Here are 100 books that Where Rivers Go to Die fans have personally recommended if you like
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I’m an engineer, writer, and editor. And I love short stories. I love writing them and reading them too. I’ve written for major science fiction and fantasy magazines, and my stories have even been nominated for the Hugo, Nebula, and Locus awards. But when short stories are put together in a single author collection, they can truly come alive, revealing running themes and ideas explored through the imagination of the author. My own collections Incomplete Solutions and Convergence Problems do just this – exploring potential futures for Africa. I previously shared five of the best single-author collections of African speculative fiction and now, here are five more.
I really enjoyed this playful, ethereal, experimental collection of seventeen stories from prolific Tanzania-Australian author Eugen Bacon.
Her work often defies genre, spanning science fiction, horror, fantasy with a strong literary sensibility. These are poetic, evocative stories, about migration and displacement, about climate change and technology, about blackness and womanhood, about politics and community.
Adding up to more than just the sum of its parts, I could not help but be impressed. As a whole, with each story allowed to resonate with the other, it’s an excellent, inventive collection.
Danged Black Thing is an extraordinary collection of stories about love and migration, gender and class, patriarchy and womanhood, from a remarkable and original voice. Traversing the West and Africa, they celebrate the author’s own hybridity with breathtaking sensuousness and lyricism.
Simbiyu wins a scholarship to study in Australia, but cannot leave behind a world of walking barefoot, orange sun and his longing for a ‘once pillow-soft mother’. In his past, a darkness rose from the river, and something nameless and mystical continues to envelop his life. In ‘A Taste of Unguja’ sweet taarab music, full of want, seeps into…
I’ve spent most of my life since the 1970s working with whales and dolphins. I was lucky to get involved in one of the first field studies for killer whales and since then have led other research in the Russian Far East. I have worked with entomologists in Costa Rican rainforests, blue whale scientists in Québec and Iceland, humpback whale scientists in Hawaii. I’ve searched for rare North Atlantic right whales in the Bay of Fundy, measured Canada’s tallest trees in British Columbia and seen the wild plant ancestors of maize growing in the mountains of Mexico. Field research—studying and living in nature—makes us empathize with Planet Earth.
George Schaller’s pioneering popular Year of the Gorilla, set in Rwanda, is part history, travelogue, and accessible behavioral biology. This book was my model for how to write about my own seven summers living with killer whales off northern Vancouver Island, Canada. Travelling with wife Kay, Schaller in his mid-20s was among the first to get into the field with primates when few even considered it. Rich with stories, his book included his own beautiful line drawings of gorillas and tantalising maps. The story uncovers a misty kingdom—he climbed the volcanoes—as much as revealing the intimate details of the gorillas, with their food gathering, nest-building, relationships, their emotional lives. This book has human and gorilla characters. You feel like you are right there.
This seminal work chronicles George B. Schaller's two years of travel and observation of gorillas in East and Central Africa in the late 1950s, high in the Virunga volcanoes on the Zaire-Rwanda-Uganda border. There, he learned that these majestic animals, far from being the aggressive apes of film and fiction, form close-knit societies of caring mothers and protective fathers watching over playful young. Alongside his observations of gorilla society, Schaller celebrates the enforced yet splendid solitude of the naturalist, recounts the adventures he experienced along the way, and offers a warning against poaching and other human threats against these endangered…
I'm an Anglo-Dutch writer living in the Netherlands, and the author of two books. Growing up in England I never thought much about rivers, but in the Netherlands they’re hard to avoid, and I’ve become fascinated by them. These days, when we all work remotely and (when rules allow) usually travel by car, train, or plane rather than boat, it’s easy to think of rivers as just scenic backdrops, rather than anything more important. But the truth is many of our cities wouldn’t exist without the waters which flow through them, and waterways like the Rhine, Thames, and Seine have had a huge influence on the history and culture of the people living alongside them. If you want to understand why somewhere like Rotterdam, London or Paris is the way it is, you could spend the day in a library or museum – but you’d be better off going for a boat ride or swim, poking around under some bridges and talking to the fishermen, boatmen, and kayakers down at the waterline.
The White Nile is another classic, telling the story of how European explorers “discovered” Africa’s greatest river in the second half of the nineteenth century. It’s a rollicking tale, featuring cameos from everyone from Herodotus to Churchill, packed with wild tales of bull-headed men marching into areas which were, for them, literally blank spaces on the map. Some of the prose inevitably feels a little dated these days, but it overflows with drama and detail, and provides a fascinating insight into the history of a region which many people still know too little about. I lived near the source of the Nile in Uganda for quite a while, and have many happy memories of reading this before heading out for a swim.
Relive all the thrills and adventure of Alan Moorehead's classic bestseller The White Nile -- the daring exploration of the Nile River in the second half of the nineteenth century, which was at that time the most mysterious and impenetrable region on earth. Capturing in breathtaking prose the larger-than-life personalities of such notable figures as Stanley, Livingstone, Burton and many others, The White Nile remains a seminal work in tales of discovery and escapade, filled with incredible historical detail and compelling stories of heroism and drama.
I grew up in Uganda and Kenya, and when I moved to the United States, I felt separated from myself. Learning how to be American was exhausting and so I disappeared into books. I’m now more settled, but I still travel through fiction. These days, I am reading fiction by African women. You should be, too! There is so much stunning literature out there. These five books are just the beginning, but they are novels I can’t stop thinking about.
The First Woman is perhaps the best novel you haven’t yet read. Kirabo has never known her mother and she is looking for answers at the same time as she is becoming a woman. She is guided first by the village’s blind witch Nsuuta, who has her own reasons for getting involved. Nsuuta tells Kirabo that women were once, “huge, strong, loud, proud, brave, independent. But it was too much for the world.” The writing in this ambitious novel is sometimes funny and sometimes poignant.
'In Jennifer Makumbi, we have a giant of literature living among us.' Peter Kalu, Jhalak Prize Judge
Longlisted for the Diverse Book Awards, 2021
'Jennifer Makumbi is a genius storyteller.' Reni Eddo-Lodge
A SUNDAY TIMES, OBSERVER, DAILY MAIL, BBC CULTURE & IRISH INDEPENDENT BOOK OF THE YEAR
At once epic and deeply personal, the second novel from prize-winning author Jennifer Makumbi is an intoxicating mix of Ugandan folklore and modern feminism that will linger in the memory long after the final page.
As Kirabo enters her teens, questions begin to gnaw at her - questions which the adults in her…
Once upon a time, I didn’t know any stories from Africa. I found one, and it stirred me to my core. I found others and read them to my children. These were oral stories that had been trapped between the covers of books. One day, I discovered the oral tradition – stories told as they were originally heard. They had been liberated from the page and flew into my heart. A storyteller was born in me. I went on my own journey to collect stories in Ghana. I now tell stories from traditions around the world.
This book features some epic stories from Africa. Not all the stories are given in their entirety, but there is enough to give a good picture of what transpires in tales that would traditionally be told over several evenings. Ford presents an analysis of some African tales not usually found in collections, and I enjoyed this deep dive into the meanings hidden in the stories.
In this remarkable book, Clyde Ford restores to us the lost treasure of African mythology, bringing to life the ancient tales and showing why they matter so much to us today.African myths convey the perennial wisdom of humanity: the creation of the world, the hero's journey, our relationship with nature, death, and resurrection. From the Ashanti comes the moving account of the grief-stricken Kwasi Benefo's journey to the underworld to seek his beloved wives. From Uganda we learn of the legendary Kintu, who won the love of a goddess and created a nation from a handful of isolated clans. The…
As an African speculative fiction writer who had long hoped to see the development of African speculative fiction being embraced by the larger SFF community, it was a joy to see all these anthologies showcasing the works of Africans and platforming them for a larger audience to see. And it's been a joy as well to contribute to this growth both as an award-winning writer and editor of African speculative short fiction.
It's the first of its kind, the first installment in a line of Year's Best African Speculative Fiction anthologies meant to spotlight the works of African writers and writers of African descent. Year's Best anthologies have been a genre thing for over 5 decades. This is an important installment in the development of African speculative short fiction. It was published by the editor as well in a small press he founded, Jembefola Press. The anthology made him the first African editor to be a Hugo award best editor finalist and a Locus award best editor and best anthology finalist.
“You are bound to be wonderstruck.”—Lightspeed Magazine “A must-read.”—Locus Magazine “Highly recommended.”—The British Fantasy Society
The world's first ever “year’s best” anthology of African speculative fiction. Edited by Oghenechovwe Donald Ekpeki, The Year’s Best African Speculative Fiction collects twenty-nine stories by twenty-five writers, which the press describes as “some of the most exciting voices, old and new, from Africa and the diaspora, published in the 2020 year.”
The anthology includes stories from Somto O. Ihezue, Pemi Aguda, Russell Nichols, Tamara Jerée, Tlotlo Tsamaase, Sheree Renée Thomas, Tobias S. Buckell, Inegbenoise O. Osagie, Tobi Ogundiran,…
I was born in Ghana and migrated to the US, where I have spent most of my adult life. The antipathy in certain circles towards immigrants still surprises me. I have tried to address this in my own way through fiction in the hope that readers can come to see migrants as multi-dimensional people with similar hopes, dreams, and aspirations. As such, I am similarly drawn to books that address the humanity of migrants. It has always been my belief that a better understanding of those we think are different from us will help bridge our various divides. I hope my recommendations help get readers there. One book at a time.
In this sprawling novel, I greatly appreciated a Uganda reeling under forces that use, abuse, and discard its victims and a nation devastated by political upheaval.
Against this backdrop, I eventually came to see the protagonist’s eventual escape from Uganda not as surrender but as a rational will to survive. Moses Isegawa’s book is so broad in scope that I greatly enjoyed the rollercoaster of seeing a vista of the major issues facing an entire continent.
Like Salman Rushdie's Midnight's Childrenand Gabriel Garcia Marquez's One Hundred Years of Solitude, Moses Isegawa's Abyssinian Chronicles tells a riveting story of twentieth-century Africa that is passionate in vision and breathtaking in scope.
At the center of this unforgettable tale is Mugezi, a young man who manages to make it through the hellish reign of Idi Amin and experiences firsthand the most crushing aspects of Ugandan society: he withstands his distant father's oppression and his mother's cruelty in the name of Catholic zeal, endures the ravages of war, rape, poverty, and AIDS, and yet he is able to keep a…
As a Jew that is both Ashkenazi and Persian that lives in Hong Kong where I’m raising my Jewish Chinese children, I see Judaism for its rich diversity. I’m passionate about changing people’s perceptions about what Jews look like and where we hail from. We are not a single story. To further that goal, in 2009, I founded Asian Jewish Life - a journal of spirit, society, and culture, have penned book chapters and articles on Jewish Asia, have written children’s books about communities that are Jewish&, and have lectured internationally on related topics. These books are about Jewish communities, but they’re really about family and tradition. Read diverse books!
The Jewish community of Uganda comes to life in this book.
In addition to being a story about family and tradition and the importance of community, it is a look at a community that most readers will have little familiarity with. The illustrations alone transport the reader to a place that is different and at the same time familiar as the message is one that hits home no matter where you live.
Sukkot is Shoshi's favorite Jewish holiday. She and her brothers love to decorate their sukkah, the hut where her family will celebrate. But who will win the Ugandan Abayudaya community's annual sukkah contest? While only one sukkah can be the best, everybody wins when neighbors work together.
I grew up in Uganda and Kenya, and when I moved to the United States, I felt separated from myself. Learning how to be American was exhausting and so I disappeared into books. I’m now more settled, but I still travel through fiction. These days, I am reading fiction by African women. You should be, too! There is so much stunning literature out there. These five books are just the beginning, but they are novels I can’t stop thinking about.
Doreen Baingana’s novel Tropical Fish is smart and empathetic, with a keen eye for details. The story is set in post-Idi Amin Uganda and is primarily Christine’s coming of age, but we also read chapters from her sisters’ points of view. The novel is a page-turner with an innovative structure, but it’s the characters who will stay with you.
In her fiction debut, Doreen Baingana follows a Ugandan girl as she navigates the uncertain terrain of adolescence. Set mostly in pastoral Entebbe with stops in the cities Kampala and Los Angeles, Tropical Fish depicts the reality of life for Christine Mugisha and her family after Idi Amin’s dictatorship.
Three of the eight chapters are told from the point of view of Christine’s two older sisters, Patti, a born-again Christian who finds herself starving at her boarding school, and Rosa, a free spirit who tries to “magically” seduce one of her teachers. But the star of Tropical Fish is Christine,…
When I was a university student, I wanted to know how African presidencies function, not only how African presidents acquire and keep power, but also how they imagine it, how they anticipate political battles, who they trust, and who they fear. All too often, the literature focuses on colonial legacy and neo-colonization and describes African presidents with too little agency. As a doctoral researcher, I stumbled on a biography of Jomo Kenyatta and got caught by the intricacies of his political career. Since then, Kenyan political history has become my area of specialization, and while my background in political science keeps inspiring me, I have a passion for historical writing.
Idi Amin Dada is one of the “best known” African dictators. So many books, documentaries, and films have depicted him as a bloody, megalomaniac leader on the verge of craziness. He was even portrayed by Forest Whitaker in The Last King of Scotland. Alicia Decker shows a different story, starting by asking what if we take Idi Amin’s seriously? What if we explore the way he turned his (brutal) “hyper-masculinity” into a political resource? To me, this book was eye-opening, there are so many ways to write about African presidents, their politics, their ideas, and their resources. And of course, there are many ways to “gender” their histories and look for the women who stand in the president’s shadow.
"A subtle, important, theoretically innovative, and elegantly written study that centralizes feminist thinking and shows why it matters." -Feminist Africa In Idi Amin's Shadow is a rich social history examining Ugandan women's complex and sometimes paradoxical relationship to Amin's military state. Based on more than one hundred interviews with women who survived the regime, as well as a wide range of primary sources, this book reveals how the violence of Amin's militarism resulted in both opportunities and challenges for women. Some assumed positions of political power or became successful entrepreneurs, while others endured sexual assault or experienced the trauma of…
