Here are 96 books that The Owl Service fans have personally recommended if you like
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My mother got cancer when I was seven and died when I was in college. So, I began to consider death and the afterlife from a very young age. I don’t know if ghosts are real, but I know that people are haunted. I explore this idea—that haunted houses are really settings for haunted humans—as well as the ambiguity between ghosts and mental descents in my own teaching and writing. I love haunted house novels because they’re wonderful vehicles for this sort of exploration and because they’re so much fun to read! I hope you enjoy these books as much as I do!
I believe that the best haunted house books are ones in which it’s the characters who are haunted. In this bookby Daphne du Maurier, I’m not sure if the house is haunted by the specter of Rebecca, but I know the narrator certainly is.
I love how the author creates an atmosphere filled with dread as the new wife imagines her predecessor, tries to live up to her reputation, and finally learns who she really was.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
I have always tuned into the atmosphere of places. Sometimes this is a joy and sometimes it’s a very different experience, but either way, it’s a fundamental part of me. It spills over into my work, too, because each of the thirty-odd non-fiction books I’ve written has its own strong atmosphere. I was particularly aware of this while writing Red Sky at Night, as I wanted to evoke a sense of the past informing the present, whether that means planting a shrub to keep witches away from your front door or baking what I still think is one of the best fruit cakes ever.
This is extraordinary, meditative, and beautiful. For me, it fulfils the most important element of any book – that magical sense of stepping into another world. In this case, it is the world of Katherine Swift as she describes the creation of her garden in Shropshire. Yet it is so much more than that. The book is built around the daily structure of monastic prayer, as in a medieval Book of Hours, and this contemplative mood flows through every page, taking us on a discursive journey involving horticulture, history, and the stories of some of the people who previously lived at Morville. Whenever I read it, I get that all-important sense of connection with nature and the rhythm of life.
This is a book about time and the garden: all gardens, but also a particular one: that of the Dower House at Morville, where the author arrived in 1988 to make a new garden of her own. Katherine Swift takes the reader on a journey through time, back to the forces which shaped the garden, linking the history of those who lived in the same Shropshire house and tended the same red soil with the stories of those who live and work there today. It is an account which spans thousands of years. But is also the story of one…
I have always tuned into the atmosphere of places. Sometimes this is a joy and sometimes it’s a very different experience, but either way, it’s a fundamental part of me. It spills over into my work, too, because each of the thirty-odd non-fiction books I’ve written has its own strong atmosphere. I was particularly aware of this while writing Red Sky at Night, as I wanted to evoke a sense of the past informing the present, whether that means planting a shrub to keep witches away from your front door or baking what I still think is one of the best fruit cakes ever.
I love books that chronicle the passing of time, going from dark and gloomy January, through the quixotic summer months and right into late December which I always think of as the fag-end of the year. The Ivington Diaries is a collection of Monty Don’s diary entries about his home and garden over several years. With charming honesty, he describes his gardening failures as well as his successes, the people he knows, and the vagaries of the changing seasons. Whenever I read this book it casts a spell over me and I feel as though I’m living in a secret corner of the garden at Ivington, watching all its comings and goings.
Monty Don and his wife Sarah moved into their semi-derelict farmhouse at Ivington in 1991, and their garden is the most tangible symbol of the spectacular way in which they have since thrived. Springing with amazing vigour from the soil behind the house, this space has been central to Monty's life; ever since he dug the very first border, he has obsessively written about it. The Ivington Diaries is a personal collection of Monty's jottings from the past fifteen years. Generously illustrated with his very own photographs, and beautifully packaged, this book promises to be one of the most delightful…
I have always tuned into the atmosphere of places. Sometimes this is a joy and sometimes it’s a very different experience, but either way, it’s a fundamental part of me. It spills over into my work, too, because each of the thirty-odd non-fiction books I’ve written has its own strong atmosphere. I was particularly aware of this while writing Red Sky at Night, as I wanted to evoke a sense of the past informing the present, whether that means planting a shrub to keep witches away from your front door or baking what I still think is one of the best fruit cakes ever.
Plants are our companions through life. We grow, pick and eat some of them, but how much do we really value them? Our ancestors had an intimate knowledge and understanding of the power of plants and were aware of which were helpful and which caused harm. They wrapped comfrey leaves around the damaged legs of animals, believed that fairies sheltered from the rain beneath ragwort plants, cured childhood hernias with the aid of ash saplings, and recognized the benefits of rosehips long before science could analyse their nutrients.
Hatfield’s Herbal follows the tradition of so many other excellent herbals, weaving botany, plant magic, medicine, and folklore into an engrossing mixture that always keeps me reading long after I found what I was originally looking for. Read a good herbal and you’ll never look at a so-called weed in the same way again.
Hatfield's Herbal is the story of how people all over Britain have used its wild plants throughout history, for reasons magical, mystical and medicinal. Gabrielle Hatfield has drawn on a lifetime's knowledge to describe the properties of over 150 native plants, and the customs that surround them: from predicting the weather with seaweed to using deadly nightshade to make ladies' pupils dilate appealingly, and from ensuring a husband's faithfulness with butterbur to warding off witches by planting a rowan tree. Filled with stories, folklore and remedies both strange and practical, this is a memorable and eye-opening guide to the richness…
I love middle-grade books (for eight to twelve-year-olds), which is why I write in that genre. My Summer of L.U.C.K. trilogy is sprinkled with magical adventures, but each one has real-life kids struggling with real-life problems and finding real-world solutions. I believe that books whose characters experience magical elements along with themes of friendship, perseverance, and self-acceptance will help them learn, as I did when I was a young reader, that whatever troubles they're experiencing, other kids have those troubles too, that they're not alone, and that help is possible.
This book by Jane Langton, which inspired me to write my own books, is another one of my all-time favorite magical middle-grade books. Written in the 1960s and set in Concord, Massachusetts, it drew me in right away when siblings Eleanor and Eddie discover a magic attic room with a roadmap to treasure that might just save their remarkable old home.
My favorite chapters deal with the self-acceptance that helps Eleanor choose wisely for her future (The Gift of the Mirror) and Eddie’s discovery of the importance of helping others (The Chambered Nautilus).
The Halls' house stood out like an exotic plant amidst all the neat, square houses in Concord. It had porches, domes and towers and a tiny window in the attic whose raised center pane shone out like a brilliant diamond.
There had been jewels once in the house, the gift of an Indian prince to two children, Ned and Nora. The prince had devised ingenious games so that the hidden jewels could be found. And then, suddenly, mysteriously the children and then Prince Krishna disappeared...
Years later, Eleanor and Eddy, niece and nephew of the lost…
I’ve always been a sucker for a good time travel novel. So when I started writing my Librarian Chronicles I quickly learned that there is just so much you can do with the theory of time. My characters have gone to many places and times and in order to perfect these locations and eras that required tons of research. For my first novel, The Librarian, I researched for nearly a year before I wrote the book. I sincerely hope you’ll enjoy my Librarian Chronicles and I look forward to writing more in the series. Each novel is unique and they can all be read in any order.
I’ll be completely honest, Hourglass sat on my bookshelf for years. I kept pushing it off, and pushing it off, until one day I took the plunge and read it. Why did I wait so long?
I fell in love with the main character Emerson. While she was immature I had to remember her age and she does progress as the book goes on. Emerson has visions and has a hard time dealing with them like any girl would. Her caring brother hires Michael who promises he can help control these visions. The two don’t exactly hit it off right away, but their dynamic is hilarious. Their relationship was slow to build, my favorite kind. The author did an excellent job explaining how time travel works for Emerson. It wasn’t difficult to understand, but it was tricky and very unique. The slow-burn romance eventually builds and, well you’ll have to…
One hour to rewrite the past . . .For seventeen-year-old Emerson Cole, life is about seeing what isn't there: swooning Southern Belles; soldiers long forgotten; a haunting jazz trio that vanishes in an instant. Plagued by phantoms since her parents' death, she just wants the apparitions to stop so she can be normal. She's tried everything, but the visions keep coming back.So when her well-meaning brother brings in a consultant from a secretive organization called the Hourglass, Emerson's willing to try one last cure. But meeting Michael Weaver may not only change her future, it may change her past.Who is…
I’m a professor of philosophy because when I got to college, philosophy sounded like what Gandalf would study—the closest thing we have to the study of magic. It turns out, I wasn’t far from the mark. Philosophy shows you entire dimensions to the world that you never noticed because they exist at weird angles, and you have to change your way of thinking to see them. Entering them and seeing the world from those perspectives transforms everything. A great work of philosophy is like having the lights turn on in an annex of your mind you didn’t know was there, like an out-of-mind experience—or perhaps, an in-your-mind-for-the-first-time experience.
If aliens land and ask me what it’s like to be a human, I’ll give them Heidegger’s first book, Being and Time. Of course, that might prompt them to destroy all humans out of frustration at the difficulty of his writing, but if they persevere, they will find the best description of what it’s like to live out your time on this planet (One Hundred Years of Solitude comes in second).
A knowledge of Heidegger's Sein und Zeit is essential for anyone who wishes to understand a great deal of recent continental work in theology as well as philosophy. Yet until this translation first appeared in 1962, this fundamental work of one of the most influential European thinkers of the century remained inaccessible to English readers. In fact the difficulty of Heidegger's thought was considered to be almost insuperable in the medium of a foreign language, especially English. That this view was unduly pessimistic is proved by the impressive work of John Macquarrie and Edward Robinson who have succeeded in clothing…
I am a philosopher of science who has an obsession with time. People think this interest is a case of patronymic destiny, that it’s due to my last name being Callender. But the origins of “Callender” have nothing to do with time. Instead, I’m fascinated by time because it is one of the last fundamental mysteries, right up there with consciousness. Like consciousness, time is connected to our place in the universe (our sense of freedom, identity, meaning). Yet we don’t really understand it because there remains a gulf between our experience of time and the science of time. Saint Augustine really put his finger on the problem in the fifth century when he pointed out that it is both the most familiar and unfamiliar thing.
Price is a philosopher and this book, along with Paul Horwich’s Asymmetries in Time and David Albert’s Time and Chance, are heirs of Reichenbach’s masterpiece. I select Price’s book here because it is more accessible than Horwich’s or Albert’s books. It is packed with fun and deep stuff: criticism of Hawking’s cosmology, exploration of the electromagnetic arrow of time, and serious discussion of wild ideas like causation going backward in time.
`splendidly provocative ... enjoy it as a feast for the imagination.' John Gribbin, Sunday Times
Why is the future so different from the past? Why does the past affect the future and not the other way round? The universe began with the Big Bang - will it end with a 'Big Crunch'? This exciting book presents an innovative and controversial view of time and contemporary physics. Price urges physicists, philosophers, and anyone who has ever pondered the paradoxes of time to look at the world from a fresh perspective and he throws fascinating new light on some of the great…
I am a professor of philosophy at Wake Forest University, with a Ph.D. in philosophy from the University of Massachusetts at Amherst. I teach courses in the philosophy of space and time, the history of philosophy, and the philosophy of science. In addition to several authored and edited books on the philosophy of time, I have published many scholarly articles on time, perception, knowledge, and the history of the philosophy of time. I have always been attracted to the philosophy of time because time is quite simply at the root of everything: through the study of time we confront and illuminate the deepest possible questions both as to the nature of the physical world and as to the nature of human existence.
Our best physical understanding of the universe has no place for the passage of time as a distinct dynamical process. What time it is ‘now’ is no more a fundamental aspect of the universe than what place is ‘here’. This strikes many as counter-intuitive or impossible. Philosopher Craig Callender takes the reader on a very thorough examination of modern physical theories of time in search of an explanation as to why the time of physics seems to diverge from the time of human experience. He argues that, due to the way the laws of physics are constituted, time is just the dimension that allows for the most informative explanations for physical phenomena.
As we navigate through life we instinctively model time as having a flowing present that divides a fixed past from open future. This model develops in childhood and is deeply saturated within our language, thought and behavior, affecting our conceptions of the universe, freedom and the self. Yet as central as it is to our lives, physics seems to have no room for this flowing present. What Makes Time Special? demonstrates this claim in detail and then turns to two novel positive tasks. First, by looking at the world "sideways" - in the spatial directions - it shows that physics…
Tales of magic have captivated me since I was a small child, and I started writing fantasy stories in high school. But it was only when I discovered the YA faerie subgenre several years ago that I truly found my niche. As my book recommendations will demonstrate, there’s a delicious connection between faerie magic and teenage angst, and it’s the tension that arises that makes for fantastic worldbuilding and storytelling. I hope that you enjoy my top books in the genre and find a new favorite for yourself!
Prepare to have your world turned upside down in this peculiar take on the faerie novel. We meet Cathy as a resident of modern England but learn she’s actually an escapee from “The Nether,” a faerie mirror world that’s stuck in the 19th century. As a historian, I absolutely love how Newman moves characters between the worlds—without time travel! And just imagine being in the shoes of a young woman forced to straddle the freedoms that come with modern life with a life with an arranged marriage. And above all, she must appeal to the whims of the faerie lord who controls her family’s fortunes. Come for the premise, but stick around for her deep world-building and richly-drawn characters (I mean, who doesn’t love a talking gargoyle?)
Beautiful and nuanced as it is dangerous, the manners of Regency and Victorian England blend into a scintillating fusion of contemporary urban fantasy and court intrigue.
Between Mundanus, the world of humans, and Exilium, the world of the Fae, lies the Nether, a mirror-world where the social structure of 19th-century England is preserved by Fae-touched families who remain loyal to their ageless masters. Born into this world is Catherine Rhoeas-Papaver, who escapes it all to live a normal life in Mundanus, free from her parents and the strictures of Fae-touched society. But now she's being dragged back to face an…
