When I was a university student, I wanted to know how African presidencies function, not only how African presidents acquire and keep power, but also how they imagine it, how they anticipate political battles, who they trust, and who they fear. All too often, the literature focuses on colonial legacy and neo-colonization and describes African presidents with too little agency. As a doctoral researcher, I stumbled on a biography of Jomo Kenyatta and got caught by the intricacies of his political career. Since then, Kenyan political history has become my area of specialization, and while my background in political science keeps inspiring me, I have a passion for historical writing.
I wrote
Power and the Presidency in Kenya: The Jomo Kenyatta Years
The Wizard of the Crow tells the story of an African president who wants to be all-mighty, his body grows and grows and grows to the point that the president is on the verge of blowing up. Ngugi wa Thiong’o is not only one of the greatest Kenyan/African writers of the 20th century, he is also one of the few to have shown that extensive presidential powers can become a threat to the president himself. This idea very much influenced my book and I try to show that a powerful president must rely on alliances with his best and worst enemies.
Informed by traditional African storytelling, discover Ngugi wa Thiong'o's masterpiece.
To honour the Ruler's birthday, the Free Republic of Aburiria set out to build a tower; a modern wonder of the world that will reach the gates of Heaven. But behind this pillar of unity a battle for control of the Aburirian people rages. Among the contenders: the eponymous Wizard, an avatar of folklore and wisdom; the corrupt Christian Ministry; and the nefarious Global Bank.
Idi Amin Dada is one of the “best known” African dictators. So many books, documentaries, and films have depicted him as a bloody, megalomaniac leader on the verge of craziness. He was even portrayed by Forest Whitaker in The Last King of Scotland. Alicia Decker shows a different story, starting by asking what if we take Idi Amin’s seriously? What if we explore the way he turned his (brutal) “hyper-masculinity” into a political resource? To me, this book was eye-opening, there are so many ways to write about African presidents, their politics, their ideas, and their resources. And of course, there are many ways to “gender” their histories and look for the women who stand in the president’s shadow.
"A subtle, important, theoretically innovative, and elegantly written study that centralizes feminist thinking and shows why it matters." -Feminist Africa In Idi Amin's Shadow is a rich social history examining Ugandan women's complex and sometimes paradoxical relationship to Amin's military state. Based on more than one hundred interviews with women who survived the regime, as well as a wide range of primary sources, this book reveals how the violence of Amin's militarism resulted in both opportunities and challenges for women. Some assumed positions of political power or became successful entrepreneurs, while others endured sexual assault or experienced the trauma of…
This book stands as a reference when it comes to the early life of Senegal’s first president, Léopold Sédar Senghor, and it is one of the first biographies of an African president that I read. Beyond the extreme richness of this book, I have always been struck by how little the author wrote about Senghor’s political career as president (which remains quite controversial). For a long time, biographies of African presidents were grounded in an idea of greatness and exceptionality rather than unraveling political intricacies.
When one hears “African president”, one tends to imagine a man in power. What about women in power? This is one of the rare biographies dedicated to an African female president, and one that is easily accessible to a broad readership. Ellen Johnson Sirleaf, the first female president of independent Liberia, is a fascinating figure. She is a shrewd politician who understands the gendered dynamics of African politics, but also of the international economic scene (she worked for the World Bank and the United Nations before becoming president). Still too little is known about African women in or around the Office of the President.
In this timely addition to the Ohio Short Histories of Africa series, Pamela Scully takes us from the 1938 birth of Nobel Peace Prize winner and two-time Liberian president Ellen Johnson through the Ebola epidemic of 2014-15. Charting her childhood and adolescence, the book covers Sirleaf's relationship with her indigenous grandmother and urban parents, her early marriage, her years studying in the United States, and her career in international development and finance, where she developed her skill as a technocrat. The later chapters cover her years in and out of formal Liberian politics, her support for women's rights, and the…
There is one thing historians cannot always document: the rumors and supernatural beliefs that surround presidential politics. Though Ahmadou Kourouma’s book is inspired by real presidential figures, it transcends them to illustrate how the president’s political (and masculine) authority sometimes turns into a sacred aura. Just like Ngugi wa Thiong’o’s The Wizard of the Crow, Kourouma depicts a violent presidential system built on fragile fundaments.
Ahmadou Kourouma's remarkable novel is narrated by Bingo, a West African sora - storyteller and king's fool. Over the course of five nights he tells the life story of Koyaga, President and Dictator of the Gulf Coast. Orphaned at the age of seven, Koyaga grows up to be a terrible hunter; he fights mythical beasts, and is a shape-shifter, capable of changing himself into beasts and birds. He fights in the French colonial armies, in Vietnam and Algeria, but on his return he mounts a coup and becomes ruler and dictator of the Gulf Coast. For thirty years he runs…
Why did, upon independence, almost all African states adopt a presidential system of rule? What are the historical origins of presidential power in postcolonial African countries? This is the question my book, Power and the Presidency in Kenya seeks to answer.
Using various British and Kenyan archival records, I show that nobody expected that the makings of a presidential regime would grand one man almost limitless executive powers; even fewer expected Jomo Kenyatta would remain president until his death in 1978 and to significantly shape Kenya’s presidential rule. With this book, I hope to show that the African presidencies have their own history, one that calls for reconstructing the actors’ agency in negotiating presidential powers, for the worse or the best of their interest, yet always with a refine political intelligence.
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
