100 books like The Persecution of the Jews in Photographs

I chose photo books for my list because I often use photos to help me as I write—either to construct a scene or to provide detail. Because my books are set against the backdrop of the Monuments Men’s work, this book was really the starting point for my writing the trilogy.  

Edsel presents a methodical overview of the vast scope of Nazi art theft in Europe, the destruction wrought on its monuments, and the enormous task of restitution and rebuilding. Seeing the sheer quantity of looted art stacked ceiling-high in endless rows and the faces of the men and women charged with making it right helped me put their work into my fictional work.

Lee Miller was the most unlikely of war correspondents. As a fashion model for Condé Nast, a surrealist collaborator of Man Ray, and a celebrity New York photographer, world events never impacted much on her work. But when she moved to London to become a photojournalist for Vogue, she found her own special subject in the war. Among the highlights of this handsome collection is Miller’s vivid report of the battle for St Malo where, as the darling of the US 83rd Division, she and her camera were given unfettered access. No less compelling are her accounts of liberated Paris, her haunting photographs and descriptions of concentrations camps; and one of the most iconic images in this book is the photograph taken of Lee sitting naked in Hitler’s own bathtub as she scrubs off the filth and stink of Dachau. 

Colorized images are often controversial, and I never much liked them, but Marina Amaral’s amazing work changed my mind.  She is a master at thoughtful and surprisingly natural-looking colorizing and it’s amazing to me how our brains are so used to processing historical photos in black and white, as if the world really was colorless. The photos in this book, accompanied by the text by Dan Jones allow you to pick it up open to a random page, look and read and put it back down having learned something and viewed a scene you thought you know in a new light. Amaral is also one of my favorite follows on Twitter (@marinamaral2). That’s how I discovered her work.

Technically about World War II, this work covers Chim’s work depicting culture, politics, and life before and after the war, so the circumstances leading to conflict and its aftermath. Chim was the co-founder of Magnum Photos, so his contribution to photojournalism is immense, and his photos are beautifully lit and composed even as they capture fleeting moments: Polish school children waiting for a bus in the rain, a baby reaching for bread at a displaced person’s camp or a boy playing in the ruins of a bombed building. The book also includes later photos of celebrities and movie stars, which, when seen alongside his earlier work creates an interesting narrative of a world putting itself back together and once again seeking out joy and beauty.

Bart van Es tells the true story of how his grandparents were one of several families in the Netherlands who hid a young Jewish girl named Lientje during World War II.

It was extremely dangerous to do so. If found out, the Dutch family hiding her would have been arrested and sent off to one of the Nazi concentration camps. Van Es conveys a full sense of the tragedy involved when the girl’s parents give their beloved daughter to their friends as the only way to save her.

What’s unusual about this book is that Van Es tells two stories: his own journey as he tracks down Lientje in Amsterdam and her story of the terrible things she went through in hiding. Dutch “Jew hunting units” roamed the streets. Holland deported over 70% of their Jewish population to the Eastern camps.   

This is the Dutch Underground at its finest. The “why” people would risk their lives and resist the German persecution of the Jews came through loud and clear here.

Based on a true story, Corrie Ten Boom ran an underground cell out of her home in Harlem with the support of her family. Her religion sustained her through tremendous losses and suffering but enabled her to find peace for herself and others post-war.

The late Jacob Presser (1899-1970) was a historian, scholar, and a Holocaust survivor himself. His wife was deported and died, and he survived by going into hiding He spent fifteen years researching the Nazi occupation of the Netherlands and the plight of the Dutch Jews.

He speaks movingly of finding small scraps of paper, messages thrown from trains leaving Westerbork (an internment camp and later a transit camp in the Netherlands), noting that “Before me, hardly anyone has read them and, after me, they are locked into the archives and it’s possible nobody else will see them.” They awoke in him, he said, an awareness that one of the tasks of the historian is to “give the dead a voice.”

This is a history about three young women in the Netherlands who resisted the occupiers by murdering enemy soldiers.

The story told in Three Ordinary Girls about young women who assassinated German soldiers had already been told partially in the memoirs of the survivors.

The story of Hannie Schaft, the ring leader and a student at Amsterdam University at the outset of the war, is now part of the history told to students in Dutch schools.

But author Tim Brady does an admirable job of bringing new perspectives to these heroes by weaving a story that reads like a novel even though the facts are documented in his footnotes.

The story holds almost more sorrow than seems possible. Krystia Fediuk, her mother Kataryna, sister Maria and their longtime friends, many of them Jewish, live in a Ukrainian town that celebrated as their Soviet occupiers left in 1941. But the even more cruel Nazis arrived, joined by many more Germans and Balkans friendly to them. And they were determined to single out Jewish townspeople, eventually forcing them into a ghetto.

It was then that Krystia and her mother decided to hide three Jewish friends in a hole dug under their stove. The price for what the Nazis saw as their treachery was steep. Krystia fled to the Ukrainian insurgents in the forest, taking only her dwindling hope. Though fiction, the author based the book on several real Ukrainians and the stories of others who survived. 

Singer, one of the great names in Jewish literature, takes his readers to turn of the century Eastern Europe and enfolds them in the hierarchy of Jewish society. He masterfully captures a way of life that flourished before the Second World War.

I was so engrossed in this powerful story I immediately began reading Singer’s other works.