After seventeen years of researching media use in the Soviet Union, I found I was hooked for life on the problems of totalitarianism. I went on reading about Stalinist Russia, Nazi Germany, and the East German Stasi and wrote several novels based on what I had read. In 2009, I saw an exhibition of paintings called “Looking for Owners.” Some of the pictures were extremely beautiful works by well-known artists which, I was surprised to learn, had been stolen by the Nazis during World War II. Their rightful owners had never been traced. I knew at once that there was a story in this.
If you want to know about art thefts in Europe during World War II, this is the book to read. This is the Bible!
Lynn Nicolas provides an exhaustive account of why the works were taken, where the looting took place, how it was done, how many artworks were plundered (the answer is in the hundreds of thousands), and what attempts were made after the war to recover the works and restore them to their owners.
I was awed by the extent of her research, which is truly groundbreaking. Before The Rape of Europa was published in 1994, little was known about the means and scale – and even the fact – of Nazi looting.
When the Nazi occupation of Poland, France and the Low Countries, and finally Italy, began a colossal wave of organised and casual pillaging stripped entire countries of their cultural heritage. From the day Hitler came to power, art was a matter of the highest priority to the Reich. He and other Nazis were ravenous collectors, stopping at nothing to acquire paintings and sculpture. Nicholas catalogues this theft and destruction but also shows how the dedicated corps of `Museum Officers', brought to Europe after the Allied victory, spent six years locating and sorting huge repositories of treasure and restoring their contents…
Rose Valland is a largely unsung heroine of World War II. Her father was a blacksmith in a village near Grenoble, and art was the love of her life.
From 1940-1944, she was the only French curator at the Jeu de Paume, the museum where the Nazis stored artworks looted from Jewish households. At the risk of her life, she noted the name of each painting, the artist, the provenance, and—crucially—its destination.
The Jeu de Paume was a transit point for artworks on their way to Germany. Rose wrote everything down. At the end of the war, her notes were invaluable in helping to track down the stolen works.
"Rose Valland is one of the greatest and yet unknown heroines of World War II. After risking her life spying on the Nazis, day after day for four long years, Rose lived to fulfill her destiny: locating and returning tens of thousands of works of art stolen by the Nazis during their occupation of France. Yet her remarkable story, like much of her personal life, has remained unknown to the broad public…until now. This book, written by French Senator Corinne Bouchoux, was originally published in France in 2006. Ms. Bouchoux’s interest goes far beyond the wartime service of Rose Valland…
Without the Monuments Men, the artworks plundered by the Nazis might never have been recovered. A lot might still be missing.
The Monuments Men were art experts, scholars, and historians who had volunteered for a specially-formed military unit. They followed the Allied armies through Europe and made sure no historical monuments or irreplaceable artworks were inadvertently destroyed. Using Rose Valland’s notes from the Jeu de Paume, they tracked down stolen treasures in castles, monasteries, and even a salt mine!
Engaging and well-written, this book is a must-read. I borrowed it from the library, but ended up buying my own copy. I had to have it!
Now a major film starring GEORGE CLOONEY, MATT DAMON, CATE BLANCHETT, BILL MURRAY, JOHN GOODMAN, HUGH BONNEVILLE, BOB BALABAN, JEAN DUJARDIN and DIMITRI LEONIDAS. What if I told you that there was an epic story about World War II that has not been told, involving the most unlikely group of heroes? What if I told you there was a group of men on the front lines who didn't carry machine guns or drive tanks; a new kind of soldier, one charged with saving, not destroying. From caves to castles in a thrilling race against time, these men risked their lives…
Adam von Trott was a Prussian aristocrat who studied at Oxford, worked for the German resistance, and was executed by the Nazis in August 1944. I discovered Trott when I was researching wartime Berlin. Christopher Sykes’ biography gives a fascinating portrait of an intense and charming man. His deep loyalty to Germany led him to oppose its government, attempt to reach an understanding with its enemies and participate in an effort to kill its leader.
Adam and his contradictions continue to intrigue me – and I’m not the only one! He pops up regularly in other people’s novels under various aliases: as Hartmann in Robert Harris’ Munich, for instance, and as Axel von Gottberg in Justin Cartwright’s The Song Before It Is Sung.
Christabel Bielenberg was Anglo-Irish, her husband was a German lawyer, and they were close friends of Adam von Trott and other German oppositionists. Christabel was in Germany throughout the war, and her book gives an absorbing account of daily life in the Third Reich.
It was a dangerous world. How do you stop your child from telling the Nazi gardener that his mother listens to the radio with her ear pressed against the set? What do you do when a friend says something imprudent? How do you react when a homeless Jewish couple asks for shelter? When your husband is in prison, what do you say to the Gestapo officer in charge of his case?
I was thoroughly drawn in. Christabel felt like someone I could have been friends with.
On 29 September 1934, at the German Embassy office in London, Christabel Bielenberg officially became a German citizen. Having met her German husband Peter two years prior, Christabel decided to renounce her British citizenship, planning to start married life with Peter in Berlin. Though Adolf Hitler had risen to power in 1933, Christabel and Peter were convinced the German people would see through the newly elected chancellor.
But soon Christabel found herself living under the horrors of Nazi rule and Allied bombings as the war progressed. Closely associated with resistance circles, her husband was arrested after the failure of the…
Paris 1940. The Nazis occupy France. Corinne struggles to hide her Jewish ancestry, preserve her family art gallery, and conceal "Girl with Parasol," a portrait of her mother painted by Monet.
Rose, the sole French curator at the secret German depot for stolen artworks, passes details of Nazi looting to the Resistance. Thomas, a German diplomat, falls in love with Corinne but is forced to betray her and her portrait. "Girl with Parasol" is sent to Germany. In Berlin, Hanna recognizes the picture and protects it during the bombing but has to sell it to the Russians—for food—at the end of the war. "Girl with Parasol" is rediscovered in St. Petersburg in 1994 and restored to Corinne at the end of her life.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
The team attempts a new route up the East Face without the use of supplemental oxygen, Sherpa support, or chance for rescue. When three climbers disappear during their summit attempt, Zieman reaches the knife edge of her limits and digs deeply to fight for the climbers’ lives and to find her voice.
The plan was outrageous: A small team of four climbers would attempt a new route on the East Face of Mt. Everest, considered the most remote and dangerous side of the mountain, which had only been successfully climbed once before. Unlike the first large team, Mimi Zieman and her team would climb without using supplemental oxygen or porter support. While the unpredictable weather and high altitude of 29,035 feet make climbing Everest perilous in any condition, attempting a new route, with no idea of what obstacles lay ahead, was especially audacious. Team members were expected to push themselves to their…
