I have loved Algeria since I lived there for 3 years from 2007. The experiences of the 20th century, particularly the War of Independence, make Algeria such an important country. The anti-colonial War overturned an entrenched colonialism, not only in Algeria, but set in train a movement for freedom across an entire continent. I have written extensively on the growth of civil society associations and how these helped people recover from tragedies; and more recently, the developments that sprung from the Algerian Hirak of 2019. This saw millions of protesters march peacefully, for over a year, to bring about significant changes and new understandings of citizenship in the 21st century.
One of Algeria’s greatest writers, Assia Djebar, deserves far greater recognition in the English-speaking world.
Her book, Algerian White, gives a painful account of the loss of three important Algerian intellectuals, against the backdrop of the Black Decade, and offers an eloquent and moving account of Algeria’s trauma of the 1990s.
Her analysis of Algerian society, culture, and language offers us a powerful reflection on the difficulties of nation-building and identity, in the post-colonial period and in challenging times.
In Algerian White, Assia Djebar weaves a tapestry of the epic and bloody ongoing struggle in her country between Islamic fundamentalism and the post-colonial civil society. Many Algerian writers and intellectuals have died tragically and violently since the 1956 struggle for independence. They include three beloved friends of Djebar: Mahfoud Boucebi, a psychiatrist; M'Hamed Boukhobza, a sociologist; and Abdelkader Alloula, a dramatist; as well as Albert Camus. In Algerian White, Djebar finds a way to meld the personal and the political by describing in intimate detail the final days and hours of these and other Algerian men and women, many…
Frequent visits to my parents’ Maltese homeland from the time I was very young piqued my interest in the island’s opulent history. Life under the rule of the Knights of St John fascinated me most. The Maltese Islands lend themselves very well to literary descriptions—gifted with four compass points of natural beauty, the smell of the sea constant no matter how far inland one might venture, ancient temples that predate the pyramids of Egypt. It was during a pre-college trip to Malta in July 2000 that the idea to write a novel based on the Siege of 1565 took root, thanks to a visit to the Malta Experience in Valletta.
Empires of Sand embodies the grandest tradition of historical fiction—an epic, intricate tale that sweeps from European chateaus to North African dunes. In the late nineteenth century, the French Empire stands on the precipice of collapse and attempts to colonize the Sahara. Cultures collide, the consequences deadly. Cousins Moussa and Paul are raised as brothers in Paris until harrowing events separate them, and they find themselves on opposing sides as battle lines are drawn. I read this novel at a measured pace, partly to absorb the nuances of every scene, partly because I did not want it to end. Empires of Sand captivated me to the point that I missed subway stops during my commute. I reread passages to ingrain them in my mind. David Ball’s mesmerizing, poetic prose serves as evidence that he truly views the world with wonder. The sands of the Sahara beckoned as the story unfolded—so…
From the mysteriously beautiful, richly hued landscape of the Saharan mountains to the sumptuous splendor of nineteenth-century Paris, Empires of Sand is a novel that takes us on an extraordinary, powerfully emotional journey In a clash between two civilizations, two men of common blood discover that in war, love, and even family, they are both destined to be outsiders....
The year is 1870. The proud Republic of France is crumbling under the onslaught of the Prussian army. Paris is under siege. Too young to understand the shifting fortunes of the empire, two boys forge a bond with their breathless adventures…
When I was at school, reading was a chore. We were given books that held no interest and told to dissect the author’s words to find a deeper meaning. It put me off reading for years. It wasn’t until I came across a thriller that I discovered my love of books, and I’ve been hooked ever since. There’s nothing like mounting tension to get you flipping the pages, and I try to do that in my books.
A cracking action thriller. A friend recommended this to me, saying my pulse would rise within the first few pages. He wasn’t wrong. It shot up and barely came down. Jet is an Israeli agent who wants out, but it’s never that easy. Such a good first book that the author wrote about 20 more in the series. Guess who read them all!
Code name: Jet Twenty-eight-year-old Jet was once the Mossad's most lethal operative before faking her own death and burying that identity forever. But the past doesn't give up on its secrets easily. When her new life on a tranquil island is shattered by a brutal attack, Jet must return to a clandestine existence of savagery and deception to save herself and those she loves. A gritty, unflinching roller-coaster of high-stakes twists and shocking turns, JET features a new breed of protagonist that breaks the mold. Fans of Lisbeth Salander, SALT, and the Bourne trilogy will find themselves carried along at…
I found this treasure in my local little free library in Colonia Guadalupe, San Miguel de Allende, Mexico, and devoured it. In 1935, when he was barely out of his teens, Edmond Charlot launched in Algiers a combination bookstore, lending library, and publishing house that became incredibly influential.
Charlot often had to work on a shoestring budget, and he survived wars and persecutions by French colonial authorities, but for the love of books and writers, he never gave up. How can we, as readers and authors, not love this guy in return?
Kaouther Adimi tells much of the story through journal entries, a construct I don’t always enjoy but in this case found compelling. I look forward to reading more of her evocative work.
Our Riches celebrates quixotic devotion and the love of books in the person of Edmond Charlot, who at the age of twenty founded Les Vraies Richesses (Our True Wealth), the famous Algerian bookstore/publishing house/lending library. He more than fulfilled its motto "by the young, for the young," discovering the twenty-four-year-old Albert Camus in 1937. His entire archive was twice destroyed by the French colonial forces, but despite financial difficulties (he was hopelessly generous) and the vicissitudes of wars and revolutions, Charlot (often compared to the legendary bookseller Sylvia Beach) carried forward Les Vraies Richesses as a cultural hub of Algiers.…
In 1999, I followed my childhood dreams and enlisted in the French Foreign Legion. In 2005, I published my first work, Legion of the Lost, which chronicles my swashbuckling experience serving in the French Foreign Legion. This is my story.
Cushny wanted to join the royal air force but was barred due to his eyesight. Instead he joined up with the French foreign legion in Algeria. He barely escaped with his life after serving in one of the fiercest moments in its history, the 1920 wars against moroccan separatists and berbers. It paints a shocking portrait of service in the legion.
I’ve always been fascinated by the strangeness of human character when tested to the limit by overwhelming catastrophe. I’ve always wanted to write a story that brings into stark relief the courage, fear, ambition, tragedy, absurdity, and the ecstatic. In other words, a disaster. And if character is destiny, then an apocalypse maybe the best way to show us who we really are and where we’re going. My debut novel, Delirium focuses on these extremes of character. And after writing it I reached one indelible conclusion: that the human being is the most disturbed creature, but also the most hopeful.
Camus’ Stranger brought me to this book and I was once more pulled in by the same direct prose, the same detachment and the same philosophical inquisitiveness.
There’s a feeling that plagues are inevitable, that they will come no matter what we do, and that our efforts to stop them always degenerate into the absurd. But what struck me most was that this is not fatalism, because although the collective effort is largely useless, hope lies in the small acts of kindness between individuals.
“Its relevance lashes you across the face.” —Stephen Metcalf, The Los Angeles Times • “A redemptive book, one that wills the reader to believe, even in a time of despair.” —Roger Lowenstein, The Washington Post
A haunting tale of human resilience and hope in the face of unrelieved horror, Albert Camus' iconic novel about an epidemic ravaging the people of a North African coastal town is a classic of twentieth-century literature.
The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation and claustrophobia follow as they…
Jake Thackray is an almost forgotten figure, but he was a national treasure in the 70s and 80s and an utterly unique singer-songwriter in the French chanson tradition of Georges Brassens.
He was a proud Yorkshireman and English teacher, and his love of language and dialect infuses his comic songs with a complexity and specificity you rarely hear now. He was a nervous performer, a drinker, and a hard man to pin down.
Still, his songs are amongst the best, most technically accomplished, and brilliantly observed of anything in the English canon, and he deserves to be rediscovered. This book is a detailed and moving portrait of a great eccentric talent.
Beware of the Bull - The Enigmatic Genius of Jake Thackray is the critically-acclaimed first biography of the late, great singer-songwriter. Admired by Neil Gaiman, Jarvis Cocker, Alex Turner and Thea Gilmore, among others, Jake was one of the greatest and most original artists of the twentieth century; a unique talent and master storyteller whose songs are full of wit, poetry, irreverence and humanity. The book reveals a life as extraordinary as his writing: difficult upbringing in the terraces of Leeds; strict Catholic education; transformative experiences in France and Algeria; time as an inspirational, unorthodox and highly creative teacher; meteoric…
I have loved Algeria since I lived there for 3 years from 2007. The experiences of the 20th century, particularly the War of Independence, make Algeria such an important country. The anti-colonial War overturned an entrenched colonialism, not only in Algeria, but set in train a movement for freedom across an entire continent. I have written extensively on the growth of civil society associations and how these helped people recover from tragedies; and more recently, the developments that sprung from the Algerian Hirak of 2019. This saw millions of protesters march peacefully, for over a year, to bring about significant changes and new understandings of citizenship in the 21st century.
James McDougall’sHistory of Algeria gives an excellent overview of Algerian history, focusing on the lived experiences of the Algerian people over the last 500 years.
He does this with an easily readable style, offering acute insights and drawing on the personal experiences of those who lived through world-changing movements. He covers the War of Independence and the revolutionary transformations which ensued in Algeria, and across the continent, by that long and heroic struggle.
Covering a period of five hundred years, from the arrival of the Ottomans to the aftermath of the Arab uprisings, James McDougall presents an expansive new account of the modern history of Africa's largest country. Drawing on substantial new scholarship and over a decade of research, McDougall places Algerian society at the centre of the story, tracing the continuities and the resilience of Algeria's people and their cultures through the dramatic changes and crises that have marked the country. Whether examining the emergence of the Ottoman viceroyalty in the early modern Mediterranean, the 130 years of French colonial rule and…
I have loved Algeria since I lived there for 3 years from 2007. The experiences of the 20th century, particularly the War of Independence, make Algeria such an important country. The anti-colonial War overturned an entrenched colonialism, not only in Algeria, but set in train a movement for freedom across an entire continent. I have written extensively on the growth of civil society associations and how these helped people recover from tragedies; and more recently, the developments that sprung from the Algerian Hirak of 2019. This saw millions of protesters march peacefully, for over a year, to bring about significant changes and new understandings of citizenship in the 21st century.
Elaine Mokhtefi’s exceptional memoirs, document her life, moving from the US to France, then Algeria, to participate in the Algerian liberation struggle and then in post-independence Algeria.
They are as inspiring as they are exciting. Her story and personal connections with the Black Panther movement’s exiles, give fascinating insights into Algiers as the capital, the Mecca, for revolutionaries of the 1960s and 1970s.
This is an optimistic, but not uncritical, account, which shows the potential of recent Algerian history, to teach us about courage, resilience, and our collective struggles for democracy and justice.
Mokhtefi (nee Klein), a Jewish American from Long Island, has had an exhilarating life. In the 1960s, she served as a press adviser to the National Liberation Front in postwar Algiers, before going to work with Eldridge Cleaver, who was wanted in the US for his role in a deadly shoot-out with Oakland police. Half a century later, as an eighty-nine-year-old painter living on the Upper West Side, Mokhtefi still seasons her prose with the argot of revolution.
Having grown up under a repressive dictatorship in Iran, I always wondered about how humans could come together to bring about change. Years of living in different countries have only prolonged that quest. I had identified as a socialist since my teen years in the 2000s (when this political identity wasn’t so popular) and have continuously studied the history of the Left and the pathways it offers to make a better world. I don’t believe in exhaustive favorite lists, so these are just five books that, I think, will help us better appreciate this long history of a quest for progress.
Biography is perhaps my favorite genre because, at their best, biographies show us how people are both made by history and make history themselves.
This book is amongst the best political biographies I’ve ever read as it gives a passionate but also fair and critical account of one of the best-known revolutionaries of the 20th century, Frantz Fanon.
It is a book both about ideas and the humans behind them and is serious on both counts. Whether it’s deep in explaining Fanon’s turn away from orthodox Marxism or his continued attachment to Caribbean poetry, or when simply painting a picture of an afternoon in Tunis when Fanon interacted with his many friends and colleagues, it is a lively read that was hard for me to put down.
