100 books like Justice in the Balkans

This book relates the suspenseful and twisted path through which two of the world’s worst human rights abuses finally came to be recognized following World War II and the Holocaust. Raphael Lemkin, a Polish Jewish lawyer who lost dozens of family members in the Holocaust, led the campaign for genocide to be recognized as a crime under international law. The banner for crimes against humanity was carried by Hersch Lauterpacht. Although both men lobbied the Nuremberg war crimes tribunal to recognize the particular form of human rights that they espoused, they never actually met. But Sands makes it clear that genocide and crimes against humanity are based on fundamentally different, and at times, opposed concepts of human rights. One is focused on the rights of individuals and the other on the rights of entire groups. Sands’ book is one of the best analyses of the complexities of remaking international law,… show more.

Kochavi’s book gave me a more complete and nuanced understanding of how the Nuremberg war crimes court came to be, how defendants were selected, and what law to apply. Based on copious research, Kochavi uncovers the inside story of how the Allies ultimately agreed to establish an international court to hold Nazi officials accountable for mass atrocities instead of summarily executing them, which Churchill, Roosevelt, and Stalin favored. Initial U.S. and British resistance to including crimes against German nationals (extermination of the Jews among them) was overcome by strong public, especially Jewish, opposition.

I found Ehrenfreund’s book compelling because he applied his legal expertise as a lawyer and judge to what he personally witnessed at the trial. His research included numerous conversations with Germans who lived through the Nazi regime. I also valued his insights as they were informed by his personal journey to learn his grandfather’s fate many years after he disappeared into the Holocaust. While Ehrenfreund reveals how U.S. law heavily influenced the law applied at Nuremberg, I found his analysis of the trial’s subsequent influence on U.S. law revealing. For example, Justice Robert Jackson, chief prosecutor at Nuremberg and U.S. Supreme Court Justice, was impacted by the racial hatred that underlies the crimes of the Holocaust in Brown v. Board of Education, The U.S. Court’s school desegregation decision.

I’m drawn to inconvenient truths and Canadian Erna Paris reveals them in exceptionally readable prose. Paris discusses why it took more than fifty years to establish a permanent International Criminal Court to try war crimes, crimes against humanity, and genocide. She examines the reasons for U.S. opposition to the permanent International Criminal Court established in 2002, identifies U.S. officials who worked to undermine efforts to develop the ICC, exposes the real reasons they did so, and debunks the official position of protecting US soldiers.

There are plenty of books about memory politics and Germans’ slow and difficult way of reckoning with their evil past. What I really like about this book is how it brings to life these complex moral challenges through the story of a relationship between a younger man and an older woman who turns out to have been a camp guard under the Nazis.

The novel is about the tensions between love, responsibility, and forgiveness, but above all, it is about the difficulty of being German after the Nazis.  

In 2019 I published a review of Mary Fulbrook’s Reckonings in the journal History. The review may have been the most laudatory I’ve written. Fulbrook’s study of the Holocaust and its noxious aftereffects lingers with me today. I’ve come to think of Reckonings as the War and Peace of Holocaust histories. Like Tolstoy’s epic, it paints on a sprawling canvas, exhausting the writer’s palette to portray the Holocaust as a searing multi-generational phenomenon. Reckonings does not approach the Shoah as most writers of the Holocaust do, namely, as a monumental but time-limited event. Fulbrook conceives of the Holocaust as a cancer that blights the victims and their families into the second and third generations. The radioactive fallout of the Shoah continues to the present day, poisoning people’s lives so deeply that no human response is adequate to deal with it. She upholds the tragedy of the Holocaust by refusing… show more.

The grandmama of human rights-related trial accounts, and for good reason. Arendt covered the trial of Nazi official Adolf Eichmann in Jerusalem in the 1960s. Eichmann had been living in Argentina, and was kidnapped and taken to Israel, where he was tried and condemned for his role in the Holocaust. Arendt raises profound questions about the value of trials in the face of overwhelming evil, about how trials structure narratives, and about memory. Still issues we grapple with today.

Again, it’s difficult to pick a favorite Vonnegut book. I think he may have influenced my writing more than any other author. More than Ian Fleming. More than Elmore Leonard or Raymond Chandler. Some might say he isn’t really a thriller writer. Some may classify him as a writer of sci-fi. And yeah, maybe. But he’s so much more than that. He’s a zany magician and mad scientist who can turn utter tragedy into very black comedy. Mother Night is about Nazis and spies and war crimes and white supremacists. All the elements of a thriller combined with Vonnegut’s patented absurdity. I find every one of Kurt Vonnegut’s books thrilling, thoughtful, and hilarious.  

In the summer of 1996, Ms. Brkic joined a Physicians for Human Rights forensic team in Eastern Bosnia to excavate the mass graves of the Srebrenica massacre. Ms. Brkic, who grew up in Northern Virginia, had family connections in the Balkans. Her grandmother, Andelka, was from Herzegovina, in a small village among limestone hills. The family survived the Second World War and the Communist takeover of their country. Her father escaped from Yugoslavia in 1959 and settled in America. 

Stone Fields juxtaposes the family story with the story of the summer Ms. Brkic spent on the forensic team in Tuzla and with her friends and relatives in Zagreb. The author portrays the many ways that people can lose their homes—through war, genocide, political oppression, emigration, family discord—with heartbreaking clarity, always aware of the dignity, as well as the tragedy, of the survivors’ lives.

Although the Yugoslav Wars (1991-2001) aren’t always addressed head-on in this sweeping and revelatory story collection, they haunt nearly every tale in the book. Collectively, the stories shed light on the varied human costs of war, and on how they can reverberate across time. The book has inspired me to learn more about the Yugoslav Wars, and it feels especially relevant in light of the Russia-Ukraine war, which also seems destined to have deep and lasting repercussions. As I read the stories, I considered how immersing us in the lives of those affected by wars can bring home these repercussions so much more effectively than, say, news accounts. I admire the breadth of this collection, which also includes thought-provoking stories about challenged romantic relationships, making art, and more.