Here are 43 books that The Illustrated Herbiary fans have personally recommended if you like
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I fell in love with reading as a child and have carried that sense of magic and possibility with me ever since. As an adult and a writer, I believe passionately in the power of story to foster empathy, understanding, and greater human connection – and I still turn to children’s literature whenever I need reminding of all that we are capable of becoming and doing as human beings. This list has a strong environmental bent to it – partly because Wildoak is a book about caring for the natural world, and partly because I believe that stories shape our sense of purpose.
This book is by one of my favourite nature writers of all time, Robert Macfarlane. It’s a picture book that is for humans of all ages, truly. His poetry makes for a beautiful read aloud, the illustrations by Jackie Morris are stunning and the size of it makes for an immersive experience. I absolutely loved reading it with my kids when they were a little younger and we all piled into my bed. I also believe that it works… the poems are ‘spells’ designed to bring certain words back into use since they were cut from the Junior Oxford English Dictionary. Words like acorn… kingfisher, and otter…. Please read and share this book!
Penguin presents the CD edition of The Lost Words by Robert Macfarlane, read by Edith Bowman, Guy Garvey, Cerys Matthews and Benjamin Zephaniah.
All over the country, there are words disappearing from children's lives. Words like Dandelion, Otter, Bramble, Acorn and Lark represent the natural world of childhood, a rich landscape of discovery and imagination that is fading from children's minds.
The Lost Words stands against the disappearance of wild childhood. It is a joyful celebration of the poetry of nature words and the living glory of our distinctive, British countryside. With acrostic spell-poems by peerless wordsmith Robert Macfarlane this…
I’ve always been fascinated by nature, even from a young age. My parents would set up easels for my sister and me to paint outdoors, and I haven’t stopped drawing since. I tend to focus on flora and fauna, making illustrations with subdued colors and intricate details. I love to create illustrations for books, and occasionally, I’ll write them, too. Often reflective of history, mythology, and folklore, my work captures an old-world feeling and a love of nature. In my spare time, you can find me in my garden or out walking my dog, Molly.
It’s always a joy to find a kindred spirit with a love for flora and fauna, and fellow author/illustrator Katie Daisy is just that. Her beautiful, painterly style, combined with quotes, guides, and poems, makes How to Be a Moonflower a truly fantastic collection. One may not associate the nighttime with lush florals, but plenty of flowers (as well as animals!) come alive after the sun sets. This book is a gem, bursting with inspiration and magic.
How to Be a Moonflower, the new book from bestselling author Katie Daisy, celebrates the magic and mystery of the world at night.
Discover the world that awakens after everyone else has gone to sleep. In this lavishly illustrated book, New York Times-bestselling artist Katie Daisy explores the mystery and magic of the nighttime. Join her on a journey from dusk to dawn, complete with quotes, poems, meditations, field guides to different nocturnal flora and fauna, and charts that map out the cosmos. From night-blooming flowers to cozy campfires, from moon baths to meteor showers, Katie Daisy's lush illustrations capture…
I’ve always been fascinated by nature, even from a young age. My parents would set up easels for my sister and me to paint outdoors, and I haven’t stopped drawing since. I tend to focus on flora and fauna, making illustrations with subdued colors and intricate details. I love to create illustrations for books, and occasionally, I’ll write them, too. Often reflective of history, mythology, and folklore, my work captures an old-world feeling and a love of nature. In my spare time, you can find me in my garden or out walking my dog, Molly.
If you want a big book of florals, look no further than Botanicum. Everything from algae to orchids is covered in this illustrated encyclopedia, featuring Katie Scott’s artwork paired with Professor Kathy Willis’ writing. I’m drawn to the fine lines in Scott’s work, with her illustrations of parasitic and carnivorous plants being my absolute favorite pages. Fascinating for both children and adults, I’d highly recommend this to anyone who enjoys getting lost in the details of fantastic florals.
The 2016 offering from Big Picture Press's Welcome to the Museum series, Botanicum is a stunningly curated guide to plant life. With artwork from Katie Scott of Animalium fame, Botanicum gives readers the experience of a fascinating exhibition from the pages of a beautiful book.
From perennials to bulbs to tropical exotica, Botanicum is a wonderful feast of botanical knowledge complete with superb cross sections of how plants work.
I’ve always been fascinated by nature, even from a young age. My parents would set up easels for my sister and me to paint outdoors, and I haven’t stopped drawing since. I tend to focus on flora and fauna, making illustrations with subdued colors and intricate details. I love to create illustrations for books, and occasionally, I’ll write them, too. Often reflective of history, mythology, and folklore, my work captures an old-world feeling and a love of nature. In my spare time, you can find me in my garden or out walking my dog, Molly.
Dena Seiferling’s The Language of Flowers tells the story of Beatrice the bumblebee learning the language of flowers through the meadows she roams. As a fan of subdued colors, Seiferling’s illustration style drew me in, with soft lines and hidden faces within all of the featured blooms. The last two pages are an illustrated list of floral meanings, fantastic for children wanting to learn more about floriography, of which I am (very obviously) a fan!
An adopted bumblebee learns the language of flowers from her floral family in this enchanting picture book, inspired by floriography, that celebrates one of nature's most important relationships.
Deep within a magical meadow, some lonely flowers receive a very special gift: a baby bumblebee in need. The flowers name her Beatrice, they care for her and help her find her wings. And as she grows older, Beatrice learns the language of her floral family — messages of kindness and appreciation that she delivers between them. With each sweet word, the flowers bloom until the meadow becomes so big that Beatrice…
I have always tuned into the atmosphere of places. Sometimes this is a joy and sometimes it’s a very different experience, but either way, it’s a fundamental part of me. It spills over into my work, too, because each of the thirty-odd non-fiction books I’ve written has its own strong atmosphere. I was particularly aware of this while writing Red Sky at Night, as I wanted to evoke a sense of the past informing the present, whether that means planting a shrub to keep witches away from your front door or baking what I still think is one of the best fruit cakes ever.
Plants are our companions through life. We grow, pick and eat some of them, but how much do we really value them? Our ancestors had an intimate knowledge and understanding of the power of plants and were aware of which were helpful and which caused harm. They wrapped comfrey leaves around the damaged legs of animals, believed that fairies sheltered from the rain beneath ragwort plants, cured childhood hernias with the aid of ash saplings, and recognized the benefits of rosehips long before science could analyse their nutrients.
Hatfield’s Herbal follows the tradition of so many other excellent herbals, weaving botany, plant magic, medicine, and folklore into an engrossing mixture that always keeps me reading long after I found what I was originally looking for. Read a good herbal and you’ll never look at a so-called weed in the same way again.
Hatfield's Herbal is the story of how people all over Britain have used its wild plants throughout history, for reasons magical, mystical and medicinal. Gabrielle Hatfield has drawn on a lifetime's knowledge to describe the properties of over 150 native plants, and the customs that surround them: from predicting the weather with seaweed to using deadly nightshade to make ladies' pupils dilate appealingly, and from ensuring a husband's faithfulness with butterbur to warding off witches by planting a rowan tree. Filled with stories, folklore and remedies both strange and practical, this is a memorable and eye-opening guide to the richness…
A house plant in my living room attacked another plant, wrapping itself around it and killing it. Then another plant tried to sink roots into a neighbor. I began to do a little research, then a lot of research, and learned that plants accomplish amazing feats. They can tell by the angle of the sun when spring is coming, and they can call parasitic wasps to rid themselves of caterpillars. Plants vastly outweigh and outnumber animals, so they run this planet. What if, on another planet, they could think like us… and that’s why I wrote a novel.
If you don’t know much about what plants can do, this is a great place to start.
Learn what a plant sees, smells, and feels. Yes, they can do all that. They know what color shirt you’re wearing. They can smell the warning from a neighbor plant being eaten by a bug. They know when you touch them. They know where they are, and they remember things. Plants are not passive, and they are acutely aware of the world around them.
How does a Venus flytrap know when to snap shut? Can it feel an insect's spindly legs? How do flowers know when it's spring? Can they actually remember the weather? And do they care if you play them Led Zeppelin or Bach? From Darwin's early fascination with stems and vines to "Little Shop of Horrors", we have always marvelled at plant diversity and form. Now, in "What a Plant Knows", the renowned biologist Daniel Chamovitz presents an intriguing and refreshing look at how plants experience the world. Highlighting the latest research in plant science, he takes us into the lives…
Ever since my childhood on a farm poetry has helped me pay attention to the world around me. Like a naturalist’s field guide, nature poems name, depict, and explore what might otherwise pass unnoticed. Now in the midst of environmental crisis I believe poets have a role alongside ecologists, farmers, and foresters to protect and restore our threatened habitats and species. Writing nature poetry helps me face and express loss while celebrating what still survives. I value poetry that connects us to what we love and gives us courage to imagine different ways of living.
What’s distinctive about this gorgeous poetry anthology is not only that each poem has a specific tree or flower as its subject but that they are grouped according to plant family.
The editor Sarah Maguire was a gardener as well as a poet and translator. In what was clearly a labour of love she brought together poems from all over the world, spanning eight centuries of writing. Her fascinating introduction considers many aspects of nature poetry, including gender and colonialism.
As a gardener and poet I have loved finding poems by Medbh McGuckian, Emily Dickinson and D.H. Lawrence grouped together in the Gentian family or poems by Louise Glück, Seamus Heaney, Lorna Goodison, Robert Herrick, Marianne Moore, and Richard Wilbur thriving next to each other in the Mint family.
This new anthology is as entrancing as the lost gardens of Heligan - I cannot imagine an anthology anyone would enjoy more.' Ruth Padel, The IndependentThis beautifully compiled and designed anthology brings together over 250 poems about flowers, plants and trees from eight centuries of writing in English. Fourteenth-century lyrics sit next to poems of the twenty-first century; celebrations of plants native to the English soil share the volume with more exotic plant poetry from further afield, creating a cornucopia of intriguing juxtapositions. There are thirty poems about roses, by poets as diverse as Shakespeare, Dorothy Parker and the South…
For fifteen years now, I have been exploring the seemingly strange connection between plants and philosophy. The unexpected twists and turns of this theme have taken me to forests and gardens, to collaborations with plant artists and plant scientists, to ancient thought and twenty-first-century experimental design. Once you get over the initial surprise (What can philosophy tell us about plants?), you will be in for the exhilarating ride that is vegetal philosophy, finding plant heritage in human thought, politics, and society; witnessing traditional hierarchies and systems of classification crumble into dust; and discovering the amazing capacities of plants that testify to one important insight—plants are smarter than you think!
Monica Gagliano gives us a enchanting peek at the complexities, consciousness, and subjectivity of plants, as well as at her own story as a woman scientist, who is one of the pioneers in the field of plant intelligence. Weaving together her biography with the life of plants in a creative mix of “phytobiography,” the author shows how working “on” plants is also always working “with” them. We collaborate and communicate, Gagliano suggests, across species and biological kingdom boundaries, and it is on this unknown terrain that her scientific discoveries of plant learning or plant bioacoustics are made. Although Gagliano is not a philosopher by training, the account she offers in Thus Spoke the Plant opens new and exciting vistas in the philosophy of plants.
An accessible and compelling story of a scientist's discovery of plant communication and how it influenced her research and changed her life.
In this "phytobiography"--a collection of stories written in partnership with a plant--research scientist Monica Gagliano reveals the dynamic role plants play in genuine first-hand accounts from her research into plant communication and cognition. By transcending the view of plants as the objects of scientific materialism, Gagliano encourages us to rethink plants as people--beings with subjectivity, consciousness, and volition, and hence having the capacity for their own perspectives and voices. The book draws on up-close-and-personal encounters with the plants…
By Cathy N. Davidson and Christina Katopodis
Author
Why are we passionate about this?
We are two college-level educators, one has had a long career, one a recent PhD. We share a commitment to lifelong learning, not just in the classroom but beyond. And we love learning from one another. We wrote The New College Classroomtogether during the pandemic, meeting over Zoom twice a week, discussing books by other educators, writing and revising and rewriting every word together, finding ways to think about improving our students’ lives for a better future even as the world seemed grim. The books we cherish share those values: hope, belief in the next generation, and a deep commitment to learning even in—especiallyin—the grimmest of times.
This gorgeous book by microbiologist Dr. Beronda L. Montgomery is as beautiful to read as it is to hold—in your hands, in your heart. We can’t stop thinking about Montgomery’s key lesson: if you have a plant that is struggling, youfigure out what environmental changes it needs to thrive—more or less water or sunlight, better soil. When people fail to flourish, we’re quick to blame the individual. As an African American woman, Montgomery makes us think about society and how we approach problems (do we compete or do we build a collaborative effort for a holistic solution?). Humans have much to discover from our photosynthesizing world: how plants learn—from their own kin, their friends, and their foes—and Montgomery helps us to understand the nature (literally) of teaching and learning.
An exploration of how plant behavior and adaptation offer valuable insights for human thriving.
We know that plants are important. They maintain the atmosphere by absorbing carbon dioxide and producing oxygen. They nourish other living organisms and supply psychological benefits to humans as well, improving our moods and beautifying the landscape around us. But plants don't just passively provide. They also take action.
Beronda L. Montgomery explores the vigorous, creative lives of organisms often treated as static and predictable. In fact, plants are masters of adaptation. They "know" what and who they are, and they use this knowledge to make…
I love nature and feature it in many of my books, including a poetry collection about the ocean and a board book series about famous naturalists. As a gardener, I have trouble with outside plants thanks to the deer that live in the canyon out back. However, I have 50 houseplants and an herb garden in pots on the balcony. Our house is surrounded by trees, and one of my favorite places in the world is Sequoia National Park, with its green meadows and giant sequoia trees. We spent several summers there when I was a child.
This author is well known for her nonfiction picture books that clearly explain science topics, in this case, the growth of plants. Step by step, Gibbons walks young readers through pollination, the growth of seeds, and how seeds are distributed, such as by squirrels and birds. Then she goes on to talk about how plants grow. The whole process is reader-friendly, and the illustrations are clean and attractive. A great introduction for kindergarten through third graders.
Flowers, trees, fruits—plants are all around us, but where do they come from?
With simple language and bright illustrations, non-fiction master Gail Gibbons introduces young readers to the processes of pollination, seed formation, and germination. Important vocabulary is reinforced with accessible explanation and colorful, clear diagrams showing the parts of plants, the wide variety of seeds, and how they grow.
The book includes instructions for a seed-growing project, and a page of interesting facts about plants, seeds, and flowers. A nonfiction classic, and a perfect companion for early science lessons and curious young gardeners.
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