The most recommended books on Uganda

This is a true story about a little girl in Africa, named Beatrice. Her family is poor and cannot afford to send her to school. Until the day when her family is given a goat, which gives the family the ability to earn an income. Hilary Clinton has written the Afterword to this beautiful kid’s picture book. I actually know Beatrice personally, and her life is a real-life Cinderella story that inspires such hope.

The First Woman is perhaps the best novel you haven’t yet read. Kirabo has never known her mother and she is looking for answers at the same time as she is becoming a woman. She is guided first by the village’s blind witch Nsuuta, who has her own reasons for getting involved. Nsuuta tells Kirabo that women were once, “huge, strong, loud, proud, brave, independent. But it was too much for the world.” The writing in this ambitious novel is sometimes funny and sometimes poignant.

This book features some epic stories from Africa. Not all the stories are given in their entirety, but there is enough to give a good picture of what transpires in tales that would traditionally be told over several evenings. Ford presents an analysis of some African tales not usually found in collections, and I enjoyed this deep dive into the meanings hidden in the stories.

A multi-generational novel which starts in 1750 with the heroic figure of Kintu, a provincial chief setting off with his entourage to pay ritual obeisance to the feared Kabaka (king), and culminates in bustling, hustling, modern Uganda. It’s an epic story that explores the imprint family bonds and ancestral legacies - including curses that travel down through the decades – leave on daily life. The kind of book which, because of its sheer heft, seems more than a little daunting at the start. But by the last page, you’re left wanting more, reluctant to have to say goodbye to all the characters you have come to know and love, hungry to know the end of their various journeys.  

The stories were like an invitation to a place where people freely talk about real-life experiences that one wouldn’t have heard somewhere else. It chronicles the life of Ugandan women and their interaction with changes and challenges, while focusing on the twin themes of departing and returning.

This book got me hungry for more from the author.

Okay, this fine novel is only partially set in Africa, in Uganda, where intrepid fictional journalist Daniel McFarland treks into the jungles to find and interview the leader of a rebel group based on the Lords Resistance Army. Told from the vantage point of world-weary photographer Nicky Bettencourt, the action later shift to East Timor during the fight for independence against Indonesia. This novel comes as close as any to describe the real lives of foreign correspondents — the unnecessary risks, the loneliness of life lived constantly on the road. It’s beautifully written, a good read, and reeks of authenticity.

The Jewish community of Uganda comes to life in this book.

In addition to being a story about family and tradition and the importance of community, it is a look at a community that most readers will have little familiarity with. The illustrations alone transport the reader to a place that is different and at the same time familiar as the message is one that hits home no matter where you live. 

Janie Reinart’s lyrical telling of this story, coupled with Morgan Taylor’s beautiful illustrations, takes the reader on a ride filled with love and emotion. It’s about refugee children who have, as the author says, “nothing but dreams.” Big Sister wants Little Sister to be happy, so she decides she can create something from nothing. She makes amazing things, but they don’t last. However, when Big Sister makes a mud doll, the two sisters play together, create other mud dolls, and continue to dream. What affected me the most as I read this is that this book is based on a real refugee camp, and proceeds are donated to UNICEF where our collective kindness can have the power to heal. 

The White Nile is another classic, telling the story of how European explorers “discovered” Africa’s greatest river in the second half of the nineteenth century. It’s a rollicking tale, featuring cameos from everyone from Herodotus to Churchill, packed with wild tales of bull-headed men marching into areas which were, for them, literally blank spaces on the map. Some of the prose inevitably feels a little dated these days, but it overflows with drama and detail, and provides a fascinating insight into the history of a region which many people still know too little about. I lived near the source of the Nile in Uganda for quite a while, and have many happy memories of reading this before heading out for a swim.

I’ve always been fascinated by different cultures, geography, and traveling so reading this book was such a delight.

The author profiles the daily lives of 7 different children from around the world so you really feel like you’re taking a quick trip to meet a new friend. My favorite parts of the book are when the kids describe what they eat for breakfast, lunch, and dinner.

I loved seeing the similarities and differences between each meal. It reminded me of times when I’ve traveled to other countries and tried new types of foods or ways of dining. This book definitely left me eager to start planning my next trip! 

Vanessa Nakate is a young Ugandan climate activist who was excised from a photo of gathered young climate warriors (which included Greta Thunberg) as they prepared a response to DAVOS, the World Economic Forum accused of peddling the destructive myth of ‘eternal economic growth.’ (The other four activists in the photograph were all white, suggesting racism operates structurally at many levels—and within multiple contexts.) Nakate provides a refreshing perspective of driving climate activism from the Global South—centering those not only most detrimentally impacted by climate depredations, but also the most disempowered to respond and be heard. Her concluding chapter on ten practical things one can do, provides a hopeful and concrete map for personal climate action, including creative imagining. I loved her emphasis on local action too—no change is too small.

Doreen Baingana’s novel Tropical Fish is smart and empathetic, with a keen eye for details. The story is set in post-Idi Amin Uganda and is primarily Christine’s coming of age, but we also read chapters from her sisters’ points of view. The novel is a page-turner with an innovative structure, but it’s the characters who will stay with you.

George Schaller’s pioneering popular Year of the Gorilla, set in Rwanda, is part history, travelogue, and accessible behavioral biology. This book was my model for how to write about my own seven summers living with killer whales off northern Vancouver Island, Canada. Travelling with wife Kay, Schaller in his mid-20s was among the first to get into the field with primates when few even considered it. Rich with stories, his book included his own beautiful line drawings of gorillas and tantalising maps. The story uncovers a misty kingdom—he climbed the volcanoes—as much as revealing the intimate details of the gorillas, with their food gathering, nest-building, relationships, their emotional lives. This book has human and gorilla characters. You feel like you are right there.

This collection of black speculative fiction with its Afrocentric cover in ochre and clay is an invitation to award-winning author and filmmaker Dilman Dila’s vision for a future Africa that borrows from the intrinsic tradition of oral storytelling. 

It canvases Dila’s diverse characters, vivid settings, and rich language in a cross-genre assortment. This book blends fantasy, science fiction, and horror in war stories, detective stories, futuristic stories, and superstition that resurrect ancestral heroes and empower everyday people in the village. 

Idi Amin Dada is one of the “best known” African dictators. So many books, documentaries, and films have depicted him as a bloody, megalomaniac leader on the verge of craziness. He was even portrayed by Forest Whitaker in The Last King of Scotland. Alicia Decker shows a different story, starting by asking what if we take Idi Amin’s seriously? What if we explore the way he turned his (brutal) “hyper-masculinity” into a political resource? To me, this book was eye-opening, there are so many ways to write about African presidents, their politics, their ideas, and their resources. And of course, there are many ways to “gender” their histories and look for the women who stand in the president’s shadow.