Here are 100 books that Hatfield's Herbal fans have personally recommended if you like
Hatfield's Herbal.
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I’m Julia Buckley, a passionate lifelong reader, English teacher, and mystery writer. I gravitated toward mystery as a child when my mom read all the greats of 20th Century Mystery and Romantic Suspense and then passed them on to me. When I became an English teacher, I had the privilege of teaching some of the great Gothic classics like Jane Eyre, Rebecca, and The Castle of Otranto. Teaching these great works and researching the way that all Gothic literature stemmed from Horace Walpole and Ann Radcliffe, I realized that MANY of the books I read are tinged with the Gothic.
This is a Gothic suspense classic, but the suspense is gradual in the most delicious way. The book begins with a 1930s meet-cute in which a young paid companion to a rich and unpleasant woman meets a wealthy, unhappy widower at a resort. The young woman befriends the man while her employer is bedridden with a cold, and the two share some funny and touching moments.
The Gothic part comes when he unexpectedly proposes marriage, and they return to his gargantuan family estate, Manderley, which was formerly run by his late wife, Rebecca. Now, the spookiness permeates the story, from the shadowy corners of the mansion to the constant watchfulness of the very creepy housekeeper, Mrs. Danvers. Rebecca has been in print for almost a hundred years, and that alone is evidence of its awesomeness.
In this modern feminist era, Maxim DeWinter might seem horribly patriarchal, but it’s utterly believable…
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
I have always tuned into the atmosphere of places. Sometimes this is a joy and sometimes it’s a very different experience, but either way, it’s a fundamental part of me. It spills over into my work, too, because each of the thirty-odd non-fiction books I’ve written has its own strong atmosphere. I was particularly aware of this while writing Red Sky at Night, as I wanted to evoke a sense of the past informing the present, whether that means planting a shrub to keep witches away from your front door or baking what I still think is one of the best fruit cakes ever.
This is extraordinary, meditative, and beautiful. For me, it fulfils the most important element of any book – that magical sense of stepping into another world. In this case, it is the world of Katherine Swift as she describes the creation of her garden in Shropshire. Yet it is so much more than that. The book is built around the daily structure of monastic prayer, as in a medieval Book of Hours, and this contemplative mood flows through every page, taking us on a discursive journey involving horticulture, history, and the stories of some of the people who previously lived at Morville. Whenever I read it, I get that all-important sense of connection with nature and the rhythm of life.
This is a book about time and the garden: all gardens, but also a particular one: that of the Dower House at Morville, where the author arrived in 1988 to make a new garden of her own. Katherine Swift takes the reader on a journey through time, back to the forces which shaped the garden, linking the history of those who lived in the same Shropshire house and tended the same red soil with the stories of those who live and work there today. It is an account which spans thousands of years. But is also the story of one…
I have always tuned into the atmosphere of places. Sometimes this is a joy and sometimes it’s a very different experience, but either way, it’s a fundamental part of me. It spills over into my work, too, because each of the thirty-odd non-fiction books I’ve written has its own strong atmosphere. I was particularly aware of this while writing Red Sky at Night, as I wanted to evoke a sense of the past informing the present, whether that means planting a shrub to keep witches away from your front door or baking what I still think is one of the best fruit cakes ever.
I love books that chronicle the passing of time, going from dark and gloomy January, through the quixotic summer months and right into late December which I always think of as the fag-end of the year. The Ivington Diaries is a collection of Monty Don’s diary entries about his home and garden over several years. With charming honesty, he describes his gardening failures as well as his successes, the people he knows, and the vagaries of the changing seasons. Whenever I read this book it casts a spell over me and I feel as though I’m living in a secret corner of the garden at Ivington, watching all its comings and goings.
Monty Don and his wife Sarah moved into their semi-derelict farmhouse at Ivington in 1991, and their garden is the most tangible symbol of the spectacular way in which they have since thrived. Springing with amazing vigour from the soil behind the house, this space has been central to Monty's life; ever since he dug the very first border, he has obsessively written about it. The Ivington Diaries is a personal collection of Monty's jottings from the past fifteen years. Generously illustrated with his very own photographs, and beautifully packaged, this book promises to be one of the most delightful…
I have always tuned into the atmosphere of places. Sometimes this is a joy and sometimes it’s a very different experience, but either way, it’s a fundamental part of me. It spills over into my work, too, because each of the thirty-odd non-fiction books I’ve written has its own strong atmosphere. I was particularly aware of this while writing Red Sky at Night, as I wanted to evoke a sense of the past informing the present, whether that means planting a shrub to keep witches away from your front door or baking what I still think is one of the best fruit cakes ever.
The haunting themes and mood of The Owl Service lodged themselves in my imagination when I first read it as a teenager and there they stay, decades later. I’ve returned to its mysterious and beguiling world several times since then, and on each occasion, the book has immediately woven its old spell around me. It is rich in Welsh magic as the past is played out against the backdrop of the present, and a hidden collection of plates decorated with what might be a pattern of owls becomes something far more potent and sinister. This is one of the books that first introduced me to the mysteries of landscape, the power of the past, and the enduring life of myths.
A 50th Anniversary Edition featuring a new introduction by Philip Pullman, THE OWL SERVICE is an all-time classic, combining mystery, adventure, history and a complex set of human relationships.
It all begins with the scratching in the ceiling. From the moment Alison discovers the dinner service in the attic, with its curious pattern of floral owls, a chain of events is set in progress that is to effect everybody's lives.
Relentlessly, Alison, her step-brother Roger and Welsh boy Gwyn are drawn into the replay of a tragic Welsh legend - a modern drama played out against a background of ancient…
I’ve always been fascinated by nature, even from a young age. My parents would set up easels for my sister and me to paint outdoors, and I haven’t stopped drawing since. I tend to focus on flora and fauna, making illustrations with subdued colors and intricate details. I love to create illustrations for books, and occasionally, I’ll write them, too. Often reflective of history, mythology, and folklore, my work captures an old-world feeling and a love of nature. In my spare time, you can find me in my garden or out walking my dog, Molly.
So many books with beautifully illustrated florals are aimed at children, but the magic of flora is not just for kids. A wonderful example of this is The Illustrated Herbiary, which focuses on 36 botanicals like rosemary (for remembrance, just like in my book), apple, and clover. Filled with rituals and reflections for each herb, Kate O’Hara’s beautiful and detailed illustrations bring Maia Toll’s words to life.
Rosemary is for remembrance; sage is for wisdom. The symbolism of plants - whether in the ancient Greek doctrine of signatures or the Victorian secret language of flowers - has fascinated us for centuries. Contemporary herbalist Maia Toll adds her distinctive spin to this tradition with profiles of the mysterious personalities of 36 herbs, fruits, and flowers. Combining a passion for plants with imagery reminiscent of tarot, enticing text offers reflections and rituals to tap into each plant's power for healing, self-reflection, and everyday guidance. Smaller versions of the illustrations are featured on 36 cards to help guide your thoughts…
As the author of the Dr. Josephine Plantae Paradoxes, a historical mystery series based on my grandmother, an early trailblazing woman doctor, I stay true to the facts. I remember entering her apothecary filled with strange bottles of little homeopathic white pills, giant stills, and finding poisonous plants in her atrium. In my novels, Dr. Josephine Reva fights for woman’s equality and practices a mix of botanical and modern medicine, and moonlights as a sleuth to solve paradoxical ‘poison cure’ crimes. An award-winning journalist, author, and former professor with an MS from Columbia University, I studied botany. I currently live between France and New England with my family, furry friends, and lots of plants.
This is an illustrated novel that originated with an actual poison garden created by the Duchess of Northumberland at her estate in northern England.
This garden at Alnwick Castle is full of poisonous plants and served as the setting for scenes in several Harry Potter movies.
The Poison Diaries unfolds like a fable, about a teenage girl, Jessamine, daughter of a poison plant botanist, who must tend to the poison plants by herself. That is, until a boy named Weed appears.
The novel vividly describes the germination of Atropa Belladonna, with its deadly black berries. This beautifully illustrated book about a poison plant gardener is truly enchanting.
Jessamine has spent her whole life in a cottage close to her father's apothecary garden, surrounded by medicinal plants and herbs that could kill her - although her father has never allowed her into the most dangerous part of the grounds... the poison garden. And so she's never had reason to be afraid - until now. Because now a newcomer has come to live with the family, a quiet but strangely attractive orphan boy named Weed.
As writers, we believe that if you have something wonderful to say it needs a beautiful book to say it in. In writing six books together, in the area of herbal medicine and foraging, we have been lucky to find publishers who share our beliefs. How it works is that Julie is our qualified herbalist and a photographer, layout, and typesetting specialist, while Matthew is a professional editor, writer, and compulsive compiler of bibliographies and indexes. Our USP is that we insist each plant deserves a recipe or two, and that we feature many forgotten wild plants from the old herbals that we love to bring back to life.
We think this is Matthew’s masterwork, forming the most thorough and sensitive contemporary herbal in English. When we say ‘sensitive’ we are referencing Matthew’s intuitive understanding of a herb’s specific qualities, or virtues.
He combines this feeling for a plant’s individuality with a thorough knowledge of the way it has been favoured in traditional herbal medicine and how he has used it himself, quoting from cases arising in his long clinical experience. A proponent of ‘drop dosing’ or using the least amount of herb necessary, he is often surprising, sometimes controversial, but always well-informed and elegant in his work.
A house plant in my living room attacked another plant, wrapping itself around it and killing it. Then another plant tried to sink roots into a neighbor. I began to do a little research, then a lot of research, and learned that plants accomplish amazing feats. They can tell by the angle of the sun when spring is coming, and they can call parasitic wasps to rid themselves of caterpillars. Plants vastly outweigh and outnumber animals, so they run this planet. What if, on another planet, they could think like us… and that’s why I wrote a novel.
If you don’t know much about what plants can do, this is a great place to start.
Learn what a plant sees, smells, and feels. Yes, they can do all that. They know what color shirt you’re wearing. They can smell the warning from a neighbor plant being eaten by a bug. They know when you touch them. They know where they are, and they remember things. Plants are not passive, and they are acutely aware of the world around them.
How does a Venus flytrap know when to snap shut? Can it feel an insect's spindly legs? How do flowers know when it's spring? Can they actually remember the weather? And do they care if you play them Led Zeppelin or Bach? From Darwin's early fascination with stems and vines to "Little Shop of Horrors", we have always marvelled at plant diversity and form. Now, in "What a Plant Knows", the renowned biologist Daniel Chamovitz presents an intriguing and refreshing look at how plants experience the world. Highlighting the latest research in plant science, he takes us into the lives…
Ever since my childhood on a farm poetry has helped me pay attention to the world around me. Like a naturalist’s field guide, nature poems name, depict, and explore what might otherwise pass unnoticed. Now in the midst of environmental crisis I believe poets have a role alongside ecologists, farmers, and foresters to protect and restore our threatened habitats and species. Writing nature poetry helps me face and express loss while celebrating what still survives. I value poetry that connects us to what we love and gives us courage to imagine different ways of living.
What’s distinctive about this gorgeous poetry anthology is not only that each poem has a specific tree or flower as its subject but that they are grouped according to plant family.
The editor Sarah Maguire was a gardener as well as a poet and translator. In what was clearly a labour of love she brought together poems from all over the world, spanning eight centuries of writing. Her fascinating introduction considers many aspects of nature poetry, including gender and colonialism.
As a gardener and poet I have loved finding poems by Medbh McGuckian, Emily Dickinson and D.H. Lawrence grouped together in the Gentian family or poems by Louise Glück, Seamus Heaney, Lorna Goodison, Robert Herrick, Marianne Moore, and Richard Wilbur thriving next to each other in the Mint family.
This new anthology is as entrancing as the lost gardens of Heligan - I cannot imagine an anthology anyone would enjoy more.' Ruth Padel, The IndependentThis beautifully compiled and designed anthology brings together over 250 poems about flowers, plants and trees from eight centuries of writing in English. Fourteenth-century lyrics sit next to poems of the twenty-first century; celebrations of plants native to the English soil share the volume with more exotic plant poetry from further afield, creating a cornucopia of intriguing juxtapositions. There are thirty poems about roses, by poets as diverse as Shakespeare, Dorothy Parker and the South…
If I'm honest, I became a gardener because I like getting dirty. Beatrix Potter's The Tale of Tom Kitten is the story of my childhood (and my adulthood too, only now I don't have to pretend I'm going to stay clean). Of course, high-quality soil leads to high-quality produce, and I deeply adore the flavors of strawberries growing in deep, dark soil. Biting into a juicy, homegrown tomato still warm from the summer sun is bliss.
If you only grow from the last frost to the first frost, your gardening season is extremely short. But a few simple season-extension techniques can mean you harvest fresh food nearly every day of the year. I've used Eliot Coleman's crop suggestions and his quick hoops and can say from experience that they make all the difference during the cold season.
"Brimming with ingenuity, hope, and eminently practical advice, The Winter Harvest Handbook is an indispensable contribution."-Michael Pollan
"Useful, practical, sensible, and enlightening information for the home gardener."-Martha Stewart
With The Winter Harvest Handbook, everyone can have access to organic farming pioneer Elliot Coleman's hard-won experience. Gardeners and farmers can use the innovative, highly successful methods Coleman describes in this comprehensive handbook to raise crops throughout the coldest of winters.
Building on the techniques that hundreds of thousands of farmers and gardeners adopted from Coleman's The New Organic Grower and Four-Season Harvest, this book focuses on growing produce of unparalleled freshness…
