95 books like They Called Us Enemy

Written in 46 short vignettes, this is a coming-of-age story of Esperanza Cordero, a young girl growing up in a Hispanic neighborhood in Chicago. Yet the novel is anything but one protagonist’s story, as it consistently juxtaposes Esperanza’s story with stories of secondary characters who make a brief appearance in the novel to seldom reappear and tie loose ends of the “sub-plots”: Marin, Louie, Alicia, Geraldo, Rafaela, Minerva, and others. Narrative continuity via a protagonist’s psychological journey that is a key trait of coming-of-age novels, or of mainstream Western or realist novels at large, is repeatedly disrupted here, making the reader wonder, who is the novel’s protagonist?: Esperanza, Mango Street, or its Brown community, or young Latina girls and women in a 20th century USA, alluded by “las Mujeres” to whom the book is dedicated.

As a child, Leon Leyson (originally Lieb Lejzon) and his family of observant Jews moved from rural Poland to Krakow, where they became part of the Jewish ghetto and were eventually sent to Nazi concentration camps. Cruelty and near starvation would have led to death had not Oskar Schindler added them to his employees, first at an enamelware plant and later at an armaments factory.

Lieb had to stand on a box because he was so small. As Leon Leyson, he wrote the book as an older man, long a U.S. citizen, and educator. Through a child’s eyes, the horrors of the camps seem even more surreal. Lieb lost family members, but Schindler’s pragmatism and timely bribery of Nazi officials saved Lieb and many more from the Final Solution. 

This moving novel is right from the headlines of today reflecting real-life events. 

The story follows a 12-year-old boy named Jerome who is shot and killed by a white police officer after he mistakes Jerome's toy gun for a real one. Jerome becomes a ghost who meets another ghost, that of Emmett Till, a black boy who was murdered in 1955.

Through Till's story, Jerome learns about other "ghost boys" left to roam society, trying to stop society from repeating itself. 

When it comes to unforgettable protagonists fifteen-year-old Starr Carter definitely tops the list. Her father, Maverick, is also someone that I was left wanting to know more about and, luckily, Concrete Rose (Thomas’s follow-up to THUG), gives us the backstory to his life.

The Hate U Give details Starr’s journey as she struggles with deciding whether or not to testify in front of a grand jury after her best friend, Khalil, is killed by a police officer. The settings of the novel are critical to Starr’s inner conflict as she grapples with having to navigate between her home in Garden Heights, a tight-knit but underserved community where the lack of good schools and employment opportunities allows gangs and gun violence to flourish, and the wealthy neighbourhood where she attends private school.

This bestselling novel depicts the little-known Soviet invasion of Lithuania in 1940 and the deportation of more than 100,000 ethnic Lithuanians to Siberia through the eyes of 15-year-old Lina and her family.

The Lithuanian-American author was inspired by her relatives’ experiences. Like Ukraine, Lithuania regained its independence after the end of Communism and the breakup of the Soviet Union, but Russia continues to threaten the small nation.

Tarisai was born with a wish in her heart, but not her wish. Her mother wants to use her to harm an old enemy, and Tarisai has no choice but to go along with it.

But as she finds her own found-family out in the world, she learns that there are some things more powerful than wishes. Her mother’s wish can only have so much power over her when she fights against her mother’s desires for her life. And Tarisai is stronger than she’s ever believed, which was an incredible twist to the plot.

I loved seeing Tarisai come into her own, while figuring out that she can control the shape of her future. 

The story holds almost more sorrow than seems possible. Krystia Fediuk, her mother Kataryna, sister Maria and their longtime friends, many of them Jewish, live in a Ukrainian town that celebrated as their Soviet occupiers left in 1941. But the even more cruel Nazis arrived, joined by many more Germans and Balkans friendly to them. And they were determined to single out Jewish townspeople, eventually forcing them into a ghetto.

It was then that Krystia and her mother decided to hide three Jewish friends in a hole dug under their stove. The price for what the Nazis saw as their treachery was steep. Krystia fled to the Ukrainian insurgents in the forest, taking only her dwindling hope. Though fiction, the author based the book on several real Ukrainians and the stories of others who survived. 

Nick Freestone’s mother decides he should leave London during World War II and live more safely with his father, her ex-husband, on his family’s teak plantation (Hawk’s Nest) in Burma. But before Nick can learn more about the timber elephants and spend time with his father, the Japanese invade, and his father is imprisoned.

Packed into 315 pages are betrayals by trusted workers, Nick’s forced servitude (in his own home!) to the occupying colonel, a network of underground passages that should lead to safety, and a desperate trek to rescue his father. Through it all, he has the loyalty and cunning of the monk Hilltop and his great-granddaughter, Mya. But will it be enough to survive and keep other people and elephants alive?

This book depicts the complexities of generational trauma. Kiku, our protagonist, discovers that she can go back in time and experience what her ancestors went through during the second world war. Kiku Hughes dives into the daily lives of citizens living in Japanese internment camps. It’s a brave look at the complicated relationship a person can have with the place they live in, given the difficulties their ancestries have gone through. Also, Kiku Hughes is an amazing illustrator. The bulk of the storytelling is through her depictions of the United States throughout different decades. 

Among fictional versions of the World War II camp experience, this one has been cited as, thus far, “the great camp novel.”

I consider it the “Apocalypse Now” of camp novels──a hallucinatory, abstract but visceral take on one family’s Berkeley to Topaz camp journey. Early in the story, as the Japanese American mother prepares to leave her home, and with families not allowed to take their pets with them, she kills their dog with a shovel and buries it in the backyard.

Written in short, clipped sentences, the novel continues with its highly original approach to this period in history.