Having encountered Japanese American incarceration as an undergraduate student, I was perplexed at how distant so many of the narratives were. How could such a large-scale forced removal in recent history seem like it happened “somewhere else?” This started my never-ending yearning to really understand and feel how these camps operated as communities. I have little doubt that this could happen again in the United States and Canada or elsewhere, so it’s my passion to keep educating people both in my home country of Finland and North America about the underlying dynamics leading to incarceration.
I wrote
Japanese Americans at Heart Mountain: Networks, Power, and Everyday Life
This book features Bill Manbo’s original photographs from the Heart Mountain incarceration camp, weaved in with the historical narrative of the camp and the time period.
What is remarkable about the photos is that they are not part of government propaganda but depictions of everyday events by an amateur photographer. Moreover, inmates weren’t supposed to have cameras in camp, so Manbo’s photos are also an act of resistance.
Since I’m always on a quest to really “feel” history, I love how these photos bring me that much closer to the people and the place. Eric Muller and others’ writings provide useful contextualization to both the art and the era.
In 1942, Bill Manbo and his family were forced from their Hollywood home into the Japanese American internment camp at Heart Mountain in Wyoming. While there, Manbo documented both the bleakness and beauty of his surroundings, using Kodachrome film, a technology then just seven years old, to capture community celebrations and to record his family's struggle to maintain a normal life under the harsh conditions of racial imprisonment. Colors of Confinement showcases sixty-five stunning images from this extremely rare collection of color photographs, presented along with three interpretive essays by leading scholars and a reflective, personal essay by a former…
I read this book after having already read dozens of books on Japanese American history and immediately felt that this was the one book that one truly needs to read.
Spickard not only explains and interprets on behalf of the community but also really seeks to understand how and why the Japanese Americans became the type of ethnic community they are.
More importantly, this book doesn’t only focus on the surface story of the racism that led to incarceration but delves much deeper into race relations, including those between Japanese Americans and other minorities.
Since 1855, nearly a half a million Japanese immigrants have settled in the United States, the majority arriving between 1890 and 1924 during the great wave of immigration to Hawai'i and the mainland. Today, more than one million Americans claim Japanese ancestry. They came to study and to work, and found jobs as farm laborers, cannery workers, and railroad workers. Many settled permanently, formed communities, and sent for family members in Japan. While they worked hard, established credit associations and other networks, and repeatedly distinguished themselves as entrepreneurs, they also encountered harsh discrimination. Nowhere was this more evident than on…
Another powerful collection of photographs, this book shows us the images by the famous photographer Dorothea Lange.
The War Relocation Authority (a civilian agency that ran the 10 civilian incarceration camps) hired Lange to “document” life in the camps. They were expecting to receive material that would be useful as propaganda, that would prove to the outside world that the conditions were decent and inmates happy. What they got instead were depictions of harsh conditions and institutionalization. Therefore, many of Lange’s photos were never published until this volume.
Where Billy Manbo’s photos showed us an inmate’s perspective, Lange’s photos can be read as a wordless attempt to criticize the government.
Censored by the U.S. Army, Dorothea Lange's unseen photographs are the extraordinary photographic record of the Japanese American internment saga. This indelible work of visual and social history confirms Dorothea Lange's stature as one of the twentieth century's greatest American photographers. Presenting 119 images originally censored by the U.S. Army-the majority of which have never been published-Impounded evokes the horror of a community uprooted in the early 1940s and the stark reality of the internment camps. With poignancy and sage insight, nationally known historians Linda Gordon and Gary Okihiro illuminate the saga of Japanese American internment: from life before Executive…
Much of the general public knows the great performance of the segregated Nisei (2nd generation Japanese American) unit in World War II, but few are still familiar with the Nisei draft resisters.
Eric Muller’s book tells the story of these men, who were drafted from incarceration camps—and then imprisoned in federal prisons for refusing to serve. Over 80 of these resisters came from Heart Mountain, where they had organized around a group called the Heart Mountain Fair Play Committee, but men from other camps also resisted. Their message was unanimous: they love the United States but will not serve before their families are freed.
In the spring of 1942, the federal government forced West Coast Japanese Americans into detainment camps on suspicion of disloyalty. Two years later, the government demanded even more, drafting them into the same military that had been guarding them as subversives. Most of these Americans complied, but "Free to Die for Their Country" is the first book to tell the powerful story of those who refused. Based on years of research and personal interviews, Eric L. Muller recreates the emotions and events that followed the arrival of those draft notices revealing a dark and complex chapter of America's history.
Gretel Ehrlich’s 1988 novel puts a spin on the incarceration experience by examining it at the intersection of two worlds.
The protagonist is a Japanese American free person living near the Wyoming incarceration camp of Heart Mountain. He has never been incarcerated because he lives outside the “exclusion area.” The story looks at the camp and its injustices through the eyes of this man, who is similar to the inmates yet an outsider.
The book really captures the irony of camp life: it is at once so deeply unjust yet so dull that years seem to blend into each other. Ehrlich’s description of the Wyoming landscape and the Heart Mountain camp is vivid and transports the reader to the scene.
The left-at-home residents and ranchers of Luster, Wyoming, and the Japanese-American inmates of nearby Heart Mountain Relocation Camp contend with colliding political and personal circumstances
The incarceration of Japanese Americans in World War II was an outrageous breach of human and civil rights. But for many of the 120,000 inmates, life went on: they worked, studied, found partners, and raised children, all in interaction with their camp community. Studying these interactions, or networks, brings everyday life to the center of attention and helps us better understand their choices.
I had two special interests: resettlement and the integration of families in camp networks. I discovered what I call “power families”: families that could reach practically any person in the camp community of 10,000 people! In studying leaving the camp, I wanted to see who left early to new parts of the country, and who stayed in camp as long as possible.
Unlike the typical tales of a flawless fighting unit, this story follows Commander Kami Trenn and her ragtag squad of mixed-race space marines.
Dog Squad fights a mysterious adversary whose presence remains shrouded in secrecy. The fate of the universe hangs in the balance, but will they be able to make enough of a difference?
Can they hope to uncover the enemy’s plans for galactic dominance before the Alliance falls? Maybe. If they can stop fighting each other.
Across the void formed by two galactic spiral arms, vast forces face each other.
The tenuous Alliance, sixty civilizations united only by fear of invasion, prepare to resist the encroachment of their as-yet unseen enemy, known only as the Creeps.
The Void has become a battleground. Three thousand light years across, and populated by a scattering of ten thousand ‘dark’ worlds, it is the Alliance’s last chance to protect their way of life. Self-destructive, robotic drones pour across the Void in ever-increasing numbers, testing the Alliance fleets to breaking point.
