100 books like A Dying Colonialism

This intensely personal diary conveys the savage day-to-day reality of this colonial conflict like no other and is a must-read for anyone interested in Algerian perspectives. By November 1954, the moment when the National Liberation Front (FLN) launches the armed national liberation struggle that will achieve independence eight years later, Mouloud Feraoun is already a very well-established novelist, writing while simultaneously working in the French education administration in French Algeria. Through his journal entries, therefore, he tries to make sense of the cycles of violence and counter-violence as they unfold around him which means that the diary is not a dry, detached account.

It is written in the very eye of the storm and brilliantly conveys how ordinary Algerians sought to navigate one of the most brutal episodes of the whole decolonsation process. Assassinated by a right-wing terrorist group, the Secret Army Organisation (OAS), just days before the official cease-fire… show more.

This is an astonishing memoir, told by one of the women bombers, Zohra Drif, so memorably portrayed in Gillo Pontecorvo’s film Battle of Algiers. A retrospective account, first published in French in 2013 to great acclaim and great controversy, Drif explains her motivations in clear and direct prose. She traces why and how she becomes a member of the National Liberation Front, willing to go to the most extreme lengths to liberate her country from colonial oppression. As such this memoir is full of telling historical details, not least in terms of the daily drip-drip violence of settler colonialism and the huge mirror violence this engendered. More specifically, this memoir provides us with a remarkable insight into the thoughts and emotions of the Battle of Algiers in 1956 and 1957, when small tightly organised groups of FLN fighters confronted the French paratroopers in the Casbah of Algiers: a key… show more.

This is not only a beautifully written book, it is an important one. Why? Because it poses challenging questions about the promise of post-independence freedom for Algerian women through a collection of short stories written between 1959 and 1978. First published in French in 1980, the writing style is at once innovative, lyrical, and unsettling as Assia Djebar explores the condition of Algerian women across the pre-colonial, colonial and immediate post-colonial periods. The inspiration for the book is Eugène Delacroix’s 1834 painting of women in an Algerian harem because, as Djebar explains in the post-face, this picture leads her straight to the conundrum of 1970s Algeria: “What would Delacroix see if he entered into contemporary Algerian apartments?” And for her the depressing conclusion is that he would still find women locked up and shut away just as in the 1830s. One of the most significant voices to emerge from Algeria,… show more.

This is a powerful memoir. First published in French in 2016, one year after Mokhtar Mokhtefi’s death, it is an eyewitness account of twentieth-century Algeria, tracing his political journey from a poor village south of Algiers, through to the French secondary education, one of the few Muslims to do so, and his eventual engagement in the FLN in 1957. Graphically portraying the anger and disaffection that drives Algerians to rebel against French rule, the book is equally unsparing about the divisions and authoritarianism which riddle the National Liberation Front and shape post-independence Algeria. Beautifully translated by his widow, the writer and anti-imperialist activist Elaine Mokhtefi. 

Not a book that covers the legion directly but the war in Algeria is a big part of the Legions history, and notably the Legion’s 2e régiment étranger de parachutistes. The Algerian War lasted from 1954 to 1962. It came close to provoking a civil war on French soil. For those interested in the Putsch, then get into this book. More than a million Muslim Algerians died in the conflict and many European settlers were driven into exile. Above all, the war was marked by the unholy marriage of revolutionary terror, and repressive torture. 

Latefa Guemar’s powerful research on the Algerian Diaspora from a woman’s perspective shows to the world the terrible experiences of violence against women in the Algerian Black Decade of the 1990s.

This harrowing conflict forced women into exile via a broken European asylum system that failed, and still fails, women in so many ways.  Her work on diasporic networks of women’s groups and associations, inspired work we recently did together during Covid on Algeria diaspora activism.

The book’s beautiful and mesmerizing front cover, designed by one of our students, Ikram, was part of our arts-based training on Imagining the Future. I still get shivers when I see this.

Elaine Mokhtefi’s exceptional memoirs, document her life, moving from the US to France, then Algeria, to participate in the Algerian liberation struggle and then in post-independence Algeria.

They are as inspiring as they are exciting. Her story and personal connections with the Black Panther movement’s exiles, give fascinating insights into Algiers as the capital, the Mecca, for revolutionaries of the 1960s and 1970s.

This is an optimistic, but not uncritical, account, which shows the potential of recent Algerian history, to teach us about courage, resilience, and our collective struggles for democracy and justice. 

Awarded the Nobel Prize in Literature in 2022, Annie Ernaux is one of France's best-loved writers. 

She writes through details. Collaging phrases, photographs, lines of songs, objects, advertising jingles, fragments of film, radio and TV programs, and the words of men in bed at night, Ernaux writes the history of modern France via an intensely personal memoir. Dien Bien Phu, the Algerian War, the May '68 revolt, 9–11 are all here, as seen through her eyes and told in her unmistakable voice. 

As one critic wrote, Ernaux "transforms her life into history and her memory into the collective memory of a generation." At once richly evocative and utterly unsentimental, this is one of the most original and impressive books I've read in a long while.

This is a story of love and friendship set in 1950s Algeria before and during the Algerian War of Independence. The main character, Younes, is an Arabic Algerian but forms friendships with some European boys and falls in love with Emilie a beautiful European girl. Great descriptions of the environment and the characters’ feelings make for an engrossing and moving read as Younes has to make choices about his loyalties towards his friends and family from the two different cultures. 

In many ways the best account of the history of modern torture.

As Rejali shows, this has all too often been mis-remembered as the history of Soviet and Nazi torture. Torture, in his account, has been widely practiced by modern democracies.

He identifies the French (in the context of the Algerian War of Independence) as the real innovators in the field of modern “stealth” or invisible torture, ie. torture designed not to leave marks: waterboarding and electro-torture.

I particularly like this for the way it explodes many of the myths surrounding the history of modern torture.