I’ve always been fascinated by nature, even from a young age. My parents would set up easels for my sister and me to paint outdoors, and I haven’t stopped drawing since. I tend to focus on flora and fauna, making illustrations with subdued colors and intricate details. I love to create illustrations for books, and occasionally, I’ll write them, too. Often reflective of history, mythology, and folklore, my work captures an old-world feeling and a love of nature. In my spare time, you can find me in my garden or out walking my dog, Molly.
So many books with beautifully illustrated florals are aimed at children, but the magic of flora is not just for kids. A wonderful example of this is The Illustrated Herbiary, which focuses on 36 botanicals like rosemary (for remembrance, just like in my book), apple, and clover. Filled with rituals and reflections for each herb, Kate O’Hara’s beautiful and detailed illustrations bring Maia Toll’s words to life.
Rosemary is for remembrance; sage is for wisdom. The symbolism of plants - whether in the ancient Greek doctrine of signatures or the Victorian secret language of flowers - has fascinated us for centuries. Contemporary herbalist Maia Toll adds her distinctive spin to this tradition with profiles of the mysterious personalities of 36 herbs, fruits, and flowers. Combining a passion for plants with imagery reminiscent of tarot, enticing text offers reflections and rituals to tap into each plant's power for healing, self-reflection, and everyday guidance. Smaller versions of the illustrations are featured on 36 cards to help guide your thoughts…
Ever since my childhood on a farm poetry has helped me pay attention to the world around me. Like a naturalist’s field guide, nature poems name, depict, and explore what might otherwise pass unnoticed. Now in the midst of environmental crisis I believe poets have a role alongside ecologists, farmers, and foresters to protect and restore our threatened habitats and species. Writing nature poetry helps me face and express loss while celebrating what still survives. I value poetry that connects us to what we love and gives us courage to imagine different ways of living.
What’s distinctive about this gorgeous poetry anthology is not only that each poem has a specific tree or flower as its subject but that they are grouped according to plant family.
The editor Sarah Maguire was a gardener as well as a poet and translator. In what was clearly a labour of love she brought together poems from all over the world, spanning eight centuries of writing. Her fascinating introduction considers many aspects of nature poetry, including gender and colonialism.
As a gardener and poet I have loved finding poems by Medbh McGuckian, Emily Dickinson and D.H. Lawrence grouped together in the Gentian family or poems by Louise Glück, Seamus Heaney, Lorna Goodison, Robert Herrick, Marianne Moore, and Richard Wilbur thriving next to each other in the Mint family.
This new anthology is as entrancing as the lost gardens of Heligan - I cannot imagine an anthology anyone would enjoy more.' Ruth Padel, The IndependentThis beautifully compiled and designed anthology brings together over 250 poems about flowers, plants and trees from eight centuries of writing in English. Fourteenth-century lyrics sit next to poems of the twenty-first century; celebrations of plants native to the English soil share the volume with more exotic plant poetry from further afield, creating a cornucopia of intriguing juxtapositions. There are thirty poems about roses, by poets as diverse as Shakespeare, Dorothy Parker and the South…
"teeming with fascinating and enlightening insights" Observer
A narrative investigation into the new science of plant intelligence and sentience, from National Association of Science Writers Award winner and Livingston Award finalist Zoe Schlanger.
Look at the green organism across the room or through the window: the potted plant, or the grass or a tree. Think how a life spent constantly growing yet rooted in a single spot comes with tremendous challenges. To meet them, plants have come up with some of the most creative methods for surviving of any living thing - us included. Many are so ingenious that they…
I have studied the intersection of human and natural history as an enthusiast, newspaper columnist, teacher, museum curator, and author. I strongly believe in the value of local knowledge, which has led me to work with and learn from several Plateau tribal communities. I use primary documents, including field journals, maps, artwork, oral histories, and the landscape itself as my building blocks. If I can arrive at a confluence of rivers on the same day of the year as some early white visitors and search for the living things that they wrote about during their stay, then I have something that I can compare directly with tribal oral histories.
When I became interested in the relationship between Plateau tribal peoples and their cultural plants, everyone I spoke with directed me to a series of remarkable papers by British Columbia ethnobotanist Nancy Turner. One look at the photographs of elders who grace the introduction to each volume reinforces their individual knowledge and respect for the place where they have lived for untold generations. Turner’s work in southeastern B.C. eastern Washington, north Idaho, and western Montana have been distilled here into a handy field guide filled with both beautiful photographs and timeless information.
Nancy Turner describes more than 150 plants traditionally harvested and eaten by First Peoples east of the Coast Mountains in British Columbia and northern Washington. Each description includes information on where to find the plant and a discussion on traditional methods of harvesting and preparation.
If I'm honest, I became a gardener because I like getting dirty. Beatrix Potter's The Tale of Tom Kitten is the story of my childhood (and my adulthood too, only now I don't have to pretend I'm going to stay clean). Of course, high-quality soil leads to high-quality produce, and I deeply adore the flavors of strawberries growing in deep, dark soil. Biting into a juicy, homegrown tomato still warm from the summer sun is bliss.
If you only grow from the last frost to the first frost, your gardening season is extremely short. But a few simple season-extension techniques can mean you harvest fresh food nearly every day of the year. I've used Eliot Coleman's crop suggestions and his quick hoops and can say from experience that they make all the difference during the cold season.
"Brimming with ingenuity, hope, and eminently practical advice, The Winter Harvest Handbook is an indispensable contribution."-Michael Pollan
"Useful, practical, sensible, and enlightening information for the home gardener."-Martha Stewart
With The Winter Harvest Handbook, everyone can have access to organic farming pioneer Elliot Coleman's hard-won experience. Gardeners and farmers can use the innovative, highly successful methods Coleman describes in this comprehensive handbook to raise crops throughout the coldest of winters.
Building on the techniques that hundreds of thousands of farmers and gardeners adopted from Coleman's The New Organic Grower and Four-Season Harvest, this book focuses on growing produce of unparalleled freshness…
As the author of the Dr. Josephine Plantae Paradoxes, a historical mystery series based on my grandmother, an early trailblazing woman doctor, I stay true to the facts. I remember entering her apothecary filled with strange bottles of little homeopathic white pills, giant stills, and finding poisonous plants in her atrium. In my novels, Dr. Josephine Reva fights for woman’s equality and practices a mix of botanical and modern medicine, and moonlights as a sleuth to solve paradoxical ‘poison cure’ crimes. An award-winning journalist, author, and former professor with an MS from Columbia University, I studied botany. I currently live between France and New England with my family, furry friends, and lots of plants.
This is an illustrated novel that originated with an actual poison garden created by the Duchess of Northumberland at her estate in northern England.
This garden at Alnwick Castle is full of poisonous plants and served as the setting for scenes in several Harry Potter movies.
The Poison Diaries unfolds like a fable, about a teenage girl, Jessamine, daughter of a poison plant botanist, who must tend to the poison plants by herself. That is, until a boy named Weed appears.
The novel vividly describes the germination of Atropa Belladonna, with its deadly black berries. This beautifully illustrated book about a poison plant gardener is truly enchanting.
Jessamine has spent her whole life in a cottage close to her father's apothecary garden, surrounded by medicinal plants and herbs that could kill her - although her father has never allowed her into the most dangerous part of the grounds... the poison garden. And so she's never had reason to be afraid - until now. Because now a newcomer has come to live with the family, a quiet but strangely attractive orphan boy named Weed.
Robert M. Hazen, Senior Staff Scientist at the Carnegie Institution of Washington’s Earth and Planets Laboratory and the Clarence Robinson Professor of Earth Science at George Mason University, received the B.S. and S.M. in geology at the Massachusetts Institute of Technology and the Ph.D. at Harvard University in Earth science. His most recent book is The Story of Earth: The First 4.5 Billion Years from Stardust to Living Planet, which explores the intricate coevolution of the geosphere and biosphere.
All of us have a vision of what it means to be a vibrant, blue, and green “Earth-like planet,” but our home has fit that familiar description for only the past 400 million years or so—a mere 8 percent of its changeable history. Beerling’s revealing Emerald Planet tells the surprising tale of the rise of the terrestrial biosphere, as plants ever so gradually established their foothold on dry land and became a major geological force. Who would have thought that roots and leaves hold such drama, but our existence and survival are intimately tied to those transformative innovations.
Plants have profoundly moulded the Earth's climate and the evolutionary trajectory of life. Far from being 'silent witnesses to the passage of time', plants are dynamic components of our world, shaping the environment throughout history as much as that environment has shaped them.
In The Emerald Planet, David Beerling puts plants centre stage, revealing the crucial role they have played in driving global changes in the environment, in recording hidden facets of Earth's history, and in helping us to predict its future. His account draws together evidence from fossil plants, from experiments with their living counterparts, and from computer models…
It started when my friend gave me several pumpkin seeds he acquired from a giant pumpkin grower. He said it came from a large pumpkin, and growing one in my backyard would be fun. As a gardener, I thought this sounded entertaining. I planted the seeds in little pots and moved one of them to my garden during the spring. Soon, the plant began to grow astoundingly, taking over the entire garden area. Then, pumpkins started growing. I culled all but one pumpkin, and I witnessed a little pumpkin grow to 800 pounds in three months. I was amazed and astonished, and I was forever hooked on the sport of growing Atlantic Giant Pumpkins.
This book convinced me to go fully organic in my garden.
I appreciated the review of the plant cell and basic chemistry, which helped me fully understand the complex microbial world in the soil and plants. After explaining how microbes work and the relationship between plant roots and soil, I understood the dangers of synthetic fertilizers and pesticides. This book changed the way I garden.
?"Gets deep into the weeds, so to speak, of the microscopic architecture of plants and the biochemical processes at play." -Washington Post Most gardeners realize that plants need to be fed, but many of us know little about the nature of the science involved. In Teaming with Nutrients, Jeff Lowenfels explains the basics of plant nutrition from an organic gardener's perspective. In his trademark down-to-earth, style, Lowenfels explains the role of both macronutrients and micronutrients and shows gardeners how to provide these essentials through organic, easy-to-follow techniques. Along the way, Lowenfels provides easy-to-grasp lessons in the biology, chemistry, and botany…
I love nature and feature it in many of my books, including a poetry collection about the ocean and a board book series about famous naturalists. As a gardener, I have trouble with outside plants thanks to the deer that live in the canyon out back. However, I have 50 houseplants and an herb garden in pots on the balcony. Our house is surrounded by trees, and one of my favorite places in the world is Sequoia National Park, with its green meadows and giant sequoia trees. We spent several summers there when I was a child.
This author is well known for her nonfiction picture books that clearly explain science topics, in this case, the growth of plants. Step by step, Gibbons walks young readers through pollination, the growth of seeds, and how seeds are distributed, such as by squirrels and birds. Then she goes on to talk about how plants grow. The whole process is reader-friendly, and the illustrations are clean and attractive. A great introduction for kindergarten through third graders.
Flowers, trees, fruits—plants are all around us, but where do they come from?
With simple language and bright illustrations, non-fiction master Gail Gibbons introduces young readers to the processes of pollination, seed formation, and germination. Important vocabulary is reinforced with accessible explanation and colorful, clear diagrams showing the parts of plants, the wide variety of seeds, and how they grow.
The book includes instructions for a seed-growing project, and a page of interesting facts about plants, seeds, and flowers. A nonfiction classic, and a perfect companion for early science lessons and curious young gardeners.
During two decades as a gardening columnist for the Toronto Star, I wrote about hundreds of different plants. I also penned, for various publishers, over half a dozen books with titles ranging from Incredible Edibles: 40 Fun Things to Grow in the City and The Untamed Garden: A Revealing Look at our Love Affair with Plants. And in doing so, I got hooked. Even if you aren’t interested in gardening, the botanical world is chock-a-block with terrific stories. My new novel, for instance, published in 2022, begins with an extraordinary tale about a plant called The Corpse Flower which bloomed for the first time in 70 years at Brooklyn Botanical Garden.
This book is fairly new, by an Aussie environmental historian. I got hooked from the first page because, once again, it’s well written and I learned stuff about plants that I didn’t know already. The Wardian Case was a kind of travelling greenhouse designed by an English amateur naturalist named Nathaniel Bagshaw Ward in Victorian times. His simple invention made it possible to send plants around the world on the decks of sailing ships -and resulted in the huge array of species for sale in garden centres today. Beautiful plants that we now take for granted -like roses, rhododendrons, magnolias, wisteria, countless ferns, and more—travelled thousands of miles from their countries of origin in these unpretentious but surprisingly efficient boxes. A great story, with good photos.
The story of a nineteenth-century invention (essentially a tiny greenhouse) that allowed for the first time the movement of plants around the world, feeding new agricultural industries, the commercial nursery trade, botanic and private gardens, invasive species, imperialism, and more.
Roses, jasmine, fuchsia, chrysanthemums, and rhododendrons bloom in gardens across the world, and yet many of the most common varieties have roots in Asia. How is this global flowering possible? In 1829, surgeon and amateur naturalist Nathaniel Bagshaw Ward placed soil, dried leaves, and the pupa of a sphinx moth into a sealed glass bottle, intending to observe the moth…
