By Cathy N. Davidson and Christina Katopodis
Author
Why are we passionate about this?
We are two college-level educators, one has had a long career, one a recent PhD. We share a commitment to lifelong learning, not just in the classroom but beyond. And we love learning from one another. We wrote The New College Classroomtogether during the pandemic, meeting over Zoom twice a week, discussing books by other educators, writing and revising and rewriting every word together, finding ways to think about improving our students’ lives for a better future even as the world seemed grim. The books we cherish share those values: hope, belief in the next generation, and a deep commitment to learning even in—especiallyin—the grimmest of times.
This gorgeous book by microbiologist Dr. Beronda L. Montgomery is as beautiful to read as it is to hold—in your hands, in your heart. We can’t stop thinking about Montgomery’s key lesson: if you have a plant that is struggling, youfigure out what environmental changes it needs to thrive—more or less water or sunlight, better soil. When people fail to flourish, we’re quick to blame the individual. As an African American woman, Montgomery makes us think about society and how we approach problems (do we compete or do we build a collaborative effort for a holistic solution?). Humans have much to discover from our photosynthesizing world: how plants learn—from their own kin, their friends, and their foes—and Montgomery helps us to understand the nature (literally) of teaching and learning.
An exploration of how plant behavior and adaptation offer valuable insights for human thriving.
We know that plants are important. They maintain the atmosphere by absorbing carbon dioxide and producing oxygen. They nourish other living organisms and supply psychological benefits to humans as well, improving our moods and beautifying the landscape around us. But plants don't just passively provide. They also take action.
Beronda L. Montgomery explores the vigorous, creative lives of organisms often treated as static and predictable. In fact, plants are masters of adaptation. They "know" what and who they are, and they use this knowledge to make…
As a gardening instructor and designer, I've been recommending these five books for years. They were the core texts of the Fundamentals of Gardening course I've been teaching at the New York Botanical Garden for over a decade. Since the publication of The New Gardener’s Handbook, which covers all these topics in a more abbreviated way, I still recommend these five books to my students if they want to dig deeper. These books are what I call “keeper texts.” I own fewer and fewer actual gardening books these days, but it's a fact that a copy of each of these excellent resources resides on my office bookshelf where I refer to them frequently.
I’ve been recommending Brian Capon’s Botany for Gardenersto my gardening students for years. Unlike your typical botany textbook, it’s written expressly for gardeners, which means it presents all you need to know about botany if you are a gardener, not a scientist or a botany student. The presentation is clear, concise, and conversational, so it feels like learning about botany from a friend…a really smart friend! This book will either take you as far as you need to go in botany, or it will open you up to the world of botany and inspire you to learn more.
For two decades readers around the world have been fascinated by Brian Capon's crystal-clear descriptions of how plants work. What happens inside a seed after it is planted? How do plants use each other - and animals - to survive? How do they reproduce, and how do they transform nutrients into growth? "Botany for Gardeners" is the most complete, compact, and accessible introduction to the world of botany available. The new edition has been expanded with dazzling scanning electron microscope photographs and even more amazing facts about plants. Especially timely are new essays on food plants: what makes plants edible,…
I've been fascinated by psychedelics since I was a teenager, and along with my book I’ve written a number of academic papers and book chapters on the subject. It intrigues me how subtle changes in the brain’s chemistry leads to such profound changes in perception, cognition, and feeling, including religious feeling. I want to know what those experiences mean, and what they can tell us about the world. For if all they are is some derangement of the senses, why is it that so many writers, thinkers, philosophers and artists return to the experience, again and again? There is a riddle here, a mystery, and I love that I’m able to devote my research time to trying to answer it.
I suspect that many of us now know someone who’s been to the Amazon to take the psychedelic beverage, ayahuasca, returning with wide eyes and tales of profound healing. Here, anthropologist Stephan Beyer cuts through the romanticisation to present an accurate and engaging picture of ayahuasca shamanism in the Upper Amazon. He asks difficult questions, such as how well shamans actually cure sickness and why so many shamans engage in sorcery, but his inquiry is never less than sympathetic. That he peppers the book with his own psychedelic, ayahuasca visions, makes this one of the most accessible and engaging books on the subject.
In the Upper Amazon, mestizos are the Spanish-speaking descendants of Hispanic colonizers and the indigenous peoples of the jungle. Some mestizos have migrated to Amazon towns and cities, such as Iquitos and Pucallpa; most remain in small villages. They have retained features of a folk Catholicism and traditional Hispanic medicine, and have incorporated much of the religious tradition of the Amazon, especially its healing, sorcery, shamanism, and the use of potent plant hallucinogens, including ayahuasca. The result is a uniquely eclectic shamanist culture that continues to fascinate outsiders with its brilliant visionary art. Ayahuasca shamanism is now part of global…
I am a somewhat eclectic personality, who has studied both arts (fashion, illustration) and sciences (geology, chemistry) alike. I hope that in the book choices I have made - using my love of words, appreciation of fine books, and natural discernment - the reader will find a degree of excellence; as well as surprise and delight, at the discovery of titles they may not even have thought of!
I had the great pleasure of meeting Michael Hickey at one of the RHS shows in London, at which I was exhibiting some of my botanical art; a thoroughly nice man, who sadly died soon after. I also met the personable and talented Coral Guest, the creator of the most exquisite botanical paintings, at the same show!
This is an excellent introduction to plant families for the beginner in botanical painting, focusing on 25 core plant families. It leaves out some of the technical botanical detail which would probably be included on an undergraduate botany course, but which would be confusing for the botanical painter who simply wanted to illustrate. It is clearly laid out, written, and illustrated; a must for plant artists, would-be botanists, and even medical herbalists - everywhere!
Provides a basic introduction to twenty five commonly occurring families of flowering plants, chosen for their economic, ornamental and ecological importance. It is designed to enable students of botany and related disciplines to gain some knowledge of the general characteristics of each family and also the relationships between them. An introductory section provides basic botanical information which is often assumed to be known and which is essential for a proper consideration of the families themselves. These are described in the second section of the book. For each family, information on its distribution, classification, general features and economic importance precedes a…
I did a master's in Environmental Policy, and at the end of that year, I thought, "this is all very well, but there’s no point designing these policies if no one wants them." My response to the environmental crisis is to try to open people’s eyes to the beauty and wonder of Nature. If you pay close attention, you start to develop an expansive sense of the ordinary: Creation is stranger, more mysterious, and more wonderful than we can imagine. This in turn helps us to love the world more deeply, and we tend to look after things that we love.
This was the book that made me look again at trees, seeing them for the incredible organisms that they are. Deakin goes on an amazing adventure from Suffolk to Kazakhstan, Australia, and beyond, trying to get to the heart of why wood and trees have such profound meaning for us. If you like Wildwood, you could also try Waterlog, in which he wild-swims his way through the British Isles. He’s the perfect companion for the armchair adventurer, and a very genial writer.
Here, published for the first time in the United States, is the last book by Roger Deakin, famed British nature writer and icon of the environmentalist movement. In Deakin's glorious meditation on wood, the "fifth element" -- as it exists in nature, in our culture, and in our souls -- the reader accompanies Deakin through the woods of Britain, Europe, Kazakhstan, and Australia in search of what lies behind man's profound and enduring connection with trees.
Deakin lives in forest shacks, goes "coppicing" in Suffolk, swims beneath the walnut trees of the Haut-Languedoc, and hunts bushplums with Aboriginal women in…
I’ve been fascinated by horror since childhood–when Scooby-Doo: Where Are You! and Doctor Who were my favorite TV shows. I specifically remember watching the Doctor Who serial, The Seeds of Doom, and the 1962 film Day of the Triffids–both about killer plants! As I finished graduate school and then took jobs in higher education, I gravitated back to horror and the gothic, which I am now fortunate enough to teach and research. I’ve written academically about all kinds of horror (most recently folk horror)–and in 2015, myself and two others founded a website, Horror Homeroom, where I write about horror for more popular audiences.
Marder’s book is a brilliant exploration of plants in a philosophical (not a botanical) sense. It’s one of the most eye-opening (and accessible) philosophy books I’ve ever read, illuminating a swathe of life on Earth I honestly had never thought much about before.
Marder writes clearly and cogently about how we’ve thought about plants and how we’ve been wrong: we’ve been blind to plants; we’ve shaped them as our absolute opposite; we’ve treated them only instrumentally, exploiting them for what they can do for us. And then he makes a real effort to think through what plants are–what vegetal being actually is. One of the most mind-blowing things, he argues, in my view, is that we are much closer to plants than we think–we have our own buried “vegetal being.”
Marder’s elaboration of plant life–and how we’ve misunderstood and abused it–is literally the theoretical scaffold of all fiction and film…
The margins of philosophy are populated by non-human, non-animal living beings, including plants. While contemporary philosophers tend to refrain from raising ontological and ethical concerns with vegetal life, Michael Marder puts this life at the forefront of the current deconstruction of metaphysics. He identifies the existential features of plant behavior and the vegetal heritage of human thought so as to affirm the potential of vegetation to resist the logic of totalization and to exceed the narrow confines of instrumentality. Reconstructing the life of plants "after metaphysics," Marder focuses on their unique temporality, freedom, and material knowledge or wisdom. In his…
I am an award-winning producer, author, and member of the Producers Guild of America. One of my fondest memories as a child is coming home from a weekend at my oma’s house to find that my mother had redecorated my room. The bedspread was pink, red, and white and so were the curtains but the main event was the fluffy white pouf of a rug on the floor. Home is a place that has always been important to me, which is why these books have found their way into my library.
I used to fancy myself as having a green thumb, until I planted my first outdoor garden.
These days I’m back inside with Hilton Carter’s Living Wild. Based in Baltimore, Carter is a director, editor, and fine artist with an encyclopedic knowledge about plants and how to style them. He’s also the dad to 250 plants including a fiddle-leaf named Frank.
In this, his fourth book, Living Wild, he talks about everything that is needed to design a “living home” and walks the reader through rooms he’s styled and his process. Check out his Instagram for a Living Wild playlist.
In Living Wild, bestselling plant stylist, author, designer and family man Hilton Carter explores multiple ways to style your home with plants - and cultivate happiness along the way.
The therapeutic benefits of living with and tending plants are well known - they offer a connection to the natural world that nurtures our mental and physical health. In this, his latest book, Hilton shows how to create a lush, stylish space with flourishing plants that bring life to your home and promote a happy and contented mindset. He discusses interior design choices - choosing the right colour scheme, textures and…
Starting with Tolkien’s novels as a child, I’ve devoured countless SF&F stories. My love of the genre, particularly high fantasy, combined with the irritatingly fashionable trend of so many fantasy authors to stop writing their stories partway through and leave we readers high and dry, motivated me to start writing, to see if I could create something that I was missing as I hunted for new material to read. As an intense hater of winter, spring always signified to me a time of hope, of new growth, of opportunity, of the ending of difficulty, and the start of a time when all things were possible.
Much SF&F literature has explored the concept of what the world might look like with fewer (or no) humans.
Weisman’s well-researched book imagines how our environment would recover; how nature might take back control without humans around to continue wrecking it.
He imagines the primacy of nature in a fascinating way and manages to avoid the normative language that might be off-putting, drawing the reader into a place that might as well be 1000 light years away from Earth.
Revised Edition with New Afterword from the Author
Time #1 Nonfiction Book of the Year
Finalist for the National Book Critics Circle Award
Over 3 million copies sold in 35 Languages
"On the day after humans disappear, nature takes over and immediately begins cleaning house - or houses, that is. Cleans them right off the face of the earth. They all go."
What if mankind disappeared right now, forever... what would happen to the Earth in a week, a year, a millennium? Could the planet's climate ever recover from human activity? How would nature destroy our huge cities and our…
Trees have been important to me throughout my life. I was lucky to grow up surrounded by ancient woodland in the English countryside. When most of that woodland was felled in the 1970s it made me think deeply about the importance of plants to people. I was privileged later, to spend time with indigenous peoples in Latin America learning about what trees and plants mean to them. I now write about how plants are perceived and used. After several children's books I wrote Plants For People which describes the plants we use in our daily lives and Ancient Trees which celebrates tree species that live for over a thousand years.
I like this book because, while drawing on a number of other sources on this theme, it introduces us, in relatively few words per chapter,to the importance of a range of tree species to people, in a great variety of ways.
Selecting 80 species - from England’s ‘London Plane’ to the ‘Sugar Maple’ of Canada - the book takes us on a journey around the world, by geographical region, summarizing key botanical information about each one and giving us examples of its significance or uses, past and/or present, often surprising or little known.
Each chapter has been beautifully illustrated by Lucille Clerk.
"Beautiful to behold and to read" - THE SUNDAY TIMES
"An arboreal odyssey" - NATURE
"One of the most quietly beautiful books of the year" - DAILY MAIL
"Jonathan Drori's deep-seated love of nature is contagious in this tree-by-tree journey across countries and continents. A book to take your time over" - WIRED
Jonathan Drori's number one bestseller, now available in paperback!
Bestselling author and environmentalist Jonathan Drori follows in the footsteps of Phileas Fogg as he tells the stories of 80 magnificent trees from all over the globe.
In Around the World in 80 Trees, Jonathan Drori uses plant…
Although I am no gardening expert, I’ve always been intrigued by seeds. It amazes me that such tiny things hold so much: colour, scent, flavour, food, and the community that grows in the tending and sharing of it. Every winter since I published What Grew in Larry’s Garden,the real Larry sends me an envelope filled with tomato seeds and reminds me to give some to my neighbours. It makes me smile to think that my story has become its own kind of seed, growing friendship, and connecting people. I hope the book does that for you too.
Out for a walk one day in his dreary urban neighbourhood, Liam stumbles upon a patch of dying plants growing around an abandoned railway track. Although he knows nothing about growing things, he can see the plants need a gardener, so he decides to help them.
The story of what happens to the garden is charming, but what makes this book a favourite of mine is Liam—a little master of equanimity and confidence. Instead of feeling insecure about his lack of gardening experience and knowledge, he sees a need and gets to work. Rather than fretting about his failed attempts, he keeps trying and finds better ways. Liam embodies the power of starting small and caring for one thing at a time.
This gorgeously illustrated picture book opens to a detailed spread of a gray city. If you look closely, you can spot the tiny figure of a red-headed boy, Liam, walking down the street. THE CURIOUS GARDEN tells the story of how this young boy discovers a door that leads up to abandoned railroad tracks where he finds a forgotten garden. He cares for the plants and helps them flourish, and they gradually spread throughout the city, transforming it, bit by bit, into a lush, green world.
With spare text and breathtaking illustrations, and a classic feel reminiscent of THE LITTLE…
