I'm professor in the Department of Eastern Christian Studies at University College Stockholm and president of The Institute for the Study of Culture and Christianity. I focus primarily on human freedom and creativity, which I explore as aesthetic, socio-political, and existentially relevant phenomena. I've been teaching and publishing in the domains of visual arts, art history and theory, but also in religion/theology and political philosophy.
Although the book was originally published in 1983, it still remains a very valuable source for understanding one of the major socio-economic phenomena in post-WWII Yugoslavia—Yugoslav self-managing (or self-governing) socialism. The author offers a detailed insight into the theory upon which this system was based, as well as how this system worked in practice, pointing to many obstacles that could be detected. Given the importance of self-management in the history of socialist and anarchist thought, this book remains indispensable for the study of this Yugoslav experiment.
The subject of self-management - of companies in which the decisions are made by the work force rather than by the managers or owners - has long been of interest both to economists and to a wider audience. In this 1984 book Saul Estrin offers a comprehensive survey of how workers' self-management has influenced industrial structure and the allocation of resources in Yugoslavia, where a system of this type has operated since the 1950s. The book will interest economists concerned with the likely impact of workers' participation as well as specialists in self-management theory and the operation of the Yugoslav…
When I published Orphan, Agent, Prima, Pawn, in which Soviet-era psychological warfare plays a heavy role, I happily washed my hands of Russian intrigue and turned to more benign, pastoral inspirations – my life-long relationship with an idyllic cathedral town in Wiltshire, for example. Just days later, the world learned that a certain Ruslan Boshirov and Alexander Petrov shared my fondness for Salisbury’s “world-famous 123-metre spire,” the glories of which prompted their 72-hour visit from Moscow (and overlapped with the botched poisoning of a KGB defector living down the road). Since then, I find myself drawn to works that explore the interstices of morality, criminality, and great construction projects.
Another parable, another legend, another work of manual labour turned mystical. In this tale of a bridge-building gone wrong, Albanian novelist Ismail Kadare considers the harms and inevitabilities that come from spanning disparate cultures. This book features a human sacrifice at the altar of erection; it feels antique and yet timeless; it explores the boundaries of human endeavor. Notes the narrator, a silenced sceptic, “all great building works resemble crimes.” It is a recognisable concern from Kadare, an exile of Hoxha’s totalitarian regime.
In the Balkan Peninsula, history’s long-disputed bridge between Asia and Europe, the receding Byzantine empire has left behind a patchwork of warring peoples who fight over everything, from their pastures of sheep to the authorship of their countless legends.
One such gruesome tale declares that a castle under construction cannot be finished until a young mason’s bride has been walled up alive, one breast left exposed to suckle her growing infant even after her death. Myth becomes perverse reality when a mason is plastered into a bridge over a strategically important river, where his will not be the last human…
On the morning of September 11, 2001, I woke up expecting to spend that day – and the rest of my academic career – leisurely studying the interplay of culture and individual temperament in second language acquisition. As the rest of that terrible day unfolded, however, my research up to that point suddenly seemed very small and almost decadently privileged. Recruiting the rudimentary cultural anthropology toolbox I had already amassed, I took a deep breath and plunged into the rabbit hole of studying the role of culture in human conflict. Twenty-two years later, using my Japan base and relevant language skills, my research has focused on the Japanese experience in World War II.
Go to any park or public square in any city in the world and you are likely to see statues of people so venerated because they fought/died in some war. Why do we mythologize war, our species’ most destructive collective behavior?
In this 2002 book, written in the second years of the Global War on Terror, American journalist Chris Hedges gives a chilling explanation that, for me, dovetailed perfectly with my readings of Becker and TMT: “Most of us willingly accept war as long as we can fold it into a belief system that paints the ensuing suffering as necessary for a higher good, for human beings seek not only happiness but also meaning. And tragically war is sometimes the most powerful way in society to achieve meaning.”
As a veteran war correspondent, Chris Hedges has survived ambushes in Central America, imprisonment in Sudan, and a beating by Saudi military police. He has seen children murdered for sport in Gaza and petty thugs elevated into war heroes in the Balkans. Hedges, who is also a former divinity student, has seen war at its worst and knows too well that to those who pass through it, war can be exhilarating and even addictive: It gives us purpose, meaning, a reason for living."Drawing on his own experience and on the literature of combat from Homer to Michael Herr, Hedges shows…
I remember the Balkan wars in the early 1990s, as I followed television and newspaper reports on events like the siege of Sarajevo.
But although some things were already quite clear at the time (the massacre at Srebrenica was a war crime and a human tragedy), I never had more than a vague idea of who were the ‘good guys’ and who were the ‘bad guys’, much less any understanding of the root causes of the wars.
This book provides an exceptional first-hand account of the various dreams, motivations, manipulations, and arrogance that lead to the implosion of Yugoslavia after Tito died, and all of the bloodshed that ensued.
"Vigorous, passionate, humane, and extremely readable. . . For an account of what has actually happened. . . Glenny's book so far stands unparalleled."-The New Republic
The fall of Yugoslavia tells the whole, true story of the Balkan Crisis-and the ensuing war-for those around the world who have watched the battle unfold with a mixture of horror, dread, and confusion.
When Croatia and Slovenia declared their independence in June 1991, peaceful neighbors of four decades took up arms against each other once again and a savage war flared in the Balkans. The underlying causes go back to business left unfinished…
I moved to Britain from Belgrade, then the capital of Yugoslavia, in 1986. Still in my early twenties, I was a published poet in Serbian, but I didn’t dream I would eventually become a novelist in English. I devoured any English book that dealt with East-West encounters. I must have read several hundred as I researched my first book, Inventing Ruritania, a cultural study of the “Wild East”. I returned to them when I wrote Iron Curtain, a novel about a “Red Princess” from an unnamed East European country who marries an impecunious English poet. I sometimes thought of it as Ruritania writes back.
This book about Yugoslavia is my favourite work of travel writing, all the more remarkable for being written during the Blitz, amid the sound of bombs raining over London.
It is half-a-million words long and it deals with a country that doesn’t exist anymore – but don’t let that put you off. Historians and critics have called Black Lamb and Grey Falcon the greatest travel book of the twentieth century and I agree.
Rebecca West discovered Yugoslavia on the eve of the Second World War because – in the growing certainty of the apocalypse which was facing Europe – she wanted to write about a small country and its relationship with great empires.
Yugoslavia seemed at first an almost accidental choice but it changed her life.
'Impossible to put down' Observer 'One of the great books of the century' Times Literary Supplement
Rebecca West's epic masterpiece not only provides deep insight into the former country of Yugoslavia; it is a portrait of Europe on the brink of war. A heady cocktail of personal travelogue and historical insight, this product of an implacably inquisitive intelligence remains essential for anyone attempting to understand the history of the Balkan states, and the wider ongoing implications for a fractured Europe.
I'm professor in the Department of Eastern Christian Studies at University College Stockholm and president of The Institute for the Study of Culture and Christianity. I focus primarily on human freedom and creativity, which I explore as aesthetic, socio-political, and existentially relevant phenomena. I've been teaching and publishing in the domains of visual arts, art history and theory, but also in religion/theology and political philosophy.
This is an extraordinary book that gives a broad understanding of the Balkan region in its cultural and historical contexts. The book explores the concept of the Balkans and its changing meaning which far surpasses its geographical connotations, becoming some kind of a concept-container capable of containing all sorts of fantasies and political aspirations. The book does an excellent job of depicting how various imperialisms managed to determine, to a very significant extent, the fate of peoples in the Balkans, while creating a certain image of the region whose significance extends far beyond its physical boundaries.
"If the Balkans hadn't existed, they would have been invented" was the verdict of Count Hermann Keyserling in his famous 1928 publication, Europe. Over ten years ago, Maria Todorova traced the relationship between the reality and the invention. Based on a rich selection of travelogues, diplomatic accounts, academic surveys, journalism, and belles-lettres in many languages, Imagining the Balkans explored the ontology of the Balkans from the sixteenth century to the present day, uncovering the ways in which an insidious intellectual tradition was constructed, became mythologized, and is still being transmitted as discourse.
As a former graduate student who holds an MA and Ph.D in English with a Creative Writing emphasis, but also as the child of immigrants and the first in my family to go to college, I love when writers deflate the pretensions of academia. I didn’t grow up around formally educated people so I can relate to the imposter syndrome some of the characters in these books experience. I don’t know who recommended Lucky Jim to me, but that book began my infatuation with the genre of academic satires or campus novels, of which there are many others.
Also super funny while pointing out the absurdity of academia. Written from the perspective of the chair of the English Department, Henry Deveraux grapples with being the underachieving son of the man who is the father of American Literary Theory.
An excerpt of Straight Mantitled Dog appeared in the New Yorker many years ago, and it’s possibly the best excerpt I’ve ever read. It taught me so much about writing while keeping me riveted to every sentence, just like the overall book did.
Hilarious and true-to-life, witty, compassionate, and impossible to put down, Straight Man follows Hank Devereaux through one very bad week in this novel from the Pulitzer Prize-winning author of Empire Falls. Soon to Be an Original Series on AMC Starring Bob Odenkirk.
William Henry Devereaux, Jr., is the reluctant chairman of the English department of a badly underfunded college in the Pennsylvania rust belt. Devereaux's reluctance is partly rooted in his character—he is a born anarchist—and partly in the fact that his department is more savagely divided than the Balkans.
In the course of a single week, Devereaux will have…
I’m the U.S. author of more than thirty books, many of them traditional or cozy mysteries. As the daughter and niece of several World War II veterans, I grew up hearing some of their experiences – they left out the horror. But I did see the impact those travesties had on gentle people. I often marveled at the courage of those who fought without weapons to survive the deprivation and loss of many loved ones. And I’m glad I had opportunities to visit Germany and Japan as an adult, to see the friendships our nations foster today.
The story holds almost more sorrow than seems possible. Krystia Fediuk, her mother Kataryna, sister Maria and their longtime friends, many of them Jewish, live in a Ukrainian town that celebrated as their Soviet occupiers left in 1941. But the even more cruel Nazis arrived, joined by many more Germans and Balkans friendly to them. And they were determined to single out Jewish townspeople, eventually forcing them into a ghetto.
It was then that Krystia and her mother decided to hide three Jewish friends in a hole dug under their stove. The price for what the Nazis saw as their treachery was steep. Krystia fled to the Ukrainian insurgents in the forest, taking only her dwindling hope. Though fiction, the author based the book on several real Ukrainians and the stories of others who survived.
Marsha Forchuk Skrypuch (author of Making Bombs for Hitler) crafts a story of ultimate compassion and sacrifice based on true events during WWII.
The year is 1941. Krystia lives in a small Ukrainian village under the cruel -- sometimes violent -- occupation of the Soviets. So when the Nazis march into town to liberate them, many of Krystia's neighbors welcome the troops with celebrations, hoping for a better life.But conditions don't improve as expected. Krystia's friend Dolik and the other Jewish people in town warn that their new occupiers may only bring darker days.The worst begins to happen when the…
It’s often said that humor can’t be translated. I’m a translator of more than thirty books, and I know that’s wrong! However, publishers rarely consider funny books for translation. I’ve made this list to point out to you all that sometruly great books that are really funny have broken through the wall protecting English-language readers from the wit and humor of the rest of the world. I’m also a literature professor, and I’m keen to get people to understand that literature does not have to be boring. If Charles Dickens, Evelyn Waugh, Kurt Vonnegut, or David Sedaris make you laugh, then so will Voltaire, Pekic, Hašek, Voinovich, and Gary!
Andrija’s a lifeguard on the river in a small town in the Balkans. During the war, he jumps in to save a man from drowning. Turns out he wasn’t a local, or even a partisan, but a high-ranking Nazi officer. Labelled a collaborator, Andrija flees at the end of the war and ends up an odd-job man in West Germany. When his employer falls into his own swimming pool, Andrija is convicted of his murder—for the man who died was the officer he’d once saved. In prison, Andrija discovers a book by Plato and he tries to write his own defense as if he were a philosopher too. The contortions he gets into as he tries to undo the tangle he’s been put in by history get funnier and funnier every time you reread this forgotten classic.
Originally published in 1975, The Apology and the Last Days is the final volume in a trilogy of novels-also including The Rise and Fall of Icarus Gubelkian and How to Quiet a Vampire-about the aftermath of World War II, by Borislav Pekic, one of the former Yugoslavia's most important postwar writers. The narrator tells his story from prison, where he is serving time for the murder of a former Nazi official. As the novel unfolds, we learn that the victim was the same person whom the narrator, while a lifeguard during the war, saved from drowning, thus making him vulnerable…
I write in my spare time, drawing inspiration from my frequent trips to Italy, dating back to my childhood summers. I am an indie writer of noir crime fiction with an interest in uncomfortable moments, especially those created by the main characters themselves. My list journeys across a vast array of genres, but they all have that tone of something happening in the shadows or underlying truths working to achieve an outcome or fight against adversity. I like unspoken dialogue and self-made conflicts, which are both elements included in all the stories I mention in this list.
I am a fan of crime noir, and this story is one of the formats that I really appreciate–an investigation by a non-professional. Someone who can do the research and ask the questions behind the scenes without being noticed. He works within the shadows of law enforcement, getting information from both sides of the law. His curiosity leads him to intrigue.
I appreciated the man’s conflict within himself as he got closer to the danger and the temptations presented to him. All while he continues to work underneath the surface to solve a mystery he eventually becomes obsessed with himself.
ONE OF TIME MAGAZINE'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • The classic story of an ordinary man seemingly out of his depth, this is Ambler's most widely acclaimed novel, "one of the masterpieces of the genre" (The New York Times Book Review).
A chance encounter with a Turkish colonel leads Charles Latimer, the author of a handful of successful mysteries, into a world of sinister political and criminal maneuvers. At first merely curious to reconstruct the career of the notorious Dimitrios, whose body has been identified in an Istanbul morgue, Latimer soon finds himself caught up…
