Here are 100 books that A Dying Colonialism fans have personally recommended if you like
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I've been fascinated by Algeria ever since I first visited the country in the summer of 1982, visiting cities in the north, Algiers and Oran, and then crossing over the Atlas Mountains to the Sahara Desert. This encounter never left me, so it was quite natural that when I started a PhD I was drawn to Algerian history. My books seek to both put Algerians centre-stage through their creativity expressed in music, food, poetry, writings and humour and to connect them to wider global histories. I'm co-curating a Cultures of Resistance Festival in Dublin which will bring together Algerian and Irish creatives to reflect upon their common resistance cultures.
This intensely personal diary conveys the savage day-to-day reality of this colonial conflict like no other and is a must-read for anyone interested in Algerian perspectives. By November 1954, the moment when the National Liberation Front (FLN) launches the armed national liberation struggle that will achieve independence eight years later, Mouloud Feraoun is already a very well-established novelist, writing while simultaneously working in the French education administration in French Algeria. Through his journal entries, therefore, he tries to make sense of the cycles of violence and counter-violence as they unfold around him which means that the diary is not a dry, detached account.
It is written in the very eye of the storm and brilliantly conveys how ordinary Algerians sought to navigate one of the most brutal episodes of the whole decolonsation process. Assassinated by a right-wing terrorist group, the Secret Army Organisation (OAS), just days before the official cease-fire…
"This honest man, this good man, this man who never did wrong to anyone, who devoted his life to the public good, and who was one of the greatest writers in Algeria, has been murdered. . . . Not by accident, not by mistake, but called by his name and killed with preference." So wrote Germaine Tillion in Le Monde shortly after Mouloud Feraoun's assassination by a right wing French terrorist group, the Organisation Armee Secrete, just three days before the official cease-fire ended Algeria's eight-year battle for independence from France.
I've been fascinated by Algeria ever since I first visited the country in the summer of 1982, visiting cities in the north, Algiers and Oran, and then crossing over the Atlas Mountains to the Sahara Desert. This encounter never left me, so it was quite natural that when I started a PhD I was drawn to Algerian history. My books seek to both put Algerians centre-stage through their creativity expressed in music, food, poetry, writings and humour and to connect them to wider global histories. I'm co-curating a Cultures of Resistance Festival in Dublin which will bring together Algerian and Irish creatives to reflect upon their common resistance cultures.
This is an astonishing memoir, told by one of the women bombers, Zohra Drif, so memorably portrayed in Gillo Pontecorvo’s film Battle of Algiers. A retrospective account, first published in French in 2013 to great acclaim and great controversy, Drif explains her motivations in clear and direct prose. She traces why and how she becomes a member of the National Liberation Front, willing to go to the most extreme lengths to liberate her country from colonial oppression. As such this memoir is full of telling historical details, not least in terms of the daily drip-drip violence of settler colonialism and the huge mirror violence this engendered. More specifically, this memoir provides us with a remarkable insight into the thoughts and emotions of the Battle of Algiers in 1956 and 1957, when small tightly organised groups of FLN fighters confronted the French paratroopers in the Casbah of Algiers: a key…
This gripping insider's account chronicles how and why a young woman in 1950s Algiers joined the armed wing of Algeria's national liberation movement to combat her country's French occupiers. When the movement's leaders turned to Drif and her female colleagues to conduct attacks in retaliation for French aggression against the local population, they leapt at the chance. Their actions were later portrayed in Gillo Pontecorvo's famed film The Battle of Algiers. When first published in French in 2013, this intimate memoir was met with great acclaim and no small amount of controversy. It is essential reading for anyone seeking to…
I've been fascinated by Algeria ever since I first visited the country in the summer of 1982, visiting cities in the north, Algiers and Oran, and then crossing over the Atlas Mountains to the Sahara Desert. This encounter never left me, so it was quite natural that when I started a PhD I was drawn to Algerian history. My books seek to both put Algerians centre-stage through their creativity expressed in music, food, poetry, writings and humour and to connect them to wider global histories. I'm co-curating a Cultures of Resistance Festival in Dublin which will bring together Algerian and Irish creatives to reflect upon their common resistance cultures.
This is not only a beautifully written book, it is an important one. Why? Because it poses challenging questions about the promise of post-independence freedom for Algerian women through a collection of short stories written between 1959 and 1978. First published in French in 1980, the writing style is at once innovative, lyrical, and unsettling as Assia Djebar explores the condition of Algerian women across the pre-colonial, colonial and immediate post-colonial periods. The inspiration for the book is Eugène Delacroix’s 1834 painting of women in an Algerian harem because, as Djebar explains in the post-face, this picture leads her straight to the conundrum of 1970s Algeria: “What would Delacroix see if he entered into contemporary Algerian apartments?” And for her the depressing conclusion is that he would still find women locked up and shut away just as in the 1830s. One of the most significant voices to emerge from Algeria,…
The cloth edition of Assia Djebar's Women of Algiers in Their Apartment, her first work to be published in English, was named by the American Literary Translators Association as an ALTA Outstanding Translation of the Year. Now available in paperback, this collection of three long stories, three short ones, and a theoretical postface by one of North Africa's leading writers depicts the plight of urban Algerian women who have thrown off the shackles of colonialism only to face a postcolonial regime that denies and subjugates them even as it celebrates the liberation of men. Denounced in Algeria for its political…
I've been fascinated by Algeria ever since I first visited the country in the summer of 1982, visiting cities in the north, Algiers and Oran, and then crossing over the Atlas Mountains to the Sahara Desert. This encounter never left me, so it was quite natural that when I started a PhD I was drawn to Algerian history. My books seek to both put Algerians centre-stage through their creativity expressed in music, food, poetry, writings and humour and to connect them to wider global histories. I'm co-curating a Cultures of Resistance Festival in Dublin which will bring together Algerian and Irish creatives to reflect upon their common resistance cultures.
This is a powerful memoir. First published in French in 2016, one year after Mokhtar Mokhtefi’s death, it is an eyewitness account of twentieth-century Algeria, tracing his political journey from a poor village south of Algiers, through to the French secondary education, one of the few Muslims to do so, and his eventual engagement in the FLN in 1957. Graphically portraying the anger and disaffection that drives Algerians to rebel against French rule, the book is equally unsparing about the divisions and authoritarianism which riddle the National Liberation Front and shape post-independence Algeria. Beautifully translated by his widow, the writer and anti-imperialist activist Elaine Mokhtefi.
This engaging memoir provides a vivid account of a childhood under French colonization and a life dedicated to fighting for the freedom and dignity of the Algerian people.
The son of a butcher and the youngest of six siblings, Mokhtar Mokhtefi was born in 1935 and grew up in a village de colonisation roughly one hundred kilometers south of the capital of Algiers. Thanks to the efforts of a supportive teacher, he became the only child in the family to progress to high school, attending a French lycée that deepened his belief in…
One has to learn about France's Military history to understand the Legion. I served in her ranks, and my efforts are to help educate those interested in facts. That is why I wrote the book Appel: A Canadian in the French Foreign Legion and continue to laisse with the Legion to try and help increase recruitment.
Not a book that covers the legion directly but the war in Algeria is a big part of the Legions history, and notably the Legion’s 2erégiment étranger de parachutistes. The Algerian War lasted from 1954 to 1962. It came close to provoking a civil war on French soil. For those interested in the Putsch, then get into this book. More than a million Muslim Algerians died in the conflict and many European settlers were driven into exile. Above all, the war was marked by the unholy marriage of revolutionary terror, and repressive torture.
The Algerian War lasted from 1954 to 1962. It brought down six French governments, led to the collapse of the Fourth Republic, returned de Gaulle to power, and came close to provoking a civil war on French soil. More than a million Muslim Algerians died in the conflict and as many European settlers were driven into exile. Above all, the war was marked by an unholy marriage of revolutionary terror and repressive torture.
Nearly a half century has passed since this savagely fought war ended in Algeria’s independence, and yet—as Alistair Horne argues in his new preface to his now-classic…
I have loved Algeria since I lived there for 3 years from 2007. The experiences of the 20th century, particularly the War of Independence, make Algeria such an important country. The anti-colonial War overturned an entrenched colonialism, not only in Algeria, but set in train a movement for freedom across an entire continent. I have written extensively on the growth of civil society associations and how these helped people recover from tragedies; and more recently, the developments that sprung from the Algerian Hirak of 2019. This saw millions of protesters march peacefully, for over a year, to bring about significant changes and new understandings of citizenship in the 21st century.
Latefa Guemar’s powerful research on the Algerian Diaspora from a woman’s perspective shows to the world the terrible experiences of violence against women in the Algerian Black Decade of the 1990s.
This harrowing conflict forced women into exile via a broken European asylum system that failed, and still fails, women in so many ways. Her work on diasporic networks of women’s groups and associations, inspired work we recently did together during Covid on Algeria diaspora activism.
The book’s beautiful and mesmerizing front cover, designed by one of our students, Ikram, was part of our arts-based training onImagining the Future. I still get shivers when I see this.
This book uses the narratives of women who fled Algeria in the 1990s-known as the 'Black Decade'-to offer a more intimate understanding of the violence women face in times of conflict. It details their struggle for independence, and for freedom from the violence directed against them as women, as well as revealing the obstacles they encounter when seeking gender-appropriate international protection. Chapters also investigate these women's life experiences beyond Algeria, and the professional and cultural networks they form. Such networks play an important role in enabling the female diaspora to maintain relationships with Algeria and to engage in political discussion…
As an American artist and writer who has lived in European cities for the last decade and a half—first Berlin, now Paris—I often look for echoes of dislocation and longing in the books I read. My first published book explores the lives of people who fled other countries to arrive in a city filled with a complex and dark history.
My partner recommended this book, only recently translated into English, about a Parisian gallery worker, Naïma, who unravels her family's tangled history between rural Algeria and France. In this book, Zeniter explores the complex aftershocks of colonization and how they affect and inform subsequent generations of migrants.
Naïma’s family story in France begins when her grandfather, Ali, flees North Africa after the Algerian war for independence. Coming from a mountain village, Ali finds the decrepit French apartment blocks bewildering and unwelcoming. The final section of Zeniter’s book is devoted to Naïma’s return to Algeria, where she attempts to weave together the past and future of her family and her identity.
'Remarkable . . . a novel about people that never loses its sense of humanity' - The Sunday Times
'Zeniter's extraordinary achievement is to transform a complicated conflict into a compelling family chronicle.' - The Wall Street Journal
Naima has always known that her father's family were from Algeria - but up until now, that has meant very little to her. Born and raised in France, her knowledge of that foreign country is limited to what she has learned from her grand parents' tiny flat in a crumbling French sink estate: the food…
I have loved Algeria since I lived there for 3 years from 2007. The experiences of the 20th century, particularly the War of Independence, make Algeria such an important country. The anti-colonial War overturned an entrenched colonialism, not only in Algeria, but set in train a movement for freedom across an entire continent. I have written extensively on the growth of civil society associations and how these helped people recover from tragedies; and more recently, the developments that sprung from the Algerian Hirak of 2019. This saw millions of protesters march peacefully, for over a year, to bring about significant changes and new understandings of citizenship in the 21st century.
Elaine Mokhtefi’s exceptional memoirs, document her life, moving from the US to France, then Algeria, to participate in the Algerian liberation struggle and then in post-independence Algeria.
They are as inspiring as they are exciting. Her story and personal connections with the Black Panther movement’s exiles, give fascinating insights into Algiers as the capital, the Mecca, for revolutionaries of the 1960s and 1970s.
This is an optimistic, but not uncritical, account, which shows the potential of recent Algerian history, to teach us about courage, resilience, and our collective struggles for democracy and justice.
Mokhtefi (nee Klein), a Jewish American from Long Island, has had an exhilarating life. In the 1960s, she served as a press adviser to the National Liberation Front in postwar Algiers, before going to work with Eldridge Cleaver, who was wanted in the US for his role in a deadly shoot-out with Oakland police. Half a century later, as an eighty-nine-year-old painter living on the Upper West Side, Mokhtefi still seasons her prose with the argot of revolution.
I am a Scottish writer who enjoys travelling and meeting people of different cultures and beliefs. I have always been a fan of adventure stories, particularly those with a strange or supernatural bent. My travels to The Ivory Coast and North Africa, hearing accounts of various witch stories, and encountering strange events and practices firsthand inspired me to write The Witch’s List Trilogy: the first two books published and the third in progress.
This is a story of love and friendship set in 1950s Algeria before and during the Algerian War of Independence. The main character, Younes, is an Arabic Algerian but forms friendships with some European boys and falls in love with Emilie a beautiful European girl. Great descriptions of the environment and the characters’ feelings make for an engrossing and moving read as Younes has to make choices about his loyalties towards his friends and family from the two different cultures.
'Darling, this is Younes. Yesterday he was my nephew, today he is our son'.
Younes' life is changed forever when his poverty-stricken parents surrender him to the care of his more affluent uncle. Re-named Jonas, he grows up in a colourful colonial Algerian town, and forges a unique friendship with a group of boys, an enduring bond that nothing - not even the Algerian Revolt - will shake. He meets Emilie - a beautiful, beguiling girl who captures the hearts of all who see her - and an epic love story is set in motion.
I am a professor emeritus of history and sociology, who has taught in universities in Canada and the UK. In the 20th century, Prague Castle was the seat of a gamut of modern political regimes, from democracy through fascism to communism. Gazing across the river at the Castle one night during my first visit to the city in early 1990, soon after the fall of communism, it occurred to me that there can be few better vantage points from which to rethink "the modern condition." My interest in imaginative histories, which montage details rather than attempting to provide an overarching grand narrative, stems from wrestling with how to communicate this complexity.
Awarded the Nobel Prize in Literature in 2022, Annie Ernaux is one of France's best-loved writers.
She writes through details. Collaging phrases, photographs, lines of songs, objects, advertising jingles, fragments of film, radio and TV programs, and the words of men in bed at night, Ernaux writes the history of modern France via an intensely personal memoir. Dien Bien Phu, the Algerian War, the May '68 revolt, 9–11 are all here, as seen through her eyes and told in her unmistakable voice.
As one critic wrote, Ernaux "transforms her life into history and her memory into the collective memory of a generation." At once richly evocative and utterly unsentimental, this is one of the most original and impressive books I've read in a long while.
Considered by many to be the iconic French memoirist's defining work, The Years is a narrative of the period 1941 to 2006 told through the lens of memory, impressions past and present, cultural habits, language, photos, books, songs, radio, television, advertising and news headlines. Annie Ernaux invents a form that is subjective and impersonal, private and communal, and a new genre - the collective autobiography - in order to capture the passing of time. At the confluence of autofiction and sociology, The Years is 'a Remembrance of Things Past for our age of media domination and consumerism' (New York Times),…
