Here are 100 books that The Wardian Case fans have personally recommended if you like
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During two decades as a gardening columnist for the Toronto Star, I wrote about hundreds of different plants. I also penned, for various publishers, over half a dozen books with titles ranging from Incredible Edibles: 40 Fun Things to Grow in the City and The Untamed Garden: A Revealing Look at our Love Affair with Plants. And in doing so, I got hooked. Even if you aren’t interested in gardening, the botanical world is chock-a-block with terrific stories. My new novel, for instance, published in 2022, begins with an extraordinary tale about a plant called The Corpse Flower which bloomed for the first time in 70 years at Brooklyn Botanical Garden.
A good book provides me with information, but it must also be entertaining and free of annoying jargon. This one became a bestseller after it appeared back in 1998, with good reason. In fact, I’ve read it three times (a rarity for me) and I always get a chuckle or two. Susan Orlean crafts a fascinating tale about the wonderful subculture of orchid fanciers in Florida. The writing is vivid, the characters she meets are off the wall, and I learned a lot about these weird, sometimes creepy flowers.
The story of orchid thief and obsessive, John Laroche, and the bizarre world of the orchid fanciers of Florida. The world of the orchid hunters, breeders and showmen, their rivalries, vendettas and crimes, smuggling, thefts and worse provide the backdrop to an exploration of one of the byways of human nature, the obsessive world of the collector.
During two decades as a gardening columnist for the Toronto Star, I wrote about hundreds of different plants. I also penned, for various publishers, over half a dozen books with titles ranging from Incredible Edibles: 40 Fun Things to Grow in the City and The Untamed Garden: A Revealing Look at our Love Affair with Plants. And in doing so, I got hooked. Even if you aren’t interested in gardening, the botanical world is chock-a-block with terrific stories. My new novel, for instance, published in 2022, begins with an extraordinary tale about a plant called The Corpse Flower which bloomed for the first time in 70 years at Brooklyn Botanical Garden.
A modest little paperback which is charming because Sacks writes so well about anything and everything. When he wasn’t delving into our grey matter, the famous New York neurologist (who died recently) happened to be an amateur botanist, with a particular passion for ferns. In this book, he visits the Mexican city of Oaxaca, travels the surrounding countryside with a like-minded group and records in a diary his thoughts about the plants and people he encounters. The vignettes are well told, colourful and a delight to read.
Oliver Sacks is a neurologist and also a member of the American Fern Society. This is his spellbinding account of his recent trip with a group of fellow fern enthusiasts to the beautiful, history-steeped province of Oaxaca. A captivating evocation of a place, its people, its plants and its myriad wonders.
During two decades as a gardening columnist for the Toronto Star, I wrote about hundreds of different plants. I also penned, for various publishers, over half a dozen books with titles ranging from Incredible Edibles: 40 Fun Things to Grow in the City and The Untamed Garden: A Revealing Look at our Love Affair with Plants. And in doing so, I got hooked. Even if you aren’t interested in gardening, the botanical world is chock-a-block with terrific stories. My new novel, for instance, published in 2022, begins with an extraordinary tale about a plant called The Corpse Flower which bloomed for the first time in 70 years at Brooklyn Botanical Garden.
Devout Christian Garrison Keillor jokes in the foreword to this book that reading it gave him a jolt because Musselman insists that Eve couldn’t possibly have given an apple to Adam. “Apples didn’t grow in the Middle East back then. It was more likely an apricot,” claims Musselman, a celebrated botanist based at Old Dominion University in Norfolk, Virginia. True or not, he’s assembled years of research in the Holy Land into a thought-provoking book that’s both a reference guide and very readable. With some good photographs.
This book celebrates the plants of the Old Testament, New Testament, and Quran. From acacia, the wood of the tabernacle, to wormwood, whose bitter leaves, as absinthe, flavor alcoholic drinks, 81 chapters cover the more than 100 plants in the holy texts that have true botanical counterparts. Fascinating stories of the fruits, grains, grasses, trees, flowers, and fragrances include botanical characteristics, habitat, uses, and literary context. Richly illustrated with extensive color, this delightful ecumenical botany offers the welcome tonic of a deep look into an enduring, shared natural heritage.
During two decades as a gardening columnist for the Toronto Star, I wrote about hundreds of different plants. I also penned, for various publishers, over half a dozen books with titles ranging from Incredible Edibles: 40 Fun Things to Grow in the City and The Untamed Garden: A Revealing Look at our Love Affair with Plants. And in doing so, I got hooked. Even if you aren’t interested in gardening, the botanical world is chock-a-block with terrific stories. My new novel, for instance, published in 2022, begins with an extraordinary tale about a plant called The Corpse Flower which bloomed for the first time in 70 years at Brooklyn Botanical Garden.
Another engrossing book that I’ve read several times, by a professor of English at the University of Louisville. Ridley relates the amazing true – but little known – story of Jeanne Baret, the first woman to sail around the world. She did it disguised as a man in order to accompany her lover, a botanist called Philibert Commerson on a plant collecting expedition back in the 18th century. When they got to Brazil, Baret discovered the vine bougainvillea, which the pair named after the expedition leader, Count de Bougainville (with Commerson, of course, taking all the credit) and she endured incredible hardships keeping her identity secret from the male crew during the arduous voyage. Dried specimens of her finds can still be seen today at the Jardin des Plantes in Paris.
The year was 1765. Eminent botanist Philibert Commerson had just been appointed to a grand new expedition: the first French circumnavigation of the world. As the ships’ official naturalist, Commerson would seek out resources—medicines, spices, timber, food—that could give the French an edge in the ever-accelerating race for empire.
Jeanne Baret, Commerson’s young mistress and collaborator, was desperate not to be left behind. She disguised herself as a teenage boy and signed on as his assistant. The journey made the twenty-six-year-old, known to her shipmates as “Jean” rather than “Jeanne,” the first woman to ever sail around the globe. Yet…
For fifteen years now, I have been exploring the seemingly strange connection between plants and philosophy. The unexpected twists and turns of this theme have taken me to forests and gardens, to collaborations with plant artists and plant scientists, to ancient thought and twenty-first-century experimental design. Once you get over the initial surprise (What can philosophy tell us about plants?), you will be in for the exhilarating ride that is vegetal philosophy, finding plant heritage in human thought, politics, and society; witnessing traditional hierarchies and systems of classification crumble into dust; and discovering the amazing capacities of plants that testify to one important insight—plants are smarter than you think!
Monica Gagliano gives us a enchanting peek at the complexities, consciousness, and subjectivity of plants, as well as at her own story as a woman scientist, who is one of the pioneers in the field of plant intelligence. Weaving together her biography with the life of plants in a creative mix of “phytobiography,” the author shows how working “on” plants is also always working “with” them. We collaborate and communicate, Gagliano suggests, across species and biological kingdom boundaries, and it is on this unknown terrain that her scientific discoveries of plant learning or plant bioacoustics are made. Although Gagliano is not a philosopher by training, the account she offers in Thus Spoke the Plant opens new and exciting vistas in the philosophy of plants.
An accessible and compelling story of a scientist's discovery of plant communication and how it influenced her research and changed her life.
In this "phytobiography"--a collection of stories written in partnership with a plant--research scientist Monica Gagliano reveals the dynamic role plants play in genuine first-hand accounts from her research into plant communication and cognition. By transcending the view of plants as the objects of scientific materialism, Gagliano encourages us to rethink plants as people--beings with subjectivity, consciousness, and volition, and hence having the capacity for their own perspectives and voices. The book draws on up-close-and-personal encounters with the plants…
I’ve been fascinated by horror since childhood–when Scooby-Doo: Where Are You! and Doctor Who were my favorite TV shows. I specifically remember watching the Doctor Who serial, The Seeds of Doom, and the 1962 film Day of the Triffids–both about killer plants! As I finished graduate school and then took jobs in higher education, I gravitated back to horror and the gothic, which I am now fortunate enough to teach and research. I’ve written academically about all kinds of horror (most recently folk horror)–and in 2015, myself and two others founded a website, Horror Homeroom, where I write about horror for more popular audiences.
Marder’s book is a brilliant exploration of plants in a philosophical (not a botanical) sense. It’s one of the most eye-opening (and accessible) philosophy books I’ve ever read, illuminating a swathe of life on Earth I honestly had never thought much about before.
Marder writes clearly and cogently about how we’ve thought about plants and how we’ve been wrong: we’ve been blind to plants; we’ve shaped them as our absolute opposite; we’ve treated them only instrumentally, exploiting them for what they can do for us. And then he makes a real effort to think through what plants are–what vegetal being actually is. One of the most mind-blowing things, he argues, in my view, is that we are much closer to plants than we think–we have our own buried “vegetal being.”
Marder’s elaboration of plant life–and how we’ve misunderstood and abused it–is literally the theoretical scaffold of all fiction and film…
The margins of philosophy are populated by non-human, non-animal living beings, including plants. While contemporary philosophers tend to refrain from raising ontological and ethical concerns with vegetal life, Michael Marder puts this life at the forefront of the current deconstruction of metaphysics. He identifies the existential features of plant behavior and the vegetal heritage of human thought so as to affirm the potential of vegetation to resist the logic of totalization and to exceed the narrow confines of instrumentality. Reconstructing the life of plants "after metaphysics," Marder focuses on their unique temporality, freedom, and material knowledge or wisdom. In his…
It started when my friend gave me several pumpkin seeds he acquired from a giant pumpkin grower. He said it came from a large pumpkin, and growing one in my backyard would be fun. As a gardener, I thought this sounded entertaining. I planted the seeds in little pots and moved one of them to my garden during the spring. Soon, the plant began to grow astoundingly, taking over the entire garden area. Then, pumpkins started growing. I culled all but one pumpkin, and I witnessed a little pumpkin grow to 800 pounds in three months. I was amazed and astonished, and I was forever hooked on the sport of growing Atlantic Giant Pumpkins.
This book convinced me to go fully organic in my garden.
I appreciated the review of the plant cell and basic chemistry, which helped me fully understand the complex microbial world in the soil and plants. After explaining how microbes work and the relationship between plant roots and soil, I understood the dangers of synthetic fertilizers and pesticides. This book changed the way I garden.
?"Gets deep into the weeds, so to speak, of the microscopic architecture of plants and the biochemical processes at play." -Washington Post Most gardeners realize that plants need to be fed, but many of us know little about the nature of the science involved. In Teaming with Nutrients, Jeff Lowenfels explains the basics of plant nutrition from an organic gardener's perspective. In his trademark down-to-earth, style, Lowenfels explains the role of both macronutrients and micronutrients and shows gardeners how to provide these essentials through organic, easy-to-follow techniques. Along the way, Lowenfels provides easy-to-grasp lessons in the biology, chemistry, and botany…
I’ve always been fascinated by nature, even from a young age. My parents would set up easels for my sister and me to paint outdoors, and I haven’t stopped drawing since. I tend to focus on flora and fauna, making illustrations with subdued colors and intricate details. I love to create illustrations for books, and occasionally, I’ll write them, too. Often reflective of history, mythology, and folklore, my work captures an old-world feeling and a love of nature. In my spare time, you can find me in my garden or out walking my dog, Molly.
So many books with beautifully illustrated florals are aimed at children, but the magic of flora is not just for kids. A wonderful example of this is The Illustrated Herbiary, which focuses on 36 botanicals like rosemary (for remembrance, just like in my book), apple, and clover. Filled with rituals and reflections for each herb, Kate O’Hara’s beautiful and detailed illustrations bring Maia Toll’s words to life.
Rosemary is for remembrance; sage is for wisdom. The symbolism of plants - whether in the ancient Greek doctrine of signatures or the Victorian secret language of flowers - has fascinated us for centuries. Contemporary herbalist Maia Toll adds her distinctive spin to this tradition with profiles of the mysterious personalities of 36 herbs, fruits, and flowers. Combining a passion for plants with imagery reminiscent of tarot, enticing text offers reflections and rituals to tap into each plant's power for healing, self-reflection, and everyday guidance. Smaller versions of the illustrations are featured on 36 cards to help guide your thoughts…
If I'm honest, I became a gardener because I like getting dirty. Beatrix Potter's The Tale of Tom Kitten is the story of my childhood (and my adulthood too, only now I don't have to pretend I'm going to stay clean). Of course, high-quality soil leads to high-quality produce, and I deeply adore the flavors of strawberries growing in deep, dark soil. Biting into a juicy, homegrown tomato still warm from the summer sun is bliss.
If you only grow from the last frost to the first frost, your gardening season is extremely short. But a few simple season-extension techniques can mean you harvest fresh food nearly every day of the year. I've used Eliot Coleman's crop suggestions and his quick hoops and can say from experience that they make all the difference during the cold season.
"Brimming with ingenuity, hope, and eminently practical advice, The Winter Harvest Handbook is an indispensable contribution."-Michael Pollan
"Useful, practical, sensible, and enlightening information for the home gardener."-Martha Stewart
With The Winter Harvest Handbook, everyone can have access to organic farming pioneer Elliot Coleman's hard-won experience. Gardeners and farmers can use the innovative, highly successful methods Coleman describes in this comprehensive handbook to raise crops throughout the coldest of winters.
Building on the techniques that hundreds of thousands of farmers and gardeners adopted from Coleman's The New Organic Grower and Four-Season Harvest, this book focuses on growing produce of unparalleled freshness…
My interest in ghosts is partly due to growing up in York, which is one of the most haunted cities in the UK. In that city, I think that pretty much every pub has its own ghost, and if you’re unlucky (or lucky) enough, you stand a good chance of spotting long-dead Roman soldiers, plague victims, or ghostly dogs as you walk the streets. This atmosphere has seeped into my fiction; I have written two novels of the supernatural and am currently working on a third. I’ve also made a study of the grim and gothic in fiction; my Ph.D. thesis was largely about vampires (especially Dracula) but also strayed into other monsters and uncanny stories over the past two centuries.
When I was younger, I stayed overnight in a haunted house, or at least a house that felt haunted. I was in a big, creepy room by myself, and sleep was impossible. Instead, I sat up through the night, feeling very alone. During that long wait for dawn, this book was there for me.
It’s a satire that’s now more famous than many of the grim rural novels that inspired it; more important to me then, it’s the very funny story of Flora Poste, a modern young woman who goes to stay at a remote country farm with her relatives, the dramatic Starkadders, ruled over by Aunt Ada Doom, who once saw something nasty in the woodshed. Flora’s story is a glorious triumph of common sense over an ominous atmosphere.
When the sukebind was in bud, the orphaned Flora Poste, expensively, athletically and lengthily educated, descended on her relatives at Cold Comfort Farm, which she rightly imagines will be awful in an interesting way. She takes it on herself to bring order into chaos.
