Fans pick 58 books like The Stone Fields

Katherine Russel Rich, who had spent 20 years as a magazine editor (and just as long as a cancer survivor: recounted brilliantly in her first book, The Red Devil: To Hell with Cancer—and Back), started studying Hindi because she needed a new language to describe her life during the messy process of remaking herself as an artistic rather than commercial writer. Dreaming in Hindi: Coming Awake in Another Language is a memoir of the year she spent in the ancient city of Udaipur, where she lived with a local family and attended a Hindi language school. 

This personal story is combined with fascinating information about second-language acquisition, as well as the profiles of various Americans and Europeans who made a home in India as a teacher, aid-worker, scholar, spiritual seeker, or in the case of one memorable character, a fortune/husband seeker. At times hilarious, other times heartbreaking, this is… show more.

Come On Shore and We Will Kill and Eat You All portrays the contact between seeming opposites: the author who grew up in Boston and traveled to New Zealand when she was a graduate student in Australia and the Maori man she met there and married; the “colonizers” who were her direct ancestors and the “natives” her husband descended from; the history of the encounters between the two groups (including the story of Captain Cook).  At the heart of this complex, mesmerizing, and unflinching story is the couple’s devotion to their three sons—boys growing up in a Boston suburb and navigating their identities as “a little bit of the conqueror and the conquered, the colonizer and the colonized” as Ms. Thompson explains to them in a letter she tucks into the folder containing her life insurance policy.

Christopher Davenport, who later became a Foreign Service Officer with the U. S. Department of State and served in various countries including Vietnam, Guatemala, Tajikistan, and Georgia, was a Peace Corps volunteer in 1994. In Papua New Guinea’s Eastern Highlands, he was placed with a local family in a village of subsistence farmers. Except when attending classes in town (a hike and a long car ride away) with other Peace Corps volunteers scattered through the area, he worked, attended village gatherings, ate, and slept with his host family who treated him like an adopted son. The Tin Can Crucible—the title refers to the ingenuity of the local people—tells an honest, unsettling, and thoughtful story about what happened when the rhythm of this peaceful life was shattered by an accusation of witchcraft and examines the moral and ethical ambiguities and complexities of the role of philanthropy and the well-meant intentions… show more.

When Pamela Petro traveled to Lampeter, Wales for the first time to enroll in a year-long master’s degree program, she had no idea that the open vista of sheep pastures and low hills around the town would strike a chord in her—she found herself nodding as if she was in agreement with the landscape—or that she would spend the rest of her life returning to Wales from the various American cities where she made a life as a writer and a teacher. The Long Field takes us on a journey through time and ideas as well as of places. 

The book masterfully weaves together the accounts of various trips to Wales and elsewhere, the childhood spent in suburban New Jersey where, in spite of the family she loved and was loved by, Ms. Petro was overcome by a desire not to stay in one place, and most important of all,… show more.

An easily accessible overview of development and internal workings of the International Criminal Tribunal for the former Yugoslavia (ICTY) up to the first stages of the Milosevic trial. Hagan satisfied my interest in what happens behind the scenes: the struggles, losses, and triumphs of creating the first international war crimes court since Nuremberg and Tokyo. I found particularly illuminating his discussion of how an ICTY prosecution team developed the legal theory, supported by substantial evidence, of rape as an intentional strategy to further the goal of ethnic cleansing, for the first time making it a war crime in its own right. His explication of the tension between diplomacy (which often utilizes amnesty in seeking an end to conflict) and accountability (which seeks justice for victims and humanity) was thought-provoking.

The book challenges the well-established and dominant narratives about the break-up of Yugoslavia and the Yugoslav wars of the 1990s that have been promoted both in the mainstream media and in academic publications over the past decades. Written by a pre-eminent contemporary American political philosopher, Michael Parenti, the book in many ways compliments Noam Chomsky’s perspectives on the region and the broader imperial policies toward it.  

Although the Yugoslav Wars (1991-2001) aren’t always addressed head-on in this sweeping and revelatory story collection, they haunt nearly every tale in the book. Collectively, the stories shed light on the varied human costs of war, and on how they can reverberate across time. The book has inspired me to learn more about the Yugoslav Wars, and it feels especially relevant in light of the Russia-Ukraine war, which also seems destined to have deep and lasting repercussions. As I read the stories, I considered how immersing us in the lives of those affected by wars can bring home these repercussions so much more effectively than, say, news accounts. I admire the breadth of this collection, which also includes thought-provoking stories about challenged romantic relationships, making art, and more.

As I am of Bosnian heritage, I always love reading books about my culture.

The name Amra is very common in Bosnia and yet is very uncommon everywhere else, so it was a particular thrill for me to read a book by another Amra. This memoir is about Amra's experiences living under siege in Bihac during the Balkan War of 1992-1995 which gives an amazing insight into the hardship and heartbreak of war.

Maci, the cat that Amra and her family adopted who arrived at their town as a refugee, was such a beautiful soul and helped give Amra hope and fight for life, when it seemed that none was to be found.

The writing was beautiful and evocative. I keep seeing Maci in my mind's eye. I also have to say that the cover was absolutely stunning, and I loved the use of the image in the novel to… show more.

Turning to a novel, here’s a story of a man who visits this fictional museum and sees the mementos and reads the letters of lost love. Far too many are to or by men who have caused others harm. This is not a grim story. It’s about the space that opens up for men to find a truer path to their hearts.

Ethnic and religious conflicts pitted Orthodox Serbians, Catholic Croatians, and Muslim Bosnians against each other and sparked the siege of Sarajevo. Set in the 1990s during the war, The Cellist of Sarajevo plunges the reader into the perspectives of three characters trying to survive ineffable violence in a city crippled by fear. A shell kills twenty-two civilians standing in a bread line. A cellist risks his life to sit in the crater forged by the mortar and play Albinoni’s Adagio once a day for twenty-two days. This novel demonstrates how dehumanization is used as a means to justify killing those on opposing sides. I visited the region a few years ago, and during a drive across Bosnia to visit Međugorje, a sense of deep sadness struck. The fallout of the war remains visible—weariness etched in people’s faces, bullet-riddled apartment blocks. But the sadness did make some room for hope. During… show more.