I’m an artist and writer who works with food and eating. I find inspiration for my practice in my own body processes and in caring for and advocating for my friends and family. When my grandfather lost the ability to swallow, I began to understand the fragility and vulnerability of our gastrointestinal systems. After many years of teaching, making, and writing about food art, I started to wonder about what happens after eating. The books on this list join me in arguing for digestion, metabolism, and defecation as vital cultural processes. These authors have changed how I relate to food, guts, and my body.
Laporte’s poetic and sweeping tour of turds made me realize how flushing my toilet produces and reinscribes cultural norms. Read the history behind our collective fascination with “sewer stories,” whether it’s London’s immense blobs of underground fat or urban legends about deadly crocodiles or mutant goldfish.
I love how this book has inspired and influenced contemporary metabolic artists. In 2017, Kathy High and Guy Schaffer created a mixed media project “committed to re-imaging and re-inserting feminist and queer stories into our histories of medicine and science” and called their work History of Shit as an homage to Laporte. I am moved by how High and Schaffer continue Laporte’s work within what might have been his natural lifespan had we not lost him and countless artists and philosophers to the AIDS pandemic.
"A brilliant account of the politics of shit. It will leave you speechless."
Written in Paris after the heady days of student revolt in May 1968 and before the devastation of the AIDS epidemic, History of Shit is emblematic of a wild and adventurous strain of 1970s' theoretical writing that attempted to marry theory, politics, sexuality, pleasure, experimentation, and humor. Radically redefining dialectical thought and post-Marxist politics, it takes an important—and irreverent—position alongside the works of such postmodern thinkers as Foucault, Deleuze, Guattari, and Lyotard. Laporte's eccentric style and ironic sensibility combine in an inquiry that is provocative, humorous, and…
I was enthralled by this book. I didn’t want to leave its strange but familiar world. Lai slipstreams between a near-future dystopia and ancient origin stories.
This book made me question the common assumption that eating and reproduction are unrelated processes. I started wondering if I carried the smells of my mother’s diet on my skin like Lai’s protagonist, who smells like durian fruit.
When I finished this book, I knew I would read it several more times, and I have!
Salt Fish Girl is the mesmerizing tale of an ageless female character who shifts shape and form through time and place. Told in the beguiling voice of a narrator who is fish, snake, girl, and woman - all of whom must struggle against adversity for survival - the novel is set alternately in nineteenth-century China and in a futuristic Pacific Northwest.
At turns whimsical and wry, Salt Fish Girl intertwines the story of Nu Wa, the shape-shifter, and that of Miranda, a troubled young girl living in the walled city of Serendipity circa 2044. Miranda is haunted by traces of…
Alison Knowles made many of my favorite food works. I’m constantly inspired by her practice and how she reminds us that food is an environment.
This must be one of the best catalogues I’ve read, and part of that has to do with the beauty of the book itself. Each unique cover is a makeready press sheet, and the smart essays complement a real sense of the exhibition, including a comprehensive timeline.
The first survey of the Fluxus cofounder's prolific avant-garde output, from eight-foot-tall books to make-a-salad performances
The American artist Alison Knowles' (born 1933) groundbreaking experiments-from painting and printmaking to sculpture and installation, sound works, poetry and artist's books-have influenced art and artists for more than 50 years but remain relatively unknown among mainstream audiences. The first comprehensive volume on the artist, By Alison Knowles: A Retrospective presents more than 200 objects that span the entire breadth of her career, from her intermedia works of the 1960s to forms of participatory and relational art in the 2000s. The accompanying catalog features…
I love books that are themselves artworks. Artist’s books take this on in all kinds of fabulous ways, but when writing for academic audiences, making a book that is also art can be challenging. Teaiwa’s book pulls it off.
This book accompanies a touring art exhibition, Project Banaba (I am grateful to have seen it at the Bishop Museum in Hawai’i last year). Together, the book and exhibition communicate deep impulses that inspire many artists: mourning, loss, exile, family, and justice.
My favorite chapter is a photo essay, “Remix: Our Sea of Phosphate.” Staying close to materials, in this case, phosphate, asks writers and readers to connect to how injustices and struggles manifest, I am grateful to Teaiwa for extending her writing into the world in creative ways.
Consuming Ocean Island tells the story of the land and people of Banaba, a small Pacific island, which, from 1900 to 1980, was heavily mined for phosphate, an essential ingredient in fertilizer. As mining stripped away the island's surface, the land was rendered uninhabitable, and the indigenous Banabans were relocated to Rabi Island in Fiji. Katerina Martina Teaiwa tells the story of this human and ecological calamity by weaving together memories, records, and images from displaced islanders, colonial administrators, and employees of the mining company. Her compelling narrative reminds us of what is at stake whenever the interests of industrial…
Fall 2028. Mickey Cooper, an elderly homeless man, receives an incredible proposition from a rogue pharmaceutical company: “Be our secret guinea pig for our new drug, and we’ll pay you life-changing money, which you’ll be able to enjoy because if (cough) when the treatment works, two months from now your…
Everything
we do with metabolism and digestion in our bodies also happens at a planetary
level. Corals help me understand this, and this project by the Wertheim sisters helps me understand corals.
They published this book themselves so they could include the names of all the
crocheters and supporters who brought the Crochet Coral Reef into being.
We combine and recombine to become holobionts, working together in tiny and
vast symbiosis to ingest, digest, and metabolize the planet.
Now perhaps the world's largest participatory art and science project, the Crochet Coral Reef combines mathematics, marine biology, environmental consciousness-raising and community art practice. Almost 8,000 people around the world have contributed to making an ever-evolving archipelago of giant woolen seascapes, which have been exhibited at the Hayward Gallery, the Smithsonian and many other venues. This fully illustrated book, written by the project's creators--Margaret and Christine Wertheim of the Institute For Figuring--brings together the scientific and mathematical content behind the project, along with essays about the artistic and cultural resonances of this unique experiment in radical craft practice. With a…
Food appears everywhere in the arts. But what happens after visitors carry food away in the intestinal networks activated by social practice art? Exploring the emerging field of metabolic arts, my book claims digestion and metabolism are key cultural, creative, and political processes that demand attention.
Taking an artist-centered approach to nutrition, the book cultivates a neglected middle ground between the everyday and the scientific, using metabolism as a lens through which to read and write about art. By engaging the notion of “after” as an artistic homage or tribute, metabolism moves beyond the cell to transform into a method for responding to the most difficult cultural, philosophical, and political challenges of the contemporary moment.
The Road from Belhaven is set in 1880s Scotland. Growing up in the care of her grandparents on Belhaven Farm, Lizzie Craig discovers as a small girl that she can see the future. But she soon realises that she must keep her gift a secret. While she can sometimes glimpse…
A Sumerian tale of irrigation, floods, and the creation of man
By
Ken Goudsward,
Contrary to popular belief, the Atrahasis Epic is not merely a flood myth. In some ways it can be called a creation myth. However, it does not concern itself with the creation of the universe or even of the earth. Rather, the created work in question is one of culture…
