Here are 100 books that The Reader fans have personally recommended if you like
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I am a historian, and I am fascinated by the interplay and tensions between our moral and material lives. In my books, I try to recover how people in earlier periods thought about good and bad and why they acted the way they did. I try to understand how norms and customs change over time and how we came to think of our own as “normal,” which was all but normal not so long ago. I do not believe historians should play being prophets, but I do believe history can help us make better sense of the present.
I found this book uniquely moving, gripping, and enlightening.
With his diary, Klemperer, a German Jew, captures the increasingly brutal atmosphere of Nazi Germany and what persecution felt like in everyday life. I admire the sharpness with which he describes the various Germans he encountered–and the range of their reactions–as the deportations and mass murder got under way.
It is a remarkable testimony to the good and evil in humanity.
I am a historian, and I am fascinated by the interplay and tensions between our moral and material lives. In my books, I try to recover how people in earlier periods thought about good and bad and why they acted the way they did. I try to understand how norms and customs change over time and how we came to think of our own as “normal,” which was all but normal not so long ago. I do not believe historians should play being prophets, but I do believe history can help us make better sense of the present.
What I admire about this book is the courage to break with the standard narrative of West Germany from 1949 to 1989 as a success story. West Germans did not just settle down in prosperity and comfort but had plenty of angst and fear.
The book does a great job of showing how we can write a history of emotions.
German Angst analyses the relationship between fear and democracy in postwar West Germany. While fear and anxiety have historically been associated with authoritarian regimes, Frank Biess demonstrates the ambivalent role of these emotions in a democratizing society: in West Germany, fear and anxiety both undermined democracy and stabilized it. By taking seriously postwar Germans' uncertainties about the future, this study challenges dominant linear and teleological narratives of postwar West German 'success', highlighting the prospective function of memories of war, National Socialism, and the Holocaust. Postwar Germans projected fears and anxieties that they derived from memories of a catastrophic past into…
I am a historian, and I am fascinated by the interplay and tensions between our moral and material lives. In my books, I try to recover how people in earlier periods thought about good and bad and why they acted the way they did. I try to understand how norms and customs change over time and how we came to think of our own as “normal,” which was all but normal not so long ago. I do not believe historians should play being prophets, but I do believe history can help us make better sense of the present.
As a historian, I constantly try to get into the hearts and minds of people in the past.
For socialist East Germany, these diaries by the writer Brigitte Reimann let us see what it meant to be a woman in the GDR, to live and love, to build socialism, and then, in 1961, to see the Berlin Wall close off one’s world suddenly.
I enjoyed success too early, married the wrong man, and hung out with the wrong people; too many men have liked me, and I've liked too many men.
Frank and refreshing, Brigitte Reimann's collected diaries provide a candid account of life in socialist Germany. With an upbeat tempo and amusing tone, I Have No Regrets contains detailed accounts of the author's love affairs, daily life, writing, and reflections. Like the heroines in her stories, Reimann was impetuous and outspoken, addressing issues and sensibilities otherwise repressed in the era of the German Democratic Republic. She followed the state's call for artists…
I am a historian, and I am fascinated by the interplay and tensions between our moral and material lives. In my books, I try to recover how people in earlier periods thought about good and bad and why they acted the way they did. I try to understand how norms and customs change over time and how we came to think of our own as “normal,” which was all but normal not so long ago. I do not believe historians should play being prophets, but I do believe history can help us make better sense of the present.
This historical novel is about a young Romanian German who is deported to a Soviet labour camp by Stalin after the Second World War. Herta Müller herself grew up as a member of the Romanian German minority, and the novel is inspired by her conversations with survivors of the camps.
What made this book truly spellbinding for me–in addition to the story–was the playful melody of the language. It is a reminder of how rich and diverse the German language and culture were with the various communities in Central and Eastern Europe until the Second World War and the deportations and expulsions.
'I know you'll return'. These are his grandmother's last words to him. He has them in his head as he boards the truck at 3am on a freezing mid-January morning in 1945. They keep him company during the long journey to Russia. They keep him alive - through hunger, pain, and despair - during his time in the brutal Soviet labour camps. And, eventually, they bring him back home. But when he does return, he finds that an embarrassed, traumatised silence hangs over his harrowing experiences. Even with his two friends, fellow Romanian-Germans who survived the camps with him, the…
Even as a boy, I could see (or maybe just sense) the darkness that resides just below the surface of this otherwise pleasant world. We all have stories, and the ones we hold closest to ourselves are often the darkest. Those are the stories that fascinate me the most. What are the limits of man’s menace? What causes seemingly normal people to snap? To turn on their fellow man? I could do one of two things with this fascination: become a sociopath (perhaps psychopath) or an author of dark, twisted, twisty tales. As you know, I chose the latter.
If you’ve read any of my novels, you know I like my protagonists to be flawed. The more morally complex the main character, the better, in my opinion. And how can you get more morally questionable than an American who becomes a propagandist for the Nazi party during WWII? But wait. Is he a Nazi? Or is he just playing a part?
Another thing I love is when genre fiction has a larger moral theme that runs through it. What can I say? I don’t like to be preached at, but I do prefer stories with a strong point of view (whether I believe in it or not). And what bigger question can a book tackle than the one Vonnegut plays with inthis book? Are we what we pretend to be? If you’re a WWII buff, or even if you just enjoy peeking into the darkest reaches of human…
“Vonnegut is George Orwell, Dr. Caligari and Flash Gordon compounded into one writer . . . a zany but moral mad scientist.”—Time
Mother Night is a daring challenge to our moral sense. American Howard W. Campbell, Jr., a spy during World War II, is now on trial in Israel as a Nazi war criminal. But is he really guilty? In this brilliant book rife with true gallows humor, Vonnegut turns black and white into a chilling shade of gray with a verdict that will haunt us all.
In my graduate studies, I had a fantastic professor who was able to make the politics of international criminal justice one of my favorite subjects. The intersection of law, politics, peace, and conflict pulled me in. But the fact that it also touches on human rights, state sovereignty, and the prevention of mass atrocities got me hooked. I ended up doing extensive research on the International Criminal Court and how it interacts with UN peace operations, and I have subsequently been teaching peace and justice at Leiden University. I publish regularly on these topics as well and am the associate editor of International Peacekeeping, one of the leading journals on international conflict management.
Since international criminal courts and tribunals do not have their own police powers, they’re always dependent on the cooperation of others for the execution of their arrest warrants. Important here is that most of these courts do not allow for trials without the suspect in custody, making arrests a key condition for their effectiveness. I have always found the stories behind why some fugitives get arrested and others do not one of the most fascinating parts of international criminal justice.
This book tells the stories of several high-profile fugitives and how they were ultimately (not) arrested. It not only often reads like a detective thriller but also emphasizes the strong dependence on “the ebb and flow of political will” of states.
Hiding in Plain Sight tells the story of the global effort to apprehend the world's most wanted fugitives. Beginning with the flight of tens of thousands of Nazi war criminals and their collaborators after World War II, then moving on to the question of justice following the recent Balkan wars and the Rwandan genocide, and ending with the establishment of the International Criminal Court and America's pursuit of suspected terrorists in the aftermath of 9/11, the book explores the range of diplomatic and military strategies-both successful and unsuccessful-that states and international courts have adopted to pursue and capture war crimes…
I am a tired activist and recovering attorney. My professional focus on violence and humanity’s response to it began when, as a seven-year-old, the nuns at my Catholic school showed us newsreels of the liberation of Nazi concentration camps. This led me to adopt as my life’s guiding principle Julian Beck’s admonition “to redeem our share of the universal cruelty.” After 20 years in the U.S. Violence Against Women Movement, I absconded to the former Yugoslavia and found myself in the middle of a war during which I ran a war crimes documentation project (memoir in progress). I later reported on the international war crimes trial of Slobodan Milosevic.
An easily accessible overview of development and internal workings of the International Criminal Tribunal for the former Yugoslavia (ICTY) up to the first stages of the Milosevic trial. Hagan satisfied my interest in what happens behind the scenes: the struggles, losses, and triumphs of creating the first international war crimes court since Nuremberg and Tokyo. I found particularly illuminatinghis discussion of how an ICTY prosecution team developed the legal theory, supported by substantial evidence, of rape as an intentional strategy to further the goal of ethnic cleansing, for the first time making it a war crime in its own right. His explication of the tension between diplomacy (which often utilizes amnesty in seeking an end to conflict) and accountability (which seeks justice for victims and humanity) was thought-provoking.
Called a fig leaf for inaction by many at its inception, the International Criminal Tribunal for the Former Yugoslavia has surprised its critics by growing from an unfunded U.N. Security Council resolution to an institution with more than 1,000 employees and a $100 million annual budget. With Slobodan Milosevic now on trial and more than forty fellow indictees currently detained, the success of the Hague tribunal has forced many to reconsider the prospects of international justice. John Hagan's Justice in the Balkans is a powerful firsthand look at the inner workings of the tribunal as it has moved from an…
I am a Professor of Philosophy at the University of Vienna (Austria), interested in ethics, political philosophy, and the philosophy of law. I am fascinated by the work of classical philosophers—foremost, Immanuel Kant and David Hume. A particularly interesting question for me concerns how political and legal systems shape people's identity and self-understanding. One focus of my research is on the distorted legal framework of National Socialist Germany. I wrote, together with Professor J. David Velleman (New York University), Konrad Morgen: The Conscience of a Nazi Judge. In German: "Weil ich nun mal ein Gerechtigkeitsfanatiker bin." Der Fall des SS-Richters Konrad Morgen.
How could ordinary policemen be implicated in the Holocaust by participating in mass shootings of Jews? After SS leader Heinrich Himmler took over the police forces in 1936, he was able to call up regular (i.e., non Nazified) police battalions and order them into Nazi-occupied Poland.
The historian Browning's book is based on the post-war interrogations of some of these policemen for trial. Browning delves into the reasons they went along with the mass shootings, even though they could have opted out and requested a different assignment.
His gripping analysis shows how peer pressure shapes individuals, and how participation in unspeakable, genocidal crimes becomes possible in an order-based hierarchy.
Christopher R. Browning's shocking account of how a unit of average middle-aged Germans became the cold-blooded murderers of tens of thousands of Jews-now with a new afterword and additional photographs. Ordinary Men is the true story of Reserve Police Battalion 101 of the German Order Police, which was responsible for mass shootings as well as round-ups of Jewish people for deportation to Nazi death camps in Poland in 1942. Browning argues that most of the men of RPB 101 were not fanatical Nazis but, rather, ordinary middle-aged, working-class men who committed these atrocities out of a mixture of motives, including…
I am an award-winning author of two five-star rated memoirs, and the creator/performer of the 90-minute solo show My Whorizontal Life: The Show!. I'm co-host of the podcast My Index to Sex, and I am a Juilliard Drama Graduate and the former #1 escort in the country. My desire in writing about the secret work of love and pleasure is first to create unexpected delight by leading the reader or audience into the surprisingly fascinating, funny, wild, misunderstood, and imagined life underground where so many women secretly work. Through my writing, I hope to give an authentic voice, knowledgeable, true, and uncynical to this experience.
When I was secretly working as an escort, living and working ‘underground’, and came upon this book, I was immediately drawn in because here, too, despite and thankfully many different circumstances, was a woman witnessing and taking notes not only to keep herself sane but also to bear witness to the real events as they affected women in this terrible and extraordinary moment in history.
Instead of events and general washes of the main players, as is so often what we get when studying a period of history, here was a true, authentic voice of the actual effects and aftermath of the war on the people living through it. And she wrote it as it was being lived! …” with nothing but a pencil stub, writing by candlelight since Berlin had no electricity…”
As the author, she chose to remain anonymous to protect herself. This choice resonated with me until…
For eight weeks in 1945, as Berlin fell to the Russian army, a young woman kept a daily record of life in her apartment building and among its residents. "With bald honesty and brutal lyricism" (Elle), the anonymous author depicts her fellow Berliners in all their humanity, as well as their cravenness, corrupted first by hunger and then by the Russians. "Spare and unpredictable, minutely observed and utterly free of self-pity" (The Plain Dealer, Cleveland), A Woman in Berlin tells of the complex relationship between civilians and an occupying army and the…
I’ve had a life-long interest in genocide dating back to my teenage years, when I read Simon Wiesenthal’s book The Murderers Among Us. Wiesenthal introduced me to the idea that governments sometimes murdered innocent people and could elude justice for their crimes. The question of human evil interacted with my theological interest in the problem of evil generally. Both genocide scholars and theologians were posing similar questions: how could people or God permit the occurrence of wanton evil when it was in their power to avoid it? And what should we do about genocide after it has happened? These questions launched my research into genocide and continue to fuel my study of this topic.
In 2019 I published a review of Mary Fulbrook’s Reckoningsin the journal History. The review may have been the most laudatory I’ve written. Fulbrook’s study of the Holocaust and its noxious aftereffects lingers with me today. I’ve come to think of Reckonings as the War and Peace of Holocaust histories. Like Tolstoy’s epic, it paints on a sprawling canvas, exhausting the writer’s palette to portray the Holocaust as a searing multi-generational phenomenon. Reckoningsdoes not approach the Shoah as most writers of the Holocaust do, namely, as a monumental but time-limited event. Fulbrook conceives of the Holocaust as a cancer that blights the victims and their families into the second and third generations. The radioactive fallout of the Shoah continues to the present day, poisoning people’s lives so deeply that no human response is adequate to deal with it. She upholds the tragedy of the Holocaust by refusing…
A single word - Auschwitz - is often used to encapsulate the totality of persecution and suffering involved in what we call the Holocaust. Yet a focus on a single concentration camp - however horrific what happened there, however massively catastrophic its scale - leaves an incomplete story, a truncated history. It cannot fully communicate the myriad ways in which individuals became tangled up on the side of the perpetrators, and obscures the diversity of experiences among a wide range of victims as they struggled and died, or managed, against all odds, to survive. In the process, we also miss…
