Fans pick 100 books like Don't Tell the Nazis

As a child, Leon Leyson (originally Lieb Lejzon) and his family of observant Jews moved from rural Poland to Krakow, where they became part of the Jewish ghetto and were eventually sent to Nazi concentration camps. Cruelty and near starvation would have led to death had not Oskar Schindler added them to his employees, first at an enamelware plant and later at an armaments factory.

Lieb had to stand on a box because he was so small. As Leon Leyson, he wrote the book as an older man, long a U.S. citizen, and educator. Through a child’s eyes, the horrors of the camps seem even more surreal. Lieb lost family members, but Schindler’s pragmatism and timely bribery of Nazi officials saved Lieb and many more from the Final Solution. 

This bestselling novel depicts the little-known Soviet invasion of Lithuania in 1940 and the deportation of more than 100,000 ethnic Lithuanians to Siberia through the eyes of 15-year-old Lina and her family.

The Lithuanian-American author was inspired by her relatives’ experiences. Like Ukraine, Lithuania regained its independence after the end of Communism and the breakup of the Soviet Union, but Russia continues to threaten the small nation.

I did not initially include this book until I took a class of middle school English students to the library and more than half of them went to the graphic novel shelves. Who better to tell the story of the U.S. version of concentration camps – internment camps for loyal U.S. citizens of Japanese descent – than George Takei of Star Trek fame (and more)?

Pictures really do tell more than a thousand words. Takei’s autobiographical novel offers moments of joy but paints an infuriating picture of the United States at its worst in the Twentieth Century. The loyalty of Takei’s father to the nation that imprisoned the family and so many others can seem like a contradiction, but it is perhaps the most rewarding component of the book. The illustrations are excellent.

Nick Freestone’s mother decides he should leave London during World War II and live more safely with his father, her ex-husband, on his family’s teak plantation (Hawk’s Nest) in Burma. But before Nick can learn more about the timber elephants and spend time with his father, the Japanese invade, and his father is imprisoned.

Packed into 315 pages are betrayals by trusted workers, Nick’s forced servitude (in his own home!) to the occupying colonel, a network of underground passages that should lead to safety, and a desperate trek to rescue his father. Through it all, he has the loyalty and cunning of the monk Hilltop and his great-granddaughter, Mya. But will it be enough to survive and keep other people and elephants alive?

Singer, one of the great names in Jewish literature, takes his readers to turn of the century Eastern Europe and enfolds them in the hierarchy of Jewish society. He masterfully captures a way of life that flourished before the Second World War.

I was so engrossed in this powerful story I immediately began reading Singer’s other works. 

Bart van Es tells the true story of how his grandparents were one of several families in the Netherlands who hid a young Jewish girl named Lientje during World War II.

It was extremely dangerous to do so. If found out, the Dutch family hiding her would have been arrested and sent off to one of the Nazi concentration camps. Van Es conveys a full sense of the tragedy involved when the girl’s parents give their beloved daughter to their friends as the only way to save her.

What’s unusual about this book is that Van Es tells two stories: his own journey as he tracks down Lientje in Amsterdam and her story of the terrible things she went through in hiding. Dutch “Jew hunting units” roamed the streets. Holland deported over 70% of their Jewish population to the Eastern camps.   

I chose this memoir because it tells the compelling story of Germans and Austrians who joined the British forces to strike back against Nazi Germany—a story that is missing from most histories. First, they had to undergo many metamorphoses—a main theme of this memoir. Peter Masters—originally a member of a respectable Jewish family in Vienna—escapes to Britain and is a refugee from Nazi oppression, but in 1940 the British government identify him as an enemy alien and intern him. For his fourth metamorphosis he becomes a soldier in the British army, but the British government bans Austrians and Germans from bearing arms. After this ban is lifted there is a final metamorphosis when he joins a British commando unit. He writes, "The antithesis of 'lambs to the slaughter,' we fought and many of us died... Those who died preferred their fate to being gassed and cremated by the Nazi brute."

This book is the catalog of a 2019 exhibition of the same name. It’s a collection of 440 images that cover all facets of Jewish life in the Netherlands during the German occupation. What’s most interesting and compelling are the rare, so-called bystander photos that show what life under Nazi rule looked like for ordinary people going about their lives, both those who were persecuted and those who committed genocide, as well as those who witnessed it. While we can look into the faces of people knowing the horrors that were to come, seeing these images—weddings, dinners, strolls in the park—as a preface to the more familiar images of round-ups, transports, and concentration camps provides deeper insight into history. I revisit the photos in this book often.

I understand the heavy baggage of shame and guilt Barbara Leimsner, as well as many others of German descent who were born during and after the war, felt in their German heritage. As a child, the author accepted her father’s Nazi assertions until she learned of the Holocaust in school and rebelled against his beliefs.

This well-written book points out how generations of Germans, not directly touched by the war, feel guilty about the actions taken by earlier generations. It shows how fascist ideology took hold of a nation's young families and serves as a warning for today. 

This is the Dutch Underground at its finest. The “why” people would risk their lives and resist the German persecution of the Jews came through loud and clear here.

Based on a true story, Corrie Ten Boom ran an underground cell out of her home in Harlem with the support of her family. Her religion sustained her through tremendous losses and suffering but enabled her to find peace for herself and others post-war.