91 books like The Sun Climbs Slow

This book relates the suspenseful and twisted path through which two of the world’s worst human rights abuses finally came to be recognized following World War II and the Holocaust. Raphael Lemkin, a Polish Jewish lawyer who lost dozens of family members in the Holocaust, led the campaign for genocide to be recognized as a crime under international law. The banner for crimes against humanity was carried by Hersch Lauterpacht. Although both men lobbied the Nuremberg war crimes tribunal to recognize the particular form of human rights that they espoused, they never actually met. But Sands makes it clear that genocide and crimes against humanity are based on fundamentally different, and at times, opposed concepts of human rights. One is focused on the rights of individuals and the other on the rights of entire groups. Sands’ book is one of the best analyses of the complexities of remaking international law,… show more.

Kochavi’s book gave me a more complete and nuanced understanding of how the Nuremberg war crimes court came to be, how defendants were selected, and what law to apply. Based on copious research, Kochavi uncovers the inside story of how the Allies ultimately agreed to establish an international court to hold Nazi officials accountable for mass atrocities instead of summarily executing them, which Churchill, Roosevelt, and Stalin favored. Initial U.S. and British resistance to including crimes against German nationals (extermination of the Jews among them) was overcome by strong public, especially Jewish, opposition.

I found Ehrenfreund’s book compelling because he applied his legal expertise as a lawyer and judge to what he personally witnessed at the trial. His research included numerous conversations with Germans who lived through the Nazi regime. I also valued his insights as they were informed by his personal journey to learn his grandfather’s fate many years after he disappeared into the Holocaust. While Ehrenfreund reveals how U.S. law heavily influenced the law applied at Nuremberg, I found his analysis of the trial’s subsequent influence on U.S. law revealing. For example, Justice Robert Jackson, chief prosecutor at Nuremberg and U.S. Supreme Court Justice, was impacted by the racial hatred that underlies the crimes of the Holocaust in Brown v. Board of Education, The U.S. Court’s school desegregation decision.

An easily accessible overview of development and internal workings of the International Criminal Tribunal for the former Yugoslavia (ICTY) up to the first stages of the Milosevic trial. Hagan satisfied my interest in what happens behind the scenes: the struggles, losses, and triumphs of creating the first international war crimes court since Nuremberg and Tokyo. I found particularly illuminating his discussion of how an ICTY prosecution team developed the legal theory, supported by substantial evidence, of rape as an intentional strategy to further the goal of ethnic cleansing, for the first time making it a war crime in its own right. His explication of the tension between diplomacy (which often utilizes amnesty in seeking an end to conflict) and accountability (which seeks justice for victims and humanity) was thought-provoking.

Slobodan Milosevic’s trial by the first post-Cold War international court, the International Criminal Tribunal for the Former Yugoslavia, required the creation of a whole new court and set of procedures, and established many of the current rules on trying war crimes and crimes against humanity. There’s a lot written on the ICTY, but I like Scharf’s book because he tells the backstories, explains the different choices that the court could have made, and makes for a fascinating read.

More than one in four Germans served during the Second World War, but only one in ten of these volunteered.

In the eight decades since that conflict, the history of this staggering mobilization has been rewritten several times but remains controversial, particularly as more recent research is revealing the scale and complexity of the German military’s involvement in the genocidal policies of the Nazi regime.

Ben Shepherd offers a balanced and finely nuanced account of the German armed forces, their organization, culture, and conduct of total war, noting the importance of context, whilst indicating that the postwar distinction between ‘good German soldiers’ and ‘bad Nazis’ is a myth. 

General Turyin Mulaghesh is on the brink of retiring to her long dreamt of remote island post where she can lay around on a beach, getting happily drunk with a beautiful young man or two and do as little as possible.

But she’s a legendary hero of the Saypuri Republic, or perhaps a war criminal, depending on which side of the many battles that she’s fought you were on. So instead, she gets pushed into one last mission, one that has her confronting the deeds of her past and, possibly, getting a shot at redemption.

She is cynical and sweary and has done terrible things, as well as good ones and, at least for me, is one of the most relatable older women in fantasy. 

I came across the work of Nick Turse while working on the fifth chapter of my new book. I had been struggling to find a critical voice in the assessment of the American war in Vietnam that was sustained by a keen historical eye and the pure, intellectual critique of a scholar. When I found Turse, I found my answers.

Turse’s assessment of the unmitigated brutality of the American war in Vietnam chilled me; his powerful critique brought a new voice and vigor to my own burgeoning criticism of that U.S. slaughter in Southeast Asia.

Anyone looking for a strong voice condemning wholesale the U.S. anti-communist paranoia of the era and/or the indiscriminate killing capacity of the U.S. military machine need look no further than Turse and Kill Anything that Moves. 

Every book list needs a good wild card, wouldn’t you agree?

This Dark Horse one-shot published in the run-up to the premiere for Amazon’s Hunters is only a few pages long, but perfectly encapsulates the pulpy spirit of the revenge-driven series created by David Weil. Mr. Weil has stated on numerous occasions that the small screen project was a way for him to pay homage to his Holocaust survivor grandmother and tell an epic, comic book-inspired story of good vs. evil.

The one-shot does just that as the titular squad of Nazi eliminators tracks down a concentration camp doctor notorious for conducting unspeakable human experiments and collecting gruesome trophies.

I have admired Wideman for many years. As a writer, he is a virtuoso in multiple forms, making room to confront violence and racism without offering readers trite or false resolutions.

I appreciate how he keeps calling back to the themes and subjects of earlier work. His essay, “Looking at Emmett Till” (originally published in Issue 19 of Creative Nonfiction), grappled with his recollections of 1955 as a 14-year-old teenager, the same age as Emmett Till when he was lynched and murdered.

Writing to Save a Life builds upon this work, tracing a parallel history of Till’s father, Louis, and Wideman’s journey to confront official documents of Louis’s prosecution and hanging during his service in World War II. Here as in so much of his writing, Wideman chooses a unique structure for the book, braiding his own reflections on injustice into the documentary material.