer teenage and adult learners a huge range of titles, all featuring carefully graded language to make them accessible to learners of all abilities.
Through the imagination of some of the world's greatest authors, the English language comes to life in pages of our Readers. Students have the pleasure and satisfaction of reading these stories in English, and at the same time develop a broader vocabulary, greater comprehension and reading…
I struggled a lot with reading as a kid, I would not call myself a natural reader at all. When I was young, fantasy and magic stories were one of the few genres that could grip me enough to make me actually focus and attempt to read but I always hated the ones that took themselves too seriously (they always felt impossibly long to get through). Now, as a children’s author, myself, it’s my hope and passion to serve fellow young-readers-who-don’t-consider-themselves-readers with fun accessible stories. I hope you enjoy!
Special collector's film tie-in hardback of the best-selling classic, featuring the complete story with a sumptuous cover design inspired by THE HOBBIT: AN UNEXPECTED JOURNEY and brand new reproductions of all the drawings and maps by J.R.R. Tolkien.
Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End.
But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day to whisk him away on an unexpected journey 'there and back again'. They have a plot to raid…
Why hopepunk, and why me? Look, it’s no surprise that you can look around today and find all sorts of indicators that we are entering Heinlein’s “Crazy Years.” Imagining a dystopian or grimdark future isn’t difficult; all you have to do is read the news. But I think that we are writing the history of the future right now, by the choices we make every day. Writing stories that present that optimistic view of the future is not just the right thing to do but necessary, at least to me. As Heinlein said, “A pessimist is correct oftener than an optimist, but an optimist has more fun…”
Andy Weir has. In my opinion, come to define hopepunk: pushing towards a goal through difficulties, even if the goal doesn’t personally benefit the character.
His depiction of the plight of Mark Watney, the impacts Watney’s plight have on a global scale, and the hard science behind it all combine to create a compelling story. The sacrifices his crewmates and NASA officials make to push his rescue forward exemplify the “community over self” attitude common in hopepunk.
Six days ago, astronaut Mark Watney became one of the first people to walk on Mars.
Now, he's sure he'll be the first person to die there.
After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he's alive--and even if he could get word out, his supplies would be gone long before a rescue could arrive.
Chances are, though, he won't have time to starve to death. The damaged machinery, unforgiving environment, or plain-old human error are…
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